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This small lake was established in a civic area near to a large park, which has a substantial body of water. The No Fishing Sign has been defaced and several young men are fishing in the lake everyday. The ducks have had a second clutch of chicks. So in spite of being asked not to fish, reported to Local Laws and possibly the police, they continue to fish.
It is a pity there isn't an on the spot fine!
You know what I'm sipping, I'll teach you how to mix it
But you're the only one cause I don't trust these bitches
I don't trust these bitches, they might catch me slipping
So, you're the only one cause I don't trust these bitches
They might catch me slipping and put in something different
So you're the only one cause I don't trust these bitches
I don't trust these bitches, they might catch me slipping
So you're the only one
_____________________
F90x/N90s + Tokina 12-24 F/4, Fuji Superia 400. Nantes, réalisée dans le cadre du marathon photo de l'Ev 2008.
Thème : Sans issue.
FROGUE says WELCOME to 2027! With our January Issue, featuring our favourite socialite Philomena Pest, who has never looked happier (or richer). Find out the intimate details of widowhood, and what mysteriously loosing three husbands was like to endure for Philomena Pest. Her return from a looming bankruptcy that she says, 'wasn't as bad as they made out!', as well as what she has planned for the next decade, from having her sons marry into aristocracy, her upcoming role in the west end production of Babbity Rabbity, and more inside. 3 Sickles a copy, or part of your annual FROGUE subscription.
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Character: mmsl.fandom.com/wiki/Philomena_Pest
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OOC Credits:
Set:
✧ ChiMia 'The Marais Apartment' in White
Clothes:
✧Hair: Nylon Outfitters (NO) - Betty Hair (Fatpack) with a WILDS colour
✧ Earrings: .:JUMO:. Calias Earrings
✧ Dress: Sonatta Morales Chord
Wedge Pond, Alberta, Canada
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Underdogs Issue 18 is out. Enjoy!
issuu.com/isagelb/docs/underdogs_18
Print version available here:
www.peecho.com/print/en/499883
A big thanks to Andy Pye for the editorial and to all photographers:
Preschelle Ann Bigueras and here
Benoît Chailleux and here and
Ricardo Dominguez Alcarazand here
Gorsad Kiev and here
Kyle Mc Dougall and here
Zsófia Sivák and here
Dana Stirling and here
I've walked past this fella loads of times and watched him do his act, and had this shot in mind for over a year, a lot of playing and headscratching over the computer, but I honestly couldn't have done it without the inspiration I've gained from seeing the photos posted on this site by those I've listed as contacts.
WORN:
HAIR :#Besom~Gossip *Blacks*
MAKEUP: [MJN] NotBasic Gloss {Catwa}
DRESS BY:Bakaboo - Falbala Fantasy Dress
SHOES:: CULT : RIBBON HEELS ( BELLEZA FREYA)
JEWELRY:Kibitz - Lucrecia necklace - gold
My issues are with the rioters and more importantly those who swore an oath to protect the Constitution of the USA. And the people of a Nation that, a year later, have yet to speak up in unison against that.
I just got word that this photo of mine was picked up for the 2015 issue of Santa Cruz magazine "Let's Cruz" 20th Anniversary Issue. A vistor & convention guide both in print and online version you can see my photo on page 12-13 spread. :D
Here it is! Underdogs Issue 17 is out. Enjoy!
A print version is available Here.
A big thanks to Andy Pye for the editorial and to all photographers:
Nigel Agar and here here
Ioana Cîrlig and here
Nayeem Jabaz and here
Simon Kossofand here
Giannis Manolis and here
Carly Palmour and here
Jake Rcker and here
Cristina Rizzi Guelfi and here
Karim Zaid Ayame and here
Here it is! The fourth issue of Underdogs is online.
issuu.com/isagelb/docs/underdogs-issue4
If you want to get a print copy, it's here:
www.peecho.com/print/en/108821
A big thanks to all featured photographers:
We must have over a foot of snow here now.It seems to have been coming down on and off since Monday evening.Schools out for the kids who are having a right old time in it.
Instead of illustrating the Aperture versus Lightroom development issue I had with this image in two separate uploads, I have combined the two in one with a split wedge showing the Lightroom version developed from X-T2 RAF file. The sky highlights are where they should be, the shadows have changed a bit and this version is sharper with more detail in the trees and green along the other shore.
The surrounding image shows the Aperture enhanced version from out-of-camera JPG. I can't work with the RAF files in Aperture, since Apple still has no Raw support for this camera and for some reason DNGs don't work either. So the comparison isn't totally fair as one cannot compare JPGs to RAWs, but I was so fascinated by the X-T2 JPG output and how much I could manipulate them in Aperture — until I ran into this problem.
Definitively didn't watch for cloud burn-out when I took this image. And yes, I do watch my histogram carefully, but not here. Plus my EV correction was in the wrong direction. I tried to get those cloud details out of the RAW file by reprocessing in camera, and also with Iridient Developer, but both methods failed to get the sky proper, until I transferred it to Lightroom where the 'White' slider came to the rescue. Lightroom does a great job with the dynamic range of the Fujifilm RAFs and also with sharpening and preserving detail.
I love Aperture for what it offers in file management and I have FlickrExport, which makes uploading a breeze. If Lightroom had a decent uploader I would switch, but for now my workflow will be back and forth between the two apps, which is complicating things. I still think Apple made a huge mistake abandoning Aperture.
Section 2:
Cassiar Hwy 37 to Kitwanga, Yellowhead Hwy 16.