View allAll Photos Tagged intervalometer
A Happy New Year to my friends and family.
Here’s to a healthy and hopeful new year.
One of many images taken on New Years Evening 2020
Avenue of Trees - A country lane with overhanging deciduous beech trees in snowfall on a wintery morning on West Dartmoor.
Please view large to see the detail of snow falling.
#snow #frost #dartmoor #landscape #landscapephotography
#leefilters
The River Arts District consists of a vast array of artists and working studios in 22 former industrial and historical buildings spread out along a one mile stretch of the French Broad River. This eclectic area is an exciting exploration of arts, food and exercise. Plan on spending a day or more visiting artists working in their studios, grabbing a bite of local cuisine or a brew and taking time to find art that’s perfect for your world.
More than 200 artists work in paint, pencil, pottery, metal, fiber, glass, wax, paper and more. As unique and individual as their art, so too are their schedules. There are no official “Open Hours” for the River Arts District, but at any given time throughout the year, you will find a plethora of open studios and galleries. If you are coming to see someone in particular, your best bet is to check in with them before your visit. Do it here, online via our search feature, or check the Studio Guide.
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
NHRA Classes Overview - Top Fuel, Funny Car, and Pro Stock are just three of the more than 200 classes of vehicles featured in NHRA competition. Those classes are grouped into 15 categories, or eliminators, each governed by NHRA rule makers. Class eligibility is based on various requirements and specifications, including type of vehicle, engine size, vehicle weight, allowable modifications, and aerodynamics. The four Professional categories are Top Fuel, Funny Car, Pro Stock, and Pro Stock Motorcycle. They, along with Top Alcohol Dragster and Top Alcohol Funny Car, the three "Super" classes – Super Comp, Super Gas, and Super Street – and Pro Mod feature a single class of vehicle in heads-up competition. Comp, Super Stock, and Stock are made up of a variety of classes and use a handicap starting system to equalize competition. Top Dragster and Top Sportsman feature a single class of vehicle in bracket-style competition. [source: www.nhra.com/nhra101/classes.aspx]
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
I was looking forward to walking through this woodland all year. This is the River Teign, set in the unspoilt ancient woodlands of Fingle Woods in Devon.
The woods looked incredible and fantastic in the peak of Autumness!
To enhance the natural spectacular colours of the foliage I used a linear polariser and set my white balance to cloudy.
It was so tranquil and calming with no better place to be listening to the flow of the river and a faint birdsong. When you have time to sit peacefully away from the camera, allowing yourself to be immersed in the whole experience, you become totally focused on that moment.
I am familiar with this river view so it turned out to be a very enjoyable exercise of searching for attractive and interesting compositions. The air was so still with just the occasional slight breeze blowing clusters of multicoloured leaves off the branches into the river which randomly flowed passed me. This added another element to consider whilst trying to capture the essence of autumn and create evocative images. I wanted to show an illusion of water movement so I experimented with different exposures to make artistic effects. It was fun photographing these occasional spatters of floating leaves resulting in static leaf dots, dashes and long brown, yellow and amber streaks giving a sense of animation.
I am very pleased with the series of images from that morning with simple minimal editing and many not cropped. But most of all , enjoying the fresh air of the outdoors during the wonderful season.
I hope you like this image as much I as loved making it 🍂😀🍀
NGC 660 is a peculiar and unique polar-ring galaxy located approximately 45 million light-years from Earth in the Pisces constellation. It is the only such galaxy having, as its host, a "late-type lenticular galaxy", (lenticular is a type of galaxy intermediate between an elliptical and a spiral galaxy ). It was probably formed when two galaxies collided a billion years ago. However, it may have first started as a disk galaxy that captured matter from a passing galaxy. This material could have, over time, become "strung out" to form a rotating ring. [Wikipedia]
Canon EOS 6D (Modified)
Celestron C11 at f6.5 using a Lumicon focal reducer, cropped.
Tracked on a Sky-Watcher AZ-EQ6.
Guiding: None
Acquisition: Intervalometer
Polar Alignment: Polar Scope
Exposure: 130 x 30sec @ ISO-6400 (RAW)
Filter: IDAS Light pollution LPS-P2 2.00"
Imaged from suburbia on the 10th October with a 42% lit Moon.
Pitch black, alone with just the forest noises. I've learned to operate my camera by touch, it really helps in these situations. I have two jackets on. It's chilly. I lasted 45 minutes with the intervalometer doing the hard work. 90 (30 second) exposures.
Blended with Sequator.
A gloomy autumn morning for most but sought after atmospheric conditions for a landscape photographer.
On arrival the rows of trees looked dark and eerie in the dense fog. I set up quickly and took a few tricky shots in the breeze with the leaves wafting around in the foreground. Moments later the view was clear with no fog so that 5 minutes of the first light made the difference. Feeling happy and fortunate I moved onwards across the moorland looking for more mist eventually making the decision to climb Sharpitor in a pea souper.
Another night under the stars on the South Plains of West Texas.... I love photographing these abandoned farm houses and old homesteads, especially at night. I spent a couple hours at this location moving my cameras around and adjusting the lighting try to get everything "just right". This is one of my favorite shots from the night.
Exif: Shot with my Fuji X-T2 and Samyang 12mm f/2.0; (5) 15 second shots + (1) dark frame @ f/2.0, ISO 3200, 3800K WB. Single LED panel used for LLL. Stacked in Sequator; final edits in Photoshop using a few plugins and actions.
IG: www.instagram.com/jamesclinich/
FB: www.facebook.com/jamesclinichphotography/
Prints available: james-clinich.pixels.com/featured/left-long-ago-james-cli...
The River Arts District consists of a vast array of artists and working studios in 22 former industrial and historical buildings spread out along a one mile stretch of the French Broad River. This eclectic area is an exciting exploration of arts, food and exercise. Plan on spending a day or more visiting artists working in their studios, grabbing a bite of local cuisine or a brew and taking time to find art that’s perfect for your world.
More than 200 artists work in paint, pencil, pottery, metal, fiber, glass, wax, paper and more. As unique and individual as their art, so too are their schedules. There are no official “Open Hours” for the River Arts District, but at any given time throughout the year, you will find a plethora of open studios and galleries. If you are coming to see someone in particular, your best bet is to check in with them before your visit. Do it here, online via our search feature, or check the Studio Guide.
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
It was fantastic to see the clean lines of big waves from the cliffs. I wanted to climb down to sea level but it was much too dangerous and there were warning signs everywhere.
Sat on the grassy bank looking out at the sun setting over the rocky beach was a lovely way to finish the day.
Young and old, sapling to adult beech trees in full Autumn splendour as the beautiful evening sun bursts through the woodland.
Canon EOS 60D Ha Modified @ ISO 1600.
40x30 sec subs with calibration frames added.
Celestron C11 at f6.3.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Filter : None.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
The Norfolk Southern Railway (reporting mark NS) is a Class I railroad in the United States; began in 1982 and 1990. With headquarters in Norfolk, Virginia, the company operates 36,200 route miles in 22 eastern states, the District of Columbia, and has rights in Canada from Buffalo to Toronto and over the Albany to Montreal route. NS is responsible for maintaining 29,000 miles, with the remainder being operated under trackage rights from other parties responsible for maintenance. The common commodity hauled on the railroad is coal from mines in Indiana, Kentucky, Pennsylvania, Tennessee, Virginia, and West Virginia. The railroad also offers the most intermodal network in eastern North America. NS is a major transporter of domestic and export coal. The railroad's major sources of the mineral are located in: Pennsylvania's Cambria and Indiana counties, as well as the Monongahela Valley; West Virginia; and the Appalachia regions of Virginia, Kentucky, and Tennessee. In Pennsylvania, NS also receives coal through interchange with R.J. Corman Railroad/Pennsylvania Lines at Cresson, Pennsylvania, originating in the "Clearfield Cluster". NS's export of West Virginia bituminous coal, begins transport on portions of the well-engineered former Virginian Railway and the former N&W double-tracked line in Eastern Virginia to its Lambert's Point coal pier on Hampton Roads at Norfolk. Coal transported by NS is thus exported to steel mills and power plants around the world. The company is also a major transporter of auto parts and completed vehicles. It operates intermodal container and TOFC (trailer on flat car) trains, some in conjunction with other railroads. NS was the first railway to employ roadrailers, which are highway truck trailers with interchangeable wheel sets. The Norfolk Southern Railway's parent Norfolk Southern Corporation is a Norfolk, Virginia-based parent company. Norfolk Southern Corporation was incorporated on July 23, 1980 in the Commonwealth of Virginia and is publicly traded on the New York Stock Exchange (NYSE) under the symbols NSC. The primary business function of Norfolk Southern Corporation is the rail transportation of raw materials, intermediate products, and finished goods across the Southeast, East, and Midwest United States. The corporation further facilitates transport to the remainder of the United States through interchange with other rail carriers while also serving overseas transport needs by serving several Atlantic and Gulf Coast ports. As of October 1, 2014 Norfolk Southern Corporation's total public stock value was slightly over $34.5 billion. [source: en.wikipedia.org/wiki/Norfolk_Southern_Railway]
The River Arts District consists of a vast array of artists and working studios in 22 former industrial and historical buildings spread out along a one mile stretch of the French Broad River. This eclectic area is an exciting exploration of arts, food and exercise. Plan on spending a day or more visiting artists working in their studios, grabbing a bite of local cuisine or a brew and taking time to find art that’s perfect for your world. More than 200 artists work in paint, pencil, pottery, metal, fiber, glass, wax, paper and more. As unique and individual as their art, so too are their schedules. There are no official “Open Hours” for the River Arts District, but at any given time throughout the year, you will find a plethora of open studios and galleries. If you are coming to see someone in particular, your best bet is to check in with them before your visit. Do it here, online via our search feature, or check the Studio Guide.
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Spectacular shafts of light radiating through the fast moving moody clouds over Burrator looking east. The silhouette is Sheep’s Tor
M15, is a globular star cluster located in the constellation Pegasus containing over 100,000 stars. It is estimated to be around 12 billion years old, making it one of the oldest globular clusters known..
This cluster is approximately 33,600 light-years from Earth with an apparent magnitude of 6.2, making it visible with binoculars or a small telescope under dark skies. It is roughly 175 light-years across with a very dense core, possibly harbouring a central black hole.
It has an absolute magnitude of −9.2, which translates to a total luminosity of 360,000 times that of the Sun. Messier 15 is one of the most densely packed globulars known in the Milky Way galaxy.
Canon EOS 6D
Celestron C11 at f6.5 using a Lumicon focal reducer, cropped.
Tracked on a Sky-Watcher AZ-EQ6.
Guiding: None
Acquisition: Intervalometer
Polar Alignment: Polar Scope
Exposure: 100 x 15sec @ ISO-6400 (RAW)
Filter: IDAS Light pollution LPS-P2 2.00"
Imaged from suburbia on the 9th October with a 32% lit Moon.
The path of the moon was photographed throughout the night of Sept 18th to the early morning hours of Sept 19, 2021. This was a day before the infamous "full harvest moon" of 2021. A photograph above the corn field was taken near the end of the blue hour and used for the background. Using an intervalometer, the moon was photographed every 15 minutes using a Canon 80D and a Canon 8-15 mm f/4L lens @ 13 mm. (ISO 400, 3.2 sec, f/6.3 was used for each moon exposure)
The sea had totally swamped the marshland but check out the tide line on the trunk of the dead tree. It was much higher when we arrived at 6.00 am
The sky showed a hint of colour soon after sunrise as the huge 11.18 metre high tide retreats from its highest level. Taken earlier in 2020.
From a meadow near Heart Lake on the White River Plateau, at 10,000 feet, I set up the tripod and camera and let the intervalometer do its work. In slightly over two hours it collected 452 star shots, each 15 sec long and from those I picked the 10 best shots containing meteor trails. I used four shots stacked in Starry Landscape Stacker to set the sky. Then layer masks in Photoshop dropped the 10 meteor trails onto the image of the night sky.
The Andromeda Galaxy is visible near the top of the photo, and if Andromeda is the center of a clock, a smaller galaxy is visible nearby at 4 o'clock. The Pleiades is the bright cluster just above the trees on the right. The meteors radiate from the constellation, in the Milky Way at the center of the photo.
At higher resolution one can see that most meteors start glowing green and then change to white, yellow or red.
I experienced the most amazing weather conditions as I walked into a wall of sunny soft fog which soon cleared revealing a band of ethereal mist above the old farm building. I quickly took a photo of the evocative wintery scene before the mist drifted by. The fresh laden snow looked simply wonderful especially on Siward’s Cross in the foreground.
***TAKEN BEFORE LOCKDOWN 31-12-20***
#snow #mist #landscape #landscapephotography #dartmoor #winter #nunscrossfarm #cross #leefilters
Exposed to the elements at Saddle Tor under dark skies, hail and rain with strong winds for two hours waiting for a moment of magic. A rainbow appearing over this well known tree is what I came for just before I was too cold to carry on. The hot tea, a banana and Mars bar was much needed back at the car soon after I took this shot.
One of the most stunning mornings I’ve experienced with soft mist, frost and eventually the sunrise with beautiful diffused peachy light.
Just around the bend of the path, a heron was motionless waiting for a fish breakfast.
After ages of shutting myself at home (forced or otherwise) and not having done any travel for myself (official travel never counts!) - I had a couple of days with my friend in the US join me and showing his neck of the woods.
I had a summit to attend to in SFO, and even though I tried my best to get some decent shots of the Golden Gate Bridge, I never quite managed a single day/moment without the famous SFO fog that engulfs most of the coastal lines during the golden hours. So we headed into the Sierras all the way to Mono Lake, spent some time in Alabama hills.
An evening well spent gazing at the stars and the Milky Way - This is the Mobius arch (one of the many arch formations in the area) located on Movie Flat Road in the heart of the Alabama Hills. The arch itself will come into view as you pass the smaller, and easy to see from the trail - the Lathe Arch. From there, you will round a big rock and be greeted by Mobius Arch.
There were a few campers and cars, but the night was mostly breezy, dark and blanketed by the stars in our galaxy. I have not done a lot of Milky Way photography, mainly coz to do it right - you need other stuff, time, place (where the light pollution is not crazily high) and above all - luck!
Thank you for viewing and hope everyone is doing good!
I’m back doing landscape/seascape photography and the recent October equinox high tide presented some great opportunities during a mini break. We hopped over these weathered timber groynes to catch the incoming early morning tide but we’re soon forced back over by the sea.
📍Porlock Weir, Somerset
📷 #Canon 5D mkiii
🔘 Canon EF 24-70mm f/4L IS USM
#groynes #longexposure #mutedcolour #porlockquay #equinox
Perspectiva con agua. (Viladrau - Cataluña).
Para poder verla con todo su esplendor, pulsar sobre la foto.
Perspective with water. (Viladrau - Catalonia).
In order to see it in all its splendor, click on the photo.
Español: Como se tomó la fotografía.
Una fotografía panorámica compuesta por cuatro fotografias verticales con la peculiaridad que la cuarta fotografía, están las rocas casi a mi derecha, pero al unirlas quedan delante de la cámara, por lo que da la sensación que estoy en la orilla cuando en realidad estoy casi en el centro del riachelo.
En esta realicé la medición de la distancia por hiperfocal.
El efectuar una panorámica si quieres que te quede perfecta, debes ponerla en "Manual" una vez has medido la luz que hay en el centro de la escena, dado que si la realizas en automático, como son cuatro fotos distintas y la luz varia en cada una de ellas, con lo que la cámara te ajusta las luces y entonces aparecen las típicas rayas en la unión de cada foto, por lo que se estropea la panorámica.
Bien una vez contado esto, a mi... se me olvidó ponerla en "Manual" por lo que me salieron las tipicas rayas verticales entre cada unión de la foto. Hay dos soluciones... una es tirarlas o la segunda, es ir retocando con mucha paciencia zona por zona, es una paciencia de chinos, pero la salvé y ahí la teneis.
Como tienes que estar un cierto tiempo dentro de la fria agua, en el que tienes que tener muy bien anclado el tripode para que no queden movidas, colocar la cámara, buscar la correcta horizontabilidad de la escena, ver cuantas fotos serán las necesarias por el encuadre elegido, al ser realizadas a larga exposición para conseguir un poco de sedas en el agua, colocar los filtros delante del objetivo y disparar con el intervalómetro... los piés te quedan que no los sientes, así de facil es hacerla. Espero os guste. Antoni Gallart.
Datos Tecnicos:
Cámara: Nikon D800
Objetivo: Nikon 60 mm.
Iso: 100
Velocidad : 6 segundos por disparo.
Diafragma: f/5 para reducir la profundidad de enfoque.
Soporte: Tripode.
Filtro: LucrOit de 10 Pasos (DN).
English: How the photo was taken.
A panoramic photograph composed of four vertical photographs with the peculiarity that the fourth photograph, the rocks are almost to my right, but when they are joined they are in front of the camera, so it gives the feeling that I am on the shore when in reality I am almost in the center of the riachelo.
In this I made the measurement of the distance by hyperfocal.
To make a panoramic if you want it to be perfect, you must put it in "Manual" once you have measured the light in the center of the scene, since if you do it in automatic, as there are four different photos and the light varies in each one of them, with which the camera adjusts the lights and then the typical stripes appear at the junction of each photo, so the panoramic view is spoiled.
Well once I told this, I ... I forgot to put it in "Manual" so I got the typical vertical stripes between each joint of the photo. There are two solutions ... one is to throw them away or the second is to retouch with great patience area by area, it is a Chinese patience, but I saved it and there you have it.
As you have to spend a certain time in the cold water, in which you have to have the tripod very well anchored so that they are not moved, place the camera, find the correct horizontability of the scene, see how many photos will be necessary for the chosen framing, being made at long exposure to get some silks in the water, place the filters in front of the lens and shoot with the intervalometer ... the feet are left that you do not feel, that is how easy it is to do it. I hope you like it. Antoni Gallart.
Technical data:
Camera: Nikon D800
Lens: Nikon 60mm.
Iso: 100
Speed: 6 seconds per shot.
Aperture: f / 5 to reduce the depth of focus.
Support: Tripod.
Filter: 10-Step LucrOit (DN).
This is a different variation of my "Polaris DAB 288" startrail. For this one I only blended 120 images together in starstax 7. This gives a more defined appearance to the stars. Its ironic that after shooting non stop for just under three hours that I have blended only an hours work for this image.
We had amazing rainy sunny weather conditions in Devon for a couple days in November 2023 providing a great opportunity for chasing rainbows. Dartmoor National Park is a perfect the landscape with 360 degree views from many high viewpoints so I headed out on a couple of mornings. I took so many photographs of autumn rainbows.
📍 Leather Tor, Dartmoor, Devon UK
📷 Canon 5D Mark III
⭕ Canon EF 24-70mm f/2.8L II USM
⬛ Maven Magnetic CP Filter
Adobe Photoshop
Tripod Leofoto Carbon Fibre Ranger LS-364C
Manfrotto XPROBall Head
#landscapephotograpy #rainbow #mavenmagneticfilters #mavenfilters #dartmoornationalpark #autumn #canonphotography #manfrotto #chrismarshall
The wonderful St. Michael de Rupe, Brentor Church with a powdering of thawing snow.
This was my fifth location of the day after an orange juice, English breakfast and a mug of tea at Fox Tor cafe (4th stop) in Princetown. How about a sunset next!
Did you know although the foundation is 12th Century, most of the church as you see it today dates to the 13th and 14th centuries with extensive roof repair in 2016
⭕ Canon RF 24-105mm f/4L II USM
NGC 7793 is a spiral galaxy in the constellation of Sculptor. The galaxy is located at a distance of 12 million light years.
Celestron C11 at f6.3
Canon EOS 60D @ ISO 1600.
120x30 sec subs with calibration frames added.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Filter : None.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
A superb sunset with impressive cloudage at a local beach.
The tide was going out leaving lovely shiny smooth rocks to catch the colours of the sky.
We fancied photographing a sunset so taking the tide and sun position into consideration we headed to Cornwall which looked promising. The forecast was correct as we stood on the beach under thick grey clouds at 8pm in our wellies. I noticed the clear strip of sky on the horizon so waited in anticipation for the sun the drop into the gap and light up the sky. Meanwhile we looked for interesting compositions and then it happened and were treated to a spectacular sunset to finish off an excellent weekend.
Thank you for your comments and faves. Merci pour vos commentaires et vos favoris.
Please do not use my photos without my permission. ©
Laurentians, Québec, Canada
Thanks Diane, you are a kind and generous woman!
Only 73 stacked photos (had a problem with the intervalometer) f/3.5 30 sec. each shot ISO-1600 10 mm
This has to be one of my favourite Damselfly photos I’ve taken this season.
Laying in the wet grass is becoming a very familiar pastime photographing these dainty little Damselflies. I may take up yoga with all the peculiar contorted body shapes I create to frame a shot. It’s not exactly a cool Vogue ‘Strike a Pose’ moment.♂️
I’m very happy with the way this one turned out.
*The timing, precision and patience is so important to achieve an image like this and the enjoyment of course*
Techy info.
Controlling the exposure was tricky shooting directly into the sun with the limitations of the camera shooting at 1/8000s at iso50. Unexpectedly the damselfly actually flapped it’s wings at high speed for a split second. I was able to capture them without blurring because of such a high shutter speed. I must admit I was lucky🍀 because I wouldn’t normally shoot a still object with these settings but was forced to in such bright light trying to control the exposure.
The image on the screen of the camera looked very overexposed but it’s amazing the detail you can recover shooting in raw format. In post processing I moved the highlights slider all the way to the left and the wings surprisingly appeared. I looked at the sequence of shots hoping for one with splashes of dew flying off the hovering wings. Now that would have been special!
📍Stover Country Park, Devon
📷 Canon 5D mkiii
🔘 Canon EF 100mm f2.8L Macro IS USM + extension tubes
#damselfly #dragonflysociety #emeralddanselfly #stoverpark #macrophotography #morningdew #silhouette
Here’s a small section of a wonderful colourful meadow.
I experimented with a shallow depth of field with my landscape lens focusing on the bee coated Sunflowers that have suddenly started to appear. There was no sun on this particular morning but that didn’t matter; The field still looked splendid.
Merry Christmas everyone! This is a self-portrait at Eagle Rock in Topanga Canyon, after a 2-hour hike. Shot using ProCam on iPhone X, using the intervalometer mode on a tripod to get photos of myself. Full disclosure: I edited out some pseudo-philosophical instagram-bait graffiti at the edge of the cave mouth, because I don’t want to encourage people doing that kind of thing - don’t write stuff on ancient natural rock formations, no matter how cool you think it is!
The Nissan 350Z (known as Nissan Fairlady Z Z33 in Japan) is a two-seat sports car that was manufactured by Nissan Motors from 2002 to 2009 and marks the fifth generation of Nissan's Z-car line. The 350Z entered production in late 2002 and was sold and marketed as a 2003 model. The first year there was only a coupe, as the roadster did not debut until the following year. Initially, the coupe came in base, Enthusiast, Performance, Touring and Track versions, while the roadster was limited to Enthusiast and Touring trim levels. The Track trim came with lightweight wheels and Brembo brakes, but its suspension tuning was the same as all other coupes. The Nissan 350Z has been succeeded by the 370Z for the 2009 model year. [source: en.wikipedia.org/wiki/Nissan_350Z]
Image created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
Canon EOS 60D Ha Modified @ ISO 1600.
70x30 sec subs with calibration frames added.
Celestron C11 at f6.3.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Filter : None.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
Do you Remember?
Tribute to the 70s/80s dance group on Top of the Pops (1976 x 1981)
This image features in my new video coming soon!
Once a rocky outcrop called Fogginator Tor but now a vast and rugged pit filled with clear cold water.
Although situated on the flat and desolate part of Dartmoor it’s still spectacular from certain viewpoints. This is a 30 second exposure with clouds moving towards me which was a challenge in the windy conditions.
As the morning sun appeared over the trees I set the camera down to ground level very stealth-like next to this roosting male Common Blue.
The idea was to get a silhouette of him in the sun. So, there I was laying in the wet grass looking through the viewfinder nudging the tripod and camera into position. I quickly experimented with different apertures and exposures hoping I could achieve the shot I imagined. This was the result with an unusual additional ghost sun all in one shot (no composite).
Bystock Pools Nature Reserve, Devon.
#butterfly #butterflyconservation #commonblue #sunrise
#silhouette #creative #fineart
Instagram: www.instagram.com/jorgeciscar
Facebook: www.facebook.com/jorgeciscar
EN |ES
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Remembering the last pre-COVID summer vacations, on our trip through Asturias enjoying an afternoon of photos with the best company and the best possible guides. Still with Fujifilm equipment, I think what I miss the most is being able to shoot more than 30 ”without needing an external intervalometer... Is it so difficult to put it via software?
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Recordando lo que fueron las últimas vacaciones de verano pre-COVID, en nuestro viaje por Asturias disfrutando de una tarde de fotos con la mejor compañía y los mejores guías posibles. Todavía con equipo Fujifilm, creo que lo que más hecho de menos es poder disparar más de 30” sin necesidad de un intervalómetro externo… ¿Tan difícil será de ponerlo por software?
Suscríbete totalmente gratis a mi blog para recibir los nuevos post en tu e-mail: localizaciones fotográficas, técnicas de procesado, reviews y mucho más.
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DESCUENTOS de mis colaboradores:
Filtros LucrOit (-10% con el código “CISCAR”)
Mochilas, trípodes y accesorios Vanguard (-20% con el código “CISCAR20VAN”)
Software Luminar (-10€ con el código “CISCAR”)
Star tracker MSM Move-Shoot-Move rotator (-5% con el código “CISCAR”)
- SkyView Free App
- Tripod
- Processed in Lightroom
- 340 images stacked with StarStaX
- Magic Lantern (intervalometer function)
- Samyang 14 mm lens
- New Moon (0% visibility)
- Random cars Lighting Source
- Noise reduction OFF
Originally an 18th century hunting lodge, then a prison, this amazing building stands in a prominent position overlooking the cheshire plain.
This is my first long-exposure using the new Nikon Z 7ii and I was very impressed with some of the new features in this camera compared to my old D800. The biggest improvement is that I no longer need to plug an intervalometer into the camera as the 7ii can take long exposures of up to 15 minutes automatically.
The Z 14-30 lens is very sharp and takes stacked ND filters.
Residents raised concern that some of the new beach groynes started to bend. The council said they are subject to natural movement and a slight bend is nothing to worry about. Not in this case, it was ‘straight as a dye’.
Some stunning pastel shades appeared after the sun went down.
The wonderful lines of horse chestnut trees inevitably are going to be stripped of there conkers and leaves by the Autumn winds and scattered along the lane
This is my first try at photographing star trails. This image took 2 hours to shoot, which seemed crazy to me at the time - I've never made that kind of commitment to a single image! The colours in the stars are real - not all stars are white (only the very brightest) and I found out that if you set your ISO low enough (this was shot at 1600) you can capture some of that colour.
I messed up the intervalometer settings, which is why it looks wonky, but I like it anyway.
I was in Utah for a week specifically to photograph the night sky and what an amazing night sky it was. The Milky Way positively glowed. Photographing at night was an incredible way to see Arches National Park - which is usually so very crowded. At 9pm, when dozens of cars were leaving the park, we were just arriving and then we had the incredible luck of having it almost to ourselves. If you want to see more of those pictures (and my other efforts at night photography) feel free to look at my Night Sky album.