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Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
“Guide of Israel”,“Israel tours”,“Israel Private Tour”,“Israel Private Guide”,“Ziv Cohen”,“Ziv Tours”,“Ziv Tour”,Zivtours,“Israel private tours”,“Israel Tour guide”,Jerusalem,“old city of Jerusalem”,“holy land”,“milk and honey land”,“promised land”,“family activities in Israel”,“Capital of Israel”
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
View of the Temple Mount in the old city of Jerusalem with the the Kosser family.
"amazing background","Mount of olives","Jewish cemetary",“Guide of Israel”,“Israel tours”,“Israel Private Tour”,“Israel Private Guide”,“Ziv Cohen”,“Ziv Tours”,“Ziv Tour”,Zivtours,“Israel private tours”,“Israel Tour guide”,Jerusalem,“old city of Jerusalem”,“holy land”,“milk and honey land”,“promised land”,“family activities in Israel”,“Capital of Israel”
From a one day guided tour to a full excursion, Israel has something for everyone. You really have to see it to believe it!
A journey to Ethiopia to the place of the Ark of the Covenant.
From PARANORMAL magazine, May 2009.
© Jazz Publishing 2009
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Taking a group picture at the Kidron Valley in Jerusalem.
"Ancient cities","Old ruins",“Guide of Israel”,“Israel tours”,“Israel Private Tour”,“Israel Private Guide”,“Ziv Cohen”,“Ziv Tours”,“Ziv Tour”,Zivtours,“Israel private tours”,“Israel Tour guide”,Jerusalem,“old city of Jerusalem”,“holy land”,“milk and honey land”,“promised land”,“family activities in Israel”,“Capital of Israel”
From a one day guided tour to a full excursion, Israel has something for everyone. You really have to see it to believe it!
"Jehovah is my crag and my stronghold...My God is my rock.
I shall take refuge in him..he put a darkness around him..Dark
waters, thick clouds..from Heaven Jehovah began to thunder..
He was sending from on high, He was taking me, He was drawing
me out of great waters. He was dellivering me from my strong
enemy..with someone loyal you will act in loyalty..With the one
keeping clean you will show yourself clean..and the humble
people you will save...For, you are my lamp, O Jehovah, And it is
Jehovah that makes my darkness shine...For who is a God
besides Jehovah, And who is a Rock besides our God ?..
That is why I shall thank you, O Jehovah, among the Nations,
And to your name I shall make melody."
1 Samuel 22
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Metz, France - St Stephen's Cathedral
Saint-Étienne de Metz (French for "Saint-Stephen of Metz"), also known as Metz Cathedral, is a historic Roman Catholic cathedral in Metz, capital of Lorraine, France. Saint-Étienne de Metz is the cathedral of the Roman Catholic Diocese of Metz and the seat of the Bishop of Metz, currently Pierre Raffin.The cathedral treasury exhibits the millennium rich collection of the Bishopric of Metz, including paraments and items used for the Eucharist.
Saint-Stephen of Metz has one of the highest naves in the world. The cathedral is nicknamed the Good Lord's Lantern (French: la Lanterne du Bon Dieu), displaying the largest expanse of stained glass in the world with 6,496 m2 (69,920 sq ft). Those stained glass windows include works by Gothic and Renaissance master glass makers Hermann von Münster, Theobald of Lixheim, and Valentin Bousch and romantic Charles-Laurent Maréchal, tachist Roger Bissière, cubist Jacques Villon, and modernist Marc Chagall.
Built between 1220 and 1552, it is the product of the unification of two distinct churches. With its 42 metre high vaults, it is one of the highest Gothic edifices in Europe. With its 6,500 m² of stained glass windows, the nickname “God’s lantern” is well merited. There are windows from the 13th to the 20th centuries by Hermann de Münster, Thiebault de Lixheim, Valentin Bousch, Jacques Villon and Marc Chagall. These masterpieces of the art of fire and light form a veritable encyclopaedia of the art of stained glass.
Architecture
Saint-Stephen Cathedral is a Rayonnant Gothic edifice built with the local yellow Jaumont limestone. Like in French Gothic architecture, the building is compact, with slight projection of the transepts and subsidiary chapels. However, it displays singular, distinctive characteristics in both its ground plan and architecture compared to most of the other cathedrals. Because of topography of Moselle valley in Metz, the common west-east axis of the ground plan could not be applied and the church is oriented north-northeast. Moreover, unlike the French and German Gothic cathedrals having three portals surmounted by a rose window and two large towers, Saint-Stephen of Metz has a single porch at its western facade. One enters laterally in the edifice by another portal placed at the south-western side of the narthex, declining the usual alignment of the entrance with the choir.
The nave is supported by flying buttresses and culminates at 41.41 metres (135.9 ft) high, making one of the highest naves in the world. The height of the nave is contrasted by the relatively low height of the aisles with 14.3 metres (47 ft) high, reinforcing the sensation of tallness of the nave. This feature permitted the architects to create large, tall expanses of stained glass. Through its history, Saint-Stephen Cathedral was subjected to architectural and ornamental modifications with successive additions of Neoclassical and Neogothic elements.
Construction history
The edification of Saint-Stephen of Metz took place on an Ancient site from the 5th century consecrated to Saint Stephen protomartyr. According to Gregory of Tours, the shrine of Saint Stephen was the sole structure spared during the sack of 451 by Attila's Huns. The construction of the Gothic cathedral began in 1220 within the walls of an Ottonian basilica dating from the 10th century. The integration into the cathedral's ground plan of a Gothic chapel from the 12th century at the western end resulted in the absence of a main western portal; the south-western porch of the cathedral being the entrance of the former chapel. The work was completed around 1520 and the new cathedral was consecrated on 11 April 1552.
In 1755, French architect Jacques-François Blondel was awarded by the Royal Academy of Architecture to built a Neoclassical portal at the West end of the cathedral. He disengaged the cathedral's facade by razing an adjacent cloister and three attached churches and achieved the westwork in 1764.
In 1877, the Saint-Stephen of Metz was heavily damaged after a conflagration due to fireworks. After this incident, it was decided the refurbishment of the cathedral and its adornments within a Neogothic style. The western facade was completely rebuilt between 1898 and 1903; the Blondel's portal was demolished and a new Neogothic portal was added.
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot's Last Oblation
www.amazon.co.uk/clouddrive/share/rG6G4ogr0XPeNowkdqeCnQB...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
1. Theme and Variations on Courtyard Sculpture Lights, 2. Courtyard Sculpture Lights - Variation 1, 3. Courtyard Sculpture Lights - Variation 2, 4. Courtyard Sculpture Lights - Variation 3, 5. Courtyard Sculpture Lights - Variation 4, 6. Courtyard Sculpture Lights - Variation 5, 7. Courtyard Sculpture Lights - Variation 6, 8. Courtyard Sculpture Lights, 9. Courtyard Sculpture Lights - Variation 8, 10. Courtyard Sculpture Lights - Variation 9, 11. Courtyard Sculpture Lights - Variation 10, 12. Courtyard Sculpture Lights - Variation 11, 13. Courtyard Sculpture Lights - Variation 12
Created with fd's Flickr Toys
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
"At first sight, the painting appears to be a straight-forward depiction of the Nativity, but Rossetti declared that he was in fact presenting “a condensed symbol of it”. He sought to show that Christ was descended from rich and poor. He did this by emphasising Christ as the ultimate descendant of David, who is shown in the side panels as both poor shepherd boy and wealthy king. He also wanted to show that Christ was worshipped by rich and poor, and so he is depicted at his birth being worshipped by a king and a shepherd at the same time. Rossetti shows Christ offering his hand to the shepherd and his foot to the king to symbolise the superiority of poverty over wealth. Christ is also being worshipped by an angel – celestial beings as well as human."
Source: Llandaff Cathedral website
"Llandaff Cathedral (Welsh: Eglwys Gadeiriol Llandaf) is an Anglican cathedral in Llandaff, Cardiff, Wales. It is the seat of the Bishop of Llandaff, head of the Church in Wales Diocese of Llandaff. It is dedicated to Saint Peter and Saint Paul, and three Welsh saints: Dubricius (Welsh: Dyfrig), Teilo and Oudoceus (Welsh: Euddogwy). It is one of two cathedrals in Cardiff, the other being the Roman Catholic Cardiff Cathedral in the city centre.
"The current building was constructed in the 12th century over the site of an earlier church. Severe damage was done to the church in 1400 during the rebellion of Owain Glyndŵr, during the English Civil War when it was overrun by Parliamentarian troops, and during the Great Storm of 1703. By 1717, the damage to the cathedral was so extensive that the church seriously considered removal of the see. Following further storms in the early 1720s, construction of a new cathedral began in 1734, designed by John Wood, the Elder. During the Cardiff Blitz of the Second World War in January 1941, the cathedral was severely damaged when a parachute mine was dropped; blowing the roof off the nave, south aisle and chapter house. The stonework which remains from the medieval period is primarily Somerset Dundry stone, though local blue lias constitutes most of the stonework done in the post-Reformation period. The work done on the church since World War II is primarily concrete and Pennant sandstone, and the roofs, of Welsh slate and lead, were added during the post-war rebuilding. In February 2007, the organ was damaged during a severe lightning strike, prompting a fundraiser of £1.5 million to raise money for an entirely new organ.
"Major restorations and reconfigurations were carried out under architect George Pace of York, and the building was back in use in June 1958. The Queen attended a service celebrating the completion of the restoration on 6 August 1960. The Welch Regiment memorial chapel was constructed, and Sir Jacob Epstein created the figure of Christ in Majesty which is raised above the nave on a concrete arch designed by George Pace."
Source: Wikipedia
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Israel's image may be tarnished with religious conflict. But while actually there, you'll see how harmonious the world can be with the world's major religions coexisting in one place. Jerusalem is living history. Tel Aviv - a modern metropolis resembling South Beach. You'll find signs in English, Hebrew and Arabic.
Illustration from "La Sainte Bible : Ancien Testament . . . / Compositions par J.-James Tissot"; with preface by Antonin Gilbert Sertillanges (1863-1948), introduction by Maurice de Brunoff (1861-1937) and the translation into French of Isaac-Louis Lemaistre de Saci (1613-1684). 2 volumes. Paris: M. de Brunoff & Cie, 1904. The illustrations were originated by James Tissot (1836-1902) who sketched as he read Scripture.
The edition, of which 561 copies were printed, contains 360 mounted colour, black-and-white and duo-tone illustrations in the text and 40 plates in three states: sepia-tone, partly hand-coloured, and finished coloured state. The plates are protected with captioned tissue-guards. The paper size is 15.75 x 13 ins; image size varies (circa 8.5 x 5.5 ins).
The paintings for all 400 Illustrations were based exclusively on the complete sketches (the inspiration being entirely Tissot's). The first 200 illustrations covering the Book of Genesis through to the story of Jephthah's daughter in the Book of Judges were painted by Tissot. The last remaining 200 illustrations were painted after Tissot's death in 1902 by Henri Bellery-Desfontaines, Auguste François Gorguet, Charles Hoffbauer, Louis van Parys, Michel Simonidy and Georges Bertin Scott.
Files created by Phillip Medhurst: Tissot in Brunoff at the John Rylands www.amazon.co.uk/clouddrive/share/kq7jBR4DkA1VIbQ5isRelyH...