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Do you know to make some a lego cape. I show you how to make it. Making a cloth similar to Lego fabric.
This is one of the buildings that has been damaged by fire in the arson fires at the Heidelberg Project. This was the "house that makes cents" and had pennies on the outside of it.
Trafalgar Square at dusk.
I only happened to be here accompanying a friend, and thus didn't have a tripod with me. Took this hand-held at F/2.8, 1/6 sec, ISO 400.
Visit and enjoy Alpha Whiskey Photography
BOX DATE: 1998
MANUFACTURER: Mattel
MISSING ITEMS: Baby chair, cradle, mirror, tray, 2 hangers, 4 plates, 4 cups, pan, lid, vase, water bottle, picture frame, portable phone/receiver, 4 forks, 4 knives, 4 spoons, bench
SPECIAL FEATURES: Makes sound; rotating wall; fold out tub; shelf folds down into bed
PERSONAL FUN FACT: I'll never forget the first time I saw this compact Family House at the store when I was a kid. Mom, Dad, Colleen, and me were all out shopping at BJ's. Back in the day, there was a small toy section that we always had to check out. I'm not sure what it looks like these days since we haven't had a membership in years. Anyways, Colleen and I saw this house on one of our BJ's excursions. We were intrigued by the concept of a house made for Barbie AND all her sisters. At the time, Barbie's family consisted of Barbie, Kelly, Stacie, and Skipper. It was virtually the same as her current family, only Kelly has been substituted for Chelsea in recent years (no idea why). We were drawn to the iconic dolls that were advertised on the box--Flashlight Fun Stacie, Cool Sitter Skipper, and Cool Blue Barbie. We both drooled over this house that sported so many awesome features--like bed space for each doll and a rotating panel that could dual as a kitchen or desk/bed area! I still recall the way we rhapsodized about the games we could do in such a house. Even though we didn't have dolls with us that day, we were so wrapped up in the potential that the house could have, that we were basically playing anyways. I don't remember anymore if we asked Mom and Dad for the house, or if we knew it was a lost cause, but the house remained a dream. It wasn't until 2019, when we finally got a chance to purchase this house. We may have seen it at the flea market at some point over the years, but doll houses can be hit or miss secondhand. Some sellers want way to much money for Barbie houses that are gutted. Anyways, we unexpectedly came across ours at the local Salvation Army. Colleen and I popped in one Saturday hoping to find her a "fancy" outfit to wear to prom (she was a chaperone). It goes without saying that our first order of business was to investigate the toy section. After finding some Disney dolls we wanted, I noticed a playset tucked on top of a shelf above hanging comforters. I had not previously seen any toys in this particular spot, so I was intrigued. I noticed the $9.99 price tag and the squalid condition of the house and thought we should walk around and think about it before making a decision. The entire time we buzzed through the clothes, my mind kept drifting to the house. After Colleen found an outfit, we pulled the house down and opened it up to make sure it was in decent shape. All the fold out features were intact, and nothing looked broken. There weren't any tiny accessories included, and the house itself was absolutely filthy. It was coated in a brown layer of grime that wouldn't wipe off easily. We brought it to the register and to our surprise, the cashier rung it up for just $1.99! While it was worth the ten dollars to us, of course we loved getting it for a bargain (the cashiers at this location tend to mark the toys down for no reason, probably because they get so many). Once at home, I had the overwhelming task of washing the house. It could not be spot cleaned, and it didn't fit in the kitchen sink. So for a half hour/forty five minutes, I sat on the bathroom floor next to the shower scrubbing every nook and cranny. I had to make certain that each fold out feature was cleaned, and also the bottom of the playset. Then everything had to be left open to thoroughly dry. It was well worth the effort because now the house looks like new, minus a few missing components (listed above). Both Colleen and I felt like little kids living out a childhood dream when we set up the house for the first time!
Hola! :D! Pues en esta ocasion les dejo esta imagen que acabo de terminar, (empecé con el fondo y algo de Britney desde ayer xD) un estilo algo "Glamuroso" xD ya saben, Britney... :D! El "Abrigo" me dio un poco de trabajo, pero al final quedé satisfecho con el resultado...
La imagen es algo grande, si gustan pueden darle Zoom para verla mejor... ^^... Saludos y gracias por todos sus comments :D!
Slave4Britney
can set the sea in motion.
ALLSIZES, 1240x1028
Simple reason for this wallpaper, I adore these two. So them together on a stage makes me happy.
But seriously, whats up with everyone saying they did bad? Give them a break, its the first time they perform this song. And to be honest, they didn’t even do that bad. Sure, it wasn’t their best.. but it definitely wasn’t bad. And about the song being ‘lame’.. its a DISNEY song guys, you could have expected it to be a song like this. I think the song has a strong message that little children (disney their largest group of viewers) might really do something with. So stop complaining, and just wait until the full song comes out.. I bet they sound amazing. And this performance isn’t half as bad as you all make it to be. Not even beginning on the fact there were problems with the sound..
Other colored version - i48.tinypic.com/oix6qq.jpg
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Ivy: This is not nearly enough food! I am going to have to call for some Chinese food and a couple of pizzas.
Make Up and Photos by Natasha
Dress and Hat - Forever 21
Jacket, Skirt, Fishnets and Boots - Torrid
Gloves - Michael Kors
Necklace - Betsey Johnson
Coming Soon to www.chubblebubble.com
Happy New Year to all on Flickr. Thankyou for your comments, likes and general viewing. May the year ahead be a great one.
Special thank make up artist Marina,and 灰羽 and fashion Designer Amy
Pretty Portugal girl Marta Antunes came from west Africa small island country called 聖多美 Sao Tome , she was a professional model , I took her pictures often and this time, she asked make up artist, hair and fashion Designer to help her to the outdoor fashion show at center street of eastTaipei , though she got up early and little tired ,she still did her best model job , thank marta , she was gorgeous and charming for sure
Taken with my new toy camera experiment - The Double Dip.... a limited edition toy camera modified with a multiple exposure switch.
Am busy modifying the first batch of 10, when they are done I'll put them for sale on ebay.... watch this space for more details in the coming weeks.
#22 in my Make up for your alter ego series
.The Mana Spirits, also known as Elemental Spirits, are magical beings representative of the elements that make up the world. There are eight spirits in all:Salamander, the spirit of fire Undine, the spirit of water, Gnome, the spirit of earth, Jinn, the spirit of wind, Dryad, the spirit of wood,Luna, the spirit of the moon,Wisp, the spirit of light,Shade, the spirit of darkness.According to Seiken Densetsu 3, in her creation of the world, the Mana Goddess forged the Mana Sword and with it sealed the eight God-Beasts inside Mana Stones, which were then scattered across the world; the Elementals were charged with the duty of protecting the Stones. While each Elemental is a powerful spirit, being an embodiment has a drawback in that they can be physically harmed or limited, notably Jinn (Sylphid) in Seiken Densetsu 3 and Salamando in Secret of Mana. In the World History Encyclopedia featured in Legend of Mana, the Elementals are descended from the Mana Goddess, the embodiment of the creative and destructive forces of Mana, each being born from the light which formed the respective elements of Fa'Diel, the world of Mana.There is a basic system of opposing elemental pairs in the games before Legend of Mana: Undine (water) and Salamando (fire); Gnome (earth) and Sylphid/Jinn (wind); Lumina/Wisp (light) and Shade (darkness); Dryad (nature) and Luna (celestial). The system works differently in Legend of Mana, with the four Western Elements in a circular relationship: Undine overcomes Salamander, who overcomes Gnome, who overcomes Jinn, who overcomes Undine, thus launching the cycle over again; while Wisp and Shade are opposites, and Aura (gold/metal) becomes the new opposite to Dryad (wood) (see Elements).
mana.wikia.com/wiki/Mana_Spirit
www.mythsdreamssymbols.com/dreamsarchetypes.html
Imagine you are sitting in a theater, listening to a heroine sing longingly of her beloved. Suddenly the stage is invaded by two bands of acrobatic warriors. They tumble and twirl, cartwheel and somersault, flip this way and that. From the orchestra come sounds of cymbal, gong, and clapper to punctuate the action.
Dreams and myths are constellations of archetypal images. They are not free compositions by an artist who plans them for artistic or informational effects. Dreams and myths happen to human beings. The archetype speaks through us. It is a presence and a possibility of "significance." The ancients called them "gods" and "goddesses."What then is an archetype? Jung discovered that humans have a "preconscious psychic disposition that enables a (man) to react in a human manner." These potentials for creation are actualized when they enter consciousness as images. There is a very important distinction between the "unconscious, pre- existent disposition" and the "archetypal image." The archetype may emerge into consciousness in myriads of variations. To put it another way, there are a very few basic archetypes or patterns which exist at the unconscious level, but there are an infinite variety of specific images which point back to these few patterns. Since these potentials for significance are not under conscious control, we may tend to fear them and deny their existence through repression. This has been a marked tendency in Modern Man, the man created by the French Revolution, the man who seeks to lead a life that is totally rational and under conscious control. Where do the archetypes come from? In his earlier work, Jung tried to link the archetypes to heredity and regarded them as instinctual. We are born with these patterns which structure our imagination and make it distinctly human. Archetypes are thus very closely linked to our bodies. In his later work, Jung was convinced that the archetypes are psychoid, that is, "they shape matter (nature) as well as mind (psyche)" (Houston Smith, Forgotten Truth, 40). In other words, archetypes are elemental forces which play a vital role in the creation of the world and of the human mind itself. The ancients called them elemental spirits How do archetypes operate? Jung found the archetypal patterns and images in every culture and in every time period of human history. They behaved according to the same laws in all cases. He postulated the Universal Unconscious to account for this fact. We humans do not have separate, personal unconscious minds. We share a single Universal Unconscious. Mind is rooted in the Unconscious just as a tree is rooted in the ground. Imagine the Universal Unconscious as a cosmic computer. Our minds are subdirectories of the root directory. If we look in our personal "work areas," we find much material that is unique to our historical experience--could only have happened to us--but it is shaped according to universal patterns. If we humans have the courage to seek the source to which our "account" belongs, we begin to discover ever more impersonal and universal patterns. The directories of the cosmic computer to which we can gain access are filled with the myths of the human species. Modern man fancies that he has escaped the myths through his conscious repudiation of revealed religion in favor of a purely rational natural religion (read: Natural Science). But consider his theories of human origin. In the beginning, there was a Big Bang, a cosmic explosion. This is an image from which reason may begin to work, but it is not itself a rational statement. It is a mythical construct. Consider the theory of biological evolution. Man's ancestors emerge from the seas, and they in turn emerged from a cosmic soup of DNA. The majority of creation myths also begin with the same image of man emerging from primordial oceans. See Genesis 1 or the Babylonian creation epic. Consider the Modern tendency to call ourselves persons from the Latin persona. The term derives from the "mask" of Dionysus. Moderns are the wearers of masks! The reality is concealed in the darkness of mystery. This too is a mythical construct. Synchronicity Personality theorists have argued for many years about whether psychological processes function in terms of mechanism or teleology. Mechanism is the idea that things work in through cause and effect: One thing leads to another which leads to another, and so on, so that the past determines the present. Teleology is the idea that we are lead on by our ideas about a future state, by things like purposes, meanings, values, and so on. Mechanism is linked with determinism and with the natural sciences. Teleology is linked with free will and has become rather rare. It is still common among moral, legal, and religious philosophers, and, of course, among personality theorists. Among the people discussed in this book, Freudians and behaviorists tend to be mechanists, while the neo-Freudians, humanists, and existentialists tend to be teleologists. Jung believes that both play a part. But he adds a third alternative called synchronicity.
Synchronicity is the occurrence of two events that are not linked causally, nor linked teleologically, yet are meaningfully related. Once, a client was describing a dream involving a scarab beetle when, at that very instant, a very similar beetle flew into the window. Often, people dream about something, like the death of a loved one, and find the next morning that their loved one did, in fact, die at about that time. Sometimes people pick up he phone to call a friend, only to find that their friend is already on the line. Most psychologists would call these things coincidences, or try to show how they are more likely to occur than we think. Jung believed the were indications of how we are connected, with our fellow humans and with nature in general, through the collective unconscious. Jung was never clear about his own religious beliefs. But this unusual idea of synchronicity is easily explained by the Hindu view of reality. In the Hindu view, our individual egos are like islands in a sea: We look out at the world and each other and think we are separate entities. What we don't see is that we are connected to each other by means of the ocean floor beneath the waters. The outer world is called maya, meaning illusion, and is thought of as God's dream or God's dance. That is, God creates it, but it has no reality of its own. Our individual egos they call jivatman, which means individual souls. But they, too, are something of an illusion. We are all actually extensions of the one and only Atman, or God, who allows bits of himself to forget his identity, to become apparently separate and independent, to become us. But we never truly are separate. When we die, we wake up and realize who we were from the beginning: God. When we dream or meditate, we sink into our personal unconscious, coming closer and closer to our true selves, the collective unconscious. It is in states like this that we are especially open to "communications" from other egos. Synchronicity makes Jung's theory one of the rare ones that is not only compatible with parapsychological phenomena, but actually tries to explain them!
www.mythsdreamssymbols.com/dreamsarchetypes.html
On this day ghosts and other supernatural creatures come out from the Underworld and move among the living. Families prepare food and other offerings and place them on a shrine dedicated to deceased relatives.Mana You must understand that these archetypes are not really biological things, like Freud's instincts. They are more spiritual demands. For example, if you dreamt about long things, Freud might suggest these things represent the phallus and ultimately sex. But Jung might have a very different interpretation. Even dreaming quite specifically about a penis might not have much to do with some unfulfilled need for sex. It is curious that in primitive societies, phallic symbols do not usually refer to sex at all. They usually symbolize mana, or spiritual power. These symbols would be displayed on occasions when the spirits are being called upon to increase the yield of corn, or fish, or to heal someone. The connection between the penis and strength, between semen and seed, between fertilization and fertility are understood by most cultures.The concept of archetypes is central to Jungian psychology and myth analysis. However there are many different ways of looking at what exactly an archetype is (cf Heiddegger). Carol Pearson, in her book, Awakening The Heroes Within shows how five different individuals would view the idea of archetypes.A Shaman, or other seeker after spiritualism, will conceive of archetypes as gods and goddesses, encoded in the collective unconscious, whom are scorned at great risk. Academics and other rationalists, who are typically suspicious of anything that sounds mystic, may conceive of archetypes as controlling paradigms or metaphors, the invisible patterns in the mind that control how we experience the world.Scientists may see the process of identifying archetypes as similar to other scientific processes. Physicists learn about the smallest subatomic particles by studying the traces they leave; psychologists and other scholars study archetypes by examining their presence in art, literature, myth, and dream. Carl Jung recognized that the archetypical mages that recurred in his patients' dreams also could be found in the myths, legends, and art of ancient peoples, as well as in contemporary iterature, religion, and art. They know that they are archetypical becausethey leave the same traces over time and space. People who are committed to religious positions that emphasize one all-encompassing God, can distinguish the spiritual truth of monotheism from the pluralistic psychological truth of archetypes. The god we mean when we speak of "The One True God" is beyond the human capacity to envision and name. The archetypes are like different facets of that God, accessible to the psyche's capacity to imagine numinous reality. Thus these archetypes helpthe person connect to the Eternal; they make great mysteries more accessible by providing multiple images. This is evident in both the Catholic idea of the Trinity (The Father, The Son, and The Holy Ghost), and the Buddhist idea of one Buddha (which is then divisible into the 40, the 400, and the 4000 facets or aspects of that single deity, each with it's own name and story). Finally archetypes are the primal symbols of aspects of our own nature. By identifying with one of more archetypes we can identify our own nature. By portraying these archetypes, we portray ourselves. Thus we can use these archetypes as a spiritual guide to the discovery of selfhood. And what does an archetype mean to ? That's simple. Archetypes are symbols. In the Hermetic Tradition there is very little difference between the symbol and the thing it represents. This is explicit in the Law of Association. By manipulating the symbol it is therefore also possible to directly manipulate the thing. And because archetypes are symbols representing facets of ourselves they allow us to change ourselves. As within, so without. The macrocosm embodies the microcosm.So much for the content of the psyche. Now let's turn to the principles of its operation. Jung gives us three principles, beginning with the principle of opposites. Every wish immediately suggests its opposite. If I have a good thought, for example, I cannot help but have in me somewhere the opposite bad thought. In fact, it is a very basic point: In order to have a concept of good, you must have a concept of bad, just like you can't have up without down or black without white. This idea came home to me when I was about eleven. I occasionally tried to help poor innocent woodland creatures who had been hurt in some way -- often, I'm afraid, killing them in the process. Once I tried to nurse a baby robin back to health. But when I picked it up, I was so struck by how light it was that the thought came to me that I could easily crush it in my hand. Mind you, I didn't like the idea, but it was undeniably there.According to Jung, it is the opposition that creates the power (or libido) of the psyche. It is like the two poles of a battery, or the splitting of an atom. It is the contrast that gives energy, so that a strong contrast gives strong energy, and a weak contrast gives weak energy. The second principle is the principle of equivalence. The energy created from the opposition is "given" to both sides equally. So, when I held that baby bird in my hand, there was energy to go ahead and try to help it. But there is an equal amount of energy to go ahead and crush it. I tried to help the bird, so that energy went into the various behaviors involved in helping it. But what happens to the other energy? Well, that depends on your attitude towards the wish that you didn't fulfill. If you acknowledge it, face it, keep it available to the conscious mind, then the energy goes towards a general improvement of your psyche. You grow, in other words.
But if you pretend that you never had that evil wish, if you deny and suppress it, the energy will go towards the development of a complex. A complex is a pattern of suppressed thoughts and feelings that cluster -- constellate -- around a theme provided by some archetype. If you deny ever having thought about crushing the little bird, you might put that idea into the form offered by the shadow (your "dark side"). Or if a man denies his emotional side, his emotionality might find its way into the anima archetype. And so on. Here's where the problem comes: If you pretend all your life that you are only good, that you don't even have the capacity to lie and cheat and steal and kill, then all the times when you do good, that other side of you goes into a complex around the shadow. That complex will begin to develop a life of its own, and it will haunt you. You might find yourself having nightmares in which you go around stomping on little baby birds! If it goes on long enough, the complex may take over, may "possess" you, and you might wind up with a multiple personality. In the movie The Three Faces of Eve, Joanne Woodward portrayed a meek, mild woman who eventually discovered that she went out and partied like crazy on Saturday nights. She didn't smoke, but found cigarettes in her purse, didn't drink, but woke up with hangovers, didn't fool around, but found herself in sexy outfits. Although multiple personality is rare, it does tend to involve these kinds of black-and-white extremes. The final principle is the principle of entropy. This is the tendency for oppositions to come together, and so for energy to decrease, over a person's lifetime. Jung borrowed the idea from physics, where entropy refers to the tendency of all physical systems to "run down," that is, for all energy to become evenly distributed. If you have, for example, a heat source in one corner of the room, the whole room will eventually be heated.When we are young, the opposites will tend to be extreme, and so we tend to have lots of energy. For example, adolescents tend to exaggerate male-female differences, with boys trying hard to be macho and girls trying equally hard to be feminine. And so their sexual activity is invested with great amounts of energy! Plus, adolescents often swing from one extreme to another, being wild and crazy one minute and finding religion the next.As we get older, most of us come to be more comfortable with our different facets. We are a bit less naively idealistic and recognize that we are all mixtures of good and bad. We are less threatened by the opposite sex within us and become more androgynous. Even physically, in old age, men and women become more alike. This process of rising above our opposites, of seeing both sides of who we are, is called transcendence.
www.mythsdreamssymbols.com/dreamsarchetypes.html
The ego is the centre of consciousness. It is identity. It is 'I'. But it is not the totality of the psyche. Being the king of consciousness amounts to dominion over a small but important land surrounded by a wide world of terra incognita. The more aware the King is of lands beyond his domain the more secure he will be on his throne, but he must not be tempted to open the borders to it all. In Jungian theory the unconscious is far too vast to ever be made fully conscious, poking about in it is not without danger, yet ignoring it is also a mistake since it leads to a brittle fixedness which at best impedes growth, at worst can break when under the pressure of the 'threat' of change.So called "humanist spirit" relates to the thought and the viewpoint concerning man's mental life: the humanist spirit is linked with humanitarianism and is different from each other. Compared with animals, the author concluded: Tao (Dao) and Food, kindheartedness and living, righteousness and benefit, moral integration and feats of strength, principles and appetites and independent will, etc. all are human personality values. Simultaneously strong human social responsibility is also human social value. Human beings live in nature, mutually coordinate, and co-exist in harmony together with nature which is also the representation of man's natural
www.google.fr/search?q=ghosts+supernatural+creatures+Unde...
I didn't like her mouth...and finally i've decided to change her make up!I hope you like it ^^
No me gustaba su boca...y finalmente he decidido cambiarle el maquillaje!Espero que os guste ^^
canael corn & daruma doll
this caramel corn was packed with daruma doll face style. Canael means making a wish. If your wish is fulfilled, let's write the eyeball.
A Happy New Year, friends!
みなさま、よいお年をお迎えください。
Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
- Aedh Wishes for the Cloths of Heaven
William Butler Yeats (1899)
A Likay artist puts on his make-up backstage at a temple festival in Samut Sakhon, Thailand. Likay is known for its outlandish colourful costumes. Long the main feature of rural temple festivals across Thailand, the popularity of the theatre form appears to be in decline - but nevertheless attracts a small group of diehard fans.
My photographs are (C) Copyright Richard Friend and All Rights Reserved