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[CAMERA] Canon EOS 10D
[LENS] SIGMA 8mm f/4.0 EX CIRCULAR FISHEYE
[Forcal Length] 8mm
[Tv] 0.7
[Av] f/4.0
[Ev] 0
[ISO] 400
Houston Texas Reliant Stadium 2009 Texans Locker Room Suite Hallways Football Field Statues Trainers Weight Room Scoreboards Signs Bench Flags Roster Practice field bubble Bar Grass Seats
German postcard by Ufa, Berlin-Tempelhof, no. FK 4312. Photo: Arthur Grimm.
Pretty Gerlinde Locker (1938) is an Austrian stage, television and film actress, who appeared in many Heimatfilms and film operettas of the late 1950s and early 1960s. From 1956 on, she appeared in more than 30 Austrian and West-German films.
Gerlinde Locker was born in 1938, in Linz, Austria. She attended a school for applied arts and trained to become a weaver. However, she also studied drama school at Bruckner-Konservatorium (the Bruckner Conservatory) in Linz, and at 18, she made her stage debut at the Mozarteum in Salzburg. In 1957, she received her first engagement at the Landestheater Linz. She made her first film appearance in the Austrian-German Heimatfilm Der Schandfleck/The eyesore (Herbert B. Fredersdorf, 1956). After this successful film debut she received a five-year contract from the Vienna production company Schönbrunn film. She played the female lead in the West German musical comedy Der Stern von Santa Clara/The Star of Santa Clara (Werner Jacobs, 1958) starring Vico Torriani. She appeared in a supporting part in the romantic comedy Schick Deine Frau nicht nach Italien/Do Not Send Your Wife to Italy (Hans Grimm, 1960) starring Marianne Hold. One of her better films was Morgens um Sieben ist die Welt noch in Ordnung/In the Morning at Seven the World Is Still in Order (Kurt Hoffmann, 1968). From 1962 on, she played at the Theater in der Josefstadt in Vienna, at the Renaissance Theater Berlin, the Thalia Theater in Hamburg and other German stage venues. In 1968 and 1969 she did guest appearances at the famous Salzburger Festspielen at the side of O. W. Fischer. During the 1960s Locker also appeared in TV operettas, such as Die Fledermaus/The Bat, Die Christel von der Post, Der Vogelhändler/The Bird Seller and Das Land des Lächelns/The Land of Smiles.
During the 1970s, Gerlinde Locker kept appearing indidentally in West German comedies like Heintje – Einmal wird die Sonne wieder scheinen/Heintje: Once the Sun will shine again (Hans Heinrich, 1970) with Dutch child star Heintje, and Auch ich war nur ein mittelmäßiger Schüler/I Wasn't a Very Good Student Either (Werner Jacobs, 1974). But she focused on TV work. Among her television roles is a guest appearance in the Krimi series Der Kommissar/The Police Inspector (1970-1975) and Derrick (1981-1993). She did not return to the screen until a decade later with appearances in television plays. These included her role as Liselotte von Rheinberg in the family saga Geld.Macht.Liebe/Money.Power.Love (2009) and a guest role in the Krimi series SOKO 5113 (2007-2010). She also returned to the cinema as Lady Arista in the Fantasy film Rubinrot/Ruby (Felix Fuchssteiner, 2013). From her marriage with director Kurt Wilhelm she has a son, the journalist Anatol Locker (1963). Since 1974 she is married with the actor Richard Rüdiger. Gerlinde Locker lives in Munich.
Sources: Wikipedia (German and English) and IMDb.
He is banging his head against the locker so you cant see it. this is half time @ a Ventura high football game,
A vintage locker room in the haunted Hoffman Hall athletic center.
The materials and construction are sturdy, dense and permanent feeling. The create a truly analog experience...one can sense the lack of digital items such as automatic faucets, motion sensing light switches, monitors, network cables, and absent is the hum of any hard drives. The space is what it is...nothing more, nothing from the outside world infiltrating.
Shot with the 2006 Pentax K100D.
In this picture, a row of lockers can be seen. In a lot of institutions, there is a lack of accessibility for disabled students. Although the lockers are easily accessible for physically able students, they can be complicated for disabled students. For example, students in a wheelchair could experience some difficulties while trying to access their lockers because they are too close one to another, which can be a problem if there are people around their locker, making it complicated to comfortably access their locker. Additionally, the interior was not designed with those students in mind. The shelves and hooks are too high, and the lockers are very narrow. This is only an example among many of inaccessibility for disabled people. Although things are slowly improving, there is still a lot that needs to be done.
German postcard by Kolibri-Verlag, Minden/Westf., no. 2297. Photo: Union-Film. Pblicity still for Dort oben wo die Alpen glühen/Up there where the Alps glow (Otto Meyer, 1956).
Pretty Gerlinde Locker (1938) is an Austrian stage, television and film actress, who appeared in many Heimatfilms and film operettas of the late 1950s and early 1960s. From 1956 on, she appeared in more than 30 Austrian and West-German films.
Gerlinde Locker was born in 1938, in Linz, Austria. She attended a school for applied arts and trained to become a weaver. However, she also studied drama school at Bruckner-Konservatorium (the Bruckner Conservatory) in Linz, and at 18, she made her stage debut at the Mozarteum in Salzburg. In 1957, she received her first engagement at the Landestheater Linz. She made her first film appearance in the Austrian-German Heimatfilm Der Schandfleck/The eyesore (Herbert B. Fredersdorf, 1956). After this successful film debut she received a five-year contract from the Vienna production company Schönbrunn film. She played the female lead in the West German musical comedy Der Stern von Santa Clara/The Star of Santa Clara (Werner Jacobs, 1958) starring Vico Torriani. She appeared in a supporting part in the romantic comedy Schick Deine Frau nicht nach Italien/Do Not Send Your Wife to Italy (Hans Grimm, 1960) starring Marianne Hold. One of her better films was Morgens um Sieben ist die Welt noch in Ordnung/In the Morning at Seven the World Is Still in Order (Kurt Hoffmann, 1968). From 1962 on, she played at the Theater in der Josefstadt in Vienna, at the Renaissance Theater Berlin, the Thalia Theater in Hamburg and other German stage venues. In 1968 and 1969 she did guest appearances at the famous Salzburger Festspielen at the side of O. W. Fischer. During the 1960s Locker also appeared in TV operettas, such as Die Fledermaus/The Bat, Die Christel von der Post, Der Vogelhändler/The Bird Seller and Das Land des Lächelns/The Land of Smiles.
During the 1970s, Gerlinde Locker kept appearing indidentally in West German comedies like Heintje – Einmal wird die Sonne wieder scheinen/Heintje: Once the Sun will shine again (Hans Heinrich, 1970) with Dutch child star Heintje, and Auch ich war nur ein mittelmäßiger Schüler/I Wasn't a Very Good Student Either (Werner Jacobs, 1974). But she focused on TV work. Among her television roles is a guest appearance in the Krimi series Der Kommissar/The Police Inspector (1970-1975) and Derrick (1981-1993). She did not return to the screen until a decade later with appearances in television plays. These included her role as Liselotte von Rheinberg in the family saga Geld.Macht.Liebe/Money.Power.Love (2009) and a guest role in the Krimi series SOKO 5113 (2007-2010). She also returned to the cinema as Lady Arista in the Fantasy film Rubinrot/Ruby (Felix Fuchssteiner, 2013). From her marriage with director Kurt Wilhelm she has a son, the journalist Anatol Locker (1963). Since 1974 she is married with the actor Richard Rüdiger. Gerlinde Locker lives in Munich.
Sources: Wikipedia (German and English) and IMDb.
We took this senior photo for Andy in the old middle school in town. This was actually the locker room in the basement with some vintage trophies that we found as well. Andy was wearing his basketball warm-ups while remembering all the great teams that have gone before him.
Along with the movie theatre seat a set of lockers has been a thrift dream. Found a set perfect for the space and only 20 bucks. They hold most of my art and photography stuff. On display a paint by numbers I am fond of.
Explore 2/28/09 #260
Title: City, telephone room
Creator: Adolph B. Rice Studio
Date: August 17, 1955
Identifier: Rice Collection 716A
Format: 1 negative, safety film, 4 x 5 in.
Rights Info: No known restrictions on publication.
Repository: Library of Virginia, Visual Studies, 800 E. Broad St., Richmond, VA, 23219, USA, digitool1.lva.lib.va.us:8881/R
First open during the 1920's, the Hynite Fertilizer Plant was known for producing nitrogen based fertilizers.
In the early 80's the site had an incredible chemical spill which has left the grounds vacant ever since.
May 2010
Oak Creek, WI
4x5 Calumet View Camera
135 mm Schneider f/8
Ilford Delta 100 B&W Sheet Film
Promaster Green Contrast Filter
Among the most unusual photos in my collection, this photo was part of a lot bought on eBay. A note on back reads "Locker room at Stanford Jr. High."
Foot Locker
1401 Greenbrier Parkway, Suite 1216, Greenbrier Mall, Chesapeake, VA
This location opened in 2013 (originally located here) and relocated here in 2022; it was originally a Kinney Shoes, which opened on October 7th, 1981. It became a Becky's Hallmark in the 1990s (originally located here), which closed in 2011. For a holiday season or two Go Calendars temporarily occupied the space.
The Oscars were on yesterday and we would like to congratulate the winner “The Sheep Locker”, an intense story about a brave sheep that has the dangerous task of going around and diffusing bombs!
Which is of course very exciting and clearly much cooler than watching some smurfs running through the woods hehe^, Avatar Schmavatar ;-)
We would also like to point out that “The Sheep Locker” is slightly superior to another similar sounding movie that is going round at the moment, as our version isn’t direct by a girl hehe :D