View allAll Photos Tagged largeformatcamera

Our new PRONTO Auto-Focus Lens Adapter does the unbelievable – it can auto-focus practically any lens you mount on it! To prove this, we mounted the oldest lens we could find: a Bausch & Lomb large-format film camera lens from 1897. Check out the video on our Fotodiox Facebook or YouTube pages to see how it worked.

This was made using a Chamonix 45F 4x5 camera, exposed on Ilford Delta 100 film using a 6 stop ND filter

8/10 Chamonix - 210 Super Symmar HP5 - Ilford Warmtone S/M selenium toned

Silver gelatin print from 4x5' film

Sandwich between two film, the portrait and a texture.

 

www.instagram.com/stefano.bernardoni/

Lewis - Outer Hebrides - Scotland

Eylie d'en Haut,

09800 Sentein - France

Shanghai gp3 / Large format / Self develop film

fomapan200 / 4x5 / Self develop film

I actually dragged the Deardorff 5x7 with the 210mm lens out canoe camping so this image is from a remote lake which required a 1.8km portage to get to. I love these old, weathered stumps that lay in the shallows of these lakes.

 

Camera: Deardorff V5 5x7

Lens: Fujinon W S 210mm f5.6

Filter: Polarizer

Film: Ilford Multigrade IV RC Paper

Exposure: ISO 6, f22, 15 seconds

Movements: Full front fall

Developer: Ilford Paper Developer at 1:19 for around 45 seconds at 20 degrees, no agitation

H. Roussel ortho stylor

 

Quartier Rollin - Nantes - France

Eylie d'en Haut - Vallée du Biros - Couserans - Ariège - Pyrénées - France

8/10 Chamonix - 210 Super Symmar Ilford Warmtone S/M - 20x25cm selenium toned

4x4" Wet Plate Collodion Tintype

Setting up my Canham wood 4x10 large format camera to make the shot of the tree and cattle ramp and stone fence on the Gettysburg Battlefield.

Shadow of a Tree on a Brick Wall - Conley 4x5 Senior Box Camera, Polaroid Color 600 Film

5x7 pinhole - FP4 arista semi-matte paper sepia toned

Cyanotype N°29 - Tonification au thé noir + maté / tea and yerba maté toned

Papier - Moulin du coq - Le rouge

Prise de vue - calumet 4x5" , angulon 90mm - fomapan 100

Inter-négatif numérique calibration méthode EDN

#cyanotype #cyanotypes #cyanotypeprint #cyanotypeprocess #alternativeprocess #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #largeformatphotography #largeformatcamera #largeformat #calumet #4x5 #4x5photography #angulon #fomapan #foma #alternativephotographicprocesses #moulinducoq

Aegerital, Switzerland

 

Fujifilm TX-1, Fujinon 45mm f/4

Portra 400

Filmomat, C41

Nikon Coolscan 9000ED

 

With Kallitype print process on Arches platine

Platinum toned

8x10' analogic film

  

www.instagram.com/stefano.bernardoni/

Built around 1932 by the Gundlach Manfacturing Corp. in Rochester New York. Advertised in their catalog as being the "Aristocrat amongst cameras". Paired with a Gundlach Radar 12" Antistigmat f/4.5 lens also from the same time period. The lens originally was fitted to a Wollensak "Betax" shutter which unfortunately died and was replaced by a newer "Alphax Synchro" shutter.

Vallée du Biros - Couserans - Ariège - France

Deardorff V8 8X10 camera

Fomapan 100 exp 50iso - Rodinal 1+25 - 10' Jobodrum 4530 with Uniroller

5/7 pinhole - paper neg arista semi-matte - sepia toned

5x5" wet plate collodion tintype shot with a large format camera and an antique lens

This was shot in the summer of 2016 using a large format camera and an 1870's Dallmeyer lens. It's a wet plate collodion tintype.

Lenticular clouds stacked over Oregon's Mt. Jefferson make for a stunning sunset in the Oregon Cascades www.mikeputnamphoto.com/oregons-beautiful-mt-jefferson

The PRONTO Auto-Focus Lens Adapter can auto-focus practically any lens you mount on it! To prove this, we mounted the oldest lens we could find: a Bausch & Lomb large-format film camera lens from 1897.

I'm not really into Architectural photography, but there are so many interesting structures to observe and take pictures of in Kansas City. I was out this past weekend and shot six sheets of film through my Linhof Technika IV camera. In spite of my limitations in this genre, I think this camera is particularly well suited to shoot in the city like this. I really like being able to compose the shot with the ground glass and using the limited movements this camera allows to make adjustments to the composition. This image captured using Lucky 100 film, self-developed with Xtol at 1 to 1 dilution.

unbranded petzval

contact print from paper negative

8/10 Chamonix - 210 Super Symmar FP4 - Ilford Warmtone S/M selenium toned

12'x16' salt print

on Arches paper 180gr Gold toned

  

www.instagram.com/stefano.bernardoni/

8/10 chamonix/pinkham smith ilford warmtone

Perken, Son & Rayment London camera

E. Suter rapid aplanat no.2

Summer in the Ground Glass - iPhone 13 Mini

Biros - Couserans - Ariège - Pyrénées - France

Saint Sébastien sur Loire - Loire Atlantique - Pays de la Loire - France

Nantes - France

voigtlander portrait anastigmat

saltprint

8x10 film printed on Arches paper 180gr

Borace gold toned

  

www.instagram.com/stefano.bernardoni/

Les Machines de l'ïle - Nantes

testing unbranded petzval

I'm so excited about this piece It's a wet plate collodion image I shot using my large format camera onto midnight lace obsidian stone slab which is 4.25" x 3". This is an image of my daughter holding her snake's skin. I love the natural rough edges of the stone and it makes for a great image/object piece.

fomapan200 / Self develop film / Large Format

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