Badlands National Park is in South Dakota. Its dramatic landscapes span layered rock formations, steep canyons and towering spires. Bison, bighorn sheep and prairie dogs inhabit its sprawling grasslands.

[ES] El castillo de Zafra, lugar de rodaje de la pasada temporada de Juego de Tronos, destaca por su ubicación en una ladera sobre unas enormes rocas y las formas angulosas de su torre. Muy pintoresco y una recomendable excursión.

[EN] Castle of Zafra, filming location for Game of Thrones, stands out due to its dramatic construction over huge rocks in a hill and its weird main tower.

This Passion Vine (Passiflora vitifolia) grows along fences, over shrubs and garages here in South Florida. The leaves are glossy green and grape-leaf like. But what will simply knock your socks off are its dramatic, outrageous flowers! Surely they come from another planet! But no, they come from South America.

Legend and romance surround the passion flower - legend because of historical associations with Christianity. And romance because of its suggestion of romantic passion. Early explorers and missionaries to the Southern hemisphere named these dramatic vines Passiflora or Passion Flower to help in their conversion of native Americans to Christianity. They used the beautiful intricate flower parts to tell the story of the death of Jesus, making the story more memorable to listeners. The family name, Passifloraceae, means "Flower of the Passion" or "Flower of the Cross."

The color symbolized the blood shed on the cross; the 10 petals and sepals represented the 10 apostles present of the crucifixion; the 5 stamens, the 5 wounds, the 3 styles, the 3 nails ( or, in some versions, Christ and the 2 thieves crucified with him); the vine tendrils, the ropes and scourges; the 3 secondary leaf bracts, the holy trinity. The flower is usually open 3 days representing the 3 years of Christ's ministry on Earth. Source: Florida's Fabulous Flowers, Their Stories by Winston Williams.

See my set Passionate Passion Vines for more pictures of this amazing exotic, erotic flower.

Biscayne Park FL

www.susanfordcollins.com

The ferns which populate the area so extensively in all their varieties have finally exploded in an outburst of green, signaling the long-delayed start of the spring season. There is nothing quite as fresh and vibrant...and to my way of thinking, nothing which signifies rebirth as much as these plants arising majestically from the bare ground, each frond clean and perfect in its dramatic unfolding.

The Colorado River is one of the principal rivers (along with the Rio Grande) in the Southwestern United States and in northern Mexico. The 1,450-mile-long river, the 5th longest in the United States, drains an expansive, arid watershed that encompasses parts of seven U.S. states and two Mexican states. The name Colorado derives from the Spanish language for "colored reddish" due to its heavy silt load. Starting in the central Rocky Mountains of Colorado, it flows generally southwest across the Colorado Plateau and through the Grand Canyon before reaching Lake Mead on the Arizona–Nevada border, where it turns south toward the international border. After entering Mexico, the Colorado approaches the mostly dry Colorado River Delta at the tip of the Gulf of California between Baja California and Sonora.

Known for its dramatic canyons, whitewater rapids, and eleven U.S. National Parks, the Colorado River and its tributaries are a vital source of water for 40 million people. An extensive system of dams, reservoirs, and aqueducts divert almost its entire flow for agricultural irrigation and urban water supply. Its large flow and steep gradient are used to generate hydroelectricity, meeting peaking power demands in much of the Intermountain West. Intensive water consumption has dried up the lower 100 miles (160 km) of the river, which has rarely reached the sea since the 1960s.

Native Americans have inhabited the Colorado River basin for at least 8,000 years. Starting around 1 CE, large agriculture-based societies were established, but a combination of drought and poor land use practices led to their collapse in the 1300s. Their descendants include tribes such as the Puebloans, while others including the Navajo settled in the Colorado Basin after the 1000s. In the 1500s, Spanish explorers began mapping and claiming the watershed, which became part of Mexico upon winning its independence from Spain in 1821. Even after most of the watershed became US territory in 1846, much of the river's course remained unknown. Several expeditions charted the Colorado in the mid-19th century—one of which, led by John Wesley Powell, was the first to run the rapids of the Grand Canyon. Large-scale settlement of the lower basin began in the mid- to late-1800s, with steamboats sailing from the Gulf of California to landings along the river that linked to wagon roads to the interior. Starting in the 1860s, gold and silver strikes drew prospectors to the upper Colorado River basin.

Large-scale river management began in the early 1900s, with major guidelines established in a series of international and US interstate treaties known as the "Law of the River". The US federal government constructed most of the major dams and aqueducts between 1910 and 1970; the largest, Hoover Dam, was completed in 1935. Numerous water projects have also involved state and local governments. With all of their waters fully allocated, both the Colorado and the neighboring Rio Grande are now considered among the most controlled and litigated river systems in the world. Since 2000, extended drought has conflicted with increasing demands for Colorado River water, and the level of human development and control of the river continues to generate controversy.

The hotel at Portmeirion was originally the mansion of Aber Iâ and the site of the present village, together with its dramatic wooded setting, formed a small estate around the house. It was built c1850 and was described in 1861 as:` one of the most picturesque of all the summer residences to be found on the sea-coast of Wales.' The house and estate were bought by Sir Clough Williams-Ellis in 1925 and formed the focus of the Portmeirion village, conceived and designed by him between 1925 and his death in 1978. The newly restored hotel was opened in 1926, and included a new 3-storey wing added to the W, one of the first of CWE's designs to be executed on this site. In 1930 a new single-storey dining room addition was erected, with later additions of 1935. In June 1981 the hotel was tragically gutted by fire. Its subsequent restoration, however, has successfully recreated the hotel in the spirit of its pre-fire days; it reopened in 1988. Amongst the many of CWE's celebrated guests at the hotel and its associated village structures were Noel Coward, Kenneth Clark, George Bernard Shaw, Bertrand Russell and Frank Lloyd Wright.

Exterior

Victorian former country house, now a large hotel; of rendered rubble construction with slate roofs, fish-scale patterned to the primary part; this also has seven chimneys with grouped Gothic-style terracotta stacks. The original house is of 2-storeys and consists of a principal H-plan section with a subsidiary section of inverted F-plan adjoining to the SW; gables with projecting eaves and plain bargeboards. The main block has a 5-bay eastern (sea-facing) elevation, with bays 2 and 5 projecting as gabled crosswings. These have arched windows with plain 2-pane sashes to the first floor, each with moulded label; bay 2 has a square-headed similar sash with returned, moulded label, whilst bay 5 has a single-storey canted bay with arched, plain-glazed windows. The recessed third and fourth bays have labelled sashes to the upper floor and a large flat-roofed bow window to the ground floor, a C20 addition; this with tall 2-part windows. The recessed first bay, to the S, has a similar arched first floor sash with an entrance to the ground floor via a decorative iron porch with sloped metal canopy. The entrance elevation, facing N, is of 3 bays, with a canted single-storey porch to the right-hand bay. This has an arched entrance with plain glazed doors and segmental overlight; plain round-headed windows to the canted returns. Arched sash windows with labels to both floors; large mural by Hans Feibusch to the first floor, between bays 1 and 2 and below a flush lateral chimney. Adjoining to the S is a bowed, single-storey, flat-roofed restaurant addition with rectangular bay beyond; cross-windows throughout. The southern section of the hotel comprises two C20 4-storey additions, with rendered elevations and hipped slate roofs; the northern-most of the two is set back slightly. 12-pane sashes and 16-pane, 2-part casements under the eaves to the upper floor; all have external wooden slatted shutters. The southern elevation, facing the Observatory Tower, has a depressed arch to the exposed rubble ground floor and a multi-pane window to the first floor above with decorative wrought iron balcony; small-pane, 2-part casements with shutters to the second and third floors. Facing the sea immediately in front of the hotel (to the E) is a Victorian revetted terrace. This has turned balustrading and classical surmounting statuary.

You can follow my next photos in Bruno Méndez Photography

Caminito - La Boca Neighborhood, Buenos Aires - Argentina

© All rights reserved - Bruno Méndez (2007)

HDR from a single RAW

Tango is a social dance originating in Buenos Aires Argentina, and Montevideo Uruguay. The musical styles that evolved together with the dance are also known as "tango".

Early tango was known as tango criollo, or simply tango. Today, there are many tango dance styles, including Argentine Tango, Uruguayan Tango, Ballroom tango (American and International styles), Finnish tango, Chinese tango, and vintage tangos. The Argentine tango is often regarded as the "authentic" tango since it is closest to that originally danced in Argentina and Uruguay, though other types of tango have developed into mature dances in their own right.

Music and dance elements of tango are popular in activities related to dancing, such as figure skating, synchronized swimming, etc., because of its dramatic feeling and its cultural associations with romance and love.

From Wikipedia

Midday light breaks across Lac Sainte-Anne-du-Nord, a high-altitude lake situated deep within the subalpine terrain of Parc national des Grands-Jardins. This region of Quebec is characterized by its dramatic rock domes and fragile taiga biomes—an ecosystem typically found much further north, an ancient glacial landscape that has been carved out over millions of years showing us a small fraction of Canadas greatness.

7774-2F2 | MECONOPSIS BETONICIFOLIA

Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.

Visit : www.refordgardens.com/

From Wikipedia: Visit : en.wikipedia.org/wiki/Elsie_Reford

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

What you see here is a beautiful sunset amidst peaceful, blue skies. What you don't see is the rest of the Colorado Plateau enshrouded in dark clouds and storm light. The sky was covered in clouds less than an hour before this shot, but as the sun began to set the storm also dispersed. This was the result at Horshoe Bend facing almost due west. I chose an abstract view of the Colorado River to best present the sky and its dramatic colors.

Canon 5DMk2

16-35

.6 GND

Single File, Double Processed

Iceland, a Nordic island nation, is defined by its dramatic landscape with volcanoes, geysers, hot springs and lava fields. Massive glaciers are protected in Vatnajökull and Snæfellsjökull national parks. Most of the population lives in the capital, Reykjavik, which runs on geothermal power and is home to the National and Saga museums, tracing Iceland’s Viking history.

P5260869.1 [From the archives 2016]

Carvoeiro is a picturesque resort town located in the Algarve region of southern Portugal, known for its dramatic coastline of golden cliffs, charming whitewashed buildings, and beautiful, sheltered beaches. Once a traditional fishing village, it has retained much of its authentic character while developing into a popular holiday destination.

Quest’opera lignea, attribuita a Giovan Angelo Del Maino e alla bottega dei Del Maino, rappresenta uno degli esempi più alti dell’intaglio lombardo tra fine Quattrocento e primo Cinquecento. Realizzata in un periodo in cui la scultura in legno raggiungeva livelli di virtuosismo straordinari, l’opera unisce raffinatezza tecnica, profondità narrativa e una forte spiritualità devozionale.

Il complesso si distingue per la ricchezza delle sue architetture scolpite, per la cura minuziosa dei dettagli e per la resa espressiva delle figure, che rivelano la piena maturità artistica di Del Maino. Le statue, caratterizzate da panneggi vibranti e volti intensi, mostrano l’influenza del linguaggio rinascimentale lombardo, ma conservano anche un gusto tardogotico per la linearità e l’eleganza formale.

Collocata nel Duomo di Como, l’opera dialoga con l’ambiente architettonico circostante, contribuendo alla costruzione di uno spazio sacro ricco di pathos e teatralità. La policromia originale – oggi in parte perduta – amplificava ulteriormente l’impatto emotivo della scena, rendendo il complesso un potente strumento di meditazione religiosa.

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This wooden altarpiece, attributed to Giovan Angelo Del Maino and the Del Maino workshop, stands as one of the finest achievements of Lombard woodcarving between the late 15th and early 16th century. Created during a period of exceptional craftsmanship, the work combines technical mastery, narrative depth, and a profound devotional spirit.

The structure is notable for its richly carved architectural framework, its meticulous attention to detail, and the expressive quality of its figures. The statues—defined by dynamic drapery and intense facial expressions—reflect the mature Renaissance language of Lombardy while still preserving a late‑Gothic elegance and linearity.

Displayed in the Cathedral of Como, the altarpiece interacts harmoniously with the surrounding architecture, enhancing the sacred atmosphere with its dramatic and contemplative presence. The original polychromy—now partially lost—would have heightened the emotional impact, making the ensemble a powerful focus for religious devotion

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8181

West Bay is a charming coastal village and former harbour for the market town of Bridport, located in Dorset on the UK's Jurassic Coast. Famous for its dramatic golden sandstone cliffs creating one of the most photographed and recognizable landscapes in the region and for being the filming location of ITV's hit drama Broadchurch, it offers scenic beaches, a working harbour, and great seaside dining

美しい景観で、イングランドで最も写真に撮られる鉄道橋の一つです。

It’s one of the most photographed railway bridges in England because of its dramatic setting.

This was taken in Assynt, Sutherland in the Scottish Highlands. Like a lot of Scotland, the area is a little on the windy side and the bay is known for its dramatic waves, although on this occasion the sea was very calm. The rocks were being submerged before our eyes as the tide came in - they were barely visible within fifteen minutes (PC080271)

6515-N22

REFORD GARDENS | LES JARDINS DE METIS

MECONOPSIS BETONICIFOLIA

Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Nestled between the picturesque villages of Seixal and Porto Moniz, Ribeira da Janela is a breathtaking beach on Madeira’s north coast. Known for its dramatic volcanic rock formations and serene atmosphere, this small yet stunning location offers a mix of natural beauty and opportunities for exploration. The name Ribeira da Janela, which translates to “Window Stream,” reflects one of its towering rock spires that features a window-like opening at the top

Excerpt from en.wikipedia.org/wiki/Itsukushima_Shrine:

Itsukushima Shrine (厳島神社, Itsukushima-jinja) is a Shinto shrine on the island of Itsukushima (popularly known as Miyajima), best known for its "floating" torii. It is in the city of Hatsukaichi, in Hiroshima Prefecture in Japan, accessible from the mainland by ferry at Miyajimaguchi Station. The shrine complex is listed as a UNESCO World Heritage Site, and the Japanese government has designated several buildings and possessions as National Treasures.

The Itsukushima shrine is one of Japan's most popular tourist attractions. It is most famous for its dramatic gate, or torii on the outskirts of the shrine, the sacred peaks of Mount Misen, extensive forests, and its ocean view. The shrine complex itself consists of two main buildings: the Honsha shrine and the Sessha Marodo-jinja, as well as 17 other different buildings and structures that help to distinguish it.

Rouken Glen Park is a historic park located next to Thornliebank, Giffnock and Newton Mearns.

It contains a range of features and facilities including the pavilion visitor centre which hosts various exhibitions throughout the year ranging from health awareness days to old photo exhibits of the park and surrounding areas, play area, walled garden, the Glen with its dramatic water falls and woodland paths, and a boating pond. There is also a garden centre, café and restaurant and art gallery located in the park.

Throughout the year the park hosts many events ranging from local Community Gala Days to national events like Armed Forces Day.

A timeless Venetian pairing: the grand domes of the Basilica di Santa Maria della Salute rise beside the Punta della Dogana, where the Grand Canal meets the Giudecca Canal. The Salute, designed by Baldassare Longhena in the 17th century, was built as a votive offering after the plague of 1630, its dramatic Baroque form crowned by a colossal octagonal dome and dozens of statues of saints and evangelists. The nearby Dogana da Mar (Customs House), with its iconic golden globe held aloft by Atlas, once marked Venice’s maritime supremacy — today it houses a striking contemporary art space by Tadao Ando, bridging old and new with quiet elegance. Together, they form one of the most iconic silhouettes in all of Venice.

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Un duo vénitien emblématique : les dômes majestueux de la basilique Santa Maria della Salute dominent la Punta della Dogana, à la jonction du Grand Canal et du canal de la Giudecca. Chef-d’œuvre baroque de Baldassare Longhena, la Salute fut érigée en 1631 pour remercier la Vierge après la grande peste. Son dôme octogonal monumental, flanqué de statues, est devenu un repère de la skyline vénitienne. Juste à côté, l’ancienne Douane de Mer, reconnaissable à son globe doré, abrite désormais un centre d’art contemporain signé Tadao Ando — un bel équilibre entre histoire et modernité.

The White Pass & Yukon Route (WP&YR) is a narrow-gauge railway that travels between Skagway, Alaska, and Carcross, Yukon Territory. The route, originally built for the Klondike Gold Rush, is a scenic excursion line known for its dramatic mountain views, historic sites, and engineering feats.

Vintage passenger coaches as you retrace the original route to the White Pass Summit, passing Bridal Veil Falls, Inspiration Point and Dead Horse Gulch. Enjoy a breathtaking panorama of mountains, glaciers, gorges, waterfalls, tunnels, trestles and historic sites. See the original Klondike Trail of ‘98 worn into the rocks, a permanent tribute to the thousands of souls who passed this way in search of fortune.

"I must go down to the sea again, for the call of the running tide, it's a wild call that may not be denied." John Masefield.

Many are the natural beauties that can be found in County Donegal. Mountains, waterfalls, cliffs, and also some of the most amazing beaches in Ireland. "Murder Hole Beach" is perhaps the most impressive of the entire Emerald Isle. The origin of its dramatic name dates back to the nineteenth century, and has different legends behind it, one of the most accepted being the one that attributes it to the danger of entering its waters.

During our visit, on a September afternoon, the wind was blowing hard and large waves were crashing hard over and over against the shore. An amazing natural spectacle, which totally justified the name of this location. Photographing this place in the middle of the afternoon was a challenge, despite the promising sky conditions, we did not have time to stay until sunset. For this reason, I had to wait for the clouds to cover the sun that was located on the beach, since its strong light generated horrible shadows in the scene. Once I got it, I quickly used a neutral density filter to create a long exposure that reflected the dynamism of the water. The figure of a person on the beach helps to give scale to this immense and wild landscape, which keeps calling me to return and photograph it again at sunset.

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"Debo volver a bajar al mar, ya que la llamada de la marea, es una llamada salvaje que no se puede denegar". John Masefield.

Muchas son las bellezas naturales que se pueden encontrar en el Condado de Donegal. Montañas, cascadas, acantilados, y también algunas de las playas más increíbles de Irlanda. "Murder Hole Beach" (Playa del Agujero del Asesinato), es quizás la más impresionante de toda la Isla Esmeralda. El origen de su dramático nombre, se remonta al siglo XIX, y tiene detrás diferentes leyendas, siendo una de las más aceptadas la que lo atribuye a la peligrosidad de adentrarse en sus aguas.

Durante nuestra visita, en una tarde de septiembre, el viento soplaba con fuerza y olas de gran tamaño rompían con fuerza una y otra vez contra la orilla. Sin duda, un espectáculo natural asombroso, que justificaba totalmente el nombre de este enclave. Fotografiar este lugar en plena tarde fue todo un reto, a pesar de las prometedoras condiciones del cielo, no teníamos tiempo de quedarnos hasta el atardecer. Por ello, tuve que esperar a que las nubes cubrieran el sol que se situaba sobre la playa, ya que su fuerte luz generaba unas sombras horribles en la escena. Una vez conseguido, utilicé rápidamente un filtro de densidad neutra para crear una larga exposición que reflejara el dinamismo del agua. La figura de una persona en la playa ayuda a dar escala a este paisaje inmenso y salvaje, el cual me sigue llamando para que vuelva a fotografiarlo algún día al atardecer.

The Snaefellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble beach

Canon EOS R7 - Canon RF 35mm F1.8 MACRO IS STM

Cape Cornwall is a headland located on the southwest tip of England, in West Cornwall, near the town of St Just. It's a popular spot for its dramatic coastal scenery and views of the Atlantic Ocean. The National Trust owns most of the headland, and it's part of the Cornish Mining World Heritage Site.

Glasgow, host of the 26th UN Climate Change Conference of Parties (COP26), is featured in this image captured by the Copernicus Sentinel-2 mission.

Situated in west-central Scotland, Glasgow is the largest city in the country. It lies along both banks of the River Clyde, the ninth-longest river in the United Kingdom and the third-longest in Scotland. The city occupies much of the lower Clyde valley, and its suburbs extend into the surrounding districts.

Edinburgh, Scotland’s capital, can be seen in the centre-right of the image, located in Lothian on the southern shore of the Firth of Forth. Both Edinburgh and Glasgow, along with Stirling and Dundee, all lie in the Central Lowlands, where over half of Scotland’s population lives.

The Highlands, visible in the upper-left of the image, is the largest region in Scotland covering more than 25 600 sq km of land and is home to stunning scenery. The area is divided in two parts: the Great Glen divides the Grampian Mountains to the southeast from the northwest Highlands. The area is very sparsely populated, with many mountain ranges dominating the region and includes the highest mountain in the British Isles, Ben Nevis, as well as the legendary Loch Ness.

From 31 October to 12 November, the COP26 summit will take place in Glasgow – bringing together parties to accelerate action towards the goals of the Paris Agreement and the UN Framework Convention on Climate Change.

As in previous years, ESA will have a strong presence at COP26. ESA’s theme at COP26 will be ‘Taking the pulse of the planet from space and supporting climate action’ which aims to demonstrate the role of ESA’s missions and satellite data to strengthen our understanding of climate from space. This will support policymakers, society, businesses and communities to mitigate and adapt to a changing climate and develop resilience in support of the UNFCC Paris agreement.

During COP26, the much-anticipated documentary which covers the ESA-led science expedition to the Gorner Glacier in Switzerland will be released for the first time. The documentary follows ESA astronaut Luca Parmitano, along with Susanne Mecklenburg, Head of ESA’s Climate Office, and their scientific team to one of the biggest ice masses in the Alps: the Gorner Glacier. Owing to its dramatic retreat, the glacier is one of the most extensively studies glaciers in the world. Read more about the expedition and watch the documentary trailer.

This image is also featured on the Earth from Space video programme.

Credits: contains modified Copernicus Sentinel data (2019), processed by ESA, CC BY-SA 3.0 IGO

8038 - MECONOPSIS BETONICIFOLIA

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com/

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Dolmen de Mas Bou-Serenys

Cristina d'Aro, Girona, Espagne

A naturally dolmenic area - proto dolmens and monolithic protrusions punctuate the hillsides that sit behind the coastline. A charming, large dolmen with a housing estate built up to one of its dramatic range of outreaching corridors. The cap stone is held high by menhir-esque orthostates, one of which certainly seems to have the signs of having been used as a polissoir or grindstone. A geofact? A grindstone lifted up from the ground and employed as part of a megalith? The only other possibility seems ridiculous but should at least be presented :

The repeated back and forth polishing gesture may have been accelerated by adding weight to the tool that is undergoing polishing. The added weight and force comes by attaching the tool to the end of a heavy log; suspending the log on ropes that have been tightened to a frame that is wedged into the unusually large dolmen interior. The end of the log would have to be a 'cup' that contained moist clay to attach the tool by suction coupled with a strap covering the end of the tool that is waiting to take its turn. I shall try and set up an example and will post only if the tool holds in place and polish angles seem to be valid.

AJ 23.09.17

This black-and-white photo shows weathered masonry steps leading to an upper field. The photo invites viewers to explore the upper fields beyond with its dramatic cloud-filled sky and steps that give the scene direction and purpose.

Rugged mountains loom over turquoise bays in the Scottish Highlands, Scotland. Verdant hills and rocky outcrops dominate the landscape, with lush greenery contrasting against sandy beaches and clear blue waters. The sky is dotted with fluffy clouds under a bright blue backdrop, highlighting the natural beauty of this iconic region. The scene captures the wild, unspoiled essence of the Highlands, known for its dramatic landscapes and serene vistas.

The Lofoten islands lie off Norway's mainland above the Arctic Circle. This world famous archipelago is known for its dramatic scenery - mountains, fiords and quaint fishing villages. lovely beaches, the white tailed sea eagles and its stunning evening performances of the aurora borealis.

Water cascades down a rocky mountain stream near Rauma, Møre og Romsdal, Norway. The stream is surrounded by steep, rugged rocks with patches of moss and grass clinging to the surface. The rapid flow of water contrasts with the dark, textured stones, creating a dynamic natural scene. The area is characterized by its dramatic landscapes, typical of Norway's mountainous regions.

Happy Mother's Day! A beautiful pink rose for mother's day! Prize winning rose Brilliant Pink Iceberg grown by June Hament for the 2005 West Jersey Rose Show. If this beauty looks familiar, you may recognize it by its dramatic shadings and excellent form that helped give my mod "Born of the Rose" its special look. Click here to view. www.flickr.com/photos/monshari/1179326307/

View On Black

Making a very low entrance at that start of its dramatic role demo, was this AW-139 from the Malaysian Navy. M503-1 was the first of three to be delivered. One was subsequently written off in a midair crash with an AS.555 in 2024. A further two are on order.

RCW 75 is a bright emission nebula located in the southern constellation of Centaurus. It is a region of active star formation, where young, massive stars ionize surrounding hydrogen gas, causing it to glow with a distinct reddish hue. Also known as Gum 48a, RCW 75 lies thousands of light-years from Earth and is part of a larger complex of interstellar gas and dust. Its dramatic appearance in infrared and optical wavelengths reveals pillars, arcs, and cavities shaped by stellar winds and radiation.

8997-2

REFORD GARDENS | LES JARDINS DE METIS

COUCHER DE SOLEIL - Sainte-Flavie

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS, (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Excerpt from www.historicplaces.ca/en/rep-reg/place-lieu.aspx?id=1320:

DESCRIPTION OF HISTORIC PLACE

In the château style, Château Frontenac is an imposing hotel with five brick and stone wings and a central tower erected in seven stages between 1892 and 1993. It is prominently located on a cliff overlooking the St. Lawrence River, within the Québec historic district. The designation refers to the building on its footprint in 1981 (the date of designation).

HERITAGE VALUE

The Château Frontenac was designated a national historic site because it is an excellent example of a Chateau-style hotel.

The Château Frontenac was the first of a series of Chateau-style hotels built by Canadian railway companies in the late 19th and early 20th centuries to encourage tourists to travel on their railways. Popular with the travelling public for their elaborate décor and comfortable elegance, these hotels quickly became national symbols of quality accommodation.

The Château Frontenac was the prototype for the Chateau-style railway hotels that followed, and remained the purest expression of the Chateau style among the group. Its fortress-like design, derived from the medieval chateaux of France's Loire Valley and enhanced by its dramatic cliff-top location, expressed the prevailing romantic view of Quebec as a French medieval city. The hotel's picturesque eclecticism and rich polychromatic surfaces reflected popular taste in Victorian architecture. Construction began in 1892-93 for the Canadian Pacific Railway to designs by architect Bruce Price. The hotel was enlarged in 1908-09 to designs by W.S. Painter, in 1920-24 to designs by Edward and W.S. Maxwell, and in the 1990s by the Arcop Group.

CHARACTER-DEFINING ELEMENTS

The key elements that relate to the heritage value of the Château Frontenac include: - its prominent location and imposing presence on a cliff, overlooking the St. Lawrence River; - its massive scale and fortress-like appearance; - its plan around an inner court; - its assymetrical profile and irregular massing; - its Chateau style, evident in: its steeply pitched roofs; massive circular and polygonal towers and turrets; ornate gables and dormers; tall chimneys; the row of machicolations above the fourth-storey windows; its high-quality materials; and its dramatic setting; - its fortress-like solidity, expressed in: its broad, flat wall surfaces; and heavy tower forms; - its strong horizontal emphasis, expressed in: its ashlar base; and string coursing - its steel frame construction; - its grey, ashlar stone base and string courses; and the orange, Glenboig brick wall cladding; - volumes of original interior public spaces; - the fine original finishes of the main public spaces, including mahogany panelling, marble staircases, carved stone and wrought-iron decorative elements, glass roundels with historical subjects by Edward Maxwell, coffered ceilings.

Cape Disappointment Light

Cape Disappointment State Park

Ilwaco, Washington

April 2025

Perched on the windswept cliffs of Washington's southern coast, Cape Disappointment Light stands as a stubborn sentinel against the wild moods of the Pacific Ocean. Built in 1856, it’s the oldest functioning lighthouse in the Pacific Northwest. Cape Disappointment lives up to its dramatic name with unpredictable weather, crashing waves, and dense fog that earned it the nickname “Graveyard of the Pacific.”

There is a fabulous mountain range in Baja-California, Mexico, on the Sea of Cortez. It rises abruptly directly from sea level and presents a spectacular sight from the shore like a gigantic wall, filled with pillars, towers, and deep narrow canyons. When you live on one of those beaches below this range, it’s impossible not to be spellbound by the Sierra de la Giganta’s magnificence. It glows in the morning and looms in the afternoon; vultures soar in the air all the time and play in the thermals. You can climb into some of its dramatic canyons, but you never get very far.

One never really knows where dreams come from. Maybe birds sowed the seed of inspiration some lifetime ago to fly up there in the blue haze and see, really see what it’s like. One day I strap into my new “Powered Paraglider” and do it.

My takeoff is pretty exciting. There is not much room on the beach, and the wind is too strong for a well-controlled inflation; so I take off like a rocket without even completing one step. But, as always, once I’m in the air the world seems to stay behind. I slip into my little seat, do a downwind turn, and fly away. I turn directly toward the mountains, this dark blue gigantic wall looming in front of me. It is late in the afternoon and I’m flying due west, almost directly into the sun. The mountain range is in deep shadow and all I can see is a massive, unfathomable, featureless wall of intangible dimension and distance. I have to trust my experience to understand that it will actually take a while before I’m really close, and by then I’ll hopefully have gained enough altitude. Looking down, I see my forward motion, but ahead I’m blinded by the sun. I’m flying over the immense shadow the mountain range casts over the desert. My body and my wing are bathed in glaring light and everything ahead and below is in blue, dark shadow. I know it’s still a long way up to the summit, but somehow it feels as if I would crash any moment into this mysterious, featureless wall getting bigger and darker all the time.

When I’m past the first lower peaks at the foot of the range, I begin to see the structure below: furrowed, gnawed rock, vertical towers, bottomless canyons, all in warm pastel colors. Occasionally one of those pillars peeks out of the shadow-zone like a monstrous finger emerging from the dark. There is a mini-plateau, just catching the very last light, a small round area on top of a tower, maybe 30 feet across, totally flat, one cactus on it and two bushes, vertical cliff all around – an island in the sky. I glide by 100 feet away, the wall threatening above.

Suddenly the air gets wild, turbulence boiling up from the shadow below, and I’m busy all over controlling and keeping my attitude and course. I see gigantic canyons below, and the gusts come funneling along them, throwing me around. I would feel better if I could see more. The blue wall looms, threatening, so close now that it’s really hard not to pull away. A cool eerie radiation comes from the darkness, a mysterious presence.

Sometimes I feel violent updrafts. When the wing catches more lift on one side than the other my whole harness distorts, my body bends. I feel the air with my whole body. Then again I’m terribly convinced that I’m falling with increasing speed into the dark abyss underneath. I keep my eyes on the rim above to gauge my climbing progress. It’s scary at times, but then I really feel the air, I fly with it, it’s wonderful. I’m a leaf blown up by a gust, played by the wind.

I must still be climbing, even though it’s hard to believe. It gets so wild that I finally ease away and go more parallel to the range for a while. I see less rugged terrain under me and the air gets a bit calmer. What I thought to be the summit ridge turns out to be just a huge flake, leaning away from the real ridge, still about 500 feet higher. I fly between it and the final crest, the air is clean now, the tension ceases, I’m there. A few more minutes and the horizon in the west becomes visible; I’m over it.

I fly circle after circle. There is the other coast, the Pacific Ocean, the surf glistening in the distance, some 50 miles away. And the ridge is not a ridge but a large plateau, a mesa, several hundred feet across. (Wouldn’t that be something to land up there one day?) I finally throttle back and glide over the crest. Mountains everywhere, like sand dunes, golden in the sun, shadows carving into the valleys. The sea looks like velvet.

,

Shrikes like to perch prominently on the tops of bushes, fence posts and telephone wires, where they have a good view of potential prey. Items caught are then taken to a larder where they are impaled on a thorn or wedged in a fork. Its dramatic decline to virtual extinction as a UK breeding species make this a Red List bird.

I had the most wonderful day watching this beauty. Only the second time I have ever seen one.

For licensing of my images see: Getty images or Alamy the links are below.

www.gettyimages.co.uk/search/2/image?artist=sandra%20stan...

www.alamy.com/search/imageresults.aspx?pseudoid=%7b68A67A...

Miramare Castle rises above the Adriatic Sea just outside Trieste, a striking 19th-century residence built for Archduke Maximilian of Habsburg. Perched on a rocky promontory, it was designed to take full advantage of its dramatic coastal setting, with sweeping views over the Gulf of Trieste. The castle combines romantic architecture with refined imperial interiors, while its extensive botanical gardens showcase plant species collected from around the world. Today, it stands as one of northern Italy’s most iconic landmarks, where history, architecture, and seascape come together in a quiet, almost timeless atmosphere.

A 5-hour trail, 11 km trail.

On a clear day like this, the view from the top of Pua Katiki is amazing.

To the northwest I saw the north coast and in the southwest I observed the Ahu Tongariki, the Rano Raraku volcano (160 meters / 524 feet high) and in the distance the Rano Kau that is a 324 m (1,063 ft) tall Dormant volcano.

***

The triangular-shaped Easter Island, renowned for its dramatic megalithic statues of hand-carved basalt, sits atop the Sala y Gomez submarine ridge, which trends eastward from the East Pacific Rise. Also known as Isla de Pascua or Rapa Nui, the island forms the westernmost territory of Chile. It is composed of three principal volcanoes and more than 70 subsidiary vents. Rano Kau, containing a flat-bottomed and 1-km-wide crater, and Poike volcano form the SW and E tips of the island, respectively, and are of Pleistocene age. The youngest and largest, Terevaka, is a broad shield volcano of Pliocene-to-Pleistocene age at the northern leg of the triangular island, which is capped by many pyroclastic cones. The last stage of activity consisted of eruptions from multiple rift zones extending along the axes of the island and radially from them. The latest lava flows, at Hiva-Hiva near the W-central coast, are thought to be less than 2000 years old.

This volcano is located within the Rapa Nui National Park, a UNESCO World Heritage property.

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Another iphone panorama shot, and this time it's Smailholm Tower, just over the border with Scotland.

I admit to adding a bit of drama in post-production but it was a wonderfully dramatic windswept location.

By the way, bonus points to those that can find my wife and dog in the photo........

Lots more iphone panoramas in my 'Compact / Phone shots' set : www.flickr.com/photos/darrellg/albums/72157633693901050

From Wikipedia : "Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Environment Scotland. In June, 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.....

Smailholm Tower was designed, in common with all Scottish peel towers, to provide its occupants with protection from sporadic English raids. The tower was attacked by English soldiers in 1543, 1544 and again in 1546, when the garrison of Wark Castle sacked the tower and carried off prisoners and cattle. The castle was successfully defended against the English in 1640, by Sir Andrew Ker of Greenhead.

Smailholm was obtained by the Scotts of Harden around this time. The Scotts – ancestors of Sir Walter – rebuilt parts of the tower and barmkin. In the 18th century the tower decayed, following the family's move into nearby Sandyknowe. The last owner, the Earl of Ellesmere, handed the property into state care in 1950. It was restored in the 1980s, and now operates as a museum. "

© D.Godliman

For Steam Sunday here's another shot of Reading and Northern 2102 that unquestionably puts on the best steam show in the east these days. It's such a great show that I returned for my second time in only three weeks to see her!

As for this run, it was a special operated on behalf of the Mountain Top Rotary Club and made a 90 minute trip from Penobscot to Jim Thorpe with a 5 hr layover there before returning north. The train was a bit smaller than other recent runs featuring only 11 cars (including a power car and diner) trailing the big 4-8-4 which was built in the Reading Company's own shops in 1945 using parts from a former 76-foot Class I-10sa consolidation 1923 Baldwin locomotive. The RDG created a fleet of 30 middleweight engines in the T-1 series capable of both freight and passenger assignments.

Here she is drifting south through the Lehigh River Gorge at about MP 125.3 on modern day Reading and Northern's Lehigh Division mainline, the former Lehigh Valley Railroad main. This area is double tracked with the Norfolk Southern still retaining ownership of the parallel track to the right as their now little used Lehigh Line main. The gravel path at right now known as the D&L Trail was once the double tracked Central Railroad of New Jersey mainline. The walls of the gorge rise over 1000 feet on either side of the Lehigh River along its dramatic winding 26 mile course between Jim Thorpe and White Haven through the roadless wilderness.

Lehigh Gorge State Park

Near Jim Thorpe, Pennsylvania

Saturday September 13, 2025

1572-2

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

8130-2-CX | MECONOPSIS BETONICIFOLIA

Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.

Visit : www.refordgardens.com/

From Wikipedia: Visit : en.wikipedia.org/wiki/Elsie_Reford

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

The White Pass & Yukon Route (WP&YR) is a narrow-gauge railway that travels between Skagway, Alaska, and Carcross, Yukon Territory. The route, originally built for the Klondike Gold Rush, is a scenic excursion line known for its dramatic mountain views, historic sites, and engineering feats.

Vintage passenger coaches as you retrace the original route to the White Pass Summit, passing Bridal Veil Falls, Inspiration Point and Dead Horse Gulch. Enjoy a breathtaking panorama of mountains, glaciers, gorges, waterfalls, tunnels, trestles and historic sites. See the original Klondike Trail of ‘98 worn into the rocks, a permanent tribute to the thousands of souls who passed this way in search of fortune.

Looking north along the rugged Big Sur coastline, the iconic Bixby Creek Bridge spans its dramatic canyon, framed by turquoise waters and steep cliffs.

0558-2N

Lilium Canadense var. Rubrum

REFORD GARDENS | LES JARDINS DE METIS

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.

The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.

More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623