View allAll Photos Tagged liquify
**Please feel free to zoom in to view this image.**
Created for Kreative Peoples Treat This #265 www.flickr.com/groups/1752359@N21/discuss/72157717965329431/
Created for Shock of the New - New Abstracts - Jan 2021
www.flickr.com/groups/shockofthenew/discuss/7215771765882...
Created for Vivid Art - New Art Contest - Jan 2021
www.flickr.com/groups/2817915@N22/discuss/72157717375725703/
For Slider's Sunday.
Thanks to brillianthues for the use of this source image:
www.flickr.com/photos/brillianthues/50856484686/in/album-...
Filters are from Photoshop.
Thanks everyone for your views, comments, awards, invites and faves.
ice balls formed when the sun's rays liquified blobs of snow caught in the bush stems. Then the cold air froze the melt into ice before it could leak away.
This graphic art started out life as a symmetrical piece of doodling using the app Sketch on my Android phone, painting, as it were, with my finger on the screen.
I then uploaded it to my laptop and applied a lot of manual liquify strokes in PS with my mouse throughout almost every element of the work to break up the original symmetry while adding an oil paint filter, along with a very subtle canvas filter. Finally, I adjusted the tonal contrast in FastStone Viewer.
View large for textural detail.
I was rather at a loss yesterday about what to do for Sliders Sunday this week. Wonderful ideas were notable for their absence. So I thought I would have a play with that good old favourite - a dahlia pic.
There are four endpoints in this set: two are fairly well-travelled approaches and two are sheer experiment.
The first is a fairly straight rendition of the image using the Radiance and Smudge filters of Topaz Studio. The radiance lengthens and strengthens the lines while smudge smoothes surfaces. The result lends a greater sense of physicality, particularly in the petals, that works well with flowers - a bit like an oil painting. The difficulty with this approach is getting the balance right - if you look at the image in detail you can see the filters are having a real party so you need to resist overdoing it. But what is right depends quite a lot on the device and scale that the image is seen at. In other words, you are doomed :(
You can play Spot the Fly with this one ;)
The second is a mirror version created entirely in Affinity Photo. I thought I’d got over my obsession with mirroring flowers, but apparently not. This one is made setting up the adjustment with five mirrors and then searching about a bit with the origin to find an interesting image. Most of the work was in getting rid of the background.
Symmetry in an image has a strange effect on our minds. It increases visual impact but reduces attention span. I call it the ‘wow!... boring’ effect. I still like creating symmetric flower images because it makes me look more closely at the flower and see things that I’d previously missed.
The last two I feel a bit apologetic about as they are not really finished pieces but proofs of concept. They are both made using an approach I stumbled across with my previous Sliders Sunday playtime, that of duplicating the image layer and then changing the blend mode of the top layer to Difference. That just creates a black screen (because there is no difference between the layers). The fun starts when you begin mangling the top layer.
Previously I’d just used Liquify to mangle the layer (this pushes pixels around without smudging). It’s easy to do in Affinity because the Liquify adjustment is just another layer that remains editable. But that was not enough here - having a predominantly white flower doesn’t work as well as the multicoloured one last time. So I dabbled in my diddling with Recolour, Smudge, Gradient Map and Liquify. The textured one is mainly Smudge, and the other is several Difference results together in a composite.
Anyway, I hope you enjoy some of them and that they encourage you to have a bit of fun yourself. I’d love to hear which is your favourite. I’ll post a link to the in-camera version in the first comment so that you can see where we started with this set.
Thanks for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :)
Dress: .Q. Madam -FATPACK- x Collabor88
Pose: OG. The 1940’s x Collabor88
Lipstick: ! #saint. x evox - jazmine’s tea lip varnish (fatpack) Mainstore // Marketplace
Makeup: ! #saint. x evox - liquify eyeshadow (fatpack) Marketplace // Mainstore
58020 'Doncaster Works' passes Bournemouth station with 6v13, the 1224 Furzebrook to Hallen Marsh train of liquified petroleum gas.
Back in 1995, living on the Bournemouth line, this was very much my local freight train. Running 6 days a week, passing through a fair few reasonable locations, and running during my lunch break, I photographed this train dozens of times through the 1990s.
When I first moved back into the area in 1994, my first week of work coincided with a week of decent weather so I shot this train 4 days that week, each day in different locations. Happy days!
83-LNG is the name of this viewpoint at Rozenburg, the Netherlands. It is a tribute to the first place where Liquified Natural Gas (LNG) was bunkered in Holland.
Design (2017): Mothership, Rotterdam
Candidate for the Steel Prize 2022.
Song : About The Bass
I was listening to this song while doing this pic. It took me roughly 2 weeks to finish up this pic due to health problem that I'm facing at the moment. Since feel much better, I thought I better post it up.
Thank you to Hik & Petra for the best birthday present ever *big hug to both of you* <3 <3 <3
Blog post (I dont do any liquify at all.)
I decided to try using that liquify tool in PS today, since two friends now have told me it's a good tool to use for these things...I think I did it better this round, lol. Either way, I REALLY like the end result of this. YAY! \o/
Sir John Fisher arriving on her first visit to Great Yarmouth from Immingham. The ship is able to run on liquified natural gas (LNG) as a cleaner alternative to conventional marine gasoil.
Name: Sir John Fisher
Vessel type: Tanker
Home port: Barrow
Flag: United Kingdom
IMO: 9944297
MMSI: 232044985
Call sign: MMRI5
Length overall: 93 m
Beam: 17 m
Draught: 6.7 m
Gross tonnage: 4,739 ton
Max deadweight: 6,106 ton
Cargo capacity at 98%: 6,452 m3
Builder: China Merchants Jinling Ltd (CMJL), Yangzhou, China
Completion date: 21st. November 2022
Owner: Sea 291 Leasing Co Ltd, Barrow-in-Furness, Cumbria
Manager: James Fisher Everard Ltd, London
Operator: James Fisher Shipping Services Ltd, Barrow-in-Furness, Cumbria
For your delight this Sliders Sunday I have concocted three very different offerings.
This session started, like many before, with an image that had some interesting qualities (principally colour and graphic shapes here) but wasn’t good enough to process as a proper image. This image was too blurred to be worth straight editing. So into the witch’s cauldron it went…
The mangles are (in no particular order):
- A plain edit and then a polar to rectangular conversion, but only on the red channel. I then rotated the image by 180 degrees and did the same but only on the blue channel. Instant modern art!
- A Topaz Studio 2 conversion using the Glow filter (amongst others - it was my own preset. Ask if you would like it :) ).
- Like the first this version was a simple edit in Affinity (easily done in PS too). I duplicated the proper edit version layer and then used the Liquify filter to push the pixels around mainly in a circular clockwise motion. I then blended it back to the proper edit layer using Difference blend. Then all I had to do was increase the brightness, contrast and saturation. I’ll probably post this version to the Sliders Sunday group as it’s more obvious on a small screen for those using smaller devices for Flickr. But I love the intricacy of the Topaz edit too…
All the manglings have been flipped horizontally which seemed to tell a better story.
The original image is linked in the first comment as usual so you can see where we started.
Thanks for looking. I hope you enjoy these - let me know if you have a preference :) Happy Sliders Sunday!
just playing today. #286 of the 365day challenge. www.flickr.com/photos/olwizard/galleries/72157622676334524
83-LNG is the name of this viewpoint at Rozenburg, the Netherlands. It is a tribute to the first place where Liquified Natural Gas (LNG) was bunkered in Holland.
Design (2017): Mothership, Rotterdam
Candidate for the Steel Prize 2022.
Created for Kreative People Treat This #268
www.flickr.com/groups/1752359@N21/discuss/72157718505533383/
Thanks to abstractangel77 for the use of this fractal source image:
www.flickr.com/photos/abstractartangel77/50987970368/
For Slider's Sunday.
Background photography is my own. Filters are from Photoshop.
Thanks everyone for your views, comments, awards, invites and faves.
© Billy Wilson 2010
Flickr has suspended my account, so I cannot interact with people on here anymore until they lift the suspension. They claim that I add so many favorites that it is considered an abuse of resources. I am hoping to convince them to lift this suspension. All of my images have been knocked out of Explore and the Flickr search engine. I am unable to favorite or comment on anyone's photos. I am not the only one who has had this happen to them lately. They also accused me of using a script or automated process to fave other member's images, which isn't true, I don't even know how to use a script or even what one is! I personally fave every image that you see in my favorites stream.
A point I would like to make is, dispite whether you think excessive faving manually is right or wrong, it was never stated that there was a limit of the number of faves you can make or how many you can make per unit of time. Even in Flickr's FAQ it states "There is no limit on the number of favorites you can have." So, they are saying that I violated Flickr's Terms of Service and Community Guidelines, even though I never violated anything explicitly stated there. Hence, they are punishing me for something that they never even cited as an offence to Flickr's Terms of Service and Community Guidelines.
UPDATE I just got a message saying that the suspension on my account will be lifted!
___________________________________________________________________
A shot of Ashley sitting along the boardwalk on Whitefish Island. This is Ashley, I met her on Model Mayhem, her Model Mayhem number is 1216213.
About the Photo
*Camera: Canon EOS Digital Rebel XS *Lens: EF 50mm ƒ/1.8 II *Shutter Speed: 1/15 Sec. *Aperture Value: ƒ/5.6 *ISO: 100 *Focal Length 50mm (80mm Equvalent in 35mm Film)
I shot this on a tripod using mirror lockup and a remote switch. Ashley was sitting on the edge of the boardwalk during this pose.
To the right of the camera I had a Canon Speedlite 430EX II at full power pointed towards her about 3 feet away. To the left of the camera I had a Vivitar flash at full power being diffused by a cloth. I had someone hold the Vivitar flash out over the water while on the light stand to help provide wrap around light coming from behind the model to help separate her from the background. The Speedlite was triggered by a Canon ST-E2 wireless Speedlite transmitter and the Vivitar flash was triggered optically.
I opened the RAW file in ACR and added tone mapping effects to the image by increasing the clarity multiple times using the spot adjustment brush and the basic panel. To give these effects I also increased the recovery, fill light, and blacks sliders to recover detail. I manipulated the tone curve to keep the luminance in the image balanced. I also adjusted the hue and saturation of each colour individually.
I opened the RAW file in CS4 and saved it as a 16 bit TIFF and continued to edit the file. I placed it on the original unedited image and changed the blend mode to luminousity so I could avoid the weird HDR colours that come from tone mapping. I added a mask to the tone mapped image and removed the detail enhancements from some pieces to make the image look better. To increase the detail enhancements on the clothing I did some dodging and burning to give it a more contrasty look.
I used the sponge tool to saturate certain parts of the image like the reflection in the water. I softened the light on the model by using healing tools to remove the hard edge. I used the tools in liquify to slightly change the shape of some of the features on her face. I used the dodge and burn tools to make the eyes stand out more and used the brush tool on a layer set to blend mode color to paint the eyes a bluer colour. At the end I saved a 16 bit TIFF file, converted to sRGB colourspace and saved as a JPEG to upload to the internet.
Brilliant Fallen Gods Tao Skin Set . My new mesh hair from Wasabi Pills ( thank you thank you Prim Gods, no more digging hair out of my AV editing the daylights out of it or stuffing around in liquify fixing what can't be solved Inworld, kisses pixel ground, laughs). Back tattoo, made for me, by me.
This cottage probably served as a "Ausgedinge" (cottage of estate reserved for use by parents) for the Heinrichmühle, a historic milling company in the Raab Valley in Styria, Austria.
Here I played around with Photoshop's Liquify filter to reinforce the ghostly impression.
Yes, I totally stretched those peaks using the 'Liquify' tool in Photoshop to make them way more dramatic.
To be honest I really didn't need to as Mt Kidd is pretty impressive as it is but I thought I'd have a little fun with this one.
Thanks for looking
Gavin Hardcastle
HSS! Enhanced with the Topaz Glow "Liquify" effect, this is the original unadulterated image www.flickr.com/photos/juliek1967/15780714359/
Wood Blewit "Lepista nuda" (also known as Clitocybe nuda) are edible & delicious. Perhaps surprisingly, Wood Blewits can be used to dye fabrics or paper a grass green colour rather than lilac, purple or blue. To make a green dye the fungi are chopped up and then boiled in water in an iron cooking pot.
Concept: The fruits of advertising, deleterious as they may be for our complex of needs, produce phenomenons - specifically: lifestyles. A circulum vitiousus of "what we strive for" and "what we are" that faces the fact of the Evolution of the human race, i.e.: "We are billboard beings." (and the advertisement of Reality, becoming distorted, is the oxygen we breathe every single day)
Background: Had to come back with something that wasn't just flashes and stock photography, problematizes the currency of it, but nevertheless returns to it to feed my (our) lungs and keeps the belly full.
Manipulation info: This was shot today on Nanos, Slovenia. I modified the scenery a bit (removed rocks, liquified the road...), shot in a few masked adjustment layers (contrasts, channel hue/sat, curves...), overlayered the sky (it was foggy as hell, let me tell you), retouched the silhouette (there were two people, one had to jump off-canvas, sorry), added the birds and the billboard/TV/whatever hanged on a leash). That's about it, I guess.
My friends, take care! And as always thanks for the support you're expressing. I'm honored, people, really.
And yeah, check out my blog. It's redundant, though;/
Apps Used:Filterstorm, juxtaposer, snapseed, art studio, art rage
:: IG :: EYEEM :: IPA :: GOTHAGRAM PRINTS ::
yay for liquify tool = manga happy eyes
yay for eBay = Treeson plushplush thingy
<333333333333333333333
Milk, cream or half and half? No coffee was available when I was enjoying an almost cloudless sunset at this little famous cute rock. So, sit down, grab a cup of liquified beans, pour some cream, and enjoy. The colors are sooooo Coyote-Southy. If you have been there, you must agree. Best during the orange glow after sunset.
On a rainy evening, the "Popradské Pleso" lake in the Tatras mountains, Slovakia.
This shot was taken with a mobile phone, as my camera broke down at the very beginning of this trip. I locked the ISO setting of the phone to 100 ISO to try to get as much as possible out of the camera phone, and then resorted to post-processing to try to get a quality image.
For post-processing, I used darktable. I used non-local means denoising, and adjusted the tone curves to have a strong highlight in the center of the image. I use both the equalizer filter (in clarity mode) and the local contrast filter, with masks selecting the center of the image, to increase the contrast gradually toward the center. My goal was to make more visible the different layers of mountains.
Then, I worked a lot on the lower part of the image, the lake, to enhance the highlights in the reflection. For this, I started with a strong modification of the tone curves. However, this created a lot of noise as the sensor of the phone is not too good in the shadows. To fight this noise, applied a set of filters only on the lower part of the image: I used a stronger non-local means that I combined with a wavelet-based denoising (using the "profiled" denoising filter of darktables) as these have different types of artifacts. To cancel out the artifacts, I added to these a low-pass filter that smooths out the image. On top of this, I added artificial grain, to restore the grain of the image destroyed while smoothing.
Finally, I worked a bit on the clouds. I wanted to crop the top of the image, in order to focus more on the horizon line, but I was interested in the shapes of the cloud. So I used a liquify filter to warp these clouds down. Last, in a minor and classic trick, I created a vignetting-like effect by making the top and left clouds darker with a tone-curve filter.
EXPLORE Worthy, Challenge 82 - HEART SHAPES (Art from 2016)</a
I used Photoshop Liquify to morph the water drops into hearts. Thanks to MauroB on Pixabay for permission to use his macro shot. Texture by Topaz.
Entered in Challenge 151.0 ~ Blue Fudge 2 ~ The Award Tree ~ February 2017.
This photo won 2nd place!
Three days after photographing the Ambush Bug and Variegated Fritillary, I was back in the park, having a great morning with some Loggerhead Shrikes and a young Coyote. When that photo op closed, I remembered the ditch and the bug, and wondered if I could find it again. It would only add about 30 km to my day's drive, so that was a no brainer. Who among us wouldn't drive 30 km to photograph a bug?
I had no trouble finding the ditch or the patch of unpleasant, spiny, weedy thistles growing there (they do produce pretty flowers). Got out of the car. Walked to the edge of the ditch with my macro lens. And on the first thistle plant I examined, there were four Jagged Ambush Bugs! Two were mating, while the other two had killed and were feeding on a hoverfly.
Ambush Bugs have piercing and sucking mouth parts. They lie in wait, seize their prey with front legs equipped with claw-like pincers, then stab it and inject a poison that paralyzes, kills, and liquifies the victim's innards, which the bugs then slurp up. This hapless hoverfly did not even twitch while I watched, so I assume it had already shuffled off its mortal coil. There may be only fifty ways to leave your lover (according to Paul Simon), but there are thousands of ways an insect can lose its life.
Photographed in my favourite ditch at Rosefield, Saskatchewan (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©2022 James R. Page - all rights reserved.
This is my cousin and his daughter. I was just testing out my new strobes when I saw this picture and decided that I wanted to edit it inspired by Matthias Schwaighofer
Lit by one Ab 800 camera left gridded beauty dish, and one Ab 800 camera right 5 foot octabox.
I would imagine that eating a moth like this with all those hairs would mean you end up with a lot of hairs in your mouth.
This Attulus terebratus jumping spider on the white garage doors is of couser not affected by this. Like all spiders, it lacks jaws and does not eat the moth. Instead it uses it venom which liquifies the innards which then can be sucked out like a tasty moth smoothie - void of any annoying hairs.
Part 1 here: www.flickr.com/photos/tinyturtle/52203097465/
These flycatchers were catching every type of insect imaginable. Wasps, bees, flies, caterpillars, moths, beetles and worms. The robber fly was pretty impressive, they're kind of like a spider and have a dagger like tool which pierces their victims and then injects a fluid which liquifies the preys insides, then sucks it out with the same tool like its a straw.
Still playing with mimicking the old SX-70 Polaroid camera effect.
The SX-70 came out in 1972 and I found it in the 1990's. I thoroughly enjoyed the effects one could create, as its sandwiched film would slide out of the camera still soft enough to move around the developing fluids - but only for about 15 minutes. The camera was heavy, but thoroughly enjoyable. That film is essentially no longer available ('new' film is being produced, I think, but not sure if it retains the same possibilities) - so I've finally discovered a way to approximate it in Photoshop (liquify....with care). Experiments continue.....
Robber flies stab their victim and injects it with saliva to liquify it. They then suck it up with their proboscis.
I don't know what the other insect is, but it had beautiful wings and really long legs!
Not all sunrises are equal
My friend Jeff and I got up to capture the sunrise and to my surprise it was a moonrise also. I was all setup with a wide angle to capture the stars in the sky as well the sun on the horizon. I worked as quick as I could to readjust to this image. Some of you photographers may have noticed the exposure was 30 seconds and knowing the movement of the moon waits for no one. Thanks to Photoshop and liquify I put the moon pack into proportion as to what the eye was seeing. The mountain range is the La Sal Mountain at Moab, some 40 miles away.
The lens was at a medium telephoto (170mm) @ ISO 80 and f/stop 13 (using the sharpest point of this lens).
The Trevor Carpenter Photo Challenge Week 40: B&W in Color
After fiddling with a bunch of stuff that was mostly black/gray/white, most of the images ended up with more colored tones than I felt was acceptable. I finally hit on photographing my piano keys (1950's white Baldwin baby grand), but I thought just the keyboard was a little boring, so I added a rough border and used liquify in PS to make it more fun!
Nikon D7100, 18-300 lens
f/8, 1/60, ISO 640
Merdeka 118 Tower Rooftop view from Lalaport. At the rooftop is a multi-million Ringgit digital art installation by renowned Japanese art collective TeamLab. On exhibition is the "Resonating Microcosms - Liquified Light Color, Sunrise And Sunset installation".
I was rather at a loss yesterday about what to do for Sliders Sunday this week. Wonderful ideas were notable for their absence. So I thought I would have a play with that good old favourite - a dahlia pic.
There are four endpoints in this set: two are fairly well-travelled approaches and two are sheer experiment.
The first is a fairly straight rendition of the image using the Radiance and Smudge filters of Topaz Studio. The radiance lengthens and strengthens the lines while smudge smoothes surfaces. The result lends a greater sense of physicality, particularly in the petals, that works well with flowers - a bit like an oil painting. The difficulty with this approach is getting the balance right - if you look at the image in detail you can see the filters are having a real party so you need to resist overdoing it. But what is right depends quite a lot on the device and scale that the image is seen at. In other words, you are doomed :(
You can play Spot the Fly with this one ;)
The second is a mirror version created entirely in Affinity Photo. I thought I’d got over my obsession with mirroring flowers, but apparently not. This one is made setting up the adjustment with five mirrors and then searching about a bit with the origin to find an interesting image. Most of the work was in getting rid of the background.
Symmetry in an image has a strange effect on our minds. It increases visual impact but reduces attention span. I call it the ‘wow!... boring’ effect. I still like creating symmetric flower images because it makes me look more closely at the flower and see things that I’d previously missed.
The last two I feel a bit apologetic about as they are not really finished pieces but proofs of concept. They are both made using an approach I stumbled across with my previous Sliders Sunday playtime, that of duplicating the image layer and then changing the blend mode of the top layer to Difference. That just creates a black screen (because there is no difference between the layers). The fun starts when you begin mangling the top layer.
Previously I’d just used Liquify to mangle the layer (this pushes pixels around without smudging). It’s easy to do in Affinity because the Liquify adjustment is just another layer that remains editable. But that was not enough here - having a predominantly white flower doesn’t work as well as the multicoloured one last time. So I dabbled in my diddling with Recolour, Smudge, Gradient Map and Liquify. The textured one is mainly Smudge, and the other is several Difference results blended together in a composite.
Anyway, I hope you enjoy some of them and that they encourage you to have a bit of fun yourself. I’d love to hear which is your favourite. I’ll post a link to the in-camera version in the first comment so that you can see where we started with this set.
Thanks for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :)
Models- Jenny and Kain:)
Ain't they yummy! ^^
This was a chore doing...I'm usually strait forward..nothing fancy in ways of manipulation...Liquify is as exotic as I get and at times...if I'm feeling saucy I'll paint in a couple eyelids if needed...and I'm sure this here would be an easy task for a more seasoned artist...but man..lol..I was all over the place with this. Personally I'm not thrilled with the blur turnout...maybe burned the mirror a little dark...grrr...or I may just be over thinking it..lol but anyway..YAY for my first commission...I usually refuse money..but they won't let me..haha