1200

REFORD GARDENS | LES JARDINS DE METIS

COUCHER DE SOLEIL - Sainte-Flavie

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com/

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Without a doubt, Night Watch,by Dutch Golden Age painter Rembrandt Harmenszoon van Rijn (1606–1669), is the heart of the Rijksmuseum. Not only is it the museum’s largest and most important work, but the entire collection is literally built around it, with the Night Watch Gallery at the core of the museum opening into the Gallery of Honor. This enormous, true-to-life-size painting is famed for its dramatic play of light and shadow as well for being an innovative portrayal of a group in motion rather than a static military scene.

The Night Watch is subject to a big research and restoration project.

June 7, 2024 - South of Broken Bow / North of Ansley Nebraska

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Early June... 2024

Supercell #2 Approaches...

A massive, swirling storm cloud dominates the sky over a flat landscape, showcasing its dramatic and menacing formation. Dark and ominous, the cloud formation signals an impending severe weather event, with the contrast between the storm and the tranquil foreground creating a striking scene.

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6576

REFORD GARDENS | LES JARDINS DE METIS

MECONOPSIS BETONICIFOLIA

Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.

Visit : www.refordgardens.com/

From Wikipedia: en.wikipedia.org/wiki/Elsie_Reford

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Monument Basin viewed from the Grand View Point Overlook at Island in the Sky in the Canyonlands National Park, Utah. Island in the Sky is a huge, flat-topped mesa with panoramic overlooks. Some of these monoliths are 300' tall. Canyonlands located in southeastern Utah is known for its dramatic desert landscape of canyons, mesas, and buttes carved by the Colorado River and its tributaries. Print Size 13x19 inches.

The Balanced Rock

Garden of the Gods is a breathtaking public park in Colorado Springs, Colorado, famous for its dramatic red sandstone rock formations that tower against the backdrop of Pikes Peak and the Rocky Mountains. Designated a National Natural Landmark, the park offers miles of scenic trails for hiking, biking, and horseback riding, as well as opportunities for world-class rock climbing. Its unique geological formations, combined with panoramic mountain views and abundant wildlife, make Garden of the Gods a must-visit destination for nature lovers, adventurers, and travelers exploring the American West.

The Gobbins is a cliff-face path etched out along the dramatic shoreline of Islandmagee, County Antrim, Northern Ireland along the Causeway Coast. It was the brain-child of an Irish railway engineer call Berkley Deane Wise and it first opened to the public in 1902 quickly becoming world renowned for its dramatic scenery and diversity in bird specifies and geological significance. The path eventually fell into disuse and dilapidation until more recently when it has been rejuvenated and re-opened to the public. www.stephenlavery.com

'Eyes right'. A habitat shot of a trio of Corn Buntings, Miliaria calandra captured here at the break of dawn on a crisp clear spring morning in East Yorkshire. Corn Buntings can often be seen perched in a hedge close to their foraging grounds.

The Corn Bunting, Emberiza calandra is a passerine bird in the bunting family Emberizidae, a group now separated by most modern authors from the finches, Fringillidae. This is a large bunting with heavily streaked buff-brown plumage. The sexes are similar but the male is slightly larger than the female. Its dramatic population decline in the UK makes it a Red List species.

Many thanks for visiting my Flickr pages ...Your visits, interest, comments and kindness to 'fave' my photos is very much appreciated, Steve.

Corn Bunting Notes and Information:

This lowland farmland bird is the largest of the buntings and is most usually seen perched on a wire or post. It is a stout, dumpy bird brown which flies off with a fluttering flight and with its legs characteristically 'dangling'.

What they eat:

Seeds and insects.

Measurements:

Length:18cm

Wingspan:26-32cm

Weight:35-56gPopulation:

UK breeding:11,000 territories

Identifying features:

Feather colour: Brown Cream/buff

Leg colour: Brown Pink

Beak: Black Brown Short Powerful Chunky

Natural habitats: Farmland Grassland

Where and when to see them

The Corn Bunting is often seen perched prominently on a hedge, post or wire, singing its jangling song. In the summer Corn Buntings prefer open farmland and in winter they may be found in stubbles, root crops, weedy fields and cattle yards or stockyards. RSP Notes.

“Located 50 km from Damascus is the magnificent village of Maalula, Syria. Maalula is the only place in the world that still speaks Aramaic, the language of Jesus.

Maalula is a predominantly Christian village. It is the home of two ancient Christian monasteries: Mar Sarkis and Mar Taqla. Both Christians and Muslim pilgrims come to Maalula seeking blessings.

Maalula means "the entrance" in Aramaic, referring to its dramatic location at the entrance to a rocky gorge. In addition to its important monasteries, the village is an attraction in itself: visitors invariably remark on the unique feeling of living history and the suspension of time in Maalula.” www.sacred-destinations.com

Explore 13-2-2015

I believe this is Goldeneye. Any correction will be appreciated.

Field Guide to the Plants of Arizona, Anne Orth Epple pp299 plates 439 et seq.

Goldeneye or Viguiera

en.wikipedia.org/wiki/Bahiopsis_laciniata

Bahiopsis laciniata is a species of flowering plant in the family Asteraceae known by the common names San Diego County sunflower, San Diego viguiera and tornleaf goldeneye. It is native to the deserts and dry mountain slopes of northwestern Mexico (States of Sonora and Baja California), its distribution extending north as far as Ventura County, California.[2][3]

The habitat of Bahiopsis laciniata includes chaparral and coastal sage scrub. It is a hairy, resinous shrub growing to a maximum height well over one meter. The leaves have lance-shaped blades up to 5 centimeters long which are glandular and shiny with resin. The blades have smooth or shallowly toothed edges which are sometimes rolled under or crinkled. The inflorescence is a solitary sunflower-like flower head or cyme of several heads. The flower head has several yellow ray florets measuring 6 millimeters to over a centimeter long. The fruit is an achene tipped with a pappus.[2]

Wrapping up my Southern Arizona Adventure 2024 with a visit to Amerind Foundation and Texas Canyon. This is stage 9 of 9.

www.amerind.org/texascanyonnaturepreserve/

Chat GPT

Texas Canyon is a striking natural area located in Cochise County, southeastern Arizona, along Interstate 10 between Benson and Willcox. It is renowned for its dramatic landscape, characterized by massive granite boulders scattered across the desert terrain, creating a rugged and picturesque environment.

The granite boulders in Texas Canyon were formed through millions of years of erosion and weathering. These formations, often precariously balanced, provide a unique and photogenic sight, making the canyon a popular stop for travelers and photographers.

The area is surrounded by the Chiricahua Mountains to the south and other nearby ranges, offering expansive views of the Sonoran Desert with its mix of desert vegetation, including cacti and mesquite trees. The light, especially at sunrise and sunset, enhances the golden hues of the rocks, adding to the area's charm.

Texas Canyon has a rich history tied to the Chiricahua Apache people, who once roamed these lands. Later, it became home to early settlers.

en.wikipedia.org/wiki/Texas_Canyon

Texas Canyon is a valley in Cochise County, Arizona,[1] about 20 miles east of Benson on Interstate 10. Lying between the Little Dragoon Mountains to the north and the Dragoon Mountains to the south and known for its giant granite boulders, the canyon attracts rockhounds and photographers.

www.arizonahighways.com/article/texas-canyon-nature-preserve

The giant granite boulders along Interstate 10 in Southeastern Arizona have been gracing postcards for decades, but that otherworldly landscape was always off-limits to the general public. Not anymore. Thanks to the Amerind Foundation, 6 miles of trails in the brand-new Texas Canyon Nature Preserve are now available to those who want a closer look.

By Suzanne Wright

Zipping past Texas Canyon, an hour southeast of Tucson, it’s impossible not to notice the boulders — giant, eye-catching piles of granite, like something out of The Flintstones. But other than providing scenery along Interstate 10 — particularly at a rest area just down the highway from the kitschy attraction known as The Thing — the area has long been off-limits to curious travelers who wanted to stretch their legs and get a closer look.

There are several private landowners in Texas Canyon, including Triangle T Guest Ranch, which has some trails for its guests. But none had opened its trails to the public until this past October, when the portion of the area owned and managed by the Amerind Foundation had its ribbon-cutting. After a multi-year campaign that raised $250,000, the Texas Canyon Nature Preserve — on land previously closed to the public for 85 years, and where the organization’s founding family raised quarter horses until 1968 — is open to all.

“The idea had been percolating with the Amerind Foundation board and management for years,” says Eric Kaldahl, the president, CEO and chief curator of the foundation. “The response from the surrounding community has been very enthusiastic. We welcomed more visitors last October than we’ve seen for the past 10 years.”

The preserve, located just off I-10 between Benson and Willcox, is part of a 1,900-acre campus that includes the Amerind Museum. More than 6 miles of trails wind past balanced rocks, fantastical shapes and rocky spires in open, sun-warmed high-desert grasslands studded with cactuses, wildflowers and trees. The trail is self-guided, although Kaldahl hopes to offer guided sunrise and sunset hikes in the next year. Visitors can pay a $12 admission fee for just the trails or $20 to visit both the trails and the museum.

Trail designer Sirena Rana knows the landscape can look intimidating, but she purposely designed the trails to be “perfect little morsels.” Rana didn’t grow up hiking, so she aimed to make the trails a comfortable experience for all ages and abilities. There are no steep elevation gains, and dirt, rather than gravel, makes for more stability. And Rana recalls walking for miles and miles over several months to understand the land and ensure the trails were constructed to shed water, limit erosion and provide firebreaks.

“Texas Canyon is one of the most unique landscapes in the Southwest, formed by millions of years of wind and rain weathering the granite,” she says, likening it to Joshua Tree National Park and the Wilderness of Rock on Mount Lemmon. “It’s very unusual that it’s right off a major interstate and just an hour from a major metropolitan area,” she adds. “This is one of the greatest outdoor sculpture gardens in the world designed by Mother Nature. I’m so pleased with how it turned out.”

Elsewhere along the trail, signage reflects the Amerind Museum’s mission of fostering knowledge and understanding of Indigenous peoples. Acknowledging that these are ancestral lands, the signs feature O’odham, English and Spanish text, in that order — and Kaldahl hopes to add Apache, too.

Additionally, Indigenous people have collected basket-weaving materials from these lands for generations, and they remain free to access the grounds.

Haiku Thoughts:

Stone giants whisper,

Texas Canyon's quiet grace,

Time's hand carves the sky.

Southern Arizona Adventure 2024

8075-N22

REFORD GARDENS | LES JARDINS DE METIS

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

8151-2 AKA Atlas Poppy | Spanish Poppy

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

uring the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.

Smailholm Tower was originally built in the 15th century or early 16th century by the Pringle family. This family, originally spelt Hoppringle, who were followers of the Earl of Douglas, held the lands of Smailholm from the early 15th century, and managed part of Ettrick Forest for their feudal superior.

Smailholm Tower was designed, in common with all Scottish peel towers, to provide its occupants with protection from sporadic English raids.

The tower was attacked by English soldiers in 1543, 1544 and again in 1546, when the garrison of Wark Castle sacked the tower and carried off prisoners and cattle. The castle was successfully defended against the English in 1640, by Sir Andrew Ker of Greenhead.

Smailholm was obtained by the Scotts of Harden around this time.

The Scotts – ancestors of Sir Walter – rebuilt parts of the tower and barmkin. In the 18th century the tower decayed, following the family's move into nearby Sandyknowe. The last owner, the Earl of Ellesmere, handed the property into state care in 1950. It was restored in the 1980s, and now operates as a museum. (source Wikipedia)

Excerpt from Wikipedia:

Cathedral Gorge State Park is a public recreation area and geologic preserve featuring a dramatic landscape of eroded soft bentonite clay covering more than 1,600 acres (650 ha) in Lincoln County, Nevada. The state park is located along U.S. Route 93 at the west end of State Route 319, two miles (3.2 km) northwest of the town of Panaca.

The site has been popular with local picnickers since the nineteenth century, when it was known as Cathedral Gulch. During the 1920s, its dramatic landscape provided a background for open-air plays and annual Easter ceremonies. Governor James Scrugham began acquiring and setting aside the area for preservation in 1924. It subsequently became one of the four original Nevada state parks created in 1935. Members of the Civilian Conservation Corps built picnicking facilities that are still in use as well as a stone water tower and stone restroom which are no longer in operation.

The park sits at an elevation of 4,800 feet (1,500 m) above sea level, and is typically arid with semi-hot summers, and very cold winters. In the summer, temperatures range roughly from 95 °F (35 °C) in midday to 55 °F (13 °C) at night. Rainfall is variable and thunderstorms prevalent.

A majority of Meadow Valley (which lies along U.S. Route 93 from the towns of Caliente to Panaca) was covered by a freshwater lake nearly 1 million years ago during the Pliocene Era. The richly colored canyons of Cathedral Gorge (called the Panaca Formation) are remnants of this ancient lakebed. Over centuries, the lake began to gradually drain. Erosion began working away at the exposed portions of sediment and gravel that once composed the lake bottom. Rainwater and melting snow carved rivulets in the soft siltstone and clay shale, splitting tiny cracks and fissures into larger and larger gullies and canyons.

Lake Como, in Northern Italy’s Lombardy region, is an upscale resort area known for its dramatic scenery, set against the foothills of the Alps. The lake is shaped like an upside-down Y, with three slender branches that meet at the resort town of Bellagio. At the bottom of the southwest branch lies the city of Como, home to Renaissance architecture and a funicular that travels up to the mountain town of Brunate.

www.chrisibbotsonphotography.com

www.facebook.com/chrisibbotsonphotography

Dunluce Castle on the North Antrim Coast is located in its dramatic position close to a headland which plunges straight into the sea. First records of its existence date back to 1513 when it belonged to the MacQuillans though it was built in the 13th century. A village surrounding the castle was destroyed by fire in 1641. It is famous for part of it falling into the sea one stormy night in 1639, it was abandoned shortly afterwards.

This Passion Vine (Passiflora vitifolia) grows along fences, over shrubs and garages here in South Florida. The leaves are glossy green and grape-leaf like. But what will simply knock your socks off are its dramatic, outrageous flowers! Surely they come from another planet! But no, they come from South America.

Legend and romance surround the passion flower - legend because of historical associations with Christianity. And romance because of its suggestion of romantic passion. Early explorers and missionaries to the Southern hemisphere named these dramatic vines Passiflora or Passion Flower to help in their conversion of native Americans to Christianity. They used the beautiful intricate flower parts to tell the story of the death of Jesus, making the story more memorable to listeners. The family name, Passifloraceae, means "Flower of the Passion" or "Flower of the Cross."

The color symbolized the blood shed on the cross; the 10 petals and sepals represented the 10 apostles present of the crucifixion; the 5 stamens, the 5 wounds, the 3 styles, the 3 nails ( or, in some versions, Christ and the 2 thieves crucified with him); the vine tendrils, the ropes and scourges; the 3 secondary leaf bracts, the holy trinity. The flower is usually open 3 days representing the 3 years of Christ's ministry on Earth. Source: Florida's Fabulous Flowers, Their Stories by Winston Williams.

See my set Passionate Passion Vines for more pictures of this amazing exotic, erotic flower.

Biscayne Park FL

www.susanfordcollins.com

photo rights reserved by Ben

Matka Canyon is one of those places where nature, silence, and history come together in an almost magical way. It’s only half an hour from Skopje, but the moment the canyon opens before you, it feels as if you’ve stepped into a completely different world. Between the vertical limestone walls, the Treska River shimmers like a green ribbon carved deep through the gorge. Shadows play across the rocks, the temperature drops a few degrees, and the only sound you hear is the gentle lapping of water against the stones. From the canyon you can choose a steep climb up to the Saint Nicholas Šiševski monastery. The trail begins near the dam and rises sharply right from the start. The hike is known for its steep, rocky sections, unpaved zigzag paths through shrubs and pines, and a demanding ascent of about 60 minutes. As you climb, the trees slowly fall away beneath you, and the landscape opens up step by step. At the top, the small monastery stands on a protruding rock, as if it hangs over the edge. From its terrace you look down across the entire canyon: the bright blue kayaks like tiny dots, the red roof of the little house, and the long limestone wall rising above the water like a natural cathedral. It is a view that makes you pause — a perfect combination of rugged nature, deep history, and pure tranquility. Matka Canyon remains one of those places you don’t just visit but truly experience: from the water, along the trails, inside the caves, and all the way up at the monastery where, for a moment, the world seems to stand still.

Matka Canyon reveals its dramatic beauty in steep limestone walls rising high above the deep green river. Far below, the tiny stone house and its row of bright blue kayaks stand out like a hidden base in the wilderness. From this viewpoint you feel the vast scale of the gorge, the silence between the cliffs, and the sense of being suspended above a world carved by water and time. It’s a landscape where rugged nature dominates, and every detail — from the boats to the shadows on the rock — shows how small everything becomes in this immense canyon.

Matka Canyon is één van die plaatsen waar natuur, stilte en geschiedenis op een bijna magische manier samenkomen. Slechts een half uur buiten Skopje, maar zodra de canyon zich opent voelt het alsof je een compleet andere wereld binnenstapt. Tussen de loodrechte kalkstenen wanden glinstert de rivier Treska als een groen lint dat zich diep door de kloof heeft gesneden. De schaduwen spelen langs de rotsen, de temperatuur daalt een paar graden, en het enige dat je hoort is het zachte klotsen van water tegen de stenen. Vanaf de canyon kun je kiezen voor een steile klim omhoog naar het klooster Saint Nicholas Šiševski. Het pad begint dichtbij de dam en stijgt direct scherp omhoog. De wandeling staat bekend om: steile, rotsachtige stukken, onverharde zigzagpaden door struiken en dennen, een inspannende klim van zo'n 60 minuten. Terwijl je klimt verdwijnen de bomen langzaam onder je, en opent het landschap zich stap voor stap. Bovenaan staat het kleine klooster op een uitstekende rots, alsof het over de rand hangt. Vanaf het terras kijk je neer op de hele canyon: de felblauwe kajaks als kleine stipjes, het rode dak van het huisje, en de lange muur van kalksteen die als een natuurlijke kathedraal oprijst boven het water. Het is een uitzicht dat je even stil maakt — een perfecte combinatie van ruige natuur, diepe geschiedenis en pure rust. Matka Canyon blijft zo’n plek die je niet alleen bezoekt, maar echt beleeft: vanaf het water, langs de paden, in de grotten, en helemaal bovenop de berg bij het klooster waar de wereld heel even stil lijkt te staan.

Shot by KHWD

Want to see more images or read the blog?

www.holiday2007-8.co.uk/SouthIslandNZ

Queen Charlotte Sound, nestled in the Marlborough Sounds of New Zealand, offers breathtaking views of rugged coastlines, lush native forests, and tranquil blue waters. It’s a paradise for photographers, hikers, and nature lovers alike.

Scenic Highlights

- Panoramic Coastal Views – The sound is known for its dramatic landscapes, with steep hills plunging into the sea, creating a stunning contrast between land and water.

- Queen Charlotte Track – This 73.5 km trail winds through the region, offering spectacular vantage points over the sound.

- Ship Cove to Resolution Bay – A particularly scenic section of the track, featuring pristine beaches and dense native bush.

- Wildlife Encounters – Keep an eye out for dolphins, fur seals, and even little blue penguins on boat tours.

Best Ways to Experience the Views

- Hiking – The Queen Charlotte Track provides - multiple viewpoints along its length, perfect for capturing the beauty of the sound.

- Boat Cruises – Various tours, including mail boat cruises and eco-tours, offer a unique perspective from the water.

- Kayaking – Paddling through the calm waters lets you explore hidden coves and get up close to the marine life.

- Scenic Flights – For a bird’s-eye view, aerial tours showcase the vastness and beauty of the Marlborough Sounds.

Getting There

The sound is accessible from Picton, with water taxis providing transport to key locations along the track. Whether you’re hiking, cruising, or simply soaking in the views, Queen Charlotte Sound is a must-visit for anyone seeking natural beauty and adventure.

Would you like recommendations on the best photography spots? I know you have an eye for capturing landscapes!

I gave it a whirl! See what you think

see more in my doubles album, the same images in both COLOUR & B&W / Monochrome

www.flickr.com/photos/keefhwebdesigns/albums/721777203247...

1720

Coucher de soleil, Sainte-Flavie.

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

shot by KHWD and then again in colour

want to see more images or read the blog?

www.motorhome-travels.net/post/blog-37-dorset-and-north-d...

Lynmouth sits at the mouth of the East Lyn River, which flows through the stunning Exmoor National Park before reaching the sea. The river is known for its dramatic scenery, especially around Watersmeet, where it joins the Hoar Oak Water in a picturesque gorge.

As for the Lynton & Lynmouth Cliff Railway, it’s a marvel of Victorian engineering! Opened in 1890, it’s the steepest and highest fully water-powered railway in the world. The railway connects the twin towns of Lynton (perched high on the cliffs) and Lynmouth (down by the harbour), offering breathtaking views of the North Devon coastline. It operates entirely on gravity and water power, using water from the Lyn Valley to move the carriages up and down the 862-foot track.

If you visit, you can enjoy a ride on this Grade II listed heritage railway, explore the charming towns, and even stop for a Devon Cream Tea at the Cliff Top Café. Have you been to Lynmouth before, or is this a new spot on your travel list?

see more in my doubles album, the same images in both COLOUR & B&W / Monochrome

www.flickr.com/photos/keefhwebdesigns/albums/721777203247...

With its dramatic location on the banks of the Mersey and the Manchester Ship Canal in Cheshire, extensive in-door displays, boat trips and historic buildings, the museum offers a great day out where time slows down and history comes to life.

There's so much to explore from the handsome Victorian buildings, which house the museum's Quality Assured Visitor Attraction Logodisplays, to the locks and moorings vibrant with historic and visiting narrow boats. With a year-round events calendar featuring everything from beer festivals to historic boat rallies, there's always a reason to visit.

Designed by Thomas Telford under the direction of William Jessop, the docks at Ellesmere Port were still in use as late as the 1950s. They were a marvellously self-contained world and when you visit the museum today you can still walk round its locks, docks and warehouses and visit its forge, stables and workers cottages.

Canals are havens for wildlife. Look and listen out for the many birds that live here or travel through - pied wagtails, swans, coots, ducks, cormorants, moor hens - you may even catch sight of a kingfisher or even hear a sky lark!

To contact the Museum call 0151 355 5017

A bird of paradise, blooming against a blue wall in early morning, in a garden outside the...

Cathedral Basilica of St. Augustine

St. Augustine (Historic District ), Florida, USA.

6 September 2024.

***************

▶"Strelitzia reginae — commonly known as the crane flower, bird of paradise, or isigude (in Nguni)— is an evergreen species of flowering plant, growing 6.5 feet tall (2 m), native to South Africa in the Cape Provinces and KwaZulu-Natal. The common names reference the open flower’s resemblance to the head and beak of a colourful exotic bird.

Strelitzia reginae is very popular as an ornamental plant for its dramatic flowers. It was first introduced to Britain in 1773, when it was grown at the Royal Botanic Gardens, Kew. Since then, it has been widely introduced around the world, including the Americas and Australia, growing well in any area that is sunny and warm. In the United States, Florida and California are the main areas of cultivation."

— Wikipedia.

**************

▶ Photographer's notes:

☞ The color of the church's outside stucco wall is actually ecru. Early morning shadow induced the blue tint.

☞ On 13 September 2024, Flickr's editors selected this image for inclusion in Flickr's daily Explore feature (313th out of 500 chosen).

***************

▶ Photo by: YFGF.

▶ For a larger image, type 'L' (without the quotation marks).

— Follow on Facebook: YoursForGoodFermentables.

— Follow on Instagram: @tcizauskas.

— Follow on Threads: @tcizauskas.

▶ Camera: Olympus OM-D E-M10 II.

— Lens: Olympus M.40-150mm F4.0-5.6 R.

— Edit: Photoshop Elements 15, Nik Collection (2016).

▶ Commercial use requires explicit permission, as per Creative Commons.

8079

REFORD GARDENS | LES JARDINS DE METIS

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Designed by Rand Elliott, Elliott & Associates Architects, the Devon Boathouse is one in a series of iconic boathouses in the Boathouse District at the Oklahoma River in Oklahoma City. Its dramatic architecture creates a striking image against the backdrop of Oklahoma City’s downtown skyline and creates the impression of the boathouse’s “prow” breaking the river’s edge.

Lake Como, in Northern Italy’s Lombardy region, is an upscale resort area known for its dramatic scenery, set against the foothills of the Alps. The lake is shaped like an upside-down Y, with three slender branches that meet at the resort town of Bellagio. At the bottom of the southwest branch lies the city of Como, home to Renaissance architecture and a funicular that travels up to the mountain town of Brunate.

Shot by KHWD

Want to see more images or read the blog?

www.holiday2007-8.co.uk/SouthIslandNZ

See if you can spot Picton in the distance?

Queen Charlotte Sound, nestled in the Marlborough Sounds of New Zealand, offers breathtaking views of rugged coastlines, lush native forests, and tranquil blue waters. It’s a paradise for photographers, hikers, and nature lovers alike.

Scenic Highlights

- Panoramic Coastal Views – The sound is known for its dramatic landscapes, with steep hills plunging into the sea, creating a stunning contrast between land and water.

- Queen Charlotte Track – This 73.5 km trail winds through the region, offering spectacular vantage points over the sound.

- Ship Cove to Resolution Bay – A particularly scenic section of the track, featuring pristine beaches and dense native bush.

- Wildlife Encounters – Keep an eye out for dolphins, fur seals, and even little blue penguins on boat tours.

Best Ways to Experience the Views

- Hiking – The Queen Charlotte Track provides - multiple viewpoints along its length, perfect for capturing the beauty of the sound.

- Boat Cruises – Various tours, including mail boat cruises and eco-tours, offer a unique perspective from the water.

- Kayaking – Paddling through the calm waters lets you explore hidden coves and get up close to the marine life.

- Scenic Flights – For a bird’s-eye view, aerial tours showcase the vastness and beauty of the Marlborough Sounds.

Getting There

The sound is accessible from Picton, with water taxis providing transport to key locations along the track. Whether you’re hiking, cruising, or simply soaking in the views, Queen Charlotte Sound is a must-visit for anyone seeking natural beauty and adventure.

Would you like recommendations on the best photography spots? I know you have an eye for capturing landscapes!

I gave it a whirl! See what you think

see more in my doubles album, the same images in both COLOUR & B&W / Monochrome

www.flickr.com/photos/keefhwebdesigns/albums/721777203247...

The Great Wall Museum, Jiayuguan, China.

It is a showcase of 50-year archeological and anthropological research and findings on the 3000 years old Great Wall that stretches out 10,000 li (or 5,000 kilometers) and its dramatic historical status and relevance.

The multi modality exhibition, including charts, modes, illustrations, texts and diagrams, provides abundant and valuable data and information for researchers and investigators; at the same time it offers an interesting, integrated and knowledgeable tour for visitors to learn and appreciate the greatness, significance and the historical value of the Great Wall.

A fascinating survivor of the centuries. The stories are as interesting as its dramatic appearance.

We visited two museums in Centro Morelia. First one, Museo Histórico del Poder Judicial (Historical Museum of the Judiciary) with its dramatic mural - Morelos y la Justicia ( Morelos and Justice).

2 of 2.

The museum has an open central courtyard.

The museum opened to the public 18 May 18, 2004.

The museum purpose is to disseminate judicial information from inception in 1824 to the present.

Located on Plaza de Armas the building at the city founding functioned as the Royal House and later City Hall.

Over time, the building housed the State Judiciary, whose reconstruction project was entrusted to the Belgian engineer Guillermo Wodon de Sorinne.

Between 1884 and 1885 Sorinne gave the building it its current appearance.

Wrapping up my Southern Arizona Adventure 2024 with a visit to Amerind Foundation and Texas Canyon. This is stage 9 of 9.

travelasker.com/what-is-the-formation-process-of-texas-ca...

Formation and composition of rocks

The rocks in Texas Canyon are primarily composed of granite, gneiss, and schist. These rocks were formed through a process of geological metamorphism, which changed their composition and structure over time. Granite is one of the most common types of rock found in the area and is known for its distinctive pink color. Gneiss and schist are also common and are known for their unique textures and patterns.

Erosion and weathering played a significant role in shaping the landscape of Texas Canyon. Over time, the rocks in the area were subjected to intense weathering, which caused them to break down and form the distinctive boulder formations that are found throughout the canyon. Erosion also played a role in shaping the landscape, as the water that flowed through the area created deep gullies and canyons that are still visible today.

Formation of the unique boulder formations

The unique boulder formations in Texas Canyon were formed through a combination of tectonic forces, erosion, and weathering. The rocks in the area were subjected to immense pressure, which caused them to fracture and crack. Over time, the cracks were widened by the forces of erosion, creating the distinctive boulder formations that are found throughout the canyon.

www.amerind.org/texascanyonnaturepreserve/

Chat GPT

Texas Canyon is a striking natural area located in Cochise County, southeastern Arizona, along Interstate 10 between Benson and Willcox. It is renowned for its dramatic landscape, characterized by massive granite boulders scattered across the desert terrain, creating a rugged and picturesque environment.

The granite boulders in Texas Canyon were formed through millions of years of erosion and weathering. These formations, often precariously balanced, provide a unique and photogenic sight, making the canyon a popular stop for travelers and photographers.

The area is surrounded by the Chiricahua Mountains to the south and other nearby ranges, offering expansive views of the Sonoran Desert with its mix of desert vegetation, including cacti and mesquite trees. The light, especially at sunrise and sunset, enhances the golden hues of the rocks, adding to the area's charm.

Texas Canyon has a rich history tied to the Chiricahua Apache people, who once roamed these lands. Later, it became home to early settlers.

en.wikipedia.org/wiki/Texas_Canyon

Texas Canyon is a valley in Cochise County, Arizona,[1] about 20 miles east of Benson on Interstate 10. Lying between the Little Dragoon Mountains to the north and the Dragoon Mountains to the south and known for its giant granite boulders, the canyon attracts rockhounds and photographers.

www.arizonahighways.com/article/texas-canyon-nature-preserve

The giant granite boulders along Interstate 10 in Southeastern Arizona have been gracing postcards for decades, but that otherworldly landscape was always off-limits to the general public. Not anymore. Thanks to the Amerind Foundation, 6 miles of trails in the brand-new Texas Canyon Nature Preserve are now available to those who want a closer look.

By Suzanne Wright

Zipping past Texas Canyon, an hour southeast of Tucson, it’s impossible not to notice the boulders — giant, eye-catching piles of granite, like something out of The Flintstones. But other than providing scenery along Interstate 10 — particularly at a rest area just down the highway from the kitschy attraction known as The Thing — the area has long been off-limits to curious travelers who wanted to stretch their legs and get a closer look.

There are several private landowners in Texas Canyon, including Triangle T Guest Ranch, which has some trails for its guests. But none had opened its trails to the public until this past October, when the portion of the area owned and managed by the Amerind Foundation had its ribbon-cutting. After a multi-year campaign that raised $250,000, the Texas Canyon Nature Preserve — on land previously closed to the public for 85 years, and where the organization’s founding family raised quarter horses until 1968 — is open to all.

“The idea had been percolating with the Amerind Foundation board and management for years,” says Eric Kaldahl, the president, CEO and chief curator of the foundation. “The response from the surrounding community has been very enthusiastic. We welcomed more visitors last October than we’ve seen for the past 10 years.”

The preserve, located just off I-10 between Benson and Willcox, is part of a 1,900-acre campus that includes the Amerind Museum. More than 6 miles of trails wind past balanced rocks, fantastical shapes and rocky spires in open, sun-warmed high-desert grasslands studded with cactuses, wildflowers and trees. The trail is self-guided, although Kaldahl hopes to offer guided sunrise and sunset hikes in the next year. Visitors can pay a $12 admission fee for just the trails or $20 to visit both the trails and the museum.

Trail designer Sirena Rana knows the landscape can look intimidating, but she purposely designed the trails to be “perfect little morsels.” Rana didn’t grow up hiking, so she aimed to make the trails a comfortable experience for all ages and abilities. There are no steep elevation gains, and dirt, rather than gravel, makes for more stability. And Rana recalls walking for miles and miles over several months to understand the land and ensure the trails were constructed to shed water, limit erosion and provide firebreaks.

“Texas Canyon is one of the most unique landscapes in the Southwest, formed by millions of years of wind and rain weathering the granite,” she says, likening it to Joshua Tree National Park and the Wilderness of Rock on Mount Lemmon. “It’s very unusual that it’s right off a major interstate and just an hour from a major metropolitan area,” she adds. “This is one of the greatest outdoor sculpture gardens in the world designed by Mother Nature. I’m so pleased with how it turned out.”

Elsewhere along the trail, signage reflects the Amerind Museum’s mission of fostering knowledge and understanding of Indigenous peoples. Acknowledging that these are ancestral lands, the signs feature O’odham, English and Spanish text, in that order — and Kaldahl hopes to add Apache, too.

Additionally, Indigenous people have collected basket-weaving materials from these lands for generations, and they remain free to access the grounds.

Haiku Thoughts:

Stone giants whisper,

Texas Canyon's quiet grace,

Time's hand carves the sky.

Southern Arizona Adventure 2024

REFORD GARDENS | LES JARDINS DE METIS

Coucher de Soleil, Sainte-Flavie

On Explore.

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford, Twice upon a garden, a film by Philippe Baylaucq, 2009.

Beautiful flowers at Reford Gardens.

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

5073

REFORD GARDENS | LES JARDINS DE METIS

MECONOPSIS BETONICIFOLIA

Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

This astonishing Sitka spruce defies nature in Olympic National Park along Washington's coast where it hangs in mid air, suspended on either side by roots that appear to be barely holding on. Its seemingly impossible living arrangements are the result of erosion caused by a stream that has carved a cave beneath the tree's roots where it flows onto the beach. It's popularly referred to as the Tree of Life and while I assume that name comes from its dramatic appearance, its precarious situation seems to more aptly deserve that name. The constant erosion from the stream that flows beneath it combined with the vigorous west coast surf threatens it's existence daily, so I feel incredibly fortunate to have been able to see it before it is claimed by the elements.

7955

REFORD GARDENS | LES JARDINS DE METIS

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

The Bridge of the Gods, across the Columbia River in Cascade Locks, Oregon. The bridge opened in 1926 and gets its dramatic name from an old geologic feature on the Columbia River that was also called the Bridge of the Gods. According to legend, a landslide sometime in the 1400s sent massive amounts of debris into the river which caused the formation of a natural dam that was 200 feet high and 3.5 miles long. The river eventually broke through the dam, which resulted in the creation of the Cascades Rapids (which were submerged underwater in 1938 when a modern dam was built nearby).

A breathtaking view of Vestrahorn mountain partially covered in low clouds, with its dramatic slopes descending into the reflective black sands and shallow waters. The mist rising from the surface enhances the mystical and cinematic atmosphere of this iconic Icelandic landscape.

Descrizione (Italiano):

Una vista mozzafiato del monte Vestrahorn parzialmente coperto da nuvole basse, con i suoi pendii drammatici che scendono verso le sabbie nere riflettenti e le acque poco profonde. La nebbia che si solleva dalla superficie amplifica l’atmosfera mistica e cinematografica di questo paesaggio islandese iconico.

The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier

Excerpt from Wikipedia:

Cathedral Gorge State Park is a public recreation area and geologic preserve featuring a dramatic landscape of eroded soft bentonite clay covering more than 1,600 acres (650 ha) in Lincoln County, Nevada. The state park is located along U.S. Route 93 at the west end of State Route 319, two miles (3.2 km) northwest of the town of Panaca.

The site has been popular with local picnickers since the nineteenth century, when it was known as Cathedral Gulch. During the 1920s, its dramatic landscape provided a background for open-air plays and annual Easter ceremonies. Governor James Scrugham began acquiring and setting aside the area for preservation in 1924. It subsequently became one of the four original Nevada state parks created in 1935. Members of the Civilian Conservation Corps built picnicking facilities that are still in use as well as a stone water tower and stone restroom which are no longer in operation.

The park sits at an elevation of 4,800 feet (1,500 m) above sea level, and is typically arid with semi-hot summers, and very cold winters. In the summer, temperatures range roughly from 95 °F (35 °C) in midday to 55 °F (13 °C) at night. Rainfall is variable and thunderstorms prevalent.

A majority of Meadow Valley (which lies along U.S. Route 93 from the towns of Caliente to Panaca) was covered by a freshwater lake nearly 1 million years ago during the Pliocene Era. The richly colored canyons of Cathedral Gorge (called the Panaca Formation) are remnants of this ancient lakebed. Over centuries, the lake began to gradually drain. Erosion began working away at the exposed portions of sediment and gravel that once composed the lake bottom. Rainwater and melting snow carved rivulets in the soft siltstone and clay shale, splitting tiny cracks and fissures into larger and larger gullies and canyons.

Excerpt from Wikipedia:

Cathedral Gorge State Park is a public recreation area and geologic preserve featuring a dramatic landscape of eroded soft bentonite clay covering more than 1,600 acres (650 ha) in Lincoln County, Nevada. The state park is located along U.S. Route 93 at the west end of State Route 319, two miles (3.2 km) northwest of the town of Panaca.

The site has been popular with local picnickers since the nineteenth century, when it was known as Cathedral Gulch. During the 1920s, its dramatic landscape provided a background for open-air plays and annual Easter ceremonies. Governor James Scrugham began acquiring and setting aside the area for preservation in 1924. It subsequently became one of the four original Nevada state parks created in 1935. Members of the Civilian Conservation Corps built picnicking facilities that are still in use as well as a stone water tower and stone restroom which are no longer in operation.

The park sits at an elevation of 4,800 feet (1,500 m) above sea level, and is typically arid with semi-hot summers, and very cold winters. In the summer, temperatures range roughly from 95 °F (35 °C) in midday to 55 °F (13 °C) at night. Rainfall is variable and thunderstorms prevalent.

A majority of Meadow Valley (which lies along U.S. Route 93 from the towns of Caliente to Panaca) was covered by a freshwater lake nearly 1 million years ago during the Pliocene Era. The richly colored canyons of Cathedral Gorge (called the Panaca Formation) are remnants of this ancient lakebed. Over centuries, the lake began to gradually drain. Erosion began working away at the exposed portions of sediment and gravel that once composed the lake bottom. Rainwater and melting snow carved rivulets in the soft siltstone and clay shale, splitting tiny cracks and fissures into larger and larger gullies and canyons.

4M93, the 1313 Felixstowe North Dock - Lawley Street, grinds up Clickett Hill with its dramatic curves as it leaves Felixstowe North Dock.

Excerpt from Wikipedia:

Cathedral Gorge State Park is a public recreation area and geologic preserve featuring a dramatic landscape of eroded soft bentonite clay covering more than 1,600 acres (650 ha) in Lincoln County, Nevada. The state park is located along U.S. Route 93 at the west end of State Route 319, two miles (3.2 km) northwest of the town of Panaca.

The site has been popular with local picnickers since the nineteenth century, when it was known as Cathedral Gulch. During the 1920s, its dramatic landscape provided a background for open-air plays and annual Easter ceremonies. Governor James Scrugham began acquiring and setting aside the area for preservation in 1924. It subsequently became one of the four original Nevada state parks created in 1935. Members of the Civilian Conservation Corps built picnicking facilities that are still in use as well as a stone water tower and stone restroom which are no longer in operation.

The park sits at an elevation of 4,800 feet (1,500 m) above sea level, and is typically arid with semi-hot summers, and very cold winters. In the summer, temperatures range roughly from 95 °F (35 °C) in midday to 55 °F (13 °C) at night. Rainfall is variable and thunderstorms prevalent.

A majority of Meadow Valley (which lies along U.S. Route 93 from the towns of Caliente to Panaca) was covered by a freshwater lake nearly 1 million years ago during the Pliocene Era. The richly colored canyons of Cathedral Gorge (called the Panaca Formation) are remnants of this ancient lakebed. Over centuries, the lake began to gradually drain. Erosion began working away at the exposed portions of sediment and gravel that once composed the lake bottom. Rainwater and melting snow carved rivulets in the soft siltstone and clay shale, splitting tiny cracks and fissures into larger and larger gullies and canyons.

The Grand View Overlook Rim Trail is a 1.8 mile hike that runs along the edge of the rim of the Island in the Sky, a peninsula 6,000" above Monument Valley. Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape of canyons, mesas, and buttes carved by the Colorado River and its tributaries. Print size 13x19 inches. Happy Slider Sunday

6190

REFORD GARDENS | LES JARDINS DE METIS

Coucher de soleil, Sainte-Flavie.

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS.(Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Lake Como, in Northern Italy’s Lombardy region, is an upscale resort area known for its dramatic scenery. The namesake lake's deep-blue waters are set against the rugged, forested foothills of the Alps. All along the coast are luxury hotels, some with swimming pools that float in the lake. Mediterranean villas with formal gardens, some open to the public, dot the shore.

Lake Como Italy

www.chrisibbotsonphotography.com

www.facebook.com/chrisibbotsonphotography

Dunluce Castle on the North Antrim Coast is located in its dramatic position close to a headland which plunges straight into the sea. First records of its existence date back to 1513 when it belonged to the MacQuillans though it was built in the 13th century. A village surrounding the castle was destroyed by fire in 1641. It is famous for part of it falling into the sea one stormy night in 1639, it was abandoned shortly afterwards.

Excerpt from Wikipedia:

Cathedral Gorge State Park is a public recreation area and geologic preserve featuring a dramatic landscape of eroded soft bentonite clay covering more than 1,600 acres (650 ha) in Lincoln County, Nevada. The state park is located along U.S. Route 93 at the west end of State Route 319, two miles (3.2 km) northwest of the town of Panaca.

The site has been popular with local picnickers since the nineteenth century, when it was known as Cathedral Gulch. During the 1920s, its dramatic landscape provided a background for open-air plays and annual Easter ceremonies. Governor James Scrugham began acquiring and setting aside the area for preservation in 1924. It subsequently became one of the four original Nevada state parks created in 1935. Members of the Civilian Conservation Corps built picnicking facilities that are still in use as well as a stone water tower and stone restroom which are no longer in operation.

The park sits at an elevation of 4,800 feet (1,500 m) above sea level, and is typically arid with semi-hot summers, and very cold winters. In the summer, temperatures range roughly from 95 °F (35 °C) in midday to 55 °F (13 °C) at night. Rainfall is variable and thunderstorms prevalent.

A majority of Meadow Valley (which lies along U.S. Route 93 from the towns of Caliente to Panaca) was covered by a freshwater lake nearly 1 million years ago during the Pliocene Era. The richly colored canyons of Cathedral Gorge (called the Panaca Formation) are remnants of this ancient lakebed. Over centuries, the lake began to gradually drain. Erosion began working away at the exposed portions of sediment and gravel that once composed the lake bottom. Rainwater and melting snow carved rivulets in the soft siltstone and clay shale, splitting tiny cracks and fissures into larger and larger gullies and canyons.

8175-4-ACN

Visit : www.refordgardens.com/

Visit : en.wikipedia.org/wiki/Elsie_Reford

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.

Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.

By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a skylobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.

The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.

The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.

On January 1, 2010, the building was renamed the Miami Tower.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Miami_Tower

Lake Como, in Northern Italy’s Lombardy region, is an upscale resort area known for its dramatic scenery, set against the foothills of the Alps. The lake is shaped like an upside-down Y, with three slender branches that meet at the resort town of Bellagio. At the bottom of the southwest branch lies the city of Como, home to Renaissance architecture and a funicular that travels up to the mountain town of Brunate.