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Detail of Greek Thomson's terrace on Westbourne Gardens. I believe this was only recently firmly attributed to him.
#Glasgow #Architecture #Photography
The Temple of Athena Nike (Greek: Ναός Αθηνάς Νίκης, Naós Athinás Níkis) is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike.
Nike was the goddess of victory in Greek mythology, and Athena was worshipped in this form, representative of being victorious in war. The citizens worshipped the goddesses in hopes of a successful outcome in the long Peloponnesian War fought against the Spartans and allies.
One of the most famous images of the twentieth century, this view of the fully lit globe of Earth was taken from Apollo 17 shortly after its launch on December 7, 1972. The full view was enabled by the fortuitous alignment of Earth, spacecraft, and the Sun.
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Name: Ionic Anassa
IMO: 9779795
MMSI: 538006696
Call Sign: V7QI6
Flag: Marshall Is
Type: Tanker
Gross Tonnage: 63502
Deadweight: 114718
Length:249.60mts
Breadth:44mts
Depth:21.20mts
Built:2016
Builder: Namuar Shipbuilding, Japan.
20 January 1990. Previously in Townsend Thoresen orange, here in P&O blue, the “Ionic Ferry” (IMO 6710906 1967/135 metres/8,888 gt) arriving from Cairnryan,
Built as the “Dragon” and scrapped as “Millennium Express II”.
Ionic circular memorial in limestone and marble, a tholos, which contained chryselephantine (ivory and gold) statues of Philip's family; himself, Alexander the Great, Olympias, Amyntas III and Eurydice I. It was made by the Athenian sculptor Leochares in celebration of Philip's victory at the battle of Chaeronea (338 BC). It was the only structure inside the Altis dedicated to a human. Wikipedia
This is a stunning flower hair clip that is layered with blue iridescent peacock feathers, raven feathers and the blue petals of the flower with a rhinestone center.
The dreads, flower, feather earrings, and shirt are all handmade and can be found on etsy.ionicroost.com
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745 Orange Ave, there were people in the house and we all had to take pictures very awkwardly before they notice we were taking pictures of their columns.
This flower hair clip is layered with iridescent blue peacock feathers that contrast the dark purple of this feather beautifully. It is set on a veil.
The dreads, flower, feather earrings, and shirt are all handmade and can be found on etsy.ionicroost.com
Save $ 140 order now Kendal Ozone Ionizer Cleaner Ionic Air Purifier Clean Air w/ HEPA UV 300/RHO2 at Air Purifiers store. Daily updated air purifier reviews and find the best air purifiers for home on top 10 air purifiers consumer reports on Stores, Market.
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Built in 1883, this Italianate-style house was designed by Edward J. Burling and Francis Meredyth Whitestone for Samuel M. Nickerson, a banker whom founded the First National Bank of Chicago and Union Stockyards National Bank, and his wife, Mathilda Pinkham Crosby Nickerson, to serve as their residence. The house’s interior was decorated by William August Fiedler, R. W. Bates and Company, and George A. Schastey and Company, with opulent aesthetic movement decor that was typical of mansions during the time period. The house was the home of the Nickerson family until 1900, when Samuel M. Nickerson retired, donated much of the family’s art collection to the Art Institute of Chicago, and sold the house to Lucius George Fisher, president of Union Bag and Paper Company, whom renovated the house’s art gallery, transforming it into a trophy room and library, with the renovations being designed by George W. Maher. Upon the death of Fisher in 1916, the house was put up for sale, and was in danger of demolition before being purchased by a group of wealthy and prominent Chicago residents, and was deeded to the American College of Surgeons to serve as their headquarters. The house was utilized as the college’s administrative offices and meeting space until 1965.
The house is clad in limestone and sandstone, with one-over-one double-hung windows, a cornice with modillions, a three-story bay window at the west end of the south facade, a front porch with corinthian columns and stone railings, a stone fence around the perimeter of the property, decorative stone trim at the windows, and a rusticated stone base. Inside, the house is lavishly decorated with woodwork, marble, lincrusta, tile, ornate fireplace surrounds, coffered ceilings, ornate light fixtures, a stained glass dome in the trophy room and library, wooden and tile floors, and fabric wallpaper. The building was expanded in 1923-1926 with the addition of the Classical Revival-style John B. Murphy Memorial Building, which was designed by Benjamin H. Marshall and Charles E. Fox to house an auditorium for the American College of Surgeons. The Murphy Memorial is clad in limestone like the mansion, but features a distinctly different exteiror, with casement windows, a cornice with modillions below the parapet, a front portico with ionic columns and a decorated front pediment featuring sculptural reliefs and a cartouche, and a large brass entrance door below a fanlight transom.
The Nickerson Mansion was listed on the National Register of Historic Places in 1976, and was designated a Chicago Landmark in 1977. In 2003, the mansion was purchased by Richard Driehaus, and subsequently restored and opened to the public as a house museum, which features special rotating exhibits, as well as a well-preserved opulent victorian interior. The mansion and the adjacent John B. Murphy Memorial Building also host special events, including weddings. Today, the house is a museum, which displays artifacts from the Nickersons, as well as part of the private collection of Tiffany glass owned by Richard Driehaus.
Fino a poco tempo fa la villa e i campi appartenevano ad un boss della ndrangheta. Poi la proprietà è stata confiscata dallo Stato e assegnata a 10 giovani che si sono riuniti in cooperativa. Li incontriamo: ci mostrano la fattoria, ci dicono chi sono, perché hanno fatto questa scelta, i loro piani per il futuro.
Built in 1883, this Italianate-style house was designed by Edward J. Burling and Francis Meredyth Whitestone for Samuel M. Nickerson, a banker whom founded the First National Bank of Chicago and Union Stockyards National Bank, and his wife, Mathilda Pinkham Crosby Nickerson, to serve as their residence. The house’s interior was decorated by William August Fiedler, R. W. Bates and Company, and George A. Schastey and Company, with opulent aesthetic movement decor that was typical of mansions during the time period. The house was the home of the Nickerson family until 1900, when Samuel M. Nickerson retired, donated much of the family’s art collection to the Art Institute of Chicago, and sold the house to Lucius George Fisher, president of Union Bag and Paper Company, whom renovated the house’s art gallery, transforming it into a trophy room and library, with the renovations being designed by George W. Maher. Upon the death of Fisher in 1916, the house was put up for sale, and was in danger of demolition before being purchased by a group of wealthy and prominent Chicago residents, and was deeded to the American College of Surgeons to serve as their headquarters. The house was utilized as the college’s administrative offices and meeting space until 1965.
The house is clad in limestone and sandstone, with one-over-one double-hung windows, a cornice with modillions, a three-story bay window at the west end of the south facade, a front porch with corinthian columns and stone railings, a stone fence around the perimeter of the property, decorative stone trim at the windows, and a rusticated stone base. Inside, the house is lavishly decorated with woodwork, marble, lincrusta, tile, ornate fireplace surrounds, coffered ceilings, ornate light fixtures, a stained glass dome in the trophy room and library, wooden and tile floors, and fabric wallpaper. The building was expanded in 1923-1926 with the addition of the Classical Revival-style John B. Murphy Memorial Building, which was designed by Benjamin H. Marshall and Charles E. Fox to house an auditorium for the American College of Surgeons. The Murphy Memorial is clad in limestone like the mansion, but features a distinctly different exteiror, with casement windows, a cornice with modillions below the parapet, a front portico with ionic columns and a decorated front pediment featuring sculptural reliefs and a cartouche, and a large brass entrance door below a fanlight transom.
The Nickerson Mansion was listed on the National Register of Historic Places in 1976, and was designated a Chicago Landmark in 1977. In 2003, the mansion was purchased by Richard Driehaus, and subsequently restored and opened to the public as a house museum, which features special rotating exhibits, as well as a well-preserved opulent victorian interior. The mansion and the adjacent John B. Murphy Memorial Building also host special events, including weddings. Today, the house is a museum, which displays artifacts from the Nickersons, as well as part of the private collection of Tiffany glass owned by Richard Driehaus.