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Overall this project went much better than I thought it would, as 3D modelling and animating is definitely not my strong part of Digital Art. I much prefer creating drawings with a tablet using Photoshop.
Positives:
The model shows accurate similarity to Stewie from Family guy through proportions and scaling, which is good as the viewer can clearly see who is portraying the villain from The Walking Dead.
The Rig is effective and works well with the animation itself. Everything that needs to work with it works, to a reasonable extent. It's basic but gets the job done.
The expressions made are clear and allow the viewer to understand how the character is expressing their feelings in the animation. The animation itself is of relative accuracy, if the animation and the actual scene from The Walking Dead were side by side, there would be at least some sort of similarity.
Negatives:
The model still feels a little unpolished, maybe spending more time on edge loops, especially with the body could have helped this. I think it's because of the mouth, I didn't pay much attention to the mouth which is probably why some of the animation doesn't look accurate to the audio. Better timekeeping with the project could have made this a lot easier improving my model.
Another negative with the model is the rig itself, although it works well with the animation I couldn't seem to get it to be as effective as it should have been.
The rendering itself went alright, however, some of the audio didn't match the animation so I had to mess with some of the animation afterwards, which resulted in it being low FPS unfortunately. Next time paying attention to the graph editor in Maya and using accurate keyframes would solve this.
For future reference, time keeping and sticking to the calendar that I created would have made this project a lot smoother than it was. Rushing certain parts that needed more time and effort, and taking longer on parts that didn't need much attention made it a lot harder for me to meet the deadline with a polished project.
Relating back to my original storyboard, I had plans to show the character stepping down from a ladder to show a hint of comedy as well as the character walking away. But due to not being able to fix the IK's on the leg as stated earlier, I had to simplify the animation due to attempting to fix the legs was taking up a large amount of time.
Folded for highway travel. Model by Markku Jääskeläinen. See more LEGO amusement rides at www.l-rides.tk
Seamlessly Looping Background Animation Of Witches, Spiders, Ghosts And Ghouls. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
Single Loop Grippers are the ultimate for building grip strength. Stacked-grip pullups, hand-over-hand mini climbs, or turning your kettlebell into a macebell (click here to see video) are just the beginning. 48" in length (loop is 6" long by 3" wide, and grip segment is 42" long). Click here if you are interested in custom-sized Single Loop Grippers.
The Blue Angels performing the Loop Break Cross at the 2014 MCAS Miramar Air Show. A review of the airshow can be found online at www.theaviationmagazine.com/2014_MCAS_Miramar_Airshow.htm
Seamlessly Looping Background Animation Of Evolving Backgrounds For Minimal Distraction. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
Rode the Paradise Loop today. I forgot how much I love my road bike, I need to take her out more often!
Seamlessly Looping Background Animation Of Ancient Time Period Symbols and Mystery. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
During a period "on loan" to the NSW RTM, 4-6-4 tank 3112 sits at Thirlmere with an afternoon Loop Line service to Buxton 19980614
I know, I love Fruit Loops, what can I say?! I spilled my milk this morning.
I don't know how to get spoon and cup in focus at the same time with this camera. But I like the pic anyway. I didn't set this up; this is how the milk spilled and the fruit loop fell. hahaha.
The Georgetown Loop Railroad is a 3 ft narrow gauge United States heritage railroad located in the Rocky Mountains in Clear Creek County, adjacent to Interstate 70 in Colorado. This tourist train runs between the communities of Georgetown and Silver Plume, a distance of 2 miles.
On a Steel Train that I relieved at Rotherham about 1996, Derby Power Box put me behind a Toton man with his Coaltrain, after I had punched my class 56 locker I felt better and took the picture!.... this is in Elford Loop, between Burton and Tamworth!
Chicago Loop Synagogue
16 South Clark St, Chicago, Cook County, Illinois, US
Loebl, Schlossman and Bennet: Architects
Henri Azaz: Sculptor, “Hands of Peace,” the Ark, the Eternal Light
Abraham Rattner: Stained Glass design
Barrillet: Stained Glass fabrication
1929: Founded
1958: Present structure built
The Wicks Looper is a small hand held device that allows you the create real-time noisy loops and sound effects.
Here is a short youtube video showing the Wicks Looper in action. www.youtube.com/watch?v=w4mP25Mxuv0
Built in 1925-1930, this Art Deco-style skyscraper was designed by Holabird and Root for the Chicago Board of Trade, which was founded in 1848 as an exchange for merchants in the rapidly developing city of Chicago, and replaced an earlier building that stood on the same site from 1885 until 1929. The previous building was the tallest in the city of Chicago from 1885 until 1895, when structural issues forced the truncation of the clock tower, with the present building taking up that mantle upon its completion in 1930, standing 44 stories and 604 feet (184 meters) tall, being the city’s tallest building until the completion of the Richard J. Daley Center in 1965. The tower forms a visual terminus along the northern section of LaSalle Street, which shifts a half-block west at Jackson Boulevard, highlighting the building as viewed down the skyscraper canyon from the north.
The building gets smaller as it rises, with a tower at the south end of the historic building, two shorter wings extending to the north, and a six-story base that covers the entire half-block footprint of the building. The exterior of the building is clad in limestone, with polished granite cladding at the base, the words “Chicago Board of Trade” engraved above the central bays of the north facade, flanked by decorative sculptural reliefs of bulls, tall window bays on the base with glass and metal spandrels, metal trim at the windows, and a central light court above the sixth floor with a parapet featuring sculptural reliefs surrounding a clock at the front. Above the base, the building is U-shaped, with two wings that rise thirteen stories above the base with vertical columns of one-over-one double-hung windows in the central bays with recessed metal spandrel panels that rise from decorative carved relief panels at the base, mechanical penthouses flanking the central light court atop the roof of each wing, low-slope roofs enclosed by parapets, and metal fire escapes mounted to the east and west facades of the building. Above this rises the building’s main tower, which features multiple setbacks, tapering as it rises, metal spandrel panels between windows in the central bays, decorative pilasters, and a hipped roof clad in standing seam metal, and crowned with an aluminum statue of the Roman Goddess of Grain, Ceres, created by John H. Storrs, which has no facial features. The building was expanded to the south in 1980 with a 23-story Postmodern-style addition, which was designed by Helmut Jahn, and is clad in glass curtain walls with a hipped roof, limestone panels, and arcades on the east and west facades of the ground floor, which is connected via an elevated multi-story walkway to the adjacent 1995 five-story annex, designed by Fujikawa Johnson, which is similar in appearance to the 1980 addition. Inside, the building houses offices, trading floors, with an intact Art Deco-style multi-story lobby with glossy polished black and white marble wall cladding, brass screens, railings, and trim, and a large light fixture down the middle of the ceiling, which was once the largest light fixture in the world.
The building was designated a Chicago Landmark in 1977, and was both listed on the National Register of Historic Places and designated a National Historic Landmark in 1978. The building has been modernized through a series of renovations, though it remains home to trading firms and offices, as well as the Chicago Board of Trade, one of the world's oldest futures and options exchanges, today known as CME Group after its merger with the Chicago Mercantile Exchange in 2007. The building is the tallest and most prominent of several structures along LaSalle Street that form a historic Skyscraper “Canyon” that terminates at the tallest structure along the street, the Board of Trade Building.