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Car ferry "Chantilly" Lancé en 1966
SNCF - Sealink
1987 Olympia - Olympiade Marine Co Grèce
1990 Europa Link - Winston Shipping Ltd
1993 Baltavia - Plough Navigation Inc
1996 El Salam 93 - European Maritime Transport S A
31/12/2002 déconstruit à Alang, Inde
I'd like honest critique of this leaflet as it will be hanging in stables.
If you don't know anything about horses then please critique the design.
If you do know about horses then please critique the information and design.
Any comments about improving the leaflet will be greatly appreciated.
Thanks in advance :))
In November 1997 the Cowie Group, which had acquired British Bus in August 1996, changed its name to Arriva and its bus operating division, Arriva Passenger Services, began trading on 1 January 1998. The individual liveries of of its operating companies were replaced by a new corporate identity. The new bus livery, designed by Ray Stenning of Best Impressions, was mainly Shimmering Aquamarine with an upswept Light Stone flash bordered in white at the front and a narrow yellow stripe above the skirt.
The new Arriva fleet name and logo were supplemented with a strap-line proclaiming the geographical area served by the buses. Most Midland Red North and Stevensons of Uttoxeter buses carried the strap-line "serving the north Midlands" but the initial intention was for Midland Red North buses at Crewe and Stevensons buses at Macclesfield to carry the strap-line "serving Cheshire". The latter strap-line was soon abandoned as Midland Red North and Stevensons were combined into a single company, Arriva Midlands North, from April 1998.
In January 1998 Midland Red North and Stevensons issued a leaflet to inform customers of the changes.
today's breif.....was Detail......and depending on how you feel and what you belive, you might cast a vote.
will it be an informed choice and will this leaflet help ?
what i do know is that this leaflet that cost 9.3 million to send to every home in the uk
On 23rd June, you will get to vote in the EU referendum, and decide whether Britain remains in Europe
Cover of the leaflet for the third Bus of Yesteryear Rally held at the Somers Town goods yard, St Pancras on 21 May 1972, organised by the London Bus Preservation Group.
A big thank you to the London Bus Museum for answering my query on this and solving the mystery regarding the location where some of my recently uploaded heritage bus pics were taken.
The information leaflet produced by British Railways, London MIdland Region, to accompany the introduction of the first fully automatic level crossing barriers in the United Kingdon; this was at Spath, just north of Uttoxeter in Staffordshire, on the Churnet Valley line. The British Transport Commission, the masters of British Railways, along with the Ministry of Transport, had been interested in the adoption of this technology since the 1950s when the concurrent savings in manned level crossings that this system offered began to appear desirable. after a fact finding tour in Europe and legal consent granted by Parliament in 1957 the BTC introduced its Provisional Requirements for such crossings in 1958.
The crossing chosen for the first application, made in 1959, was for this at Spath where BR stated that the existing manned crossing equipment was outdated and required replacement. The equipment, manufactured for British Railways by Westinghouse Brake and Signals, was operated by track circuits and came into use on 5 February 1961. Described in the Press as a "robot crossing" there was initially a requirement for a crossing keeper to be in attendance. This was finally dispensed later in the year subject to some additional road signs being provided as the level crossing at Spath was on a T-junction and there were concerns about cars queuing over the tracks. The crossing was also fitted with "Second Train Coming" signs to alter waiting drivers to the fact the barriers may remain down despite a train apparently having passed; these were not commonly installed on later examples.
A few early attempts to avoid the crossing by zig-zagging soon found their way to the Magistrates' Court and duly dealt with. Although Spath 'showed the way' the actual crossing and the equipment were destined to have a ridiculously short life. As the Beeching "Axe" marched on and BR began to drastically prune the railway network services were withdrawn from the line in 1965 and the level crossing abolished.
Azimuth Print offers a range of options for colour leaflets and leaflet printing. We produce leaflets in A5 (210 x 148 mm) and A4 (297 x 210 mm) sizes in quantities from 50 to 30,000 and use both sides of 130 gsm gloss art paper. If you wish, you can have your leaflets folded - perfect for menus!
Our prices include Free Delivery* within five days, although it is possible to get your leaflets more quickly if you talk to us about our express delivery service first.
The last mission flown by RNZAF 6 Flying Boat Squadron on 8 September 1945, Wing Commander Smith and Flying Officer Regan dropped leaflets on Nauru and Ocean Islands.
these are the Leaflets of the Mulga Tree
Acacia aneura, commonly known as mulga or true mulga, is a shrub or small tree native to arid outback areas of Australia. One of the few acacias with a long life. Mulga is a truly amazing plant. Among the acacias, many of which are relatively short-lived, it is a species with a long life. It is also a good fodder tree, its wood is valuable for a variety of purposes and the tree grows in many parts of Australia. In favourable conditions young plants will grow at a rate of 1 metre every 10 years until the tree reaches its maximum height of 10 metres. Reduced rainfall or drought conditions will slow down this process or bring it to a temporary halt, which means that a mature tree will usually be more than 100 years old. The counting of growth rings on felled trees has revealed the stunning number of 150-240 rings in stems of only 25 cm diameter. In their lifetime these trees would have experienced a number of drought years when no growth rings develop and therefore grew older in years than the exact number of growth rings indicate. The resourceful way in which the plant utilises every drop of moisture assists its survival to such a proud age. A sophisticated arrangement of its phyllodes and branches ensures that rainwater is channelled to the stem and onto the ground right to its deep taproot (seedlings of only 10cm height have been found to have taproots reaching 3m deep into the ground). To Aboriginal people in Australia Acacia aneura used to be one of the most important plant food sources.The seeds of the plant were separated from their pods by an elaborate process involving rubbing, threshing, parching and winnowing and the completely pod-free seed was then moistened with water and ground to an edible paste. A sweet exudation, produced by the plant after attack by a sap-sucking insect, was either sucked straight from the plant or dissolved in water to make a refreshing sweet drink. This was also eaten by early settlers who referred to it as "bush lollies". The so-called mulga-apples, swellings of the plant following insect activity, however, are inedible. Aborigines in the Northern Territory utilised the healing qualities of mulga in various different ways. People suffering from colds and flu-like illnesses utilised the healing qualities of young leaflets and twigs which were picked and immediately boiled in water. The brown, aromatic liquid was then used as a wash which could be applied as often as desired during the day. Headaches associated with colds could be eased by heating young leaves and twigs on hot ashes or hot stones until soft and scorching, when they were placed over the aching area. The plant could also be utilised for post-natal therapy believed to strenghten mother and baby. Leaves of the plant and small pieces of termite mound were layered over hot coals and the mother with her newborn child would lie down on top of a layer of branches and leaflets to sleep while the smoke and vapour passed over their bodies. In some areas, only leaves and twigs were used and no pieces of termite mound. To the stock of white pastoralists the tree provides shade, shelter and forage. Feeding, however, is not completely without problems. The high protein content of the foliage is not easily digested and this is probably due to a chemical reaction, occurring during digestion, between the leaves' tannin and the protein. After long periods of feeding on mulga, indigestible fibre balls have been found in sheep's rumen.
Mulga wood was used extensively by the early settlers. It was particularly valuable for fencing, the production of charcoal and for building bullock yokes and the multitude of uses lead to massive clearings of mulga in some areas, further compounded by the devastating impact of feral goats. The disappearance of mulga usually goes hand in hand with a spread of grasses, thereby leading to increased termite activity and this may result in greater erosion during dry times. Furthermore, disappearing Mulga decreases nitrogen levels in the ground, depriving other valuable desert plants of food. This is due to a symbiotic relationship between acacias and a nitrogen binding bacteria called Rhizobium. Naturally, mulga's normally long life plays a strong part in a staple provision of nitrogen. Acknowledging these qualities, efforts are made today to strengthen and increase the mulga population in may parts of Australia.
Scavenger Challenge- May 2017 Assignment - Texture in Foliage
German flyer by Illustrierte Film-Kurier, no. 1168, 1952, part 3. Das Testament des Dr. Mabuse/The Testament of Dr. Mabuse (Fritz Lang, 1933).
Fritz Lang (1890-1976) was an Austrian-German-American filmmaker, screenwriter, and occasional film producer and actor. One of the best-known émigrés from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. Lang's most famous films include the groundbreaking futuristic Metropolis (1927) and the influential M (1931), a film noir precursor that he made before he moved to the United States. His other notable films include Dr. Mabuse, der Spieler/Dr. Mabuse the Gambler (1922), Die Nibelungen (1924), Fury (1936), You Only Live Once (1937), Hangmen Also Die! (1943), The Woman in the Window (1944), and The Big Heat (1953).
Friedrich Christian Anton 'Fritz' Lang was born in Vienna, Austria-Hungary (now Austria), as the second son of Anton Lang, an architect, and construction company manager, and his wife Paula Lang born Schlesinger. Paula was Jewish but converted to Catholicism when Lang was ten. His parents took their religion seriously and were dedicated to raising Fritz as a Catholic. Lang frequently had Catholic-influenced themes in his films. After finishing school, Lang briefly attended the Technical University of Vienna, where he studied civil engineering and eventually switched to art. He left Vienna in 1910 in order to see the world, traveling throughout Europe and Africa, and later Asia and the Pacific area. In 1913, he studied painting in Paris. At the outbreak of World War I, Lang returned to Vienna and volunteered for military service in the Austrian army. He fought in Russia and Romania, where he was wounded four times and lost sight in his right eye. While recovering from his injuries and shell shock in 1916, he wrote some scenarios and ideas for films. These were filmed as Die Peitsche/The Whip (Adolf Gärtner, 1916), starring Ernst Reicher as the detective Stuart Webbs, and Hilde Warren und der Tod/Hilde Warren and Death (Joe May, 1917). He was discharged from the army with the rank of lieutenant in 1918 and did some acting in the Viennese theatre circuit for a short time. Then he was hired by Erich Pommer as a writer at Decla Film in Berlin. Lang's writing stint was brief, but resulted in Die Pest in Florenz/The Plague in Florence (Otto Rippert, 1919), based on the story 'The Masque of the Red Death' by Edgar Allan Poe. Soon Lang started to work under Pommer as a director at the new German film studio Ufa, just as the Expressionist movement was building. In this first phase of his career, Lang alternated between films such art films as Der Müde Tod/The Weary Death/Destiny (1921) and popular thrillers such as the two-parter Die Spinnen/The Spiders (1919). He combined popular genres with Expressionist techniques to create an unprecedented synthesis of popular entertainment with art cinema.
In 1920, Fritz Lang met his future wife, the writer Thea von Harbou. She and Lang co-wrote all of his films from 1921 through 1933. In 1922 he became a German citizen. Dr. Mabuse, der Spieler/Dr. Mabuse the Gambler (1922) ran for over four hours in two parts in the original version and was the first in the Dr. Mabuse trilogy. Then followed the five-hour Die Nibelungen/Die Nibelungen: Siegfried & Die Nibelungen: Kriemhild's Revenge (1924), starring Paul Richter and Margarete Schön. His most famous film, the Fantasy Metropolis (1927) starring Brigitte Helm and Gustav Fröhlich, went far over budget and nearly destroyed Ufa which was then bought by right-wing businessman and politician Alfred Hugenberg. Metropolis was a financial flop, as were his last silent films Spione/Spies (1928) with Willy Frisch, and the science fiction film Frau im Mond/Woman in the Moon (1929) with Fritsch and Gerda Maurus, produced by Lang's own company. In 1931, independent producer Seymour Nebenzahl hired Lang to direct M - Eine Stadt sucht einen Mörder/M (1931) for Nero-Film. Lang's first talking picture is considered by many film scholars to be a masterpiece of the early sound era. It is a disturbing story of a child murderer (Peter Lorre in his first starring role) who is hunted down and brought to rough justice by Berlin's criminal underworld. M remains a powerful work. Wikipedia: "In the films of his German period, Lang produced a coherent oeuvre that established the characteristics later attributed to film noir, with its recurring themes of psychological conflict, paranoia, fate and moral ambiguity." At the end of 1932, Lang started filming Das Testament des Dr. Mabuse/The Testament of Dr. Mabuse (1933), starring Rudolf Klein-Rogge. When Adolf Hitler came to power in 1933, the new regime soon banned the film as an incitement to public disorder. Testament is sometimes deemed an anti-Nazi film, as Lang had put phrases used by the Nazis into the mouth of the title character. Lang was worried about the advent of the Nazi regime, partly because of his Jewish heritage, whereas his wife and co-screenwriter Thea von Harbou had started to sympathise with the Nazis in the early 1930s, and went on to join the NSDAP in 1940. They soon divorced. According to Lang, propaganda minister Joseph Goebbels called him to his offices to inform him that The Testament of Dr. Mabuse was being banned but, nevertheless, he was so impressed by Lang's abilities as a filmmaker that he offered him the position of head of the Ufa. did not accept the position and it was later accepted by filmmaker Leni Riefenstahl. Lang decided to leave for Paris.
In 1933, Fritz Lang divorced Thea von Harbou, who stayed behind in Berlin. In Paris, Lang filmed a version of Ferenc Molnár's Liliom (1933), starring Charles Boyer and Madeleine Ozeray. In 1934, he moved to Hollywood, where he signed with MGM. His first American film was the crime drama Fury (1936), which starred Spencer Tracy as a man who is wrongly accused of a crime and nearly is killed when a lynch mob sets fire to the jail where he is awaiting trial. From the beginning, Lang was struggling with restrictions in the United States. Thus, in Fury, he was not allowed to represent black victims in a lynching scenario or to criticise racism. Lang became a naturalised citizen of the United States in 1939. He made twenty-three features in his 20-year American career, working in a variety of genres at every major studio in Hollywood, and occasionally producing his films as an independent. Wikipedia: "His American films were often compared unfavorably to his earlier works by contemporary critics, but the restrained Expressionism of these films is now seen as integral to the emergence and evolution of American genre cinema, Film Noir in particular. His film Scarlet Street (1945) is considered a central film in the genre." One of Lang's most famous Film Noirs is the police drama The Big Heat (1953), noted for its uncompromising brutality, especially for a scene in which Lee Marvin throws scalding coffee on Gloria Grahame's face. As Lang's visual style simplified, in part due to the constraints of the Hollywood studio system, his worldview became increasingly pessimistic, culminating in the cold, geometric style of his last American films, While the City Sleeps (1956) and Beyond a Reasonable Doubt (1956).
In the 1950s, Fritz Lang found it increasingly hard to get work, in part because the film industry was in economic decline and also because of Lang's long-standing reputation for being difficult to work with. His health also declined with age, and Lang contemplated retirement. Then the German producer Artur Brauner expressed interest in remaking Das indische Grabmal/The Indian Tomb (1921) a silent film that Lang had developed but had ultimately been directed by Joe May. Lang returned to Germany to make his 'Indian Epic': Der Tiger von Eschnapur/The Tiger of Eschnapur (1959) and Das indische Grabmal/The Indian Tomb (1959) with Debra Paget, Paul Hubschmid, and Walter Reyer. Following this production, Brauner was preparing a remake of Das Testament des Dr. Mabuse/The Testament of Dr. Mabuse (1933) when Lang approached him with the idea of adding a new original film to the series. The result was Die 1000 Augen des Dr. Mabuse/The Thousand Eyes of Dr. Mabuse (1960). The success of the film led to a series of new Mabuse films, which were produced by Brauner, including the remake of The Testament of Dr. Mabuse. Lang did not direct any of the sequels. He was approaching blindness during the production of The Thousand Eyes of Dr. Mabuse (1960) and it was his final project as director. In 1963, he appeared as himself in Jean-Luc Godard's film Le Mépris/Contempt (1963) with Brigitte Bardot and Michel Piccoli. Fritz Lang died from a stroke in 1976 and was interred in the Forest Lawn – Hollywood Hills Cemetery in the Hollywood Hills of Los Angeles. He was 85. Langs was married three times: In 1919 he married Lisa Rosenthal, who died in 1921. he was married to Thea von Harbou, from 1922 till 1933, and to Lily Latté from 1971 till his death in 1976. While his career had ended without fanfare, Lang's American and later German works were championed by the critics of the Cahiers du cinéma, such as François Truffaut and Jacques Rivette. In 1964, nearly blind, he was chosen to be president of the jury at the Cannes Film Festival.
Sources: Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Front page of 8 page leaflet for the Morris Ital.
Undated but must be from 1980 because it does not include the 2.0 automatic.
Editions Atlas Dinky series – leaflet with European series, this one is in French for 561 Renault 4L in the colours of the French postal service.
Gift books were kind of like early coffee table books. They are chock full of illustrations and poems and stories of dubious literary merit. They were meant to be displayed and cherished.
Our copy of Leaflets of Memory is rather boss as it is inscribed to “La Belle Marguarite” from the Doctor who “hopes to have a page” in her life. Hot stuff in deed. Do you think Marguarite had to loosen her corset upon reading the dedication? Did the mysterious Doctor encounter Marguarite whilst taking a Tardis joyride to 19th century America? The world wants to know, gosh darnit!
Call No.: 818 .L434
Location: George Peabody LIbrary
The cover side of a small paper leaflet advertising 'cheap day returns' to and from Marylebone station issued in February 1937. This included destinations on what are now Chiltern Railway lines as well as London Underground's Metropolitan line, sections of which were part of a 'joint' operation. Stations that also, post war, transferred to LT's Central line are also shown.
This Titan Arum plant is in a leaf cycle. Most years, the spike grows into a huge leaf with complex leaflets.
The leaves gather energy from the sun and store it in the corm. It will need the energy to bloom.
The leaf falls over and dies after 12 to 18 months, and the plant becomes dormant again.
HFC_6825_rot-3
Azimuth Print offers a range of options for colour leaflets and leaflet printing. We produce leaflets in A5 (210 x 148 mm) and A4 (297 x 210 mm) sizes in quantities from 50 to 30,000 and use both sides of 130 gsm gloss art paper. If you wish, you can have your leaflets folded - perfect for menus!
Our prices include Free Delivery* within five days, although it is possible to get your leaflets more quickly if you talk to us about our express delivery service first.
Not sure of the date of this, but still pre-privatisation, in the days when the job was still enjoyable (just).
Leaflet Cardigan by Cecily Glowik MacDonald
Yarn: Cascade Venezia Worsted (3.3 skeins)
Needle size 7
See my Ravelry Project page for information on my mods to use worsted weight. www.ravelry.com/projects/manosa/leaflet
Taking a break from handing out show flyers to the folks in the queue (line) for the tkts booth in Times Square
According to a comment below this says:
"Identifying or turning in Communists will be rewarded and protected appropriately."
I think these were from aerial drops.
Azimuth Print offers a range of options for colour leaflets and leaflet printing. We produce leaflets in A5 (210 x 148 mm) and A4 (297 x 210 mm) sizes in quantities from 50 to 30,000 and use both sides of 130 gsm gloss art paper. If you wish, you can have your leaflets folded - perfect for menus!
Our prices include Free Delivery* within five days, although it is possible to get your leaflets more quickly if you talk to us about our express delivery service first.