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a triumphal arch in the stained glass, Mortagne-au-Perche

Cephalonia is the largest of the Ionic Isles. Her more famous little sister is Ithaca the home of Ulysses.

Ionic columns on the Royal Crescent

 

The Royal Crescent, built 1767-74, designed by John Wood, the Younger (1728-82).

Originally 30 terraced townhouses, 18 have been converted into apartment buildings, 1 is a hotel, and one is the No. 1 Royal Crescent museum.

The uniform façade of the crescent was designed by Wood, but the houses behind were all designed by the each owners' own architects.

Detail of the former orangery, now the opera house.

found at a house on Orange.

Plas Brondanw, Garreg, Gwynedd.

The Gardens.

Ionic Column.

Grade ll listed.

 

An Ionic stone column, approximately 4m high, with surmounting lead statue - possibly St Ronan. The column is set in the centre of a slightly raised rectangular lily pond.

 

Plas Brondanw is a C17 gentry house with probable earlier origins, altered partly-raised and extended late C18. Long in the possession of the Williams family. The house was inherited in 1908 by the renowned architect and conservationist Sir Clough Williams-Ellis (1883-1978), and henceforth became his home. Together with his wife Amabel he laid out the important gardens and, over a number of decades erected or remodelled numerous buildings, follies and features around the Brondanw estate and the village of Garreg. The house was gutted by fire in 1951 and was subsequently restored, and in part redesigned, by its owner, the restoration being complete by December 1953.

 

The gardens were laid out to his designs in various stages between his inheritance of the estate in 1908 and his death in 1978. He created here one of Wales' most impressive gardens distinctive for its interlinked terraces, compartments and axial vistas that are aligned on the surrounding mountains of Moel Hebog, Moelwyn, Cnicht and Snowdon.

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Inside the grounds of St Giles in the Fields

  

Church of St Giles-in-the-Fields

Built 1731-33.

Designed by Henry Flitcroft, restored 1896, and c1952 when N Haines and G Jackson also restored interior decoration.

 

Portland stone with copper roof. Classical style. Rectangular plan, nave of 5 bays plus vestibule at west end with tower over.

EXTERIOR: rusticated stone to string course marking interior gallery level, above plain ashlar with rusticated quoins. Ground floor windows rectangular with flat arches; gallery windows round-headed with keystones, moulded architraves and plain impost blocks. Modillion cornice with blocking course above. At west end of south and north facades an entrance door with Gibbs surround. Pedimented west end has flight of 7 steps leading to 2 leaf, fielded 3-panelled entrance door with a Gibbs surround. Above, a semicircular headed window with a round-headed niche to either side and a square niche to either side above that. H FLITCROFT ARCHITECTUS carved on the entablature. East end pedimented with Doric Venetian window (glass to centre only). Tower of rusticated base, ashlar belfry with round-headed openings, coupled pilasters supporting an entablature, surmounted, on each face, by a clock & urn finials at each corner. Octagonal lantern with engaged Ionic columns supporting an entablature broken forward at each angle. Spire with rustic bands & golden ball weathervane.

INTERIOR: vestibule at west end of 3 lobbies, centre being entrance to nave, to either side containing open stairs to galleries. Tunnel-vaulted nave with shallow sanctuary, groin-vaulted aisles over which galleries which continue across west end. Square panelled piers rising to the underside of galleries support Ionic columns with block entablatures, all of Portland stone; these carry the roof & ceiling. Font 1810, much restored Father Smith Organ 1671 in case probably of 1734, inlaid mahogany pulpit 1676. Carved monument to George Chapman (translator of Homer), dated 1634, probably designed by Inigo Jones. In front of west door, pedimented entrance gate by William Leverton, c1810, incorporating wooden relief of Resurrection of the Dead, 1686-7 by Love.

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Wreck of the Ionic Star off Formby, Merseyside. Low tide April 2011

Columns outside the British Museum. London, England

Some of the members of Northampton U3A Architecture - 'Buildings through the Ages Group' went on a day trip to London in order to visit the Palladio Exhibition at the Royal Academy. We then paid a short visit to the British Museum.

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The House of the Temple has 10 columns facing 16th Street. Scottish Rite of Freemasonry, 1733 16th St NW, Washington, DC.

 

See also Temple at Night.

Two Ionic capitals support part of the pediment of the façade of the Council House, Old Market Square, Nottingham, UK.

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Funny how humanities classes come back to haunt you. Conversation with self: "Now let me see...is that Doric, Ionic or...what was that other term?"

Also on the 600th block of A

 

I got a very dirty look with this one..

This is one of the corner columns of the Farmville Baptist Church in Farmville, VA.

Somerset County Court House Somerville, NJ), Gordon, Tracy and Swartwout 1909.

This is an enourmous column at the Met with an ionic capital, which is when the top has scrolls.

Ionic Column, Ephesos, Ἔφεσος

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