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Machine embroidery on linen.

Machine embroidery designs

by Urban Threads

Stoomdagen, Beekbergen

Here's the new machine! Need your help to make it the most awesome combo ever! Will trade with you if you wanna appears on this weapon on massive creation!

Old Cloud Machine - Kodak M35, Kodak UltraMax 400

A multi-screen film about the invisible infrastructures of the internet. More here: www.elasticspace.com/2014/05/internet-machine

The engine and steam crew walk about the big T-1 taking care of the many needs of the engine before the return trip to Reading. Jim Thorpe, Pa.

Florence & The Machine at Moshi Moshi @ Hoxton Square Bar & Kitchen.

24 April 2008

Leica M8 with Voigtlander 21mm f/4.0 @ Hong Kong, View On Black

Transport to the Mystery Inc. gang, this colourful camper van has featured in some form or another in Scooby-Doo since 1969!

Helicopter on the rear deck is a USN machine.

A machine crew with camouflaged helmets and their medic. I know that one of our German members posted the same image recently. Mine has nothing on the reverse.

an amazing, inspiring japanese patchwork craft book i picked up at my local kinokunyia here in SF.

Grime covered machinery in this former automotive plant which I believe is now demolished. Ontario, Canada.

 

©James Hackland

Higashikawacho, Hokkaido, Japan

The inside of a washing machine drum, photographed on a fisheye lens. July 07, 2014. Photo: Edmond Terakopian

Shot using a Nikkor 8mm Fisheye lens on a Leica M (Type 240), using a Novoflex Nikon to Leica M adapter. Blog post: photothisandthat.co.uk/2014/07/07/nikkor-8mm-fisheye-on-a...

In an old machine bone yard I recently walked through.

NME Shockwaves Tour 2009 @ Academy 1 | Manchester

     

pic(c)2009 Karen McBride

All rights reserved

"The shadows are as important as the light."

— Charlotte Brontë (Jane Eyre)

Sid Smith (born Brooklyn, New York, 1968) is an American artist.

 

“My intent in creating is to have poetic expression through the physicality of painting and my sculpture. I am very much into the process of building a painting, and lose myself in the creation of my paintings. If pressed for an explanation of why I did a certain piece a certain way I would have to say I was compelled to make it that way. Colour is an integral part of my work and I consider

carefully my combinations and placement, finding inspiration in memories of things I have seen, and mood. Each piece begins as blocks and marks of colour with no concrete direction other than letting my brush and knife and colour find the canvas as they evolve along the way. I may add words, numbers, geometries and paint over them, rework them again, sand and carve through

layers to excavate them to the surface again. I try to bring my memories, emotions and desires into a physical state on the canvas and hope that some of this is conveyed through my craft to the viewer. Bringing to my work those things that we carry with us and memories of what we have left behind. Ultimately my work comes into being for my love of creating and released so that

I may keep evolving and honing my way of creating these pictures.”

 

[Oil on canvas, 60 x 36 inches]

 

gandalfsgallery.blogspot.com/2010/10/sid-smith-machine.html

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"Tamping machine, Barretstown, Co. Kilkenny"

 

Granted it required a Google search to find even the basics of what a "tamper" does, but am still none-the-wiser as to the purpose of the device that seems to be preceding the engine down the track. Any ideas? And, if our usual "shadow" experts can identify a time of day, perhaps we can establish if that worker's off home for lunch - or his tea...

 

We are going with Niall McAuley on this one, he suggests Barretstown, Co.Kildare (just outside Newbridge) this suggestion is backed fully by Dr O Mac .

 

Dr Owen also tells us that the machine is an early 1960's Plasser & Theurer VKR 05-E tamper DX74108. Apparently the tamping tines should vibrate with the ideal frequency of exactly 35 Hz. This directional, linear vibration combined with the non-synchronous tine movement produces a homogeneously compacted ballast bed.

 

Photographer: O'Dea, James P

 

Collection: O'Dea Photograph Collection

 

Date: 5 June 1966

 

NLI Ref: ODEA 42/46

 

You can also view this image, and many thousands of others, on the NLI’s catalogue at catalogue.nli.ie

Metal processing with old Soviet Lathe Machine

poetry cuff - embroidery

Firing up the wayback machine tonight thanks to some scans by Trainboy. Searching through my archives of notes, I find that Brian Carlson and I made a trip to his folks in Altamont in September 1997 when we were both students in Champaign. We made side trips to Effingham, Centralia and Terre Haute over that weekend. Good times!

 

NS 4628 East was train 111. The track I'm standing on was the former Mike & Ike (Missouri & Illinois) - former MP subsidiary that UP kept a large piece of. I believe this Centralia trackage was used by BN to serve a couple of local industries.

 

Fast forward 19 years and I live about an hour from this spot. 111 still runs and in roughly the same evening time slot. The Mike & Ike is abandoned in Centralia but still exists in this street crossing. Don't even ask about that IC signal or the cool lashup on 111. ETTS.

 

09-05-1997

Do not use without my full written permission. All rights reserved.

A behind the scenes shot from today's shoot with Dave's awesome T4.

 

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sewing machine cover (back)

 

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