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there are inexplicable moments when you know you are looking at something and that it seems broken and you are sitting there looking at it and it's all messed up but you're not sure if you are responsible for messing it up or if that was that other person who messed it up but what you do know is that you can't fix it in 26 minutes of saying nothing.
somewhere in you is this voice saying that maybe you should speak up. that speaking up would fix it, but there is a louder voice saying, 'shut up, you stupid fool. talking will only break it more. plus, you're paranoid. it's not broken at all in the first place.' so you just sit there, huddled into a small ball trying not to listen to anything at all because the silence isn't as painful.
mostly, though, you are scared. because it feels like the things you thought were lies told to you by a nacissistic toolbox might actually be truths that you didn't want to be true. scared that maybe you made a really big fool of yourself. scared that maybe the clouds of depression you thought you had overcome were really just hanging out behind you and you forgot to check back there because you were so focused on moving forward that you didn't think to look back. you discover that for the brief moment you stopped moving, to huddle into the corner and just think, you discover that brief moment was all it really took for the cold foggy fingers to creep forward and tap you on the shoulder.
and all you want to do is run. run anywhere that might be safe. run anywhere that would be away from here but that isn't over there, where the hurt seems to be coming from.
so you promise yourself you're just going to wait..... you're going to put one foot in front of the other, block out the fears and the hurt, and just walk forward into the bleakness because its better than being overtaken by the depression.
so that's it then.
waiting is hard.
16-18 May 2014 Newton, Iowa
NASCAR Nationwide Series Get to Know Newton 250 presented by Sherwin-Williams
Know any frats or bars that rage with beer pong? Hit us up and let us know where we can spread the Stoopid love!
If you know it or had used it, you must be a long time camera man. It is a film loader made by a Japanese enlarger manufacturer " LPL ".
I bought it in 1975, by that time, most photographer shot BW. Color film was still expensive. So for the international Salon Contest, 3/4 were BW and 1/4 were color prints and unknown percentage were slide.
The most popular BW film were Kodak from USA, Ilford from England, Agfa from Germany and Fuji from Janpan.
I used to buy the 100 feet Kodak " Plus X-135 " BW film and made 20 rolls and I even sold some of them to my camera friends cheaper than market price. I had already forgot that there is still a film inside. And it has been at least 22 years old. So I can call it an antique film !
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Know about seafood restaurants in your areas and plan to eat together with family or friends at beautiful place Amsterdam. Visit: royal-thai.nl
Design: Think. Know. Do. is a one-week intensive design camp at Ohio Northern University. The camp is being offered through the Summer Honors Institute program for gifted high school students who are entering their sophomore, junior or senior years in the 2010–2011 academic year.
This year’s Design Camp embarks on an exciting journey to explore the fundamentals of visual communication. Working in teams, students investigate how ideas of sustainability can be applied to a community’s interactions, its economics and its physical environment. Student teams use a variety of design methodologies and skills to find answers to how design can improve the experience of a recycling plan on campus.
To learn more about the summer design camp, visit the A&D Web site.
www-new.onu.edu/academics/getty_college_of_arts_sciences/...
I know, I'm mixing up Mexican and voodoo culture. But they're pretty compatible if you research it. So there are traditional Mexican sugar skull motifs mixed with images from common Erzulie Freda (Erzuli Danto) véves.
The challenge was working on these small skulls, which are not really sugar skulls but are white chocolate, 1¾" in their longest dimension. After my then-wife's disastrous attempt on Nov 1st I wanted to apply my toothpick technique to see if I could succeed. I'm pretty happy with it.
Incidentally, my approach is to put a blob of frosting onto the wax paper and mix it up with a toothpick. When the toothpick comes away there's usually a fine strand of frosting dangling from its tip, which I drag into place.
i know.
i felt like being conceited and put a picture of my self on there.
i know i isn't purrttyyyy but i kinda liked this picture? ^^
have fun. i love you.
SAMSUNG
Taller de toma de decisiones bajo presión impartido en el Club de Esgrima de Madrid en colaboración con Know Square.
Know how to choose a suitable dermatologist in Delhi. See more at www.kashyapskinclinics.com/how-to-choose-a-suitable-derma...
Well we know where we're goin
But we dont know where weve been
And we know what we're knowin
But we cant say what we've seen
And were not little children
And we know what we want
And the future is certain
Give us time to work it out
We're on a road to nowhere
Come on inside
Takin' that ride to nowhere
We'll take that ride
I'm feelin' okay this mornin'
And you know,
We're on the road to paradise
Here we go, here we go
CHORUS
Maybe you wonder where you are
I don't care
Here is where time is on our side
Take you there...take you there
We're on a road to nowhere
We're on a road to nowhere
We're on a road to nowhere
There's a city in my mind
Come along and take that ride
and it's all right, baby, it's all right
And it's very far away
But it's growing day by day
And it's all right, baby, it's all right
They can tell you what to do
But they'll make a fool of you
And it's all right, baby, it's all right
We're on a road to nowhere
Road to Nowhere, Talking Heads (1984)
Kris knows (I shared all this with him when I taught him how to stitch) that the Ghilyak, or Nivkhi, of Sakhalin, like the Ainu of North Japan, used embroidery in their magic. Stitches were used to diagram spells and make intentions tangible. They were also used to bind or to pin down...people, animals, wealth, desires. Some witches used embroidery to scry, seeing the future in what their hands stitched automatically.
Trapped in the Pacific Ocean, with a serious stomach ulcer, no wind, and contrary currents, Kris focussed his determnation to make it all the way home to Australia into this piece. It is more than just a tapestry, it was his hope and desire made into a physical object, a fetish. Eleggua's necklace, because he is the Orisha of pathways, roads, and voyages. Emu feathers from Australia. The milky way was visible in the night sky as he sailed. The interlaced symbol of eternity has been the symbol of our relationship since we met 20 years ago. The little worry doll became the receptacle of his pain and suffering, carrying it away. This one we keep...it is too charged to let into the world.
But I do know that I love you...8)
What a Wonderful World (Sam Cooke)
Not meant for anyone. Just one of my more whimsical, happy-go-lucky, but vulnerable sides. I like how the black and white came out in this. The tonal ranges had a good tune. In no way is this meant to be flattering. Having had the opportunity to work for a company such as Southwest Airlines I've learned that being vulnerable is an important aspect of being social.
by The White Stripes
I just don't know what to do with myself
I don't know what to do with myself
planning everything for two
doing everything with you
and now that we're through
I just don't know what to do
I just don't know what to do with myself
I don't know what to do with myself
movies only make me sad
parties make me feel as bad
cause I'm not with you
I just don't know what to do
like a summer rose
needs the sun and rain
I need your sweet love
to beat love away
well I don't know what to do with myself
just don't know what to do with myself
planning everything for two
doing everything with you
and now that we're through
I just don't know what to do
like a summer rose
needs the sun and rain
I need your sweet love
to beat love away
I just don't know what to do with myself
just don't know what to do with myself
just don't know what to do with myself
I don't know what to do with myself
Use this link to view available class dates and enroll online!
www.stitchlab.biz/Classes/Know_Your_Knits_Foldover_Waist_...
Things I Know to be True, by Andrew Bovell
Things I Know to be True is a beautifully written drama centring on the lives of a family over the period of a year, poignantly presented through the seasons. It is described as a “complex and intense portrait of the mechanics of a family – and a marriage –through the eyes of four siblings struggling to define themselves beyond their parents’ love and expectations”.
Putney Arts Theatre: 5-9 November 2019
Cast:
Bob Price - Aidan Kershaw
Fran Price - Penny Weatherall
Mark Price (Mia Price)- Bradley White
Ben Price - Theo Leonard
Pip Price - Emily Prince
Rosie Price - Natasha Henson
Director: Frances Bodiam
Producer: Jeff Graves
I don't know if anyone ever reads my descriptions, but I write them anyway, so there!!
Was out today (August 20th 2021) on a forced vacation day, from 9:30AM til' almost 4PM. 80F today but it felt like 100F. This is a very active line and I probably flicked 20 freights today. 750+ flicks. By the time I get rid of a few duplicates, and bad ones, I'm guessing it'll be about 700 +/-. 700 to straighten, fix any color issues, upload, and also ID the writers. It's lots of time and as you can imagine, it's a lot of work, but so far it's been fun. I'm trying to not rush myself to post before I'm ready. I already have the flicks, and they're timeless. So getting them posted ASAP!!!!!! is not really my concern. Duh..
Had an interesting interaction with a guy while out there. Guy with backpack had walked back and forth across the tracks a few times. The lat time I saw him he was on the other side of a set, about 100 yards away. Next thing you know he's coming closer..... Closer..... And I'm like WTF? I'm way out here minding my own business. He walks within' like 10 ft. of me and I say "How ya' doin'?" he says something, and then says "Trains?" and I say "Yep." and he says "Oh.." and walks away. I think he was feelin' me out, as there's a small population of people who's homes are shall I say, mobile. I've talked to a few of them, and have never had a bad interaction, I just don't like people walkin' up on me when I'm trying to get away from the rest of the world out by the tracks. I go out there to get away from people, not to interact.
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I follow some other amazing photographers on flickr, but for this I will talk about the ones who flick the freights. There are a few that I really love. Some it's because of the great locations they shoot at, and others it's the amazing little details they manage to capture. For me (right now) I don't have the luxury of walking the lines and seeing pieces static. 99.999% of my flicks the freight is rolling by at 10-50 mph and sometimes I don't really even know what I have until I get home, dump the memory cards and go through the photos. Because of this, most of my flicks are just straight on shots and documenting what I saw and where. I saw this freight here, on this date, here's what was on it, and i captured it. Buffed or scraped next week, well I have it on "film" for future generations (sounds corny, I know). There are times when a freight will stop in-front of me, and I'll walk up and get some shots of monikers, but it's rare.
Obviously in any area there are sidings where freights park for extended periods, I know a few spots, but as I get older, and older, do I really want to leave my car parked on the side of the road and walk 2 miles to capture some little details I might normally miss? I'd love to, but it's just not practical for me at this time, any many other people do it better than I could. Retirement is getting closer every day, maybe then, when my weekdays are free. :-)
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During the Covid lockdown, I was working from home, and I was getting out benching like 2 & 3 times a month. Back at work, I'm lucky to have the energy to get out once a month. Every time I do manage to get out, I come home and my batteries feel re-charged. It's been so f-ing hot here in SoCal though, I can't wait for cooler weather and some clouds in the sky.
As always, thanks to the writers!
To see the rest of my freight graffiti flicks click here:
www.flickr.com/photos/siamesepuppy/collections/7215771678...
For freight graffiti slideshows/videos hit up my YouTube channel here: www.youtube.com/SilenceSeven
Is there any more iconic image of Vietnam than the bamboo hat?
This lady sits on the footpath in Saigon and waits... for what I don't know.
Daily Dog Challenge "116. The Nose Knows -Show us those adorable noses! You can make it artsy or sweet, just feature those noses today!"
Scavenge Challenge February 2012 - "4. You may have to make your own. The subject is mud! Make it look good."
One of the driest winters on record. Can't remember the last time we had measurable rain.
BUT
According to Webster, we have:
mud (noun) - "a slimy sticky mixture of solid material with a liquid and especially water."
Peanut butter is slimy, sticky, and a mixture of solid material (peanuts) and a liquid (peanut oil).
Ta-da! Mud!
Stop on by Zachary and Henry's blog: bztraining.blogspot.com
Things I Know to be True, by Andrew Bovell
Things I Know to be True is a beautifully written drama centring on the lives of a family over the period of a year, poignantly presented through the seasons. It is described as a “complex and intense portrait of the mechanics of a family – and a marriage –through the eyes of four siblings struggling to define themselves beyond their parents’ love and expectations”.
Putney Arts Theatre: 5-9 November 2019
Cast:
Bob Price - Aidan Kershaw
Fran Price - Penny Weatherall
Mark Price (Mia Price)- Bradley White
Ben Price - Theo Leonard
Pip Price - Emily Prince
Rosie Price - Natasha Henson
Director: Frances Bodiam
Producer: Jeff Graves