View allAll Photos Tagged liquify
45/365 - Romeo:
"But soft, what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief
That thou, her maid, art far more fair than she."
Happy Valentines Day everyone :)
Bokeh of passing traffic and street lights through raindrops on my window, liquified in Photoshop.
Suspension bridge across the Riesachbach near Schladming, Austria. The Riesachfalls close to the bridge are the highest waterfalls in Styria.
In order to create the dizzying effect, the photo has been edited with the help of Photoshop, using the lens-flare filter, radial blur, and the liquify effect. Perhaps you are interested to compare it with the original. Here ist the link to the unmodified original:
EEEEEEEEEKS!!!! Who in this household would have tried to boil my blythes?????? Okay, fine, I did it but ONLY for a photo op!!!! hee hee heee! I could NEVER cook my girls! ;0)
There are actually SEVEN girls in that pot!!! The other 3 must have liquified already. hee hee hee hee!
The Challenge Factory - Toys/Funny - Category Winner
*Challenge You* - Toy Categoy Winner
Meyer-Werft, Papenburg
Shipyard for cruise ships.
In front of us is the 140 meter long floating part of the AIDAcosma. This construction phase was completed in the large building dock and will later form part of the midship. Inside are the main LNG engines and the tanks for liquified gas, among other things. Public areas and cabins are located on the upper decks.
The equipment of the floating part continues on the pier, while the front part of the AIDAcosma is manufactured in the construction hall. Later, the floating part will be maneuvered back into the hall for the hull to be completed.
I decided to do something experimental – combine nearly 700 images originally shot as time-lapse footage of the Northern Lights into a single frame. This is the result.
Exactly an hour and a half of footage illustrates all the paths the aurora took across the sky. Shot with a fisheye lens and with post-processing to straighten the horizon, the top of the frame is actually behind the camera. The entire sky was illuminated with dancing green curtains of light.
The exposure for an image like this is tricky. Auroras can flare up for intensely bright displays while the rest of the time the dancing lights remain dim. Not wanting the brighter exposures to clip, I intentionally underexposed all of the frames. When the most active moments of the aurora came, I was able to recover the highlights and include them in the final composite.
Combining frames like this can be tricky – I knew I wanted to work with 16-bit TIFF data, and loading 693 TIFF files into Photoshop would bring almost every computer to its knees. Without performing any operations in Photoshop, my computer was utilizing 98GB of RAM. Thankfully the monster computer I built has 128GB of DDR3 memory (and 24 processor cores / 48 threads) so I didn’t run into any issues. I’m actually quite impressed how Photoshop handled it.
Once all the frames are loaded into Photoshop, the work is simple – select all the layers and set the blending mode to “Lighten”. The same technique is used when compositing star trail images from separate 30-second exposures. I didn’t want to use normal lens corrections to remove the fisheye distortion as it would pull too much of the “magic” out of the frame, so I opted to use the warp tool and the liquify tool to manually straighten the horizon. This was difficult, as I needed to maintain realistic star paths in the sky, as closely resembling their normal paths as possible.
I had attempted a similar shot a few years ago and didn’t like the results… but I thought I’d try it again. Let me know what you think. :)
The squirrel that owns my back garden spends most of his autumn burying nuts in the lawn. I am sure he thinks he is storing up a cache of supplies to last him through the winter, but the number of tree seedlings that emerge in the following year is testimony to his forgetfulness.
Most of the emerging trees are children of our hazels but sometimes we get a walnut springing up in a flower pot - evidence of theft from the neighbours. Fortunately, we don’t have any oaks in the centre of the village else look what might happen!
The images in this set of playful creations for Sliders Sunday today are based on a picture of one of my favourite oaks on my local walks. This magnificent tree stands very photo-helpfully by the edge of a lane with no wires or telegraph posts in the way.
I’ve been too busy with other things recently to do much photography (or Flickr, alas). So this set has taken several weeks of playtime tinkering to produce.
Numbers I to V are created using Topaz Studio; VI is made just using layers and blend modes in Affinity Photo and then mangling it with the Liquify tools to give a windblown look; VII is a version created using Nik Color Efex.
I’ll post II to Sliders Sunday today. It’s created using the Remix filter and the stained glass window effect rather appeals to me, although it’s instantly recognisable as Topaz.
I like all of these for some reason or another though I am clearly biased. Which is your favourite I wonder…
The commentary is the same for each and I’ll post a link to the in-camera original in the first comment as usual.
Thank you for taking the time to look. I hope you enjoy the images. Happy Sliders Sunday :)
Photo 1 of 3. Assassin Bug in action. I've been fascinated by these little predators lately. Mainly because I've never noticed them in our garden before. After much research, I found they are quite common, and mostly benificial. There are over 150 species with one thing in common. Their mouth parts and the way they immobilize their prey. They're not normally a threat to humans, yet when provoked, these little bugs can inflict a very painful bite. They also inject a venom that contains neurotoxins that both paralyzes and liquifies their prey, much like a spider does to it's victim. This same toxin is what causes the pain if you get bitten by one of these bugs.
Taken from a bus window exactly 10 years ago yesterday! I was on my way back from my annual trip to the Netherlands, to visit my DD.
Been told that this is “the largest copywritten piece of art on the planet”. It is painted on a liquified natural gas tank
Date : 22/08/2017
Lieu : Troussey (France)
Propriétaire : -
Opérateur : Europorte
Modèle : Alstom Prima EL3U
Matériel : E37500
Support : Photo Numérique
Description : La E37505 longe le Canal de la Marne au Rhin en tête d'un train de gaz reliant Sibelin (Lyon) à Forbach.
-
Date: 22-08-2017
Place: Troussey (France)
Owner: -
Model : Alstom Prima EL3U
Company: Europorte
Rolling stock: E37500
Support: Digital Picture
Description: The E37505 locomotive is running along the Marne to Rhine Canal. It's pulling a liquified gaz train from Sibelin (Lyon) to Forbach.
This was the shot that concluded my first experience of the Northern Lights, as seen at Hvalnes Lighthouse, Iceland.
A group of 5 of us had been on the road all day and had seen (in my opinion) one of the most amazing sunsets ever - panorama to follow. We were partly anticipating seeing the lights, but half resigned to calling it a night for some much needed sleep. Thankfully we checked outside one last time before bed.
I wasn't sure quite what to expect and to the eye, the 'lights' at first seemed like quite dull, linear white clouds. When photographed with a camera at relatively high sensitivity, the brightness and colours really popped out.
We saw the 'lights' on two more evenings, with the last evening being much brighter and more spectacular.
Shot with a Samyang 14mm (fully manual prime lens) at F/2.8
Perspective 'corrected' in Photoshop CS6 and horizon straightened manually with the liquify tool.
Greens selected and enhanced separately.
Inspired by, okay, copied from, a photograph by Dyan Marie - 'Learning to Count THREE: whirlwind, 1993', except it's my hand, not hers.
Just practicing with Elements, liquify tool.
Spirals could be bigger!
This is my second attempt at sitting people on bubbles. I did it using the liquify tool in photoshop cs6 and dragging down the bubble and then placing the cutout of myself and my son Ben on top. It's pretty easy but I want to do some more to get the shadowing perfect. The background was shot on a Canon 60D and myself and Ben were shot on a Canon 5d MK II.
Jabez cried out to the God of Israel, "Oh, that you would bless me and enlarge my territory! Let your hand be with me, and keep me from harm so that I will be free from pain." And God granted his request. 1 Chronicles 4
This is dedicated to Martha★ thank you so much for the beautiful testimonial!! Your photographs are exquisite =)
All my photos are copyrighted. Please do not use them for any purpose, including on blogs, without my express permission.
@2020-2099 Copyright Rudr Peter. All rights reserved under the International Copyright laws. This picture and portions of this image should not be used in any print and electronic form without permission from me.
The snow fence should prevent snow drifts in winter but suffered severe damage through Photoshop's liquify filter. (Stubnerkogel / Bad Gastein / Salzburg / Austria)
The crab sign Zodiac, Cancer.
Another of the Hollow Zodiac peices of the collection.
*Steal and I'll liquify your brain*
Arch St Philadelphia PA
-
Panasonic GM1 camera
PanaLeica 15/1.7 lens
-
DXO RAW processing
Photoshop
+Glow bliss masked blend layer
+Impression Van Gogh masked blend layer
+Glow liquify 2 masked blend layer
+Group copy rotated blend layer
I uh
He's bad because he's eating liquified crocodiles.
Built for BIO-CUP 2023, Prelims round, theme: Villian.
Originally had some chimneys and a forest and stuff-it was supposed to be a metaphor for capitalism, but I didn't like the composition and had run out of time and daylight.
Photo 2 of 3. Assassin Bug in action. I've been fascinated by these little predators lately. Mainly because I've never noticed them in our garden before. After much research, I found they are quite common, and mostly benificial. There are over 150 species with one thing in common. Their mouth parts and the way they immobilize their prey. They're not normally a threat to humans, yet when provoked, these little bugs can inflict a very painful bite. They also inject a venom that contains neurotoxins that both paralyzes and liquifies their prey, much like a spider does to it's victim. This same toxin is what causes the pain if you get bitten by one of these bugs.
The Psathyrellaceae are a family of dark-spored agarics that generally have rather soft, fragile fruiting bodies, and are characterized by black, dark brown, rarely reddish, or even pastel-colored spore prints. About 50% of species produce fruiting bodies that dissolve into ink-like ooze when the spores are mature via autodigestion. Prior to phylogenetic research based upon DNA comparisons, most of the species that autodigested were classified as Coprinaceae, which contained all of the inky-cap mushrooms. However, the type species of Coprinus, Coprinus comatus, and a few other species, were found to be more closely related to Agaricaceae. The former genus Coprinus was split between two families, and the name "Coprinaceae" became a synonym of Agaricaceae in its 21st-century phylogenetic redefinition. Note that in the 19th and early 20th centuries the family name Agaricaceae had far broader application, while in the late 20th century it had a narrower application. The family name Psathyrellaceae is based on the former Coprinaceae subfamily name Psathyrelloideae. The type genus Psathyrella consists of species that produce fruiting bodies which do not liquify via autodigestion. Psathyrella remained a polyphyletic genus until it was split into several genera including 3 new ones in 2015. Lacrymaria is another genus that does not autodigest its fruiting bodies. It is characterized by rough basidiospores and lamellar edges that exude beads of clear liquid when in prime condition, hence the Latin reference, lacryma.
Coprinopsis sp. Psathyrellaceae
Biscayne Park FL
This was our New Years day breakfast which was cooked on the embers of a fire that we lit for New Years Eve, a fry up was just the job to soak up all the beer from the night before. But this greedy hobbit ( my mate Paul) had other ideas lol.
This image came about whilst experimenting with software. His head is not really that size lol.
FEC train 206 heads north through Hobe Sound as ongoing Brightline construction continues. The days of the intermediate signals here are numbered as well as everything is being upgraded to vader style signals along the portion of the FEC where Brigtline trains will be running along with FEC freights.
With Amtrak P09822 out of the picture, RTA Dispatch would get around to giving a signal indication to CSX L78722 at CP TOMPKINS, having been waiting at the north end of Hialeah Yard for the better part of an hour for a window between trains. TriRail’s rush hour hustle was just about winding down, but it still meant that the daylight Pompano Switch had no time to waste getting out onto the mainline.
Upon hitting the mainline, engineer A. Lesmeth puts an aging #CSX4310 [GP39-2] to work, powering through Opa-Locka northbound at 08:57 with the Moorish Revival-styled TriRail station dominating the backdrop behind the venerable EMD’s exhaust. The distinct, raspy roar of a V12-645E3 prime mover at full throttle permeates through an already heavily noise-polluted Miami suburb; a sound that was once commonplace, now a rarity to witness.
11 cars make up the local’s consist: three 60’ hi-cube boxcars and eight liquified petroleum gas tank cars, all loaded for their respective customers. L78722’s first customer to serve is all the up way up at Pompano Beach, meaning a relatively hasty but easy run up the corridor for the crew.
•
Opa-Locka, FL
SFRTA Mainline
Date: 09/22/2023 | 08:57
ID: CSX L78722
Type: Local
Direction: Northbound
Car Count: 11
1. CSX GP39-2 #4310
•
© Vicente Alonso 2023
The kite-tailed robber fly (Tolmerus atricapillus), just like all other robber flies hunt smaller flying insects which they intercept mid-air and then land and after their venom has liquified the insides of the prey, it is eaten in liquid form.
Not sure exactly what kind of fly this one has caught, but the level of spatial awareness necessary to figure out where the prey *will be soon* and fly towards that spot and intercept is pretty impressive for a fly.
Part 2 here: www.flickr.com/photos/tinyturtle/51682787134/
Project 365 // Day 137
Today's shoot did not go as smoothly as it could have, I wanted to create something a little abstract, so I hope you all enjoy the result! Let's just say there was a lot of cleaning up to do at one point, lol. XD
To see the complete Project 365 photo gallery, click here.
Copyright © 2011 Onigun Studio. All rights reserved. Follow me on twitter.
I just discovered the liquify tool in photoshop, and combined with the oil paint filter, you can get some pretty interesting results....cheers!
Report from a photo trip to Lofoten - 3
We spent the morning at Storsandness beach and the neighboring cliffs. This is the view to the west and northwest, in the direction opposite to sunrise. The mountain is the 244 m high Slettinden. Though the sun has not yet risen, the distant layers of haze are already being illuminated, displaying a beautiful glow.
The cliffs make many interesting photo opportunities for the 14mm wide-angle lens. Here I took the liberty of using Photoshop's Liquify filter to adjust the geometry a bit so that the rock in the foreground more closesly repeats the shape of the mountain in the background.
I would imagine that eating a moth like this with all those hairs would mean you end up with a lot of hairs in your mouth.
This Attulus terebratus jumping spider on the white garage doors is of course not affected by this. Like all spiders, it lacks jaws and does not "eat" the moth. Instead it uses it venom which liquifies the innards which then can be sucked out like a tasty moth smoothie - void of any annoying hairs.
Part 1 here: www.flickr.com/photos/tinyturtle/52203097465/
Part 2 here: www.flickr.com/photos/tinyturtle/52564577402/
I have a new editing programme - Affinity and am playing around with it. I used Liquify Persona for this photo.
The 1955 DS19 was significantly more expensive than the car it replaced, the Citroën Traction Avant. This did impact potential sales in a country still recovering economically from World War II, so a cheaper submodel, the Citroën ID, was introduced in 1957. The ID shared the DS's body but was less powerful and luxurious. Although it shared the engine capacity of the DS engine. Initially the basic ID19 was sold on the French market with a price saving of more than 25% against the DS
Atlanta GA
-
Panasonic GM1 camera
Panasonic 14/2.5 lens
-
DXO RAW prep
Photoshop using the following blended masked layers
-Topaz Glow liquify
-Topaz Impression oil painting
-Topaz Glow sketch outline
- base layer perspective warp
Nik ColorEfex2 border
LR5 highlight adjustment
Philadelphia PA
-
Panasonic LX100 camera/lens
-
Olympus E-M5 camera
Olympus 12-40/2.8 lens
-
DXO RAW processing
Photoshop
+Glow liquify blend layer
+Glow sketch masked blend layer
Nik ColorEfex2 border
LR5 highlight adjustment
These are stock images that I used to follow a tutorial on You Tube. Lots of playing around in photoshop, using layers, as well as the warp and liquify tool. My very first image of this type, it didn't go quite as well expected and I did improvise a few times, it also took me ages to do!
Woman's image byThiago Martins from stock.xchng
Fire image byMarcus van Dijk from stock.xchng
Tutorial -http://www.youtube.com/watch?v=0Fo5m2hya_4
Ok, so it's not quite April yet but this quick profile pic might at least last me into the new month. I really need to find time to teach myself some new skills in PS other than liquify and a couple of other things lol. It'll do though, for now...
It's fun to keep a record of my constantly changing Avatar. I see myself gradually getting nearer in features to my female idol, Audrey Hepburn. I made myself lol, just thinking about that. What a dork ^^
Skin - Sia/Medium/Smoky from League.
Jewellery from Je Suis.