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A hawk was sitting high in a tree.
He wasn’t doing anything, just resting and watching.
A rabbit was hopping past the tree, when he looked up he saw the hawk.
So, he asked him, “Mr. Hawk, can I sit and relax like you and do nothing?”
The hawk answered: “Sure you can Mr. Rabbit. I don’t see why not.”
So, the rabbit sat on the ground below the hawk, and rested.
All of a sudden, a fox appeared, jumped on the rabbit and ate it.
Management Lesson:
To be sitting, watching and doing nothing, you must be sitting very, very high up.
These are some of the materials I dug out of the cupboard. I would like to begin again with watercolour pencils, too.
At the beginning of Addison's riding lesson Dave rode first. He explained what he wanted Addy to know, and physically demonstrated what and what not to do.
I was working my way home from a photo trip in Forks, Wa and stop off in Port Angeles, Wa. to look around When I learned a lesson (Never answer your phone on a trip). It was it from my good friend that had a summer home in Port Townsend, Wa. and that he needed help Sanding & Painting a (LITTLE DECK). Two whole days of hard work and it looks as good as new.
Guests enjoying the cooking lessons and a glass of wine! Today we're learning how to make a Spanish Tortilla!
درس يساعد على الخروج عن المألوف في الأعمال ،الحصول على لقطات فنية ذات حس فني مختلف
دون الحاجة لاستخدام الفلاتر في برامج المعالجة
ماذا تحتاج !؟
طريقة التصوير !؟
طريقة المعالجة !؟
للحصول على مزيد من المعلومات عن هذا الدرس البسيط
الرجاء زيارة الرابط التالي
www.qatarphotographers.com/vb/showthread.php?t=2918
منتديات مصوري قطر
The Italian architect and engraver Giovanni Battista Piranesi (1720-1778) was born in Venice. He started taking drawing lessons at an early age, and was primarily influenced by the work of architect Palladio. At the age of eighteen years old, he moved to Rome with an ardent desire to know the Eternal City and worked as draughtsman at the service of the Venetian embassy to the Vatican. In Rome, Piranesi studied engraving under Giuseppe Vasi, with whom he later clashed. An impulsive, ambitious and prolific artist, Piranesi worked in harmony with his time, as he was always drawn to and cultivated the dramatic, the inspired and the spectacular.
As with the work of French architect David Leroy (1724-1803), the technique and art of Piranesi's drawings aim to make an impact the viewer. A strong impression, which it is the artist's duty to convey, is deemed more important than precision in representation. Piranesi is among the most dynamic exponents of Neoclassicism; at the same time, he belongs to early Romanticism as well, as the remains of classical civilisations become the cause of poetic emotion.
Piranesi also visited Naples, where he depicted the local antiquities with passion and admiration, and created several copper moulds of his works. He returned to Venice in 1744, where he refined his engraving skills. It was there that he published his first major work “Carceri di invenzione” (“Fictitious prisons”, 1750, 1761 and 1780). The uncanny as well as evocative spaces of the prisons invented by Piranesi disturb the viewer and constitute a lasting influence on visual artists, writers and architects from his time to the present.
Later in his life, Piranesi returned to Rome, where he worked mainly as an engraver and painter and less as an architect. His “Monuments of Rome”, made a great impact on his contemporaries. In contrast to the contemporary intellectual atmosphere, and while scholars (such as Winkelmann, Ramsey, Stuart, Revett) direct their attention to Greece, which they see as the primary inspiration of Roman architecture, Piranesi sustained that the Etruscans, a people older than the Greeks, were the first to achieve aesthetic perfection. His ideas provoked a debate among European scholars, and opened new pathways to the study of ancient legacy.
The two thousand copper engravings drawn and etched by Piranesi in his lifetime were published posthumously in Paris by his sons, in a monumental edition (1835-1837).
Written by Ioli Vingopoulou
İtalyan asıllı mimar ve gravürcü Giovanni Battista Piranesi (1720-1778) Venedik yakınlarında doğar. İlk çizim derslerini çok genç yaşta alan Piranesi (okunuş: Piranezi) ünlü mimar Palladio'nun eserlerinden etkilenir. On sekiz yaşındayken Roma'yı tanımak arzusundan hareket ederek buradaki Venedik elçiliğinde çizer olarak iş bulur. Roma'da bulunduğu süre içinde, Piranesi, G. Vasi'nin yanında gravür sanatını öğrenir, ancak daha sonra Vasi ile arası açılır.
Duygularının esiri ve hırslı bir kişi olan Piranesi son derece üretken bir sanatçıydı. Yaşadığı dönemde egemen olan sanat anlayışıyla tam bir uyum içinde hareket ederek "görkemli", "çarpıcı", "dramatik" unsura karşı duyduğu hayranlığı eserlerinde yansıtır. Fransız asıllı mimar Le Roy'nın (1724-1803) sanat anlayışına benzer biçimde Piranesi için de bir eserin başlıca işlevi seyircide bıraktığı etkileyici izlenimdir; çizimin doğruluğu ise ona göre ikinci planda kalır. Piranesi neoklasik sanat akımının en dinamik temsilcileri arasındadır. Aynı zamanda romantik akımın erken dönemini de temsil eder. Romantik akımın erken dönemi, antik Yunan ve Roma kültürünün kalıntılarından esinlenen şiirsel duyarlıkla ilgilidir.
Piranesi Napoli'yi ziyaret etmiş; çizdiği birçok resmin bakır kalıbını yapmıştı. Tablolarında hayranlık ve coşkuyla Napoli yöresinin arkeolojik kalıntılarını kaydeder. 1744 yılında Venedik'e dönen Piranesi gravür sanatında yetkinleşir ve ilk önemli yapıtını yayınlar. "Carceri" ("Düşsel hapishaneler", okunuş: Karçeri) adını taşıyan eser 1750, 1761, 1780 yıllarında yayınlanır. Piranesi daha sonra yeniden Roma'da yaşayıp mimarlıktan çok gravür ve resimle uğraşıp eserler yaratır. Roma'nın arkeolojik anıtları hakkında olan eseri (1748-1774) yaşadığı devrin sanat dünyasını yoğun biçimde etkiler. Winkelmann, Ramsey, Stuart, Revett v.b. aydınların bütün dikkati Roma mimarîsinin öz kaynağı olarak klasik Yunan kültüründe odaklanırken, Piranesi, Etrüskler'in Yunanlılardan daha eski bir kültür olarak estetik yetkinliğin en yüksek mertebesine ilk ulaşanlar olduğunu savunur. Onun bu savları Avrupa yazarları arasında büyük tartışmalara yol açmış ve antik kültür mirasının incelenmesinde yeni yollar çizmişti. Piranesi'nin, yaşamı boyunca çizip yapımını tamamladığı 2.000 gravür, ölümünden sonra oğulları tarafından Paris'te görkemli bir baskı biçimiyle yayınlanır (1835-1837).
Yazan: İoli Vingopoulou
Piano Lessons Mississauga, 10 piano teachers, Eglinton/Mavis location, www.MusicSchoolMississauga.com Keyboard sales/rentals, Also guitar, vocal, drums, violin, flute, more, 905.502.8989 www.youtube.com/user/MississaugaMusic
As my Grandmother (Mama) ends her journey, I want to honor her with pictorals of lessons I have learned from her.
My love of rhinestones comes straight from my Mama. She used to have a HUGE collection of old costume jewelry and one of the biggest joys was to go visit and she would pull out box after box of old jewelry, encouraging me to make my "pile" of the pieces that I wanted. I still have much of the jewelry she gave me, although a home robbery, last year, caused a decrease in some of my favorite pieces.
I love you Mama.
Jackson as we call him has been around the block. He has shown all over central florida and is sadly out grown. He would be perfect for a serious pony cluber wanting to do it all. Able to jump 3' course, trail rides, western, halter, model pony and some dressage. Auto leads, easy to ride and care for. Always the same mind. Great lesson pony and a perfect addition to any barn. Available lease with option to perfect home. Loads, clips, ties and travels perfect. No Vices
More information at www.equinenow.com/horse-ad-244528.
My dad teaches Jack (...and me...) how to scramble an egg, getting the tongue-to-tip-of-nose part just right.
Free Month of Arabic at Muslim Academy
Throughout the month of October, Muslim Academy (www.muslim-academy.com) is offering free group Arabic lessons. You can start at any time, and leave at any time. There is no obligation, no call for credit cards, no sales pressure, nothing. Just free Arabic. Your instructor, Walaa, is an Arabic language graduate from the prestigious University of Cairo. She speaks near fluent English. The group lessons have a maximum of 7 students in each. We have three levels: beginner, intermediate, and advanced. Why are we doing this? Two reasons.
(www.softballperformance.com/sports-parenting-tips-days-long/)-Rest assured, however, that one day it will end. There won't be anymore lessons, or practices, or games to get to. There won't be any injuries to nurse or feelings to massage.