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Linoprint on canvas, personalised to include name and date of birth

bunting made from individual linoprints

printed wrapping paper with my lino print design that I made from my lino monoprint artwork

  

MATERIAL

120g/m2 matt paper

 

SIZE

24 x 33 inch

60 x 84 cm

A1 size

 

lino cut print on approx 120 g/m2 unbleached slightly brown paper

70 x 100 cm

27 x 40 inch

made in 2014

The Gift, King Island, Tasmania, 2016 (Linoprint on Hosho paper)

 

14 Oct 2016 - 25 Feb 2017

 

Stories in Ink: John Scot’s diary 1836-1847, King Island, Tasmania is a personal response to the manuscript diary of retired sealer, John Scot, discovered online via the Tasmanian Archive and Heritage Office.

 

‘In January 2016 I visited King Island and the site of John Scot’s hut at Yellow Rock, accompanied by local historian, Christian Robertson. As I stood on the hill overlooking New Year and Christmas Islands, I began to appreciate the physical and emotional strength required to survive on a remote island in the middle of Bass Strait in the 1830s, where, to this day, the ‘Roaring Forties’ conjures stories of gale force winds, shipwrecks and loss of life.

 

This exhibition is the culmination of two years spent researching my recently discovered Scottish and Tasmanian Aboriginal ancestors. My investigation has also opened up connections with living relatives of John Scot and his partner Mary, an Aboriginal woman from Tasmania.

 

Emerging from my ongoing exploration of human presence within the landscape, this series of linocut prints and oil and charcoal sketches provides a visual narrative of the ebb and flow of life on King Island, cultural co-existence, hardship, physical isolation, resilience, loneliness, faith and daily routine.’

 

Judith Klavins

 

Copyright retained by the Allport Library + Museum of Fine Arts.

 

Visit the Allport Library + Museum of Fine Arts.

 

detail from a string of bunting made to order, reading 'just married'

It's a bit different from what I was imagining, but I'm happy with it.

New linocut print drying.

I was busy the last days, and finished the first 6 books in a new series that I call "Write it up!" - Unfortunately Etsy doesn't allow exclamation marks in the title so they will be called pencil stamp journals when I list them there.

 

They are already available in my own shop.

 

All books share the following properties:

* Fabric covers

* Pencil stamp on the front cover, many of them also carry the words: Write it up!

* 192 pages from a creme white paper

* page size is about 5″ x 6.3″ or 12.5cm x 16cm

* 4 pouches at the end to hold ephemeral stuff like cinema entry card, business cards, dried flowers, or whatever you would like to keep with your journal.

Hand printed from one of my husband's lino designs onto linen.

 

Visit me:

www.thehandmaden.blogspot.com

My first linocut. Yay!

Handmade linocut in pink ink on canvas. For sale through my notonthehighstreet shop- see profile for details

Il bloccone

 

hand carved linoleum

 

alfabeto ricostruito da 3 caratteri

An Amnesty International poster, a placard from Welcome to Australia, and a linoprint made by an Afghani refugee in 2003.

"this is just to say" stamps

  

I have a new box of hand-saw wood pieces and designed these new stamps for two couple's weddings.

 

The Japanese rubber cuts like butter and is perfect for stamps with small details.

 

Such an honor to be a part of someone's special day and make it just a bit more awesome.

420X420mm | Laser engraving and lino print on wood.

 

Artwork for the Winter Wonderland Exhibition at Salon91 Contemporary Art Gallery.

13 July to 06 August 2011

91 Kloof Street, Gardens, Cape Town

 

A group exhibition of prints and drawings.

 

This artwork was made by designing the artwork digitally, then cutting the white part of the artwork out on a lino print and printing that with PVA onto the wood and laser engraving the lines over the white lino print.

test prints for two new linocut books

handmade linocut on canvas, in multi-coloured glitter ink. For sale through my Folksy shop- see profile for details

lino cut print on approx 120 g/m2 unbleached slightly brown paper

each 50 x 70 cm

made in 2014

framed linoprint, made for my daughter's 5th birthday

Sandra Krumins is back again with her colorful and fun linoprints! More info at www.pikaland.com!!

Detail of finished print. Eight colour, three block, reduction linocut.

lino print (1997)

Linoprint of my plastic detritus collection. Hand coloured.

15 x 10 cm.

 

Available here

More here

  

Final label for my Lambrusco wine

 

In Latin:

Labrusca Vitis 2017

Et vinum laetificet cor hominis

Biblia Sacra, Psalmus 104-15

 

Lambrusco 2017

And wine to gladden the heart of man

Sacred Bible Psalm 104-15

 

Unfortunately after the press I learned that year 2017 is wrong, the year of grape harvest (2016) was the correct one. However, the labels will be good for next year.

Printed from original linocuts onto canvas, currently for sale as part of my exhibition during January 2010

the same image printed with the 3 primary colours with a 90 degrees rotation anticlockwise in each layer. i made only three copies in all.

 

if you are interested in this or in other work, ask me if I still keep it the I can publish it in

www.etsy.com/shop/dibujandoarte

Thatching, King Island, Tasmania, 2016 (Linoprint on Hosho paper)

 

14 Oct 2016 - 25 Feb 2017

 

Stories in Ink: John Scot’s diary 1836-1847, King Island, Tasmania is a personal response to the manuscript diary of retired sealer, John Scot, discovered online via the Tasmanian Archive and Heritage Office.

 

‘In January 2016 I visited King Island and the site of John Scot’s hut at Yellow Rock, accompanied by local historian, Christian Robertson. As I stood on the hill overlooking New Year and Christmas Islands, I began to appreciate the physical and emotional strength required to survive on a remote island in the middle of Bass Strait in the 1830s, where, to this day, the ‘Roaring Forties’ conjures stories of gale force winds, shipwrecks and loss of life.

 

This exhibition is the culmination of two years spent researching my recently discovered Scottish and Tasmanian Aboriginal ancestors. My investigation has also opened up connections with living relatives of John Scot and his partner Mary, an Aboriginal woman from Tasmania.

 

Emerging from my ongoing exploration of human presence within the landscape, this series of linocut prints and oil and charcoal sketches provides a visual narrative of the ebb and flow of life on King Island, cultural co-existence, hardship, physical isolation, resilience, loneliness, faith and daily routine.’

 

Judith Klavins

 

Copyright retained by the Allport Library + Museum of Fine Arts.

 

Visit the Allport Library + Museum of Fine Arts.

 

More lino printing tomfoolery : )

Unit 2

Brief:

Identify the company that you wish to design for. In addition to your design, you will be asked to design and make a number of specific products that would be sold in a souvenir shop to ensure that you work in a variety of media, materials and dimensions. These can include:

1) A cylindrical container decorated with appropriate images

2) A set of acrylic coasters

3) A key ring fob

4) a set of greeting cards (pictured above)

5) An acrylic paperweight

Linoprint of my plastic detritus collection. Hand coloured.

15 x 10 cm.

 

Available here

More here

New printing press on loan to me. Can't wait to give it a spin.

half way through printing this personalised name print to private commission- two names done, two to go!

Linoprint of my plastic detritus collection. Hand coloured.

15 x 10 cm.

 

Available here

More here

  

©2012 Julia Forsyth, block printing ink and Sharpie pen on cut cardstock, aluminum foil and yard on acid-free paper.

 

This is the scanned version of the mixed-media piece. It's the first piece I've used yarn on, and the lovely bluish-red yarn scanned orange!! Whaaaat?? I went to 3 different stores to get just the right shade of red, but you might never know from this image. The image below, #Draw365.356, shows it with close to accurate color. (But that image is blurry. Seems like one thing is always messed up with my DIY photos - ugh.)

 

So...not sure why, but I was thinking how much I like working with shiny materials (must be my Myna heritage...) and I wanted to combine a print and some foil. I did, but it seemed unfinished. And I was loving how a big texture like foil could also handle another big texture - yarn. So I put them together, added the yellow eyes and beak, scanned it, and voila! Great Gray Owl Power.

 

www.etsy.com/shop/JuliaForsythArt

linoprint, aquarelliert, 30x40 cm

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