These beautiful, rusty light posts lined the street along Qarun Lake in the Faiyum Oasis of Egypt.

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Shot with Canon A1 and Kodak Tri-X400

Lightpost invitation.

Un dia tipico al interior de los muros del Kremlin.

Fish designs on the lightposts

Photo of Lucerne, Switzerland

knitted lamppost spotted in falun,sweden

View On Black

Processed a single RAW to 3 exposure-levels (-2/0/+2), on to HDR, then photoshopped (cropped, orton effect).

I was mostly just fascinated with the clouds that day. Thought this could make for an interesting picture.

Please leave comments as I need the input to better myself!

Lightpost at Perissa beach of Santorini. Photo taken on 09.08.2007

© Copyright 2014, Christine Regusa

HellCat Photo, All Rights Reserved

from christmas time. of course it's not real, it's a toy, but who cares? :)

Lightpost, Chattanooga Tennessee

Lightpost in Frankenmuth, Michigan

Processed with VSCOcam with f1 preset

2024-06-03_160155

Bat in store window. Window reflecting trees and lightpost. Best when viewed large.

Campus and community project created Sept. 2012-Feb. 2013. On view Feb.-April 2013.

Locating suicides on the Golden Gate Bridge relative to lightposts.

Fall Colors. Photo by Kevin Bain/The University of Mississippi Marketing Communications

a friend sent me a Kodak ultra disposable camera to shoot with for a fun project...

It is ISO800 (which I never shoot at), f/11 (unheard of for me!), has a flash that goes off whenever it wants to (a what?) and oh yeah...it's film! (huh?)

So forgive the next 25 uploads which will be the unedited crooked, slightly weirdly framed (the viewfinder doesn't line up with the shot exactly) experiment in using a disposable! lol...

i just seem to like crows...

Just have to love these Street Lamps. Simply beautiful.

The final version. Note the sketched look to the lightpost, the walls of some of the buildings, and the main tree trunk.

Fiber based paper curls a lot, and my internegative would not lie flat, even when squished between two sheets of glass, binder clips around the edges, and me holding down as many edges as i could. The tree trunks are blurry at the top as a result...I had to pick an area that was going to get fuzzy. In future, I will probably use RC paper until the final print. I might shoot on fiber and enlarge a medium-fromat sized print, which would get lots more 'fiber' showing in the final print. Lots to try here.

Note this series of shots is made using my P&S digicam, and so lots of lighting and paper curl artifacts are apparent.

This is a process I learned from a book called "Hand Colouring and Alternative Darkroom Processes" by Andrew Sanderson.

Playing around with exposure and aperture - both photos allowed a

similar amount of light, even though in one the snow is less blurry

due to a shorter shutter time.

Exposure: 0.04 sec (1/25)

Aperture: f/3.2

Testing out my new Lomo'Instant Wide camera on a sunny day, I need to remember to turn off the flash before each photo. And to set the focusing distance.