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The Premo Sr made by Rochester Optical Co of N.Y. A 5x7 size mahogany wooden camera covered in black leather. It got the premium red bellows. This model was made circa 1896 and originally listed as US$40.00. It sports a Victor shutter with a Rapid Rectilinear lens. It came with the original plate holder, The Premo Tripod and a period correct wooden case covered in leather.
The Roasterie is a coffee shop in Kansas City, MO with the distinction of having a C3 cargo plane displayed on top of the building. I'm not sure what the full story is behind this display, but it one of the cooler things to see in Kansas City. Photographed with my Improved Conley Magazine camera on Foma 100 film. Developed with 510 Pyro at 1:100.
Ansco on the move.
Nice day today so I ran out to try a few shots with the Ansco and Kodak lenses I recently picked up.
Ansco’s a pretty heavy beast.
Ansco 8x10 View Camera + Kodak Portrait 305 mm 12” f4.8 lens + Kodak Wide Field Ektar 250 mm 10” f6.3 lens
#Ansco8x10UniversalViewCamera
#KodakWideFieldEktar250mm[10"]F6.3Lens
#KodakPortrait305mm12in.f/4.8Lens
#Ansco8x10
#largeformatphotography #largeformatcamera
#8x10camera
#8x10film
#kodaklargeformatlens
#largeformatlens @filmsnotdead #filmsnotdead
When I uploaded version one I promised (or threatened) to add a 2nd version later. I think there's a difference in the meaning of both pics. Whereas the photographer was the main topic in version one, in this 2nd version the focus lies on the nature that spreads out in front of him. He himself is only an observer who admires what he sees....
For the Collective 52 Group prompt "Favorite Book or Magazine" The only magazine I subscribe to is "View Camera Magazine" for it's inspirational large format fine art photography.
Pictured: Toko 4x5 field view camera
Light painted with Nikon D800, 20mm f2.8
Resulting photo from the last behind the scene photo showing the 4x5 camera setup in Poland. (Slight crop off the top as I preferred this composition)
BTS - www.flickr.com/photos/32681588@N03/46243886071
Maria, Poland
4x5 Intrepid Camera (wooden view camera) + Schneider APO-Symmar 120mm f5.6 lens @f5.6 + Cambo 6x9 roll film back + 120 Fomapan 100
Developing - 750:250 Xtol, 16min at 23 degrees, Epson v800 scan.
Hand tinted Wet Plate Collodion image shot in camera onto semi precious black onyx stone in custom made sterling silver setting with green/blue tourmaline teardrop
First 4x5 camera photo for a long time, shot with a 6x9 film back in Poland - Maria
Could be a love or hate shot as it is not in focus as I had wanted but I thought I would share it anyway
4x5 Intrepid Camera (wooden view camera) + Schneider APO-Symmar 120mm f5.6 lens + Cambo 6x9 roll film back + 120 Ilford HP5 Plus film
Developing - 750:250 Xtol, 16min at 23 degrees, Epson v800 scan.
Large Format....
Off camera flash sb28dx placed above on the right side triggered with sync cable and fl36r placed behind the camera to light the white backdrop
Maria, Poland behind the scenes shot with the F5 and me using the Intrepid 4x5 camera :)
4x5 photo - www.flickr.com/photos/32681588@N03/46249641921
Poland and Intrepid camera blogs to follow.. (still!) (maybe 1 tonight if get time)
Nikon F5 + Tamron 45mm f1.8 + 35mm Ilford Delta 100
Xtol 1:3, 26 degrees, 16min, Epson v800 scan
mrleica.com/film-negatives-to-digital-workflow/
Instagram - www.instagram.com/mrleicacom/
My wife and I were in Kansas City last weekend looking to photograph some Fall color...unfortunately the leaves are just barely turning here in our area and we didn't have an opportunity to capture Fall colors. While we were driving around we discovered this cluster of shops...what I call junk shops in the Plaza District and we spent some time exploring. It was actually pretty cool and this building in the foreground was actually 3 buidings connected together and they were so full of stuff you could barely move around. It was a cool experience though and we're definitely planning to return and spend more time here...there are several other shops behind the camera and further down both sides of the street. Image captured with my Linhof Technika IV camera on Reflx 100 film. Self-developed with CineStill's C31 kit.
I was in downtown Kansas City today shooting some film and I set up to shoot the building at the end of the street. This young lady with a wrapped bouquet of flowers and a bag of groceries passed through just as I was ready to expose the film. The grand building on the right and the building on the left are part of the Kansas City Library...the building at the end of the street is the Catholic Center. Captured using my Linfhof Technika IV on Foma 100 film. 90mm Angulon lens f22 at 1/25. Developed with 510 Pyro at 1:100 dilution.
Oregon's Stunning Oneonta Gorge. I've made several fruitless trips to this mystic little slot canyon in the Columbia River Gorge. I've been stymied by high water, I've been drenched in a torrential down-pour and I've been tormented by throngs of recreation minded hiker-bathers types. During my most recent trip, I was prepared, mostly. I had a big dry-bag for all my large format gear, the weather was great and I was mentally prepared for the large man-eating log jam near the entrance of the canyon. I wasn't prepared for the brutally low lighting conditions. Up to two minutes in some shots. Yikes! Luckily, it was mostly windless. I really like this composition and how it the little stream pulls me into the falls at the end. I debated printing this image in portrait or landscape format the first time around( I shot it both ways) but the little stream won out over more mossy canyon walls, at least this time around. Please let time know what you think and share your own stories about This beautiful little canyon below. Thanks, www.mikeputnamphoto.com
Had to celebrate the appearance of the cherry blossom with a photo - Paper negative - Thornton Pickard Imperial full plate from early 1900s. Emil Busch Lens at F64 - exposure 100s.
Inverted in Photoshop. Ilford MG ~glossy paper, developed with standard Ilford chemistry .
Red Beech (Nothofagus fusca), Fiordland National Park, Te Wahipounamu World Heritage Area; NEW ZEALAND
Relicts - Exploring the Flora of Gondwana
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
Arca-Swiss Universalis 4x5, Fujinon 125mm NW, Fujichrome Veliva RVP 100 4x5
24x30” Print on Canson Platine Fibre Rag
Albumen Print, 4x5", double coated paper, Canson Crob'Art 80gr, exp to open sky, overcasted sun, 1 1/2 "h, Selenium toned.
It looks a normal photo (I expect) but it was shot with a wooden 4x5 camera :)
Julia, Poland
4x5 Intrepid Camera (wooden view camera) + Schneider APO-Symmar 120mm f5.6 lens @f5.6 + Cambo 6x9 roll film back + 120 Ilford HP5 Plus film + Flash
Intrepid 4x5 Blog - mrleica.com/intrepid-4x5-camera-review-large-format-film/
*Intrepid camera blog coming later this week (only about a year late!)
Developing - 750:250 Xtol, 16min at 23 degrees, Epson v800 scan.
Excuse the strange crop, I expected the whole of her head to be in! (see below)
Another from the first Intrepid 4x5 photoshoot so I shot 6 sheets of 4x5 film and then a roll of 6x7 in a roll film back. The roll film back was not a tight fit so I missed a few shots (and the crop was tighter than expected (I thought I had marked it exactly but no).
Intrepid 4x5 Blog - mrleica.com/intrepid-4x5-camera-review-large-format-film/
Intrepid 4x5 large format camera + Symmar-S 180mm f4.5 lens + Horseman 6x7 120 roll film back + 120 Fomapan 100 film
Developing - 1:3 Xtol + 1:300 Rodinal, 10min at 23 degrees, Epson v800 scan
Polish model Aneta
Leica M6, Voigtlander Nokton 40mm F1.4 classic. Fomapan 200, Fomadon P (stock) 6' 30'' 20°C. Scan from negative film.© All rights reserved. This photograph is Copyright and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the photographer.
Scan of a darkroom print on Ilford MGWT RC paper.
This is a composite picture, with two negatives printed simultaneously on the same paper.
The picture of the Moon is on a 9x12cm sheet of film, which is projected on the baseboard of a 4x5" enlarger (at a 4.5 magnification), and onto an 18x24cm sheet of film containing the clouds (which is contact printed).
With the same exposure (and some minimal dodging and burning) the two negatives are combined into one print.
Both negatives are Fuji AD-M xray film.
They were both shot with the same camera, a Kodak Master 8x10" view camera, but on different dates.
The Moon was shot with a Symmar 360mm lens on May 29, 2018.
The clouds were shot with a Fujinon W 180mm lens on June 14, 2018.
Both negatives were developed in Rodinal (RO9) at 1+100 dilution (1lt solution in a 10x12" tray), at 24C, with intermittent agitation.
The Moon for 10'min.
The clouds for 12'min.