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My buddy Rob "Beebop" Bebout repairs a downed line on the from atop the only pole on the Big Tree Tap. The rest of the line is suspended from giant trees.
New Creature Sketch
Preliminary work for Spot Illustration
Micron Pen + Digital
Copyright 2010: Manda Tarr
email: mandatarr@hotmail.com
24" x 24" mixed media piece.
4 color spray with ink linework.
SOLD.
Featured in my "Future Complex" show at Chorus gallery.
Here's another shot of the pole and transformer replacement. Don't you hate to see an old cast-iron beauty like this bite the dust?
Dutch pop-art painter Ottograph.
Ottograph who graduated from the Rietveld Academy in Amsterdam, started to paint at the young age of ten, he liked the idea of painting on the walls of the streets of Amsterdam and has never stopped doing so. Now Ottograph’s art can be seen in galleries, on wall’s, in bars and shops around the world and not to mention the wall’s of the Modern Art Museum of Antwerpen, MoMu in Belgium.
Ottograph’s work is full of color and life. What Ottograph paints is something that reflects to society in general and is something that people can relate to.
On his own or to gether with his fellow artist/friends Ottograph has also set up several successful projects such as CIA (Central Illustration Agencey), which speaks for it self as well as KMDG a group of artist with a backround in illustration, graffiti and street-art who bring together artist from around the world to paint walls and commissions together.
Over the years Ottograph has accumulated several important client’s such as Nike, Mars, MercedesBenz, and Apple i-pod and i-phone just to name a few…
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In Las Palmas noemen ze alle VJ's VJ. Behalve Ottograph, dat is de Kunstenaar. Zijn voornaamste bezigheid is namelijk schilderen, en dat zie je terug in zijn animaties, waarin beeld - en niet techniek - de hoofdrol speelt. Ooit was Otto Kruijsen, oftewel Ottograph, nachtenlang in de weer met spuitbussen, om een vette piece neer te zetten op trein of muur. Daar kreeg ie genoeg van, en na diverse omzwervingen meldde Otto zich in 1993 aan op de Rietveld Academie, om schilder te worden. Al snel besefte hij dat hij allang wist wat hij wilde en kon, en helemaal geen zin had om voor de zoveelste keer van voren af aan te beginnen. Tabe Rietveld dus. Een goeie zet, want sindsdien is het Otto voor de wind gegaan.
This set of white stoneware cups were thrown on the wheel and given a unique design of freehand engraved linework.
The exterior is Green Celedon over Susan's Black (only in the lines). The interior is a smooth flow of Jack's Yellow.
This is Flatstract the Abstract, a sage in his Philly neighborhood. He is a creation of mine a couple of years back. I had Flatsy all ready for a comic strip but never pulled the trigger. Maybe one day.
⚡Realistic & LineWork
🏠 LORSART ST.: Baluardo Quintino Sella 28/B - Novara
🏠 NORTH LAKE ST..: Via Nazionale 1 - Feriolo (VB)
➡️ Info for work:
☎️ 347 8606995
Archaeologists dig up things from pre-factory times or proto-linework times. Those traces of life can seem almost flawless and machine-made. And yet it is almost impossible to attain micrometric precision and uniformity, thus demonstrating the maker's imperfect hand at work. Looking at this photo, though, everything except the graffiti on the nearest bridge is made by machine. So we tend to picture everything else in the photo coming from the industrial noise, capital outlay, huge distances for sourcing material and for distributing finished products. While humans are subsumed in all of that modern making, when looking closely at each artifact, big or small, there are no observable personal traces from the time when the item was created and when it eventually ended up in the frame of this composition. However, all of this of course could not be made without people who research, conceive and design, manufacture, promoted, sell, deliver or install.
Unlike the prehistorical and pre-industrial artifacts, though, the things in this picture foreground, middle distance, and background seem to be objectified; disconnected from subjective maker decisions and possible mistakes during the making. Modern life is awash in material culture, but almost all of it feels faceless and nameless. One exception is when construction workers scratch their initials or message out of view in the building; or a generation ago when some factory workers added their own name to the bottom of the brown paper grocery bags they mass produced (proudly made by Brian, say).
Despite the sense that the built environment and cultural landscape can be duplicated and that it all is machine-made, not human-made, by acknowledging that crane operators, interior designers, and package makers do have names and faces, some humanity can be inferred so that the surrounding scene is less cold and anonymous, clinical and precision-created.
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Do the Mike Mitchell's Awesome Linework maker thingy, to
let alone the outline stand for itself and delete the white
background, get the MM's linework maker here and install it
on your photoshop, it helps BIGTIME -
www.threadless.com/profile/63134/stickymike/blog/305238/L...