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Taken with the Zeiss Tenax II camera that I previously used in week 338 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
The film is Agfa Vista ISO200 from Poundland, developed in the Rollei Digibase C41 kit.
More in the "where I work" series. The locker rooms are really nice -- three individual shower rooms, two nap rooms, free towels, and of course lockers.
Submitted for Challenge 2013 Week #7
Theme: "Doors"
Also seen in 113 pictures in 2013
#103 Door(s) or Window(s)
German postcard by Kunst und Bild, Berlin, no. A 1648.
Pretty Gerlinde Locker (1938) is an Austrian stage, television and film actress, who appeared in many Heimatfilms and film operettas of the late 1950s and early 1960s. From 1956 on, she appeared in more than 30 Austrian and West German films.
Gerlinde Locker was born in 1938, in Linz, Austria. She attended a school for applied arts and trained to become a weaver. However, she also studied drama school at Bruckner-Konservatorium (the Bruckner Conservatory) in Linz, and at 18, she made her stage debut at the Mozarteum in Salzburg. In 1957, she received her first engagement at the Landestheater Linz. She made her first film appearance in the Austrian-German Heimatfilm Der Schandfleck/The eyesore (Herbert B. Fredersdorf, 1956). After this successful film debut she received a five-year contract from the Vienna production company Schönbrunn film. She played the female lead in the West German musical comedy Der Stern von Santa Clara/The Star of Santa Clara (Werner Jacobs, 1958) starring Vico Torriani. She appeared in a supporting part in the romantic comedy Schick Deine Frau nicht nach Italien/Do Not Send Your Wife to Italy (Hans Grimm, 1960) starring Marianne Hold. One of her better films was Morgens um Sieben ist die Welt noch in Ordnung/In the Morning at Seven the World Is Still in Order (Kurt Hoffmann, 1968). From 1962 on, she played at the Theater in der Josefstadt in Vienna, at the Renaissance Theater Berlin, the Thalia Theater in Hamburg and other German stage venues. In 1968 and 1969 she did guest appearances at the famous Salzburger Festspielen at the side of O. W. Fischer. During the 1960s Locker also appeared in TV operettas, such as Die Fledermaus/The Bat, Die Christel von der Post, Der Vogelhändler/The Bird Seller and Das Land des Lächelns/The Land of Smiles.
During the 1970s, Gerlinde Locker kept appearing indidentally in West German comedies like Heintje – Einmal wird die Sonne wieder scheinen/Heintje: Once the Sun will shine again (Hans Heinrich, 1970) with Dutch child star Heintje, and Auch ich war nur ein mittelmäßiger Schüler/I Wasn't a Very Good Student Either (Werner Jacobs, 1974). But she focused on TV work. Among her television roles is a guest appearance in the Krimi series Der Kommissar/The Police Inspector (1970-1975) and Derrick (1981-1993). She did not return to the screen until a decade later with appearances in television plays. These included her role as Liselotte von Rheinberg in the family saga Geld.Macht.Liebe/Money.Power.Love (2009) and a guest role in the Krimi series SOKO 5113 (2007-2010). She also returned to the cinema as Lady Arista in the Fantasy film Rubinrot/Ruby (Felix Fuchssteiner, 2013). From her marriage with director Kurt Wilhelm she has a son, the journalist Anatol Locker (1963). Since 1974 she is married with the actor Richard Rüdiger. Gerlinde Locker lives in Munich.
Sources: Wikipedia (German and English) and IMDb.
Putting a shelf in your locker makes a big difference. It doubles your storage space, separates out books into multiple categories, and allows you to arrange the space more carefully. I love them.
German postcard by WS-Druck, Wanne-Eickel, no. 380.
Pretty Gerlinde Locker (1938) is an Austrian stage, television and film actress, who appeared in many Heimatfilms and film operettas of the late 1950s and early 1960s. From 1956 on, she appeared in more than 30 Austrian and West-German films.
Gerlinde Locker was born in 1938, in Linz, Austria. She attended a school for applied arts and trained to become a weaver. However, she also studied drama school at Bruckner-Konservatorium (the Bruckner Conservatory) in Linz, and at 18, she made her stage debut at the Mozarteum in Salzburg. In 1957, she received her first engagement at the Landestheater Linz. She made her first film appearance in the Austrian-German Heimatfilm Der Schandfleck/The eyesore (Herbert B. Fredersdorf, 1956). After this successful film debut she received a five-year contract from the Vienna production company Schönbrunn film. She played the female lead in the West German musical comedy Der Stern von Santa Clara/The Star of Santa Clara (Werner Jacobs, 1958) starring Vico Torriani. She appeared in a supporting part in the romantic comedy Schick Deine Frau nicht nach Italien/Do Not Send Your Wife to Italy (Hans Grimm, 1960) starring Marianne Hold. One of her better films was Morgens um Sieben ist die Welt noch in Ordnung/In the Morning at Seven the World Is Still in Order (Kurt Hoffmann, 1968). From 1962 on, she played at the Theater in der Josefstadt in Vienna, at the Renaissance Theater Berlin, the Thalia Theater in Hamburg and other German stage venues. In 1968 and 1969 she did guest appearances at the famous Salzburger Festspielen at the side of O. W. Fischer. During the 1960s Locker also appeared in TV operettas, such as Die Fledermaus/The Bat, Die Christel von der Post, Der Vogelhändler/The Bird Seller and Das Land des Lächelns/The Land of Smiles.
During the 1970s, Gerlinde Locker kept appearing indidentally in West German comedies like Heintje – Einmal wird die Sonne wieder scheinen/Heintje: Once the Sun will shine again (Hans Heinrich, 1970) with Dutch child star Heintje, and Auch ich war nur ein mittelmäßiger Schüler/I Wasn't a Very Good Student Either (Werner Jacobs, 1974). But she focused on TV work. Among her television roles is a guest appearance in the Krimi series Der Kommissar/The Police Inspector (1970-1975) and Derrick (1981-1993). She did not return to the screen until a decade later with appearances in television plays. These included her role as Liselotte von Rheinberg in the family saga Geld.Macht.Liebe/Money.Power.Love (2009) and a guest role in the Krimi series SOKO 5113 (2007-2010). She also returned to the cinema as Lady Arista in the Fantasy film Rubinrot/Ruby (Felix Fuchssteiner, 2013). From her marriage with director Kurt Wilhelm she has a son, the journalist Anatol Locker (1963). Since 1974 she is married with the actor Richard Rüdiger. Gerlinde Locker lives in Munich.
Sources(Wikipedia (German and English) and IMDb.
Simple. Classic. Refined. Three lockers provide storage for three kids. This photo required extensive staging.
i was wondering if there were any pictures I could take in my messy garage. I managed a few interesting shots.
Before she started dating Tanner, this was when she was going through the "denial of being single" stage. Don't judge her; we all go through that, don't we?
This pattern is made from a single photo, shot and edited entirely on the iPhone. The photo was cropped and saved in 3 color variations using Camera+, then composed with Diptic.
There's a lovely bank of multicolored lockers at Stockholm’s Fotografiska (Photography) Museum. I took a half-hearted angle shot of the room and thought nothing more of it until later at the cafe when we were messing around on our phones. I cropped the photo to hide everything but the color of the lockers and rotated it. That crop represents each of the ⅓ columns in this image.