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The drawing is mounted in Volume II-TER of the John Ryland's copy of "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols. : illus., plates : 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904.
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), these original pen and ink sketches for this work, and an autograph letter by him. (John Rylands Library Special Collections R16279)
The paintings for the Illustrations were based on the sketches and completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Beth Shemesh, a border City between Judea and Philistia, 10th century BCE.
Shephelah / Judean Lowlands.
Paolo Gerolamo Piola e Francesco Costa, Gloria di San Benedetto (particolare di Re David con l'arpa), affresco della cupola.
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
The drawing is mounted in Volume II-TER of the John Ryland's copy of "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols. : illus., plates : 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904.
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), these original pen and ink sketches for this work, and an autograph letter by him. (John Rylands Library Special Collections R16279)
The paintings for the Illustrations were based on the sketches and completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
The drawing is mounted in Volume II-TER of the John Ryland's copy of "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols. : illus., plates : 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904.
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), these original pen and ink sketches for this work, and an autograph letter by him. (John Rylands Library Special Collections R16279)
The paintings for the Illustrations were based on the sketches and completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
The drawing is mounted in Volume II-TER of the John Ryland's copy of "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols. : illus., plates : 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904.
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), these original pen and ink sketches for this work, and an autograph letter by him. (John Rylands Library Special Collections R16279)
The paintings for the Illustrations were based on the sketches and completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot's Last Oblation
www.amazon.co.uk/clouddrive/share/rG6G4ogr0XPeNowkdqeCnQB...
Lithograph (see below) from gouache on board. Jewish Museum, New York (Gift of the heirs of Jacob Schiff)
The paintings were reproduced in "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols.: illus., plates: 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904. (Jacques-Joseph Tissot, French, 1836-1902.)
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Illustration was completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), his original pen and ink sketches for this work, and an autograph letter by him.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Scan of a photo taken in September 1995
The church was projected by Gaspare Vigarini, the architect of the Este, in the middle of the 17th century and the Baroque facade was later added by Antonio Loraghi with statues by Giovanni and Andrea Lazzoni, here King David, playing the harp.
I love the figure on the left is standing on someone's (head and) shoulders.
Figures:
Saint Paul, King David, Bathsheba and another king
Dormition Abbey, Mount Zion and David's Tomb
walk from the Western Wall to the David's Tomb
author: Jan Helebrant
location: Jerusalem, Israel
license CC0 Public Domain Dedication
Dormition Abbey, Mount Zion and David's Tomb
walk from the Western Wall to the David's Tomb
author: Jan Helebrant
location: Jerusalem, Israel
license CC0 Public Domain Dedication
Part of the complex that houses the Cenacle and David's Tomb near Dormition Abbey on Mt Zion; the clock tower of which can be seen in the center.
Dormition Abbey, Mount Zion and David's Tomb
walk from the Western Wall to the David's Tomb
author: Jan Helebrant
location: Jerusalem, Israel
license CC0 Public Domain Dedication
The drawing is mounted in Volume II-TER of the John Ryland's copy of "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols. : illus., plates : 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904.
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), these original pen and ink sketches for this work, and an autograph letter by him. (John Rylands Library Special Collections R16279)
The paintings for the Illustrations were based on the sketches and completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
The church of All Saints is the parish church of Culmstock in Devon. The church has had this dedication with certainty since 1375 AD.
The church has a number of stained glass windows ranging in date from 1847 to 1991. This picture shows a window in the South Aisle which in the middle depicts the Resurrection of Christ. The Resurrection is flanked by the figures of Nimrod and King David. According to the church guide the window dates to 1897.
The drawing is mounted in Volume II-TER of the John Ryland's copy of "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges, introduction by M. de Brunoff and the French version of L. J. Lemaistre de Saci. (Sertillanges, Antonin Gilbert 1863-1948; Le Maistre de Sacy, Isaac-Louis, 1613-1684) 2 vols. : illus., plates : 4to. 40 plates, 360 illustrations to text, by James Tissot. Paris: M. de Brunoff & Cie, 1904.
The edition contains 360 mounted colour, b/w, and duo-tone illustrations in the text and 40 plates in three states, sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15 3/4 x 13 ins; image size varies (c 8 1/2 x 5 1/2 ins).
Of the 561 copies printed, the John Rylands Library (Manchester) copy is an "exemplaire unique". As well as the triple set of the large plates in various states, and a series of proofs before letters of the illustrations appearing in the text, it contains a water colour drawing by Tissot ("Joseph presents his father Jacob to Pharaoh"), these original pen and ink sketches for this work, and an autograph letter by him. (John Rylands Library Special Collections R16279)
The paintings for the Illustrations were based on the sketches and completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Gouache on board by a follower of (James) Jacques-Joseph Tissot, French, 1836-1902.
The paintings were reproduced in "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by A. D. Sertillanges. 2 vols. 40 plates; 360 illustrations to text. Paris: M. de Brunoff & Cie, 1904. Based on his surviving pen and ink sketches, Illustration was completed after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis de Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Details best viewed in Original Size.
One of the most distinctive features of Chartres Cathedral is the stained glass, both for its quantity and quality. There are 167 windows, including rose windows, round oculi, and tall, pointed lancet windows. The architecture of the cathedral, with its innovative combination of rib vaults and flying buttresses, permitted the construction of much higher and thinner walls, particularly at the top clerestory level, allowing more and larger windows. Also, Chartres contains fewer plain or grisaille windows than later cathedrals, and more windows with densely stained glass panels, making the interior of Chartres darker but the color of the light deeper and richer.
This window group (North Transept or Bay 121) is also known as the "House of France Window", since it was funded by Louis IX of France and his mother Blanche of Castile in 1230. The group is made up of five lancets below a large rose window, whose lower corners are framed on each side by four small lancets. The rose is made up of a twelve-lobe central eye, then twelve medallion sections, then twelve square, then twelve quatrefoils and finally twelve semi-circular medallions. The leftmost lancet shows the king-priest Melchizedek above Nebuchadnezzar, the latter adoring an idol. The next lancet shows King David holding a harp above Saul throwing himself on his own sword, the latter symbolising the sin of anger, whilst the following lancet shows the Virgin Mary in the arms of Saint Anne, with the French royal coat of arms below. The fourth lancet shows King Solomon above Jeroboam, the latter adoring a golden calf, whilst the final lancet shows the high priest Aaron above Pharaoh and his army drowning in the Red Sea. At the centre of the rose are a Madonna and Child, surrounded by concentric circles. The inner one shows four doves (symbolising the gifts of the Holy Spirit), censing angels, candle-bearing angels and cherubim. The second circle is made of lozenges showing the lineage of the Kings of Judah from the Gospel of Matthew. The third and final circle shows the twelve minor prophets of the Old Testament. Between the second and third circles are quatrefoils with the coat of arms of the kingdom of France.
La Cathédrale Notre-Dame de Chartres, otherwise known as Chartres Cathedral is a Catholic cathedral in Chartres, France, about 80 km (50 miles) southwest of Paris, and is the seat of the Bishop of Chartres. Dedicated in honor of the Virgin Mary ('Notre Dame' –'Our Lady'), it was mostly constructed between 1194 and 1220. It stands on the site of at least five cathedrals that have occupied the site since the Diocese of Chartres was formed as an episcopal see in the 4th century. It is one of the best-known and most influential examples of High Gothic and Classic Gothic architecture. It was built above earlier Romanesque basements, while its north spire is more recent (1507–1513) and is built in the more ornate flamboyant style. One of the most beautiful and historically significant cathedrals in all of Europe, it was designated a World Heritage Site by UNESCO in 1979, which called it "the high point of French Gothic art" and a "masterpiece". The cathedral has been well-preserved and restored: the majority of the original stained glass windows survive intact, while the architecture has seen only minor changes since the early 13th century. The building's exterior is dominated by heavy flying buttresses which allowed the architects to increase the window size significantly, while the west end is dominated by two contrasting spires – a 105-metre (349 ft.) plain pyramid completed around 1160 and the 113-metre (377 ft.) Flamboyant (late Gothic) spire on top of an older tower. Its three great façades are adorned with hundreds of sculpted figures illustrating key theological themes and narratives.
Additional information on Chartres Cathedral may be found at Wikipedia.
Additional information on Chartres stained glass windows may be found at Wikipedia.