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Official list entry
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1097088
Date first listed: 23-Aug-1955
Statutory Address : CHURCH OF ST MICHAEL, CHURCH STREET
Location
Statutory Address: CHURCH OF ST MICHAEL, CHURCH STREET KINGSTEIGNTON TQ12 3BQ
County: Devon
District: Teignbridge (District Authority)
Parish: Kingsteignton
National Grid Reference: SX 87174 72856
Phone: 01626 355127
Details
Parish church. C15, thoroughly restored in 1865 (Pevsner). Local grey limestone rubble tower and 3 westernmost bays of the south aisle; porch snecked local grey limestone, the rest red sandstone ashlar, probably C19. Freestone and granite dressings, slate roofs. The surviving medieval fabric (west tower and arcades), is C15 Perpendicular. The church appears to have been thoroughly rebuilt in 1865, including the external walling, and re-roofed. Plan of nave, chancel, north and south 5-bay aisles, west tower, south west porch, north east vestry. Chancel with set back buttresses with set-offs, some white stone dressings. 5-light C19 Perpendicular style east window with a hoodmould; chamfered priest's doorway with a rounded arch. Separately-roofed gabled north-east vestry with a C19 3-light Perpendicular style east window with a hoodmould. Some evidence of rebuilding on the east wall round the window, blocked opening on north side. Red sandstone north aisle with 3 buttresses and a rectangular rood loft stair turret with a lean-to stone roof. Four 4-light C19 Perpendicular windows with hoodmoulds; chamfered doorway with a rounded arch in the first bay from the west, 3-light C19 Perpendicular west window with hoodmould; brick chimney shaft on north west corner of the aisle. The 2 easternmost bays of the south aisle are red sandstone ashlar with some white stones, the 3 westernmost bays and the plinth throughout are local grey limestone rubble; set back buttresses. The 3-light east window and two 4-light eastern windows on the south side are C19 Perpendicular with heavily cusped tracery, the other aisle windows are more conventional C19 Perpendicular. The remnants of a door jamb are visible between the first and second bays from the east, west of this there is a string course. Snecked local grey limestone porch with a coped gable and rounded moulded outer doorway with a hoodmould. The inner face of the doorway has C19 cable moulding of uncertain date, C19 roof. Good circa C16 2 plank studded inner door in a doorway with a cranked head, the jambs and arch richly carved with vine foliage and the carving of the right hand jamb includes a hand. 3-stage battlemented west tower with corner pinnacles and set back buttresses, the grey limestone rubble is varied with some blocks of red sandstone. Internal north west stair turret with slit windows. The west face has an arched granite west doorway with an unusual moulding profile and an unusual uncusped 4-light granite west window with uncusped head tracery. The window, in a freestone architrave, may be an C18 replacement. Chamfered bellringers' opening on east face; 2-light chamfered belfry openings on all sides, clock on north face. Interior 5-bay C15 Beerstone arcades with rounded arches and piers with corner shafts. No chancel arch; ceiled waggon roofs to the aisles without bosses appear to be C19, similar chancel roof with bosses. Nave roof C19 unceiled waggon with bosses and a brattished wall plate. Plain rounded tower arch springing from plain imposts with secondary piers abutting the arch at the east. The chancel has a C19 crested stone reredos with a central cross carved in relief and local marble shafts on either side. the reredos is extended to north and south as panels carved with the symbols of the evangelists above a dado of local marble. C19 aumbry chancel furnishings C20. C19 pulpit, comtemporary with the reredos, open-fronted with 4 local marble octagonal shafts with good carved capitals. C15 octagonal font, the bowl carved with quatrefoils, the stem with flamboyant blind tracery. Sections of the wainscot of the C15 road screen survive with paintings of saints. The chancel has some good ledger stones used as floor slabs including one commemorating the Reverend Richard Adlam, died 1670 with a remarkable verse addressed to death: "Damn'd tyrant! Cant prophaner blood suffice?/ Must priests that offer be the sacrifice?/ Go tell the Genii that in Hades lie/ They triumph o'er this secret Calvary/ Till some just Nemesis avenge our Cause/and teach this hell-priest to revere good lawes"/. Wall monument on south wall commemorating Richard Carpenter, died 1697; a black marble inscription tablet with white marble pilasters, a broken pediment and urn above and armorial bearings below. Wall monument to Christopher Beeke, died 1798 on the north wall with a marble obelisk with an urn in relief and inscription panel below. The south wall of the south aisle has 2 white marble wall monuments signed "Nixon and Son" commemorating Samuel Whiteway, died 1837, and Samuel Whiteway, died 1847; 2 C17 wall monuments commemorating James Clifford of Ware, died 1685 and Thomas Hele of Babcombe. The north wall has 3 gabled Gothic Revival monuments: one commemorating the Reverend Nicholas Watts, died 1849, signed A. Mather, Gt. Marlborough St., London; the remaining 2 are a pair on either side of the north door, commemorating Lucinda Widborne, died 1855 and Charlotte Watts, died 1874. East window and east window of south aisle by the Hardman Company, easternmost window of south side by Drake of Exeter. Part of the early C16 rood screen was removed to the Chantry (formerly the vicarage) in the circa 1820s and is still there.
© Historic England 2022
I was given access to the factory in Dursley in November 2008 and took this selection, showing the various stages of the assembly of the renowned Lister Diesel engines.
Washburn, Wisconsin
Listed 7/18/2014
Reference Number: 14000430
The East Third Street Residential Historic District is an architecturally significant district that is located adjacent to the historic commercial core ofthe city of Washburn. The district was identified as a potential historic district having local significance under National Register (NR) Criterion C (Architecture) by the City of Washburn Intensive Survey, which was undertaken in 2008-2009. 14 Research was undertaken to assess the potential for nominating the district to the NRHP utilizing the NR significance area of Architecture, a theme which is also identified in the State of Wisconsin's Cultural Resource Management Plan (CRMP). This research centered on evaluating the resources within the District utilizing the Queen Anne, Prairie School, American Craftsman, Bungalow, Dutch Colonial Revival and Colonial Revival styles subsections of the Architectural Styles study unit of the CRMP. 15 The results of this research are detailed below and show that the East Third Street Residential Historic District is locally significant under NR Criterion C as an architecturally and historically significant collection of single family residences that together constitute a well-defined and visually distinct geographic and historic entity within the city of Washburn.
National Register of Historic Places Homepage
East Third Street Residential Historic District Summary Page
VEAN VIDEO>> www.youtube.com/watch?v=Y54Xpxk2RO0&list=PLC87jK6_9w7...
PARA CONTRATACIONES 1 787-241-5099 O 1 787-223-8088
www.facebook.com/poleortiz.salbomple
COMPRE CD AQUI Viera Discos Coleccionista (787) 725-1105
La voz del cantante Rafael "Pole" Ortiz fue escuchada por 15 años en la orquesta del maestro Elías Lopés, nueve en Plenéalo y cinco en Plena Libre. Tras cumplir tres décadas con estas agrupaciones, el "Trovador de la salsa, bomba y plena" -como se le conoce-, entendió que era tiempo de evolucionar como solista y "poner mi garganta a mi servicio y no a la de otros".
Con una trayectoria musical sólida en el género de la plena y la salsa lanzó su primera producción discográfica "Pole Ortiz & Sal- Bom- Plé", disponible en Viera Records.
About Pole Ortiz
El corazón no se detiene todavía tengo la emoción de ayer. Gracias a todos.
Historial Musical y Artístico
Rafael (Pole) Ortiz
Rafael (Pole) Ortiz nació en Naranjito, Puerto Rico en el año 1950. Comenzó cantando a los doce (12) años dando sus primeros pasos en programas escolares y además ya cantaba música típica por todos los barrios de Naranjito, su pueblo natal. A los catorce (14) años comenzó cantando guarachas, boleros y música típica con distintos grupos locales y orquestas de distintos pueblos limítrofes; como Los Cordiales de Rafo Nieves, El Nuevo Montuno, El Bonche Latino, Orquesta Opus, Orquesta La Corozaleña, Orquesta Integración, Conjunto Chambelé.
Entrando de lleno al ambiente musical se integra a la Orquesta del maestro Elías Lopés como cantante de la orquesta por quince (15) años. Viajando y presentándose, en todos los pueblos de Puerto Rico y el extranjero. Fue el primer salsero en presentarse en el Centro de Bellas Artes de Santurce junto a Andy Montañez obteniendo el premio como orquesta del año (1998), cantante de salsa del año junto a Junior Toledo de los premios Tu Música. Premio Agüero y otros.
También participó en el Encuentro de Soneros junto a: Oscar de León, Héctor Lavoe, Andy Montañez , Luigie Texidor, El Combo del Ayer, Los Padres de la Salsa, Los Hijos de la Salsa y Elías Lopés.
Durante nueve (9) años perteneció al Grupo Plenéalo, ganando distintas nominaciones. Participó en vivo con Ballets de San Juan en dos ocasiones donde se usó la música de Plenéalo en el Ballet “Las Plenas de María”. Discografía: Pa’ que suene el Pandero (2005), Enamorado de Puerto Rico en este disco es el autor de: “Yo canto Bomba y Plena”, Con el Sabor de la Plena en este disco es el autor de: “Se me van los pies” y “Hasta Mañana”, ¡Plenéalo! Más Allá y Somos la Plena, en este disco compuso “Lo que tiene mi Borinquen”.
Durante cinco (5) años perteneció a la agrupación Plena Libre nominados a los premios Grammy y otros. Países visitados en diferentes estados de Estados Unidos especialmente en Nueva York y Chicago, Canadá, Holanda, Colombia, Venezuela, Francia, Panamá, Santo Domingo, Alemania, Italia, África y otros. Discografía: Plena Libre: “Evolución” en este disco interpreta junto a Andrés Jiménez la canción “Cantaré a Puerto Rico”, y autor de: “La Nota” ,Plena Libre: Puertorro, Plena al Salsero.
Al Sr. Rafael (Pole) Ortiz se le conoce como el Trovador de la Salsa, Bomba y Plena, también es un gran intérprete de otros géneros musicales. Pole Ortiz ha participado en grabaciones de Lucecita Benítez, Andrés Jiménez (Cien Años Después), Danny Rivera y Edwin Colón Zayas, Christian Nieves (Herencia Musical; autor de: “Échate pa’ca” y “De Borinquen son”, Modesto Nieves, Antonio Cabán Vale (El Topo), Roy Brown, Ramito y otros.
En la actualidad se mantiene activo y en proceso de iniciarse como solista con su Grupo “Pole Ortiz y SalBomPlé, Inc.” y próximamente saldrá al mercado su primera grabación como solista.
For some time now Mr Fox has suspected the worst... something so awful he hoped it couldn't be true....but today came the proof.
Santa's gone senile! The annual Naughty List was published and Mrs PB's name was on it. It's a well known secret that polar bears don't go on the naughty list. They are not the kind of bear you want to tell they're not getting a Christmas present!
However, if this wasn't enough, even more compelling evidence that Father Christmas had gone doo-lally came when they read the rest of the list;
Mr Shaun
Seamus (and not Shortbread)
Miss Lemuriana
Teddy
The Land of the Couch
Mrs Aaberg
Mr Jube
Mr Theodore
Mr Flt. Lt. Bear
Mrs Emily
Big Momma
Miss Hatts
Miss Doko
Uncle Jago
None will be getting presents.
It was all a bit too much for Mrs PB; whose shrieks in disgust could be heard resonating.
While consoling his distraught, and now rather angry polar bear, you could tell Mr Fox was already hatching a plan...
The question is - will he be able to save Christmas!
www.youtube.com/watch?v=qUmRhwNGzS8
Christmas Special: The Naughty List with Derpy Hooves & Snowcatcher
Derpy discovers she is on Santa’s naughty list! A normal pony would clean up her act, but fortunately Derpy is definitely not normal. Such “slander” requires a chaotic trip to the North Pole.
Happy To Announce A Remarkable New Listing: Property Details For: 414 LAKEFRONT DRIVE Panama City Beach, FL 32413Type: ResidentialPrice: $599,000Bedrooms: 3Baths: 3.0Here is some additional information about 414 LAKEFRONT DRIVE Panama City Beach FL 32413: See full detail for Listing: 418836Address: 414 LAKEFRONT DRIVE Panama City Beach FL 32413Here is what Trulia.com has to say about the area: Panama City Beach Market Stats: There are 4 seven bedroom properties available with an average listing price of $1,280,729. Overall the average listing price in Panama City Beach is $314,629. Lotac: Paved Road Lotac: Private Road Lotac: Comm/Own/Maint Lotfe: Sidewalk Lotfe: 1/2 Mile Of Water Lotfe: Covenants/Restrictions Lotfe: Survey Available Zon: Deed Restrictions Zon: Res Single-Family Watvw: Gulf Watvw: Lake Prkft: Oversized Prkft: Garage Facil: Beach Facil: Dock Facil: Gated Community Facil: Pets Allowed Facil: Picnic Area Facil: Tennis Facil: Security-24 Hour Facil: Security-Gate Facil: Security-Gate Rov Const: Foundation-Off Grade Const: Frame Const: Roof-Metal Const: Siding-Stucco Const: Trim-Vinyl Ext: Balcony Ext: Columns Ext: Patio-Covered Ext: Porch-Covered Ext: Renovated Ext: Sprinkler System Int: Built-In Bookcase Int: Ceiling-Raised Int: Fireplace Int: Fireplace-Gas Int: Floor-Hardwood Int: Floor-Tile Int: Floor-W/W Carpet Int: Floor-W/W New Carpet Int: Light-Recessed Int: Newly Painted Int: Renovated Int: Split Bedroom Int: Washer/Dryer Hookup Int: Wet Bar Int: Woodwork-Paint Int: Stairs-Curved Int: Inside Storage Appl: Garage Door Opener Appl: Cooktop Appl: Dishwasher Appl: Disposal Appl: Oven-Self-Cleaning Appl: Refrigerator/Ice Maker Appl: Stove/Oven-Electric Appl: Microwave/Range Hood Util: Electric Util: Water-Public Util: Cable Tv Util: Sewer-Public Energ: A/C-Central Electric Energ: Ceiling Fan(s) Energ: Double Paned Window(s) Energ: Heat-Central Electric Mbdbt: Mbath-Cult Marble Mbdbt: Mbath-Double Vanity Mbdbt: Mbath-Dress Area Mbdbt: Mbath-Garden Tub Mbdbt: Mbath-Sep Shower Mbdbt: Mbath-Tile Mbdbt: Mbath-Walk-In Closet Mbdbt: Mbed-Carpet Mbdbt: Mbed-Cathedral Ceiling Fin: Conventional Fin: Fha Fin: Owner Fin: Va Fin: Cash Show: Appointment Only Inter: All
The Bridge and Cascade.
Grade I listed.
Cascade I Bridge and cascade. Designed with a single arch by Robert Adam in 1761. Redesigned, with three arches in 1764. Executed 1770- 1771. Ashlar. The bridge has three round-arched spans with moulded hoodmoulds. Fluted roundels in the spandrels. Projecting piers with apsed niches and moulded sill band. The tops of the piers with swags. Fluted frieze and dentil cornice. Balustraded parapet the balusters divided into three units per span. Cast iron balusters. Steep road approaches with the end walls curving outwards and downwards. End piers. Rubblestone cascade to east.
Listing NGR: SK3126840716
historicengland.org.uk/listing/the-list/list-entry/1335352
The Bridge by Robert Adam
Kedleston Hall is an English country house in Kedleston, Derbyshire, approximately four miles north-west of Derby, and is the seat of the Curzon family whose name originates in Notre-Dame-de-Courson in Normandy. Today it is a National Trust property.
The Curzon family have owned the estate at Kedleston since at least 1297 and have lived in a succession of manor houses near to or on the site of the present Kedleston Hall. The present house was commissioned by Sir Nathaniel Curzon (later 1st Baron Scarsdale) in 1759. The house was designed by the Palladian architects James Paine and Matthew Brettingham and was loosely based on an original plan by Andrea Palladio for the never-built Villa Mocenigo. At the time a relatively unknown architect, Robert Adam was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with Adam's designs, that Adam was quickly put in charge of the construction of the new mansion.
World War II
In 1939, Kedleston Hall was offered by Richard Curzon, 2nd Viscount Scarsdale for use by the War Department.[1] Kedleston Hall provided various facilities during the period 1939–45 including its use as a mustering point and army training camp. It also formed one of the Y-stations used to gather Signals Intelligence via radio transmissions which, if encrypted, were subsequently passed to Bletchley Park for decryption.
National Trust
In the 1970s the estate was too expensive for the Curzon family to maintain. When Richard Nathaniel Curzon, 2nd Viscount Scarsdale died, his cousin Francis Curzon, 3rd Viscount Scarsdale offered the estate to the nation in lieu of death duties. A deal was agreed with the National Trust that it should take over Kedleston while still allowing the family to live rent-free in the 23-room Family Wing, which contained an adjoining garden and two rent-free flats for servants or other family members.
External design
The design of the three-floored house is of three blocks linked by two segmentally curved corridors. The ground floor is rusticated, while the upper floors are of smooth-dressed stone. The central, largest block contains the state rooms and was intended for use only when there were important guests in the house. The East block was a self-contained country house in its own right, containing all the rooms for the family's private use, and the identical West block contained the kitchens and all other domestic rooms and staff accommodation. Plans for two more pavilions (as the two smaller blocks are known) of identical size, and similar appearance were not executed. These further wings were intended to contain, in the south east a music room, and south west a conservatory and chapel. Externally these latter pavilions would have differed from their northern counterparts by large glazed Serlian windows on the piano nobile of their southern facades. Here the blocks were to appear as of two floors only; a mezzanine was to have been disguised in the north of the music room block. The linking galleries here were also to contain larger windows, than on the north, and niches containing classical statuary.
If the great north front, approximately 107 metres in length, is Palladian in character, dominated by the massive, six-columned Corinthian portico, then the south front (illustrated right) is pure Robert Adam. It is divided into three distinct sets of bays; the central section is a four-columned, blind triumphal arch (based on the Arch of Constantine in Rome) containing one large, pedimented glass door reached from the rusticated ground floor by an external, curved double staircase. Above the door, at second-floor height, are stone garlands and medallions in relief. The four Corinthian columns are topped by classical statues. This whole centre section of the facade is crowned by a low dome visible only from a distance. Flanking the central section are two identical wings on three floors, each three windows wide, the windows of the first-floor piano nobile being the tallest. Adam's design for this facade contains huge "movement" and has a delicate almost fragile quality.
Gardens and grounds
The gardens and grounds, as they appear today, are largely the concept of Robert Adam. Adam was asked by Nathaniel Curzon in 1758 to "take in hand the deer park and pleasure grounds". The landscape gardener William Emes had begun work at Kedleston in 1756, and he continued in Curzon's employ until 1760; however, it was Adam who was the guiding influence. It was during this period that the former gardens designed by Charles Bridgeman were swept away in favour of a more natural-looking landscape. Bridgeman's canals and geometric ponds were metamorphosed into serpentine lakes.
Adam designed numerous temples and follies, many of which were never built. Those that were include the North lodge (which takes the form of a triumphal arch), the entrance lodges in the village, a bridge, cascade and the Fishing Room. The Fishing Room is one of the most noticeable of the park's buildings. In the neoclassical style it is sited on the edge of the upper lake and contains a plunge pool and boat house below. Some of Adam's unexecuted design for follies in the park rivalled in grandeur the house itself. A "View Tower" designed in 1760 – 84 feet high and 50 feet wide on five floors, surmounted by a saucer dome flanked by the smaller domes of flanking towers — would have been a small neoclassical palace itself. Adam planned to transform even mundane utilitarian buildings into architectural wonders. A design for a pheasant house (a platform to provide a vantage point for the game shooting) became a domed temple, the roofs of its classical porticos providing the necessary platforms; this plan too was never completed. Among the statuary in the grounds is a Medici lion sculpture carved by Joseph Wilton on a pedestal designed by Samuel Wyatt, from around 1760-1770.
In the 1770s, George Richardson designed the hexagonal summerhouse, and in 1800 the orangery. The Long Walk was laid out in 1760 and planted with flowering shrubs and ornamental trees. In 1763, it was reported that Lord Scarsdale had given his gardener a seed from rare and scarce Italian shrub, the "Rodo Dendrone".
The gardens and grounds today, over two hundred years later, remain mostly unaltered. Parts of the estate are designated as a Site of Special Scientific Interest, primarily because of the "rich and diverse deadwood invertebrate fauna" inhabiting its ancient trees.
Liban Quarry, Kraków, Poland. The quarry had been a WWII forced labour camp, and the Schindlers List film set representing the notorious Plaszów concentration camp. It now lies abandoned and overgrown.
View from a tower looking towards Krak's Mound.
Part of a Liban Quarry Kraków set at www.flickr.com/photos/sbell/sets/72157618790136658/. Photographed 20/5/09.
This building is part of a site built on land donated by Arthur Wakerley in North Evington. Designed by Searle and Riley. The building was built in 1922. The Rutland and Wycliffe Society for the Blind is now known as VISTA. You can find the building in Margaret Road off of Gwendolen Road. The whole area has many buildings associated with Arther Wakerley including houses built for blind workers and a small public square. Wakerley himself designed a variety of buildings in Leicester and was the city's mayor in 1897. This building was listed (grade II) in 2001.
The civic heart of Kidderminster Town Centre.
Penny Black Square
Kidderminster Town Hall
The Town Hall is Grade II listed.
VICAR STREET
1.
5250 (west side)
The Town Hall
SO 8376 1/90
II GV
2.
1876-7, by J T Meredith. District Council premises; formerly council offices
and chamber, and magistrates court. Two storeys in red brick with stone dressings.
Brick parapet with inset iron grilles and stone cornice on brackets. Pilasters
in brick with stone caps divide the 3 bays. Flat carved cornices on brackets
to windows, carved aprons, cills on brackets. Ground floor in channelled rustication
has 3 round-headed windows and a round-headed entry below a window with stone
balcony. Clock on a wrought bracket. Barometer in the wall. Hansard roof
with round-headed attic windows.
Listing NGR: SO8314776555
This text is a legacy record and has not been updated since the building was originally listed. Details of the building may have changed in the intervening time. You should not rely on this listing as an accurate description of the building.
Source: English Heritage
Listed building text is © Crown Copyright. Reproduced under licence.
Clock
The two bays of the sanctuary have a quadripartite vaulted roof of Bath and Ham Hill stone. The frescos were designed by George Frederick Bodley and executed by Powell & Sons, Whitefriars.
Church of St Peter, Hinton Road, Bournemouth
Grade I Listed
List Entry Number: 1153014
Listing NGR: SZ0888791218
Details
101756 768/13/1 HINTON ROAD 11-OCT-01 (East side) CHURCH OF ST PETER
GV I
13/1 HINTON ROAD 1. 5l86 (East Side) Church} of St Peter
SZ 0891 13/1 5.5.52.
I GV
2. South aisle 1851, Edmund Pearce, rest of church, 1855-79, G E Street, large, Purbeck stone with Bath stone dressings, built in stages and fitted out gradually. Dominating west tower, 1869, and spire (important landmark, 202 ft high), 1879: west door up steps with 4-light Geometrical window over, 3rd stage with steeply pointed blind arcade with encircled quatrefoils in spandrels, belfry with paired 2-light windows, elaborate foliage-carved cornice and arcaded panelled parapet, spire of Midlands type, octagonal with 3 tiers of lucarnes and flying buttresses springing from gabled pinnacles with statues (by Redfern) in niches. Western transepts with 4-light Geometrical windows, 1874. Nave, 1855-9, has clerestory of 5 pairs of 2-light plate tracery windows between broad flat buttresses, with red sandstone bands to walls and voussoirs and foliage medallions in spandrels. North aisle has narrow cinquefoiled lancets, Pearce's south aisle 2-light Geometrical windows (glass by Wailes, 1852-9); gabled south porch with foliage-carved arch of 3 order and inner arcade to lancet windows. South transept gable window 4-light plate tracery, south-east sacristy added 1906 (Sir T G Jackson). North transept gable has 5 stepped cinquefoiled lancets under hoodmould, north-east vestries, built in Street style by H E Hawker, 1914-15, have 2 east gables. Big pairs of buttresses clasp corners of chancel, with 5-light Geometrical window- south chapel. Nave arcade of 5 bays, double-chamfered arches on octagonal colunms, black marble colonnettes to clerestory. Wall surfaces painted in 1873-7 by Clayton and Bell, medallions in spandrels, Rood in big trefoil over chancel arch, roof of arched braces on hammerbeams on black marble wall shafts, kingposts high up. North aisle lancets embraced by continuous trefoil-headed arcade on marble colonnettes, excellent early glass by Clayton and Bell, War Shrine Crucifix by Comper, l917. Western arch of nave of Wells strainer type with big openwork roundels in spandrels. Tower arch on piers with unusual fluting of classical type, glass in tower windows by Clayton and Bell. South-west transept has font by Street, 1855, octagonal with grey marble inlay in trefoil panels, south window glass by Percy Bacon, 1896. Chancel arch on black shafts on corbels, low marble chancel screen with iron railing. Pulpit, by Street, carved by Earp, exhibited 1862 Exhibition: circular, pink marble and alabaster with marble-oolumned trefoil-headed arcaded over frieze of inlaid panels, on short marble columns, tall angel supporting desk. Lectern: brass eagle 1872 (made by Potter) with railings to steps by Comper, 1915. Chancel, 1863-4, has 2-bay choir has elaborate dogtooth and foliage-carved arches on foliage capitals, with clustered shafts of pink marble and stone, sculptured scenes by Earp in cusped vesica panels in spandrels, pointed boarded wagon roof with painted patterning by Booley and Garner, 1891. Choir stalls with poppyheads, 1874, by Street, also by Street (made by Leaver of Maidenhead) the ornate and excellent parclose screens of openwork iron on twisted brass colunms, pavement by Comper, l9l5. Sanctuary, also 2 bays, rib-vaulted, with clustered marble wall shafts with shaft rings and foliage capitals, painted deocrations by Sir Arthur Blomfield, 1899 (executed by Powells). First bay has sedilia on both sides (within main arcade), backed by double arcade of alternating columns of pink alabaster (twisted)and black marble. Second bay aisleless, lined by Powell mosaics. East window has fine glass by Clayton and Bell, designed by Street, 1866. Reredos by Redfern, also designed by Street has Majestas in vesica flanked by angels, under gabled canopies, flanked by purple and green twisted marble columns, flanking Powell mosaics of angels, 1899, echoing design of predecessors by Burne-Jones which disintegrated. North transept screen to aisle by Comper, 1915, Minstrel Window by Clayton and Bell, 1874, sculpture of Christ and St Peter over doorway by Earp. South transept screen to aisle and altar cross and candlesticks to chapel by Sir T G Jackson, l906, murals by Heaton, Butler and Bayne, 1908, windows in transept and over altar by Clayton and Bell, 1867, and to south of chapel (particularly good) by Morris, Marshall, Faulkner and Co, 1864.
The Church of St Peter, Churchyard Cross, Lychgate, Chapel of the Resurrection, and 2 groups of gravestones form a group.
Listing NGR: SZ0888791218
historicengland.org.uk/listing/the-list/list-entry/1153014
St Peter's church in the centre of Bournemouth, Dorset; one of the great Gothic Revival churches of the 19th century and now serving as the parish church of Bournemouth. On the site of a plain, slightly earlier church, this building was commissioned by the priest, Alexander Morden Bennett, who moved to the living from London in 1845.
In 1853 Bennett chose George Edmund Street, architect of the London Law Courts, to design the proposed new church. The church grew stage by stage and Street in turn commissioned work from some of the most famous names of the era, including Burne-Jones, George Frederick Bodley, Sir Ninian Comper, William Wailes and Thomas Earp. There is even one small window by William Morris.
This was taken on a colour film and developed in Ilfosol 3 (B&W developing fluid) for an hour.
lister park bradford
I was given access to the factory in Dursley in November 2008 and took this selection, showing the various stages of the assembly of the renowned Lister Diesel engines.
This year I write a short wish list. I bought a new EOS5D MKII - now I´m broke. So my last hope is the christ child.
My list began with:
- 100 Macro 1:28 IS USM
- Speedlite 580 EX II
-
New shots of the Methodist Central Hall - this time from Ryder Street.
It is a Grade II* listed building, and is made of terracotta. At 196 - 224 Corporation Street.
It is also listed as 1, 3 and 5 Ryder Street (now a pedestrianised cul-de-sac)
Built 1903 - 04 by E and J A Harper. Red brick and terracotta. Three storeys; 5 bays to the left, 7 to the right, of the tall slender tower. Ground floor with shops (nos 208, 214, 216 and 220 with their original shop fronts) and the deep arched entrance porch with excellent figure carving over and within it. To the left, couplets of depressed arched windows above tall canted bay windows; to the right, the main hall on the 1st floor represented by large round-arched traceried windows above small bow windows. Across the top a parapet and little polygonal turrets, their capping differing between left and right. The tower rises square and sheer almost to the top where its elaboration of detail matches that of the lower facades. The return on Ryder Street is similar and has more original shop fronts eg No 5 and especially No 3 on the corner.
The scaffolding on Ryder Street.
Hall - British Listed Buildings
List Of Names of the Officers in the Group Photo - photo taken in 1917.
1. Lieut. Cunningham - D&C
2. Lieut. Marston - 79th
3. Lieut. Huyke - 74th
4. Lieut. Kilt - 75th
5. Lieut. McLaren -74th
6. Lieut. Bennett - 68th
7. Lieut. Huyke - RSA (Royal School of Artillery)
8. - RSA (Royal School of Artillery) - 67th O.C.
9. Lieut. Olmstead - 74th
10. Lieut. Jackson - 75th
11. Lieut. Slade - RSA (Royal School of Artillery)
12. Lieut. Cameron - RSA (Royal School of Artillery)
13. Major Crocker - 74th B. Bdge O.C.
14. Lieut. Light - Staff R.C.H.A.
15. Major - Staff R.C.H.A.
16. Col. Leslie
17. Lt. Col Roy
18. Capt. Harris - 72nd
19. Major O'Dell - 73rd
20. Lieut. Jordon - RSA (Royal School of Artillery)
21. Capt. Forte - RSA (Royal School of Artillery)
22. Capt. Sargant M.O.
23. Lieut. Guthrie -
24. Lieut. De Chambrois -
25.
26. Lieut. Stacy - RSA (Royal School of Artillery)
27. Capt. McNaughton - RSA (Royal School of Artillery)
28. Lieut. Paisley - 64th O.C.
29. Lieut. O'Niel - 72nd
30. Lieut. Gordon - 73rd
31. Lieut. Powell - 75th
32. Lieut. Coll. - 75th
33. Major Carr-Harris - 72nd www.collectionscanada.gc.ca/databases/cef/001042-119.02-e...
34.
35. R.C.H.A.
36. Lieut. Sutherland - C.G.A. (Canadian Garrison Artillery)
37. Tasherson (Taschereau) - Vet. Col.
38. Eng. Col.
39. A. Bgdr. Col. Arnoldi
40. Lieut. Bethune - 74th
41.
42. Lieut. Steacy - 73rd
43. Lieut. Francis - 68th
44. Lieut. Hasn - 72nd
45. Lieut. Malock - RSA (Royal School of Artillery)
Fave time wasters, List 4 Read more here: www.bonitarose.com/2013/09/list-4-30-days-of-lists-favori...
La lista de candidatos, encabezada por el congresista César Zumaeta (PAP), fue presentada hoy sábado 24, ante la Oficialía Mayor del Congreso para ocupar los cargos de la Mesa Directiva para el Período Anual de Sesiones 2010-2011. La completan Alejandro Aguinaga, a la primera vicepresidencia; Alda Lazo, a la segunda vicepresidencia; y Eduardo Espinoza, a la tercera vicepresidencia.
1958 Lister Jaguar driven by Steven J. Hilton during Friday practice for Group 3B (1955-1961 Sports Racing Cars over 2000cc) at the 2012 Rolex Monterey Motorsports Reunion.
LA VÍSPERA 850 CABALLADA DE ATIENZA 2012
La fotografía es mi segunda intención, la primera es vivir vuestra fiesta, gracias por vuestra amabilidad, atencinas y atencinos, la he vivido muy de cerca, y prometo volver a ir
microVIDEOS www.youtube.com/playlist?list=PL668EF2F2D3752DD6
+INFO en lacaballadadeatienza.blogspot.com.es/
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNICALO A josemariamorenogarcia@gmail.com
La Cofradía de la Santísima Trinidad o Cofradía de Arrieros o Recueros de Atienza, está formada por una serie de hermanos y hermanas que están obligados a cumplir diversas ordenanzas, y cuyo incumplimiento es sancionado con multas de diversa cuantía.
Los cargos más importantes son el prioste, los seis o seises últimos, el fiel de fechos o secretario y el abad.
Otros componentes son el Mayordomo, el Manda o sayón y todos los hermanos "que no han servido la Vara".
Por último, hay que citar a las mujeres que, ocupan un papel destacado y son conocidas por la "priosta" o mujer del "prioste", la "seisa" o mujer del "seise" principal y la mayordoma o mujer del mayordomo.
En 2012 se celebra el 850º aniversario de la fiesta de "La Caballada", el 27 de mayo, domingo de Pentecostés.
La fiesta comienza a las diez de la mañana en casa del Prioste, aunque ya la tarde anterior los hermanos de la Cofradía de la Santísima Trinidad van andando hasta la ermita de la Estrella vestidos con trajes castellanos de pana oscura, grandes capas pardas y sombreros de ala ancha, acompañados de una dulzaina y un tamboril.
Al llegar las “tres mujeres” visten a la Virgen mientras los hermanos cortan el "mayo” en las inmediaciones de la ermita. Se trata de una gran rama frondosa que es adornada con profusión de roscas, naranjas, limones y frutos, que plantarán tras los actos religiosos del día siguiente. Finalizadas las labores preparatorias, los hermanos se reúnen para comer siete tortillas de vigilia, hechas con diferentes rellenos, que recuerdan las siete jornadas que emplearon los arrieros para trasladar al Rey Niño hasta Segovia.
El día grande de La Caballada es el Domingo de Pentecostés. Hacia las 8 de la mañana, los hermanos acuden en caballerías vistosamente enjaezadas a casa del "prioste", y desde allí a la del abad, y todos juntos se encaminan en romería a la ermita de la Estrella. Una vez allí, bajan de sus caballerías y comienza la procesión, siendo muy curiosa la subasta de los banzos o brazos de las andas, cotizada en celemines de trigo.
A continuación, la misa, y más tarde plantan el "mayo" en la explanada de la ermita, comenzando la subasta de roscos y frutos que de él penden, también en celemines. Termina la subasta, se cortan las ramas del árbol y se reparten entre los asistentes.
Finalmente se procede a efectuar el baile de la Virgen, especie de jota castellana, que llevan a cabo los hermanos, la cual se acompaña con sones de dulzaina y tamboril.
Así llega la hora de comer, dispersándose entonces todos los asistentes a excepción de los hermanos de la cofradía, que ante la Orden del Manda: "Señores hermanos, a comer", subirán al comedor de la ermita para tomar un menú obligado este día a base de cordero asado, un cogollo de lechuga y pasas. Terminada la comida, regresan a la villa montados a caballo, al igual que hicieron por la mañana, y por la tarde, en el pueblo, tienen lugar las carreras a caballo, por parejas, de los cofrades.
Autor: José-María Moreno García. Fotógrafo humanista y documentalista. Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, sino también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
www.etsy.com/listing/72565750/shabby-chic-summer-scarf-cr...
"GRACE" Scarf
Why leave scarves for the winter time when you can wear a pretty, ruffly one like this in summer? This is made from upcycled, cotton fabrics with rows of vintage lace and trim on each end and handmade rosettes. I've gathered the scarf with elastic to give it a ruffled style. Great for romantic, summer nights.
50 inches Long X 8 inches Wide
Just A Update On My Wish List
Noah ~ Iplehouse EID Rex
Sammie ~ Iplehouse KID Joy
"Bobby" Robert ~ Zoall Luv (Boy Mod)
Gus ~ 5StarDoll Aiden
Listed Building Grade II
List Entry Number : 1297662
Date First Listed : 13 January 1971
A pair of houses, later subdivided, in red brick with sandstone dressings and a slate roof, in Jacobethan style. They have an H-shaped plan with projecting outer wings and rear extensions. The houses have two storeys with attics, and a symmetrical five-bay front. The outer and central bays are gabled with finials, and the central bay contains a pair of gabled porches, above which is an oriel window. The outer bays contain two-storey canted bay windows, and the adjacent bays have rectangular windows with hood moulds.