View allAll Photos Tagged intervalometer
Image created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
This was taken a few months ago, I was out at Loch Lomond one morning with my dog. I was taking some photos and I loved the way the beach reached out into the Loch. So I set my camera up on a tripod and attached an intervalometer so I could shoot a bunch of images every few seconds while I walked over to make a self portrait standing there. When I was happy with the settings and composition I accidently took a picture, set on a 10 second timer and within that time this crow flew in and stood perfectly at the point.
The self portrait that I uploaded at the time has been deleted by accident. I was confused with the new app update and I thought it was automatically uploading to Flickr all my personal snapshots of family and stuff from my camera roll. I started deleting them straight away. The app shows your public uploads mixed with your 'back-ups' which I find very confusing and with a click of a button, they're gone. Luckily I checked this or I would have no photostream!
You can aslo find me on;
Instagram: www.instagram.com/bharkin
Facebook: www.facebook.com/bryan.harkin
The original Plymouth Duster is a semi-fastback two-door version of the compact-sized Plymouth Valiant automobile that was marketed by Plymouth in the U.S. from 1970 to 1976 model years. [source: en.wikipedia.org/wiki/Plymouth_Duster]
This image was created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Paul C. Buff Einstein strobe with a 22" beauty dish attached to a Elinchrom boom arm. If you send me a FlickrMail message, I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use, along with some YouTube video links that help explain this process.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
Well there was less cloud than expected :-) I had intended to leave an intervalometer going but there was enough cloud that you needed to pick and choose your moments.
I have been meaning to do more night photography, although it is quite difficult to shake off the blues and consistently attempt it. There are a lot of factors that need to work in one's favour such as clear skies, appropriate moon phase, an attractive point of interest and of course time. For me, all of this doesn't really come about as often as I would like. Hence, it is quite an accomplishment when this happens...
Broadway Tower is a folly on Broadway Hill, near the large village of Broadway, in the English county of Worcestershire, is the second-highest point of the Cotswolds. Near the tower is a memorial to the crew of an A.W.38 Whitley bomber that crashed there during a training mission in June 1943.
In the late 1950s, Broadway Tower monitored nuclear fallout in England; an underground Royal Observer Corps bunker was built 50 yards from the Tower. Manned continuously from 1961 and designated as a master post, the bunker was one of the last such Cold War bunkers constructed and, although officially stood down in 1991, the bunker is now one of the few remaining fully equipped facilities in England. - Source Wikipedia.
Not a great night for star trails, for multiple reasons - too much of light pollution emanating from the surrounding villages, constant clouds moving in from the horizon and lastly, any other composition would have simply made it difficult to cut out the ambient light. So I thought of making the Broadway Tower like a cannon aiming for the Polaris...
Although the aim was to make about 300 images, this was a result of only about 70 as the cloud cover became persistent for longer periods between clear skies even though BeeBs weather forecast stated as clear skies! Hence the outcome is far from good unfortunately...
EXIF - f/4, 30secs, ISO 1250, 72 images stacked in Photoshop.
Thanks for viewing and have a wonderful week ahead.
*Eyes in the sky*
Canon EOS 6D @ ISO 6400
120x30 sec unguided subs with calibration frames added.
Celestron C11 at f7 Cropped.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
The Porsche 911 (pronounced Nine Eleven or German: Neunelf) is a two-door, 2+2 high performance sports car made since 1963 by Porsche AG of Stuttgart, Germany. It has a rear-mounted six cylinder boxer engine and all round independent suspension. It has undergone continuous development, though the basic concept has remained little changed. The engines were air-cooled until the introduction of the Type 996 in 1998, with Porsche's "993" series, produced in model years 1995-1998, being the last of the air-cooled Porsches. [source: en.wikipedia.org/wiki/Porsche_911]
Image created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
Facebook Event Page: www.facebook.com/events/808860749245649
The International Station Wagon Club on Facebook: www.facebook.com/The-International-Station-Wagon-Club-130...
The International Station Wagon Club Website: www.iswcstationwagon.org
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
A spectacular show of the Aurora Borealis manifested as a green gragon head attacking the observation igloos as Borealis Basecamp near Fairbanks, Alaska.
Intervalometers are highly recommended since hanging around outside in Alaskan winter nights is no joke - this one was captured about 3am, 2 hours before I got cold enough to turn in. One handy thing - Borealis Bascamp does have a monitor and will set off an alarm for their guests when auroras begin to peak. Last night's sky show started very early -- around 9pm -- with peaks roughly every 2 hours.
The River Arts District consists of a vast array of artists and working studios in 22 former industrial and historical buildings spread out along a one mile stretch of the French Broad River. This eclectic area is an exciting exploration of arts, food and exercise. Plan on spending a day or more visiting artists working in their studios, grabbing a bite of local cuisine or a brew and taking time to find art that’s perfect for your world.
More than 200 artists work in paint, pencil, pottery, metal, fiber, glass, wax, paper and more. As unique and individual as their art, so too are their schedules. There are no official “Open Hours” for the River Arts District, but at any given time throughout the year, you will find a plethora of open studios and galleries. If you are coming to see someone in particular, your best bet is to check in with them before your visit. Do it here, online via our search feature, or check the Studio Guide.
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
This is the timestack that I shot at the "Once A Strong Scottish Home" photo. Yes indeed 700 photos merged into one to create this almost pastel / painted feel to the rolling clouds, as you would have seen in the HDR 3 shot bracketed version there was a lot of blue sky on display. Due to the amount of cloud movement throughout those 700 shots a lot of the blue was covered up by the passing clouds. A unique effect and definitely something different for my photography hobby. Im quite taken by the unique factor. I'm sure I will be experimenting more with this technique in the future, Im aware ideally you want the clouds to moving towards or away so that will be another project :-)
Stats for this photo
Samsung NX1100 Mirrorless Camera
Samsung 50-200mm Lens
JJC Intervalometer
50mm
ISO100
1/100
F8
700 Shots ( Merged in Starstax7)
There comes a time where the elements come together in harmony.
Earth, Water, Wind, Force, Time, Moon, Light and Shadow.
It’s that moment where a landscape photographer on a quest can capture the beauty of nature at its best.
Timelapse of the scene here:
www.youtube.com/watch?v=DzYeAHbSeFk
My first attempt at a night sky timelapse came to an end when clouds rolled in. I took a chance and got up at 2.30am and headed to Pontoon beach nearby. At first the sky was clear & I pointed the camera south hoping to pick up the core of the milky way. Once I had composition, I left the camera on the intervalometer for about an hour. I was hoping for a grade into sunrise but then the clouds came and I called it a night. Thanks for your visit and have a good week
Iglesia abandonada. (Santa Perpètua de Gaià - Tarragona - Catalunya).
Abandoned church. (Saint. Perpetua de Gaià - Tarragona - Catalunya).
Esta fotografía se la dedico a mi buena amiga María Gaitán, por su constante apoyo fotográfico. Espero te guste María.
Para poder verla con todo su esplendor, os recomiendo ampliarla.
Crónica de la Foto, en español:
La salida fotográfica de hoy estaba programada para realizar fotografias nocturnas, de una iglesia abandonada entre montañas.
El grupo formado por cuatro fotógrafos y que nos hemos reunido en un buen restaurante para comer mientras comentabamos las estrategias a seguir, durante la sesión fotográfica, para poder realizar el máximo de fotografías con el mínimo tiempo (dado que a las 10 de la noche todos teniamos que estar en casa).
Al final... hoy me ha tocado estar fuera de la ruinosa iglesia mientras los tres restantes realizaban fotos dentro. En otra ocasión será, por lo que hoy solo he podido tomar fotos de fuera.
Debido al frio y la humedad, teniamos que limpiar constantemente el agua sobre nuestras cámaras y objetivos con unos paños especiales, y limpiar las lentes por que se empañaban y quedaban mojadas.
Al marchar la hierba ya no era verde, era blanca.... empezaba a helar. Por suerte hoy ningún percance ha destacar, espero que os guste.
Un cordial saludo. Antoni.
Datos técnicos:
Cámara: Nikon D800.
Objetivo: 16 mm.
Diafragma: f/11
(Para ganar profundidad de campo con detalles en el primer plano y en el infinito. Enfoque por hiperfocal).
Velocidad: 4 Minutos.
(Para poder iluminar por zonas con focos de distintas potencias).
Los disparos:
(Realizados con intervalómetros para evitar vibraciones).
Soporte Tripode:
(Para poder realizar panorámicas con garantias y las largas exposiciones para poder pintar con luz).
Chronicle in English:
In order to see it in all its splendor, I recommend that you enlarge it.
Today's photographic outing was scheduled to take night photographs of an abandoned church in the mountains.
The group made up of four photographers and we have met in a good restaurant to eat while we discussed the strategies to follow, during the photographic session, to be able to take the maximum number of photographs with the minimum time (given that at 10 at night everyone we had to be home).
In the end ... today I had to be outside the ruined church while the remaining three took photos inside. On another occasion it will be, so today I have only been able to take photos from outside.
Due to the cold and humidity, we had to constantly clean the water on our cameras and lenses with special cloths, and clean the lenses because they were fogged and wet.
As the grass went, it was no longer green, it was white ... it was beginning to freeze. Luckily today no mishap has to stand out, I hope you like it.
A cordial greeting. Antoni.
Technical data:
Camera: Nikon D800.
Objective: 16 mm.
Aperture: f / 11
(To gain depth of field with details in the foreground and at infinity. Focus by hyperfocal).
Speed: 4 Minutes.
(To be able to illuminate areas with spotlights of different powers).
The shots:
(Made with intervalometers to avoid vibrations).
Tripod support:
(To be able to make panoramas with guarantees and long exposures to be able to paint with light).
I turned on my cameras intervalometer and went to bed last night. This is six-hundred (30 second) exposures stacked and blended in Sequator to capture the star trails exposure. I manually blended another exposure for the Christmas tree windows and, another exposure for the building and deck.
Nevada City, California.
I came across this stunning coastal location last summer while photographing Dark Green Fritillaries and have been looking forward to returning with my landscape gear. So whilst it’s been clear blue skies and tropical sunshine I’ve been waiting patiently for a few clouds before making the effort to revisit the field.
The alarm was set to 03.30 which gave me time for a quick brekky, drive to the coast and walk to the field arriving 30 minutes before the sun came up. It was so peaceful there with a slight warm breeze, birds singing and not a human in sight. The Wheat was ripe and golden and probably about ready to harvest so I had timed it well. Keeping on the footpath and in tractor tracks I found this view looking towards a pastel sky and stone built signal house in the distance. Walking back to the car at 06.30 I was surprised to see butterflies fluttering about.
What a perfect start to the day but it did turn out to be very eventful later! 😎👍
Milky Way stars over Teton Range from the Cascade Canyon Overlook, Grand Teton National Park. Read my blog post (see below) about how I did this shot, and used my intervalometer (a remote, shutter release timer / controller) as a third hand or unpaid assistant ;-)
Canon EOS 6D @ ISO 6400
Stack of the best 41x45 sec subs with calibration frames added.
Celestron C11 at f7 Cropped.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
from partial to total eclipse.
. . . . . . . . . . . . . . .
This image is composite shots selected from ~350 shots timed by intervalometer. There is ~9 stops difference on moon light before and during totality. Thus, taking these shots with proper exposure was challenging. Processing them in post is also time consuming, but fun. It took me quite some time to produce this image, which preserves details of moon image in all phases of the eclipse. Coit Tower as foreground marks the event at #sanfrancisco
Shooting with ~20 photographers in a night with unusually calm weather and clear sky in San Francisco to witness this powerful event from God’s work.
May 26, 2021
I originally planned to shoot this morning with a 500mm lens. I went through the rigamarole of getting the telescope and all of it's components out so I could track the comet with my camera/lens piggybacked on top. The scope was aligned and tracking. I slewed it to Comet NEOWISE and took a test shot, the tail was just MASSIVE in the dark sky. The 500mm was too long, it was cutting the tail off. Changing the 500mm to the lighter 300mm lens mean that my telescope had to be re balanced. So I turned it off, took off the 500mm, put on the 300mm and reattached the camera/lens on the top rail. I redid the blance on the RA and Dec axes and went through the alignment process again, it was ready to shoot but I'd lost 12 minutes. The previously dark say was already appearing more blue and with less stars. I felt a bit discouraged but went ahead and programmed the intervalometer to shoot 10 second exposures at f/4. I let it run while I observed the comet through the telescope's finder scope. I wound stacking the 90% best of the first (darkest) 15 frames for a total integration time of 2 minutes and 30 seconds of imaging.
This object is an unusual combination of an open cluster of stars, an emission nebula and a reflection nebula.
Canon EOS 60D Ha Modified @ ISO 1600.
100x30 sec subs with calibration frames added.
Celestron C11 at f6.3.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
Facebook Event Page: www.facebook.com/events/808860749245649
The International Station Wagon Club on Facebook: www.facebook.com/The-International-Station-Wagon-Club-130...
The International Station Wagon Club Website: www.iswcstationwagon.org
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
The Sauerland is a typical German Mittelgebirge (low mountain range, highlands).
Positioned myself in the frame as human element.
Last night I let the camera do all the work! I set the intervalometer to shoot 350 (30 second) exposures and went off to La La Land, and slept well I might add. My image blending here is not spectacular - I'm a little rusty, photoshop is seeming difficult, too much time away from my beloved processing.
Processed in Sequator.
Located in the constellation Sagittarius. It is approximately 5000 light years from Earth and about the width of three Full
Moon diameters in the sky; hence I can't fit all of it in with this setup.
Canon EOS 60D Ha Modified @ ISO 1600.
60x30 sec subs with calibration frames added.
Celestron C11 at f6.3.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Filter : None.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
The Dumbbell Nebula is a planetary nebula in the constellation Vulpecula, at a distance of about 1360 light-years. This is at a declination of +23 which is about at my limit for imaging from backyard.
Canon EOS 60D Ha Modified @ ISO 1600.
80x30 sec subs with calibration frames added.
Celestron C11 at f6.3.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Filter : None.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
NGC 246 (aka Skull Nebula or Caldwell 56) is a planetary nebula in the constellation Cetus. The nebula is roughly 1,600 light-years away. The nebula is the dusty remnant of a stellar explosion, during which a sun-like star expelled its outer layers, leaving behind a glowing white dwarf star. At the centre lies a triple star system. The nebula is about 6600 years old. It measures about 2 light years and is expanding at around 39.5km/s
Canon EOS 6D
Celestron C11 at f6.5 using a Lumicon focal reducer, cropped.
Tracked on a Sky-Watcher AZ-EQ6.
Guiding: None
Acquisition: Intervalometer
Polar Alignment: Polar Scope
Exposure: 114 x 30sec @ ISO-6400 (RAW)
Filter: IDAS Light pollution LPS-P2 2.00"
Imaged from suburbia on the 9th October with a 32% lit Moon.
- Victor Hugo.
|| insta || blog || photostream ||
Today's post features an image I captured after sunset at Secret Beach in Oregon, just as we were preparing to climb back up. I expected the colors to have faded by then, but the belt of Venus was still visible well after sunset. As I started walking away from the beach, the light had mostly disappeared. My final shot was a self-portrait on a rock. I set the camera to intervalometer mode, and while reviewing the photos, I noticed the sky's colors were still lingering. I decided to take a few more shots from a higher viewpoint, deliberately underexposing the images slightly. There was a faint glow on the sea stacks and vibrant colors in the sky. I adjusted the exposure a bit on the water, and I was pleased with how this shot turned out.
И над ней слева ещё один #объект_глубокого_космоса - "Бегущий человек" - видите?
Tech.details-brief: Sony Alpha 7R2 / ILCE-7Rm2 (FF)(ISO500), Celestron C8-A XLT (CGE) Schmidt-Cassegrain Optical Tube Assembly (Model 91024-XLT) 8" 2032mm F/10 + Reducer-Corrector F/6.3 Celestron 94175(1280mm f/6.3), Multiexposure: 180s for nebula, 75s for stars
Rock Corps 4X4 LLC is a local to Marion NC, and beyond. We are based in Marion NC but our membership is spread from The Charlotte area, up into Lenoir, South into Kings Mountain, and into the hills of WNC or Canton, Bakersfield, and Burnsville. We are diverse in occupations as well. Welders, fabricators, Mechanics, health care, Medical, Truck Drivers, Loggers, Heavy equipment operators, Engineers, teachers, Body shop, Maintenance, investor, Lumber wholesaler, 4WheelParts mgt, 911 operator, and much much more! We're a group of four wheeling enthusiasts that have a leased piece of property we have developed for the enjoyment of four wheeling. Our club membership is by invite only, and our land, "The Flats" is a 70 acre 4x4 park that has anything from mild to wild. [www.sfwda.org/rc4x4]
Rock Corps 4x4 on Facebook: www.facebook.com/Rock-Corps-4x4-138079279553586/
Rock Corps 4x4 on SFWDA: www.sfwda.org/rc4x4/
Marion is a city in McDowell County, North Carolina, United States. It is the county seat of McDowell County. Founded in 1844, the city was named in honor of Brigadier General Francis Marion, the American Revolutionary War Hero whose talent in guerrilla warfare earned him the name “Swamp Fox”. Marion's Main Street Historic District is listed on the National Register of Historic Places. The population was 7,838 at the 2010 Census. [source: en.wikipedia.org/wiki/Marion,_North_Carolina]
City of Marion NC website: www.marionnc.org
Marion Cruise In links:
Facebook: www.facebook.com/themarioncruisein
Website: www.marioncruisein.com/index.html
2016 Image Flyer: scontent-iad3-1.xx.fbcdn.net/t31.0-8/12983248_78761507467...
This image was created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Paul C. Buff Einstein strobe with a 22" beauty dish attached to a Elinchrom boom arm. If you send me a FlickrMail message, I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use, along with some YouTube video links that help explain this process.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
I have been traveling for 3 weeks and buried in work before that, so it is going to take a little time to catch up. Please bear with me as I am very interested in seeing what everyone has been up to!
I took this from the beach at a beach house I was renting with my family. There was a lot of light pollution and a bright moon, as you can see. To make things worse, my intervalometer stopped working, so my exposures were limited to 30 seconds. This is 6 images stacked for the sky. The foreground shot was taken from the same location a few hours earlier.
Thanks for your patience!!
17 by 3 minute (51 minutes total) exposures taken using the Olympus EM-5 mounted on my DIY Arduino based astro tracker. I also took darks and flats and stacked in Deep Sky Stacker. Level and curves adjustments done in Photoshop.
TriggerTrap was used as the intervalometer and worked a treat.
An Agricultural scene from sunny Devon.
Dry cracked mud tractor tracks lead you through this wonderful Devonshire field as the sun rose and lit up the barley.
It doesn’t get much better than this to start a day.
This month's 52 Weeks for Dogs challenge was "my dog and me". So here we have a rather literal interpretation of the challenge. Took the tripod, camera and intervalometer with us on our Friday morning walk at a park and this is what we got.
My 12th attempt at star trails pictures, this one looking East with the 34% moon setting in the West. This ruin is know as the Midnight Oil House and was made famous by Ken Duncan's photo which appeared on the cover artwork for Midnight Oil's 1987 album Diesel And Dust. The ruin is situated just north of Burra, South Australia, and is on private property so photographers usually can't get too close! With the rolling hills in the background it is still a popular subject for photographers, and another arrived as this sequence was being taken, highlighting the house and foreground. Trucks passing with high beams provided some addidtional lighting. About 3 hours of shots, this is the first time I have tried the Fujifilm X-T20 with star trails, using an intervalometer to shoot 3 minute shots at ISO200, 21mm Samjang lens at f/1.4, processed in Lightroom with daylight white balance for star colour and merged with a lighten blend in Photoshop.
My first (of many future) attempts at star trail photography. I will definitely use the cameras intervalometer in the future, but I kind of like how it turned out.
The River Arts District consists of a vast array of artists and working studios in 22 former industrial and historical buildings spread out along a one mile stretch of the French Broad River. This eclectic area is an exciting exploration of arts, food and exercise. Plan on spending a day or more visiting artists working in their studios, grabbing a bite of local cuisine or a brew and taking time to find art that’s perfect for your world.
More than 200 artists work in paint, pencil, pottery, metal, fiber, glass, wax, paper and more. As unique and individual as their art, so too are their schedules. There are no official “Open Hours” for the River Arts District, but at any given time throughout the year, you will find a plethora of open studios and galleries. If you are coming to see someone in particular, your best bet is to check in with them before your visit. Do it here, online via our search feature, or check the Studio Guide.
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
The Perseid Meteor Shower, seen from my front yard.
The days leading up to the peak of the meteor shower were cloudy, and Friday the 13th wasn't looking any different. After an evening out looking at stars with my telescope, I set my camera up in my front yard around 1am. I took a few test shots and decided on 17mm, f/2.8, an ISO of 3200, and a shutter speed of 25 seconds.
I used an intervalometer to automatically tell my camera to shoot 25-second exposures back to back all night long, then I went to bed and retrieved the camera around 6am. I used all 39 shots with meteors in them and trashed the rest. The images were stacked in Photoshop and I used layer masks to let each meteor shine through to show off the meteor shower as my camera saw it early Saturday morning.
10 stop filter. 2 minute delay with my intervalometer to allow me to get into place. Arkansas river in heavy fog.
I've had a wireless trigger for my camera for a while but I decided to try out a real cool App on my phone that allows you to do stills, exposure bracketing, Intervalometer for time lapses and continuous shooting. I don't know if it works with any other cameras with built in wifi but it works perfectly with mine, it's called Shutter. I set this one for 214 seconds and let it do it's thing. It's always tricky to do LE with boats since any movement and it'll make it blur but this one didn't come out to bad I don't think.
Hope everyone had a great day and thank you all for your thoughtful words, favs and views.
(explore 07/28/21)
The 52 Weeks for Dogs group challenge for the month is "Me and my dog". We tried a whole bunch of stuff and ended up playing a lot. Ultimately I settled on just a portrait of Jasper and me. Off camera flash with a beauty dish modifier (which despite its name does not erase wrinkles or make me beautiful 😜). I used a wireless intervalometer to take 5 shots, 1 second apart.so I had something to choose from. And finally, the most important piece of photographic equipment, I used my wife, Jean, to get Jasper to look at the camera.
That spectacular sky at its most colourful and dramatic taken from a different fishing platform from the previous shot at Filham Lake, Ivybridge.
Techy stuff:
Canon 5D mk3 full frame camera
Canon 16-35mm f/4 lens
Lee Landscape Circular Polariser
Lee 0.9 ND Soft Grad slid in horizontally to keep the blue
Settings and details - iso 100, f/11, mirrolock, live view manually focussed. Manfrotto tripod using cable release.
#landscapephotography #landscape #leefilters #lake #reflections #sunrise #sky
Wishing all my Flickr friends a Merry Christmas and Happy holiday. Thank you for all of your Fav's and comments.
I was playing with an interesting process for this Pano. I shot 10 vertical groups of 30 images, total 300 images. I did this using my intervalometer to fire off 30 shots for each of the 10 segments of the Pano. Why might you ask? It is just my nature to experiment and play with technology. Anyway, I was interested in a pseudo "long exposure" effect for cloud movement. without shooting an actual long exposure. This works well when its bright and sunny and you just can't get a long exposure, even with a ND filter. The wind was blowing, and the clouds were moving in the distance. By shooting 30 shots continuous one after another I captured the clouds in a slightly different position due to their movement with each shot. Then back in Photoshop there is a process called (Smart Object Stack mode, mean) where you load all your images as layers in Photoshop. then you convert all 30 into a single Smart Object. then you use the Stack Mode and select mean. Photoshop processes them all together into a single image rendering the different cloud positions as a fluid movement as if it was a single long exposure. I did this for each of the 10 segments.
If you look at the Sky, it has movement, but the mountains are sharp. I shot these at 1/400th of a sec. (This is not a Photoshop or AI blur effect)
Ok,Ok, so much for my lesson for the day.
Stars really are my first love in photography and it dawned on me recently that I havent even shot a startrail with my Camera since I upgraded it over a year ago. I used to use an external intervalometer which is no longer needed and I can also switch long term noise reduction off with this model so i wanted to test it out with these new features. It was -2 in the garden with not a breath of wind.... once the camera was setup I went back inside the house and left it to work away. I stay in a registered dark sky area so the stars were bright and plentiful..... so bright in fact that this was shot at ISO 400. I was quite pleased with the results, Now that I know the camera can handle startrailing with even more ease than my old one, who knows what creative foreground compositions I will find.
I stacked this version in "Comet Mode"
299 Frames at 20 Seconds Each
ISO400
F2.8
16mm Prime
Stacked in Starstax 7 & finished in Lightroom CC
My 4 year old daughter says it should be titled "Swirling Storm" :-)
Is a massive lenticular galaxy at about 60 million light year away and has a diameter of 180,000 light years in the constellation Fornax.
It is also known as a strong radio galaxy under the name Fornax A.
To quote Douglas Adams “Space is big. You just won't believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it's long way down the road to the chemist’s, but that's just peanuts to space.”
Canon EOS 60D Ha Modified @ ISO 1600.
130x30 sec subs with calibration frames added.
Celestron C11 at f6.3.
Tracked on a Skywatcher AZ-EQ6 mount with no guiding.
Polar aligned : Polar Scope.
Filter : None.
Acquisition : Intervalometer.
Imaged from suburbia.
Processed in APP and finished off in LR.
Image created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
Facebook Event Page: www.facebook.com/events/808860749245649
The International Station Wagon Club on Facebook: www.facebook.com/The-International-Station-Wagon-Club-130...
The International Station Wagon Club Website: www.iswcstationwagon.org
Image created from multiple exposures blended together in Photoshop layers using the "Lighten" blend mode. All exposures were taken with a single Einstein strobe with a 22" beauty dish attached to a boom arm. Send me a FlickrMail message, and I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
NGC 660 is a peculiar and unique polar-ring galaxy located approximately 45 million light-years from Earth in the Pisces constellation. It is the only such galaxy having, as its host, a "late-type lenticular galaxy", (lenticular is a type of galaxy intermediate between an elliptical and a spiral galaxy ). It was probably formed when two galaxies collided a billion years ago. However, it may have first started as a disk galaxy that captured matter from a passing galaxy. This material could have, over time, become "strung out" to form a rotating ring. [Wikipedia]
Canon EOS 6D (Modified)
Celestron C11 at f6.5 using a Lumicon focal reducer, cropped.
Tracked on a Sky-Watcher AZ-EQ6.
Guiding: None
Acquisition: Intervalometer
Polar Alignment: Polar Scope
Exposure: 130 x 30sec @ ISO-6400 (RAW)
Filter: IDAS Light pollution LPS-P2 2.00"
Imaged from suburbia on the 10th October with a 42% lit Moon.
M15, is a globular star cluster located in the constellation Pegasus containing over 100,000 stars. It is estimated to be around 12 billion years old, making it one of the oldest globular clusters known..
This cluster is approximately 33,600 light-years from Earth with an apparent magnitude of 6.2, making it visible with binoculars or a small telescope under dark skies. It is roughly 175 light-years across with a very dense core, possibly harbouring a central black hole.
It has an absolute magnitude of −9.2, which translates to a total luminosity of 360,000 times that of the Sun. Messier 15 is one of the most densely packed globulars known in the Milky Way galaxy.
Canon EOS 6D
Celestron C11 at f6.5 using a Lumicon focal reducer, cropped.
Tracked on a Sky-Watcher AZ-EQ6.
Guiding: None
Acquisition: Intervalometer
Polar Alignment: Polar Scope
Exposure: 100 x 15sec @ ISO-6400 (RAW)
Filter: IDAS Light pollution LPS-P2 2.00"
Imaged from suburbia on the 9th October with a 32% lit Moon.