View allAll Photos Tagged lowangle
he waded through the water the way fishermen wade through rivers — slowly, with purpose, with boots that knew the depth. behind him the building rose in white ribs and curved bones, a skeleton of glass and concrete that someone had once called the future. he was not the future. he was the man who kept the future clean. the pole in his hand reached across the water like a sentence that hadn't finished, and the building behind him waited the way buildings wait — with patience, with indifference, with the quiet certainty that someone would always come to take care of it.
Cape Bojeador Lighthouse, also known as Burgos Lighthouse, is a cultural heritage structure in Burgos, Ilocos Norte, that was established during the Spanish Colonial period in the Philippines. It was first lit on March 30, 1892, and is set high on Vigia de Nagpartian Hill overlooking the scenic Cape Bojeador where early galleons used to sail by. After over 100 years, it still functions as a welcoming beacon to the international ships that enter the Philippine Archipelago from the north and guide them safely away from the rocky coast of the town.
Shooting by Nikon FM2, #nikkor 20mm lens, #kodak #ultramax400. #hongkong #nikon #fm2 #film #photography #wideangle #lowangle #wormangle#day #QuarryBay #building #oldcouple #love
An unforced, quiet moment captured from the shadow side. By dropping the angle low, the frame gains structural weight from the deep values of the timber, allowing the backlighting in the upper canopy to dissolve into a soft, floating bokeh.
This edit was all about disciplined restraint—deepening the blacks to give the image gravity while preserving the micro-textures of the subject and the delicate, organic roll-off of the highlights. A deliberate return to a classic, hands-on tonal balance.
Gear: Canon EOS 5D Mark II + Sigma 35mm f/1.4 DG HSM Art
Aesthetic: Shot from the shadow side to shape the light, leveraging the wide-open compression of the 35mm Art lens to dissolve the morning canopy into a floating bokeh interlude.
Olympus E-M10 MarkII with Pentacon 50 mm 1.8, manual focus, handheld. March 2018, Regensburg, Germany.
Jane has found a new spot for napping. She is on a box on some model trains on a table. Thus, she is not technically breaking the rule about not being allowed on the table, and she's in a box. To her, this is a win-win. Plus, this gets her up high, and she loves that aspect, too.
Captured with a late 19-teens lens from a VPK: Vest Pocket Kodak. Based on the patent info on the lens, mine appears to be from the later series called: Vest Pocket Autographic Kodak (1915-1926), and this was known as "The Soldier's Camera" due to its use in WWI. Selling nearly 2M units in that decade of production it was a very popular compact camera. This "Autographic" version sported a small door on the rear of the camera that allowed the photographer to scribble a little onto the reverse of the film thus making for effectively the first "data back" camera. They effectively scraped off some of the emulsion on the film.
My lens has been removed from the VPK camera and installed into a M42-mount lens shell. The lens shell happens to be from an Asahi prime and retains its aperture. The original Kodak lens has its aperture, too.
The lens is somewhere in the 70mm range and is somewhere around an f/7.7, so a lot of light is needed for decent exposure.
The lens was never meant to be a close-focus lens, but with the new mount, I am able to focus this close to the cat.
With a pair of EMD SD40-2s for power and 51 cars on the drawbar, Wisconsin & Southern train no. L863 winds along scenic Devils Lake on its way to Madison, WI.
Fujifilm X-T20
XF 56mm/f1.2
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A low-angle, close-up shot of a sunlit meadow filled with blooming red and white clover wildflowers.
明るい太陽の光が差し込む野原で、赤と白のクローバーの花が咲いている様子を、低いアングルから撮影したクローズアップ写真です
This shot was aimed to test the sun burst effect of Fuijifilm X-T1. It works out great and beautifully.
只是想測試一下Fujifilm 的日芒是否漂亮，紫陽花配上日芒還蠻搭的。
～ Chishakuin, Kyoto, Japan
智積院, 京都, 日本
- ISO 3200, F20, 1/750, 55mm
- Fujifilm X-T1 with 18-55mm F2.8-4
- Sunset @ 5.14pm (300º) / Shot @ 3.53pm
- Visibility 20 km @ 3.00pm/ Humidity 55% @ 3.50pm
An elegant Art Deco-inspired building stands out beneath threatening skies in Woluwe-Saint-Lambert, Brussels. The contrast between red brickwork, light façades and storm clouds highlights the curves and architectural details of the building.
Un élégant immeuble d'inspiration Art déco se détache sous un ciel menaçant à Woluwe-Saint-Lambert, Bruxelles. Le contraste entre les briques rouges, les façades claires et les nuages d'orage met en valeur les courbes et les détails architecturaux de l'édifice.
For a few months now I’ve been engaged on a project in conjunction with a school to produce for them a series of images, and wall art, of their school grounds and building throughout the seasons. Amongst the ones I just delivered last week, from the winter season, is this multi-shot vertical panorama, taken as a series of four images and stitched together in Lightroom and finalised in Photoshop.
I wanted a very low view point to emphasise the building’s angles, and the logo painted on the drive. Knowing that there would be some distortion to deal with in post, due to the wide angle lens and low view, I decided to use the Hi Res Mode on my Olympus to get as many pixels as I could to cater for those that I would ultimately lose in the correction.
The final wall art image was 40 x 20 inches, which was more or less the final stitched image's native size.
Another example of getting more out of. small sensor!
Olympus EM1 Mk2 (Hi Res Mode)
Panasonic Leica 8-18
*** Featured in Explore 7th April 2021, many thanks to all 🙏 ***
Lens: Samyang Canon 14/2.8 IF ED UMC (amazing)
Traveling to Lux* South Ari Atoll.
Best place in Maldives! Gorgeous beach and an amazing island!
With seaplane transfer the trip is around 25 mins with this view all around.
Go to Lux* South Ari and enjoy every second!
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On 24 March 2015, the aircraft Airbus A320 on the way from Barcelona to Düsseldorf with 150 people (144 passengers and 6 crew members) on board have crashed in the French Alps.
According to new findings, the copilot brought the plane to crash deliberately. He obviously wanted to kill himself.
This imagination is so awful, I am deeply shocked, horrified and it makes me angry. My thoughts and prayers are with the victims, their families and friends.
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© 2015 Ursula Sander - All rights reserved.
This little hedgehog traveled alongside me by the boardwalk for a while, so I decided to capture the moment. On a grey and windy day, there wasn't much else to photograph, but this encounter made it all worthwhile.
Just play,
Tell me you'll run with me,
Until my legs give way.
Taken in Karachi, Pakistan.
26. 06. 2006
7:03 pm, twenty-three minutes before sunset.
In my image, notice how some blurry green leaves frame the shot in the bottom-left and bottom-right. When you get low and shoot through foliage, it creates a powerful sense of depth. This technique is often called "framing within the frame." It guides the viewer’s eye through the composition and creates an immersive feeling that you are "inside" the flower bed.
There is a powerful psychological effect to lowering your viewpoint. When you shrink your perspective, it can reintroduce a sense of childhood wonder. You’re not just documenting a flower; you are exploring a tiny forest. This technique helps to transform an ordinary patch of weeds into an intricate and fascinating subject.