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Drawn with a Platinum Preppy EF02 fountain pen with Iroshizuku Take Sumi ink in a Leuchtturm1917 journal
Drawn with a Platinum Preppy EF02 fountain pen with Iroshizuku Take Sumi ink in a Leuchtturm1917 journal
Transform your avatar with [HDesign] Floral XLVI, a BOM chest tattoo that blends rich autumnal hues with delicate linework. Each petal is crafted to perfection, available in 60%, 70%, 80%, and 90% opacities, offering a versatility that enhances your SecondLife experience with a touch of nature's serenity.
And Marketplace
This set of white stoneware cups were thrown on the wheel and given a unique design of freehand engraved linework.
The exterior is Green Celedon over Susan's Black (only in the lines). The interior is a smooth flow of Jack's Yellow.
День 15, тема - шлем.
Основание башни пожарной каланчи в Сокольниках украшают четыре пожарные каски // Fire tower, Sokolniki, Moscow
This set of white stoneware cups were thrown on the wheel and given a unique design of freehand engraved linework.
The exterior is Green Celedon over Susan's Black (only in the lines). The interior is a smooth flow of Jack's Yellow.
Drawn with a platinum preppy EF02 fountain pen with Iroshizuku take sumi ink in a leuchtturm1917 journal
An interesting art installation outside the art gallery in Christchurch. taken with my OMD EM5 + 45mm f1.8
Stuck with the heavy rain so I started a sketch. This is the Old Kallang Airport, one of the venues for Singapore Biennale 2011. Linework on location and colours added later.
6" x 16.5", ink, coffee & watercolours.
This wide-rimmed, translucent-glazed dish, seen in the same Bruges shop window, is not quite what it first appears to be. Though it borrows surface elements from Japanese export porcelains—notably Arita Imari and Kakiemon styles—the hesitant linework, glaze corrections, and European form factor tell another story.
🔍 What It Isn’t
Despite first impressions, this is not Japanese porcelain.
The glaze is translucent, not tin-opacified like majolica or faïence.
The design is too geometrically plotted and lacks the fluid spontaneity of Japanese brushwork.
Motifs like the orange grape clusters and pinecone-like forms owe more to European folk or Arts and Crafts decoration than to East Asian originals.
🎨 Design and Technique
The central floral medallion feels almost heraldic, rather than organic.
The fan-like radial pattern and banded knot dividers suggest a Western stylization of textile motifs.
Colors include blue, red-orange, green, and black under a clear glaze, with visible pooling and uneven application—hallmarks of amateur or student production.
Probable Origin and Date
This is most likely a Japonisme-influenced studio ceramic, made in Europe—perhaps Belgium, the Netherlands, or Britain—in the late 19th or early 20th century. It may be the work of a student or semi-professional ceramicist, trained in one of the many decorative arts schools inspired by the Arts and Crafts Movement or Aesthetic Movement, where Japanese motifs were studied and reinterpreted with European sensibilities.
Comparative Traditions
Pilkington's Royal Lancastrian for stylized glazes and design.
De Morgan School pieces, especially from less experienced hands.
Dutch Hague School ceramics, known for blending Japanese and Art Nouveau influences.
Kunstgewerbeschule (Schools of Applied Art) works from Austria or Germany, where cross-cultural experimentation was encouraged.
✍️ Summary
An intriguing example of cultural translation in clay: Japanese-inspired, but distinctly European in form, material, and execution. It exemplifies the moment when Japonisme filtered into European teaching studios and decorative workshops, resulting in charming, hybrid works that speak as much of ambition and curiosity as they do of technical polish.
This text is a collaboration with Chat GPT.
Drawn with a platinum preppy EF02 fountain pen with iroshizuku take sumi ink in a leuchtturm1917 journal
An interesting art installation outside the art gallery in Christchurch. taken with my OMD EM5 + 45mm f1.8
The Luxury of being yourself
We have selected pictures on our website, but can always add more depending on the requests we do get and the current trend in the world of luxury fine art:
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We tend to celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied ad multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
“A concise poem about our work as stated elow
A place without being
a thought without thinking
creatively, two dimensions
suspended animation
possibly a perfect imitation
of what was then to see.
A frozen memory in synthetic colour
or black and white instead,
fantasy dreams in magazines
become imbedded inside my head.
Artistic views
surrealistic hues,
a photographer’s instinctive eye:
for he does as he pleases
up to that point he releases,
then develops a visual high.
- M R Abrahams
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
There are other aspects closely related to photography that we do embark on:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Please contact us:
We do plan future trips and do catalogue our past ones, if you believe there is a beautiful place we have missed, and we are sure there must be many, please do let us know and we will investigate.
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general, we are mostly out in the field or at an event making people feel luxurious about themselves.
Мой личный inktober2021 будет про архитектуру Москвы цветными карандашами. Вот так. Само собой, темы для рисования будут из инктобера. Посмотрим, на сколько меня хватит.
Итак, день 1, тема - кристалл. Тут я уже не смогла выбрать, что рисовать, заброшенный небоскреб на Юго-Западной или Московский завод «Кристалл» на Яузе. Нарисовала оба. Небоскреб, кстати, в этом году разобрали, так что это уже история.
Faceupped Adhara's secondary IH Scarlet. While there are parts I'm happy with (i.e. linework), I pretty much threw the towel with matching the mellowed Peach Gold to the newer one. I may fix it one day... eventually. XD
Drawn with a platinum preppy EF02 fountain pen with iroshizuku take sumi ink in a leuchtturm1917 journal
My dads 28mm f/2 is his favorite lens which most of our baby pictures were shot on and one that I can always grab with confidence before leaving the house. Photography has been at times painfully important to me, replacing a part of me that I was hiding or covering up for years. Coming up on 4 years clean and sober I know it's allowed me to change my perspective on life and seek something tangible to obsess over instead of that next high. I don't know where I'm going with my work. Sometimes the thought of getting paid to do this activity I love makes me sick but I know my photos will always be part of me. Just inspired rambles. Thanks for reading.
Olympus OM-1 | 50mm f/1.4 | Ultrafine/Diafine
Instagram: @markberquist
This was originally a design I was asked to make for a piece of furniture. It was the linework only, but after the design was approved, I painted the background and characters with tea. The text was added in the end, too, and it says "We took a train and a cup of tea".
Oh, and I must thank Gilda for being the hand model, and Noelia and Emiliana for telling me they like it - that's the reason why I dared to upload it ;P
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Originalmente ésto era un diseño que me encargaron para un mueble, pero una vez que me lo aprobaron manché el fondo y los personajes con té. A lo último agregué el texto que dice "Nos tomamos un tren y una taza de té".
Y gracias a Gilda por ser mi modelo de manos, y a Noelia y Emiliana por decirme que les gusta, por eso que me animé a subirlo ;P
This is my wall at Lower Haters!
The work shown is for their latest group show "all the little things" which will be hanging until January 8th.
Lower Haters is located at:
597 Haight Street
San Francisco, CA 94117
415-864-6549
Тема - застрявший. Как ни странно, но это соседство старообрядческого храма и небоскребов на Белорусской мне скорее нравится.