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In 1709 vestigen de Engelse theresianen een nieuw klooster aan de Kerkstraat in Lier. Het kloostercomplex werd begrensd door de Nete en de Sint-Pietersvliet. Rond 1736 werd in de ommuurde kloostertuin een barokke hofkapel (boetekapel) gebouwd. De bak- en zandstenen kapel heeft een verzorgde binnenafwerking met een fraai barok stucplafond. In 1980 werd de hofkapel beschermd als monument.

 

Foto: Iris Van Dessel

en este ultimo tiiempo me eh desepcionado de tanta gente qe crei qe era de vdd :/ qe ya ni se en quien confiar ... :/

Emergency Protest Brighton: Defend Democracy / Resist The Parliament Shutdown, Brighton, 31.08.2019

Sean Henry. Lying Man, 2003. Bronze and oil paint, 82 x 155 x 76 inches.

 

Fredrick Meijer Gardens & Sculpture Park, Grand Rapids, Michigan USA

 

IMG_1597

Devon and Cornwall Police WA17FDX

The small rural parish of Southrop lies on the west side of the river Leach 18 km. east of Cirencester. It was known as Leach after the river in 1086, but from at least 1211 the name Southrop, associating it with the local group of names that includes Hatherop, Botherop (Eastleach Martin), and Williamstrip, was used.

 

St Peter's church is set back from the main road through Southrop village, beside Southrop Estate buildings. The church pre-dates the Norman Conquest, showing the long-and-short quoins and herringbone stonework associated with the late Saxon period. Certainly there was priest here at the time of the Domesday Book in 1086.

 

In the 13th century the church was granted to the Hospitalers order of knights (the forerunners of the St John Ambulance), and the knights rebuilt the Saxon chancel and added a south transept. That leaves the nave as the oldest part of the building - and it shows, for the nave is built entirely in herringbone style construction. There is a Norman window on either wall, though the west window is Perpendicular.

 

The most impressive interior feature is a marvellous Norman font. This is a simple tub shape, exquisitely carved with an eight-arched continuous arcade. Facing east is a figure of Moses flanked by a synagogue and Ecclesia, a female figure representing the Christian church. In a telling bit of symbolism the synagogue is shown crumbling into ruin. Ecclesia carries a pennon on a shaft; the shaft is broken and the pennon falls across her eyes. There is then a series of five fascinating figures representing Virtues triumphing over Vices. The names of the virtues are carved above each figure, while the name of the vice is carved backwards on the figure's side, probably the first incidence of political correctness so as not to offend!

Please read the set description to find out more about this image.

Hotter compared to heck as well as fifty percent of Alabama, FBI Broker, Mac Callahan is parched for every little thing other than love. Coming house to breast a white-collar criminal offense ring, Mac means to perform his common method with job as well as ladies enter, become it on and also go out. Rather, he discovers himself suddenly attracted to the

 

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by Keaton Henson

FUTURA GALLERY

June 2013

 

/ALEVTINA KAKHIDZE:

IT ONLY LOOKS THE SAME

   

Opening: May 31st, 7pm

 

The exhibition runs until June 30th, 2013

 

Curator: Michal Novotný

 

The work of artist Alevtina Kakhidze lies between the still valid borders of East and West within Ukraine. It reflects both of those worlds within an anarcho feudalist society: huge geographical differences, a non caring state and extremely wealthy oligarchy. The western European desire is not anymore for the accumulation of goods or property, but rather experiences, visage and brands, regardless of actual promoted quality or real value of production.

 

Her artwork of a journey to the sky in a private jet plane therefore should not just be read as commentary on the class stratification of Ukrainian society. The price of taking a private jet flight just to see the land from the window is absurd, but however good a joke it is for the oligarch to spend this money which is inconsequential for him, the act also can be read symbolically. In Ukraine some people dispose of the power of taking others into heaven. Alevtina refused to produce drawings from the jet, which was the very reason for the flight in the first place. Not only is this in the frame of "I would prefer not to", Bartleby's passive resistance towards the system, but also a comment on the absurdity of the western post-fordist attitude towards life; to be filled with more new, exotic

and extreme experiences.

 

Alevtinas position however is neither contra or anti. She doesn't follow the simplification of many western leftist movements, reading everything through the pattern of "us against them", nor is she satisfied with a simple proclamation or illustration of the Eastern European situation as many other "East" labelled artists. While reacting to the situation and actual place, Alevtina instead takes action: opening a residency program in her rural village of Muzychi, creating a business plan independent of the supply/demand rule for local artisanals, or lecturing on Berlin Biennale for collectors. Alevtina is not separating herself from her surroundings, but rather becomes a motor of change. Her reactions are multilayered and complex, as much as the reading of them should be. In her exhibition at FUTURA gallery she therefore presents several of her works in multiple different ways.

 

Alevtina Kakhidze attended the National Academie Of Fine Art and Architecture in Kiev and Jan van Eyck Academie in the Netherlands. She exhibits in Ukraine as well as internationally since 2002. Alevtina Kakhidze took part on the 7th Berlin Biennale, Kiev Arsenale 2012 among many other solo and group exhibitions and was awarded the Kasimir Malevich artist award in 2008.

 

Michal Novotný

 

The annual exhibition program of Futura is supported by:

 

Ministerstvo kultury ČR, Magistrát hl.m. Prahy

 

Main Media Partner: Radio Wave,

 

Media Partners: Protišedi.cz Artmap, Artyčok.tv, Radio 1, Prague Galleries

 

source: www.futuraproject.cz

Special thanks to: Czech Center in Kiev

Baby John lies in his cradle by the side of its mother Frances Berkeley 1598 who died giving birth to him.

Frances was 1st wife of George Shirley 1622 who erected this monument after her death

Frances was the daughter of Henry 7th Baron Berkeley and Katherine Howard www.flickr.com/photos/52219527@N00/9496809132/

- Breedon on the Hill church Leicestershire

acrylic painting on canvas board

18 x 24 inches plus frame

Reflectie in de "Kleine Nete"

  

Written in brick-dust(?) in the abandoned former trailer park behind the Payless Shoe Source and JimBoy's Tacos on Stockton Boulevard in Sacramento:

 

REGINA

HILL IS

A LIER + [sic]

DOPE HO

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Breakthrough Research with Dogs

 

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A biochemist and former university instructor in Clinical Nutrition. He served on the faculty of the American College of Sports Medicine, advised members of the US Olympic team, and directed the nation’s first federally licensed clinical laboratory specializing in nutrition and immunology. A best-selling author with more than a million copies in print, Stephen has a remarkable gift for communicating breakthrough science that inspires, entertains and motivates.

  

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She received her medical degree from The University of Utah School of Medicine. She is board-certified in Family Medicine, as well as Anti-aging, with specialties in women’s health, hormone balancing and human performance. Natalie is recognized as a pioneer in the emerging science of metabolic medicine, and frequently serves as Principal Investigator for clinical trials in that arena. Her clinic, Advanced Family Wellness, is located in Olympia Washington, where she lives with her husband, Stephen Cherniske.

 

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Again, a new series of Zürich zoo pictures.

It's been a long time I haven't photographed Coto. Here is he, lying in the shadow.

Lying around 180 km from Dalanzadgad, the dunes of Khongor is known as the «singing sands» and when the wind blows over the dunes it makes strange sound like the high-pitched tone of an aeroplane engine about to take off or land. These dunes are largest accumulation of sand in the Gobi Gurvan Saikhan National Park, covering 965 km². They rise abruptly from the plain reaching a height of 800 m and extend over 6-12 km wide by extending for 150 km long. The spectacular dunes are bordered by lush green vegetation supported by a small river Khongoriin gol, which is fed by underground sources from surrounding mountains. Swept into constantly varying shapes by the wind, parts of their attraction is the impressive colors that the yellow-white sands take on with the changing light of day.

 

Known to be one of the harshest anvironments on the planet, with extreme temperature and seasonal changes, the Gobi is surprisingly full of wildlife, such as gazelle, wild ass or hulan, wild camel or havtgai, antelopes and the endangered Gobi bear or mazaalai. The Gobi Desert was the site of some of the most famous dinosaur fossil discoveries, including the world’s first dinosaur egg nests, some of which can be seen in Ulaanbaatar’s Natural History Museum. The majority of Mongolia’s population of Bactrain camels lives in this region.

Khongor Sand Dunes stretch for an extraordinary 180km and are 15-20m wide and high. The dunes lie on the northern part of the mountains of Sevree and Zuulun. The sound produced by masses of sand moving in the wind can be heard from afar. This is why the dunes have been given the name ‘The Singing Sands’ or ‘Duut Manhan’. Near the Khongor Gol at the northern edge of the sand dunes is an oasis.

 

These horses started off the morning grazing on lush grass near a small stream, so I followed to take a few pictures. Something about the interplay between the rich browns of their coats and the desert sands fascinated me.

 

This High Dynamic Range 360° panorama was stitched from 48 bracketed photographs with PTGUI Pro, tone-mapped with Photomatix, and touched up in Aperture.

 

Original size: 18228 × 9115 (166.1 MP; 162.98 MB).

 

Location: Gobi Gurvan Saikhan National Park, South Gobi Aymag, Mongolia

Few will be unaware of Broadway, since it's Edwardian rediscovery this picturesque Cotswold town has attracted visitors from all over the world. Broadway has fallen from the high wolds lying at the foot of the escarpment, the main street once climbed the lower slopes of Fish Hill slipping away as the ascent defied further building, Now a bypass takes the heavy traffic past Broadway, returning the upper part of the village to it's Victorian calm.

In common with several other Cotswold settlements Broadway began as a planned medieval town created by Pershore Abbey in the late 12th or early 13th centuries as a source of revenue. This may explain the position of the Norman church dedicated to St Eadburgha, which is a mile or so along the Snowshill road close to an older route over Fish Hill. The town prospered in the 17th and 18th centuries deriving a large portion of it's income from the wool and cloth trades and served as an important stopping place when coach travel blossomed, stimulated by the creation of turnpike roads. A medieval building the Abbot's Grange survives at the eastern end of the town.

As the old church was an inconvenient distance from the 17th century town, a chapel of ease was built near the marketplace in 1608, St Michael, this church was rebuilt in 1839. However, the wonderfully evocative Norman church St Eadburgha's is still used in the summer months. Eadburgha was a Saxon princess who as a child chose a bible over a bag of jewels, she was the daughter of Edward the Elder. A Saxon dedication suggests the presence of an earlier church on the site. St Eadburgha stands on the edge of Broadway perched above a wooded valley surrounded by fields. The elegant exterior gives the impression of a wealthy Perpendicular wool church but a soon as you step into the lofty nave a Norman structure is revealed. A three-bay pointed arcade with round piers betrays the buildings Norman origins, outside two west buttresses and the remains of an east buttress show the whole building to be c1200. The towers seems to have been built into the original nave preserving the piers of a fourth bay while the east responds were topped with battlements.The west and east tower arches are 14th century but the chancel arch retains imposts c1200. A vaulted roof spans the tower-crossing while the upper stages are Perpendicular as are the chancel windows although there is evidence of 13th century lancets. A Jacobean altar rail guards the communion table at the eat end of the chancel. The chancel has a trefoil headed piscina with continuous roll-moulding. A 13th century south transept has a south window of three stepped pointed-trefoiled lights, a piscina suggests the transept was used as an additional chapel. The nave roof sits on a wall plate with fleurons and one carved head. Above the chancel arch is a Royal Coat of Arms of Charles I dated to 1641.A Norman tub font has medieval encaustic tiles around it but inside the north door is the base of a 13th century hexagonal font with slender shafts. The church guide suggests the pulpit, that has Perpendicular panels, was once a travelling pulpit that would have been tied to the back of a horse. There are screens and benches in the choir which were constructed from medieval fragments. On the east wall is a brass to Anton Daston died 1571, this is a palimpsest, engraved on a Flemish brass plate, part of which is now in Westerham, Kent. There are fragments of medieval glass in many of the windows. A recent edition are beautiful oak pews made by Christopher Holmes of Rookery Farm, Broadway. The church has a peal of six bells including a Bagley bell of 1778.

Unfortunately the church has been a victim of several thefts, particularly a carved Flemish panel and the parish chest, these are illustrated on my Flckr site: www.flickr.com/photos/bwthornton/sets/72157633151004936, it would be wonderful if these pieces could be found and restored to their proper place.

 

www.bwthornton.co.uk

Inside Lied Lodge adjacent to Arbor Lodge State Park in Nebraska City, NE, home of historic Arbor Lodge and Arbor Day--where the Arbor Day holiday in the U.S. originated in 1872.

This World is a lie.... Don't believe its structure - Fairy tales will always be real!!

How bad of shape is America in? Our grandfathers and fathers fought against fascism, socialism and communism. How many have died in these battles? One can only imagine the number of men and women who have died and the many millions of victims slaughtered by these regimes. We have become so removed from the truth, brainwashed by progressivism, that we have shamed our fathers by forgetting what has transpired in the last century. It has culminated with a cabinet of czars; socialists, communists and terrorists who have come to power. People who held their thoughts were our common enemies! We have been bombarded with so many lies that we have forgone our values and settled for a veiled attempt of the truth. Our values are skewed, our history revised and our children left with no hope. Dissolutioned youth, retirees and people angry with the Republican Party, acted together to accept a pact with the devil himself. He projected hope and change. And, as satan himself, came as an angel of light. He seduced the masses, promising things that no one man could produce. He entangled us with a yoke of bondage that will enslave our grandchildren and future generations to come. He has preached class envy, racism and told outright lies! How could the Chamber of Commerce be demonized by a president? Mr. Obama has stooped to all time lows with the villianization of concerned people like members of the Tea Party. News releases and video clips clearly show the difference between the peaceful gathering of the conservative masses and the rabble rousing trash recruited by organizers like our President. You have a choice in the upcoming election to help curb the onslaught of progressives, socialists, communists and liberals by electing conservative people with conservative values. We need people who are not against the small businessmen and women of America. We need people who won't raise taxes but promote business. If rich people don't invest in our country, where will they invest? Since when is it a crime to be rich? For those who have made their riches illegally, may they be held accountable.

 

Look at the picture above and have a good laugh, I did. He is not a cartoon character. He is real. He is a threat to our country! He is a threat to our civilization as we know it. He and the men who support him will stop at nothing to achieve their goals. Only knowledge and the truth will stop them. Register to vote and choose between a welfare society and a working society where all men and women are equal.

 

My express thanks for the use of this photo! www.flickr.com/photos/appleman64/

 

To Paul Cloutier, lift your game. Lying about history is not on, particularly deleting references to the people who built the foundations of the company you now head.

 

A lesson to all start ups - do not attempt to deceive your user base.

 

Read here for why...

Không chỉnh sửa - Mặt hãm tài - Sầu đời - Biến dạng

Cmt for me .....

==============================================

Your love is lie - www.youtube.com/watch?v=iDrCNiFaeBY

 

Em ngủ gật trên bàn phím điện thoại

Đã 2h sáng rồi và em đang đợi trong cô đơn

Cho em biết giờ anh đang ở đâu?

Em đã nhìn thây một người con gái với 1 cái tên khác

Em đã gửi vào đó một nụ hôn nhưng anh lại không cảm thấy như thế

Bởi em biết rằng anh đã đi rồi

EM KHÔNG THỂ TỰ LÀM ĐAU CHÍNH MÌNH MÃI

TRONG KHI ANH VẪN CỨ HỜ HỮNG NHƯ VẬY

EM CÓ THỂ CHE DẤU CẢM XÚC SAU TIN NHẮN ĐÓ

NHƯNG ĐỪNG BIẾN EM THÀNH TRÒ HỀ NHƯ THẾ

ANH CÓ THỂ NÓI VỚI TÔI RẰNG ANH ĐÃ CÓ NGƯỜI KHÁC

NHƯNG TÔI ĐÃ CẢM THẤY

ANH CÓ THỂ NÓI VỚI TÔI RẰNG ĐÓ LÀ QUYẾT ĐỊNH CỦA ANH

Nhưng tôi biết

Anh có thể NHÌN TÔI và VỜ như đó là những gì anh mong muốn

NHƯNG TÔI BIẾT ... TÔI BIẾT

TÌNH YÊU CỦA ANH CHỈ LÀ SỰ GIẢ DỐI

CHẲNG CÓ GÌ NGOÀI NHỮNG LỜI GIẢ TẠO

 

Anh cứ ngỡ mình chả có lỗi gì cả

Nhưng sự giả dối qua lời nói của anh đã cho tôi biết

Anh biết tôi muốn nói gì mà

Anh cảm thấy gì khi anh đang hôn tôi, khi anh biết tôi tin anh như thế nào?

Và anh nghĩ gì về giây phút mặn nồng của đôi ta?

Anh có thể làm những điều ghê gớm hơn thế phải không?

ĐỪNG CỐ NÓI RẰNG ANH XIN LỖI

Hay đừng tìm cách chứng minh nó là đúng

Và đừng lãng phí hơi sức nữa bởi tất cả giờ đã quá trễ rồi , quá trễ rồi !

ANH CÓ THỂ NÓI VỚI TÔI RẰNG ANH ĐÃ CÓ NGƯỜI KHÁC

NHƯNG TÔI ĐÃ CẢM THẤY

ANH CÓ THỂ NÓI VỚI TÔI RẰNG ĐÓ LÀ QUYẾT ĐỊNH CỦA ANH

Nhưng tôi biết

Anh có thể NHÌN TÔI và VỜ như đó là những gì anh mong muốn

NHƯNG TÔI BIẾT ... TÔI BIẾT

TÌNH YÊU CỦA ANH CHỈ LÀ SỰ GIẢ DỐI

CHẲNG CÓ GÌ NGOÀI NHỮNG LỜI GIẢ TẠO

Negropencil and charcoaldrawing 20 x 25 cm,, on drawing paper

CalvIN24 at Calvin College

White Lies @ Paradiso, Amsterdam, 7 November 2013

 

Lying on my back sunbathing....the shapes caught my eye.

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