View allAll Photos Tagged largeformatcamera
Scan of a darkroom print on Ilford MGWT RC paper.
This is a composite picture, with two negatives printed simultaneously on the same paper.
The picture of the Moon is on a 9x12cm sheet of film, which is projected on the baseboard of a 4x5" enlarger (at a 4.5 magnification), and onto an 18x24cm sheet of film containing the clouds (which is contact printed).
With the same exposure (and some minimal dodging and burning) the two negatives are combined into one print.
Both negatives are Fuji AD-M xray film.
They were both shot with the same camera, a Kodak Master 8x10" view camera, but on different dates.
The Moon was shot with a Symmar 360mm lens on May 29, 2018.
The clouds were shot with a Fujinon W 180mm lens on June 14, 2018.
Both negatives were developed in Rodinal (RO9) at 1+100 dilution (1lt solution in a 10x12" tray), at 24C, with intermittent agitation.
The Moon for 10'min.
The clouds for 12'min.
With Kallitype print process on Bergger cot 320
Ammonium Citrate & Sodium Acetate 2:1
Platinum toned
8x10' analogic film
Wet Plate Collodion image shot in camera onto black Onyx stone inside handmade sterling silver setting
DETAIL OF TASMANIAN SNOW GUM (Eucalyptus coccifera), CRADLE MOUNTAIN – LAKE ST CLAIR NATIONAL PARK, Tasmanian Wilderness World Heritage Area, TASMANIA, Australia
Arca-Swiss F-Line Field 4x5, Schneider Makro-Summar 120mm, Fujichome Velvia RVP 50 4x5
Relicts - Exploring the Flora of Gondwana
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
This is my personal highlight of those pics that I brought home from my trip to the Dolomite Alps.
I'm really very happy about this photo because it symbolizes my emotions when shooting. The fascination of nature and my love for it. In addition the photographer uses a large format camera, which creates an atmosphere as if Ansel Adams himself was standing on that hill... In this photo the focus is on the photographer but I will upload a second version later in which the landscape that lies in front of the photographer is the main motive.
I hope you like it!
Cascade Hall
Oregon State Fairgrounds
Salem, Oregon
See also: SAM_0956 Brand 4×5 Press-View Camera and Ilex Optical Co. Paragon Anastigmat ƒ:4.5 6½ Inch
The camera was manufactured by the Brand Camera Company of Los Angeles, California, c. 1947. By 1948, the camera maker was selling another press-view camera marketed as the Brand 17.
The owner of the camera and lens, my brother-in-law Philip Groelz, is selling it as-is. It comes with a Polaroid Land Film Holder # 500 (don't get too excited).
Missing is a locking screw for one of the front extension rails. It shouldn't be hard to find a substitute. Philip also owns (and selling) a 90mm Schneider Angulon and a huge U.S. Navy surplus aerial reconnaissance lens. From what I have read, the camera does not work well with wide-angle lenses. I can forward any reasonable offers to him.
Serial No.: camera 933; lens 1041
Popular Photography ads:
January 1947, page 25
September 1947, page 155
January 1948, page 91
Flickr photos:
Geoff Harrisson: Brand camera 1947 (Photo by Stephen Marsh); Brand 17 c.1948 (Photo by Mike Harrison)
DrTang: DSCF3407 (Brand 17 4x5 camera)
References:
forum.mflenses.com/brand-camera-co-4x5-view-camera-1947-t...
Aquilegia - paper negative.
“developed” in Photoshop
Thornton Pickard Imperial 6..5"x8.5" F64(Equivalent)
Rapid Aplanat No.3 Ser.D.F.8 (R.O.J.A. vorm. Emil Busch, Rathenow) f 6-384 (on the Gpoerz scale) 8” focus length
ISO2.5 - 15 mins under fluorescent studio light. Ilford RC multigrade glossy paper - developed in Ilford chemistry (Dev 1:9). Photographed with Fuji 24MP. “Developed” in Photoshop.
@westonartspacewsm
#thorntonpickard
#artspacecreatives
#largeformatphotography,
#largeformatcameras
#analoguephotography,
#diydeveloping,
#papernegative,
#vintagecamera,
#largeformat,
#darkroomprint,
#blackandwhite,
#studiothree_galler,
#Studiothree_Gallery,
#brass,
#antiquelens,
Leica M6, Voigtlander Nokton 40mm F1.4 classic. Fomapan 200, Fomadon P (stock) 6' 30'' 20°C. Scan from negative film.© All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.
The view from the Hoover-Mason Trestle at the former Bethlehem Steel blast furnaces in Bethlehem, Pennsylvania.
The original trestle was completed in 1907 and included a narrow-gauge rail line that allowed raw materials to be delivered to each of the five giant blast furnaces at the steel plant. The trestle structure stands 46 feet tall and is 2,000 feet long. Bethlehem Steel ceased operations at the Bethlehem plant in 1995 after years of financial losses and the trestle and blast furnaces remained abandoned and rusting for years. In the last few years a re-purposing of the plant grounds has taken place that includes an art center, entertainment venues, a casino and most recently a community park that runs along the Hoover-Mason Trestle allowing visitors to explore the blast furnaces from a safe distance and take in the history and process of steel manufacturing by reading signage placed throughout the park. The park is similar in nature to what was done in New York City for the High Line.
Technical details:
Technical details:
Intrepid MK3 4x5 wooden large format field camera.
120mm F5.6 Schneider Symmar-S lens.
Arista EDU Ultra 100 (re-branded Fomapan) exposed at ISO 80.
Developed in Pyrocat HD at 1:1:100 dilution for 8 minutes, 10 seconds @ 21 degrees Celsius in Jobo Multitank 5 with 2509N sheet film reels with drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
Negative scanned with Epson 4990 on holders fitted with ANR glass.
A few weeks ago I attended the local Photo Club public Garage Sale. It is always fun to see what treasures folks have for sale. Here a good flickr friend of mine, Prairiedog, is admiring one of the large format cameras on display and for sale.
The building across the street and displayed on the camera screen is the Metropolitan Theater on Donald Street in Winnipeg.
Update...
I spoke with Dan Harper, a Pro Photographer from Winnipeg, who is the owner of this camera, Dan advises it is a Large Format monorail camera in 4x5" format made by Cambo.
Contact print from 8’x10’ Foma film
printed on Bergger cot 320 paper with salt paper process
Gold toned (Borax), beeswax and lavender coated
Wishing all my flickr friends a Happy and Prosperous New Year!
Camera: Toyo Field 45CF
Lens: Rodenstock 150mm f/5.6 Sironar-N MC w/Copal #0 Shutter
Exposure: 1/8 Second @f/64
Tripod: Benro A-169 w/B-0 Ball Head
Film: Kodak Ektachrome 100G Professional
Scanner: Epson V750-M Pro
This image is © Douglas Bawden Photography, please do not use without prior permission.
Enjoy my photos and please feel free to comment. The only thing that I ask is no large or flashy graphics in the comments.
Camera used by legendary photographer, Clyde Butcher. On display at his Venice, Florida gallery. Amazing to see in person.
Fading Tulip - paper negative on a 100 year-old 10x8 full plate field camera. Ilford RC VC glossy paper, developed in Bromphen standard dilution. Lens is a Dallmeyer F2.9 8” focus length (ex aerial photography). Exposure on F11, ISO 1 (under weak LED lighting), 3 minutes. Scanned at 1200DPI - inverted in Lightroom - no altering of levels.
As I've mentioned before, cats are weird people.
They have the habit of choosing a hangout spot to claim their own – which they also change regularly throughout the year, so they don't get bored.
For the past few weeks, our oldest cat has been spending his afternoons in this (seemingly rather awkward) position.
The picture on the wall is from my book "Nicosia in Dark and White".
--
Kodak Master View 8x10" camera with Fujinon 180 lens.
1"sec exposure at f16 on 18x24 Agfa HDR xray film.
Developed in 1+50 Ilford MG paper developer for 8.5'min in a glass plated 10x12" tray.
Scan from negative, finished in PS.
Another photo of me testing the new lens I bought for my 4x5 Intrepid camera earlier this year. The well regarded Schneider APO-Symmar 120mm f/5.6. A tiny lens considering the size of the film format!
I'm dying to use this camera again (and have been for ages to the extent i'm digging out these old test photos to share
I love how 4x5 cameras can be shallow focus even with a f5.6 lens. Focused top right on the bike tyre (a free tyre I picked up at an aid station during Ironman Vichy, France in 2017 after a blow out)(it saved me and let me finish, thanks aid station).
4x5 Intrepid Camera (wooden view camera) + Schneider APO-Symmar 120mm f5.6 lens + Cambo 6x9 roll film back + 120 Fomapan 100 film
Review still to share but I want to shoot more with it first
New tab on BLOG! - mrleica.com/more/