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+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The Vickers Vanguard was a British short/medium-range turboprop airliner introduced in 1959 by Vickers-Armstrongs, a development of their successful Viscount design with considerably more internal room. The Vanguard was introduced just before the first of the large jet-powered airliners, and was largely ignored by the market. Only 44 were built and the Vanguard entered service in late 1960.
Even though the Vanguard could match the early passenger jets on short distances, the type was quickly relegated to other roles: In 1966, Air Canada removed all the seats in CF-TKK and refitted the aircraft for pure cargo work, in which role it could carry 42,000 lb (19,050 kg) of freight. Known by the airline as the "Cargoliner," it was the only such conversion, but survived to be the last Canadian Vanguard to be retired in December 1972.
BEA operated nine Vanguards modified to the V953C "Merchantman" all-cargo layout from 1969. A large forward cargo door measuring 139 by 80 inches (350 by 200 cm) was incorporated. The Merchantmen continued in service with BA until late 1979.
Beyond civil use, the most noteworthy military operator was Thailand, with an anti-submarine and maritime surveillance aircraft conversion for the Royal Thai Navy, the SeaGuard MR.1. The need for aerial maritime patrol with proprietary aircraft was first formulated during the withdrawal of United States forces from Thailand in the mid Seventies, when the Thai Air Force assumed use of the installations at Takhli and Nakhon Ratchasima (Korat).
Inspired by similar conversions, e. g. the Canadian CP-107 Argus derived from the Bristol Britannia airliner and the highly successful Douglas P-3 derived from the L-188 Electra, the Thai "SeaGuard MR.1" fleet was created from three former Canadian airliners (ex Air Canada), converted by Canadair in Montreal.
Work started in 1977, and the former airliner underwent considerable modifications. The SeaGuard MR.1's core system became an AN/APS-115 radar, a development of the earlier, analogue AN/APS-80A used in American aircraft like the P-3A .The AN/APS-115 was state of the art technology and the first attempt of digitization by providing digital input into the onboard digital combat system. The system was able to achieve a resolution of 1.5 ft and the typical range against a submarine periscope is 15.5 nautical miles. Since the 42" rotating search antenna necessitated a relatively large fairing. A draggy, ventral position (e. g. like the P-2 or Il-38) was ruled out, for aerodynamic and structural reasons, as well as for space for an internal weapon bay (see below), so that a characteristic "duck bill" radome was added to the SeaGuard's nose.
The SeaGuard MR.1 was also equipped with a magnetic anomaly detector (MAD) in an extended fiber glass tail stinger, far from other electronics and ferrous metals on the aircraft. The MAD enabled the aircraft's crew (a typical crew numbered roughly 9 members) to detect the magnetic anomaly of a submarine in the Earth's magnetic field. The limited range of this instrument required the aircraft to be near the submarine at low altitude, so that it could primarily be used for pinpointing the location of a submarine immediately prior to a torpedo or depth bomb attack.
Streamlined fairings under the outer wings carried extra fuel and a searchlight (starboard) as well as a missile guidance antenna and a 'sniffer' (port) that could detect exhaust fumes and particles from diesel submarines.
Ordnance was to be carried in a single internal bomb bay under the forward fuselage, which was structurally beefed up for the rougher conditions over sea and prolonged low altitude operations. Special care was also given to the structure's protection against the naval environment, too. An additional fuel tank was installed in the wing root section and, while the rear section carried a trim fuel tank, avionics and other, lighter mission equipment.
The 28 ft 4 in (8,64 m) long bay could house conventional Mark 50 torpedoes or Mark 46 torpedoes as well as mines and depth charges. Active and passive sonobuoys could also be carried in the bay, and there were also two vertical ejection shafts with pressure locks in the aft fuselage from which single sonobuoys or other sensor carriers could be manually dropped, e. g. for weather research. Additional underwing stations under the inner and outer wings could carry additional armament and equipment.
The first or a total of three SeaGuard conversions for the Thai Navy was delivered in early 1978, and the trio became fully operational in early 1979, serving in both military and civil duties, e. g. in offshore SAR and pollution control missions.
The Thai SeaGuard MR.1s were kept longer in service than expected. Originally, they were scheduled to serve until 1990, to be replaced by three ex USN P-3A ordered in 1989, but deliveries were delayed because of financial problems and government changes in Thailand, so that the old and well-worn SeaGuards had to soldier on.
In late 1993 the Orions destined for Thailand finally arrived at the NADEP at NAS Jacksonville, where the aircraft were modified to meet RTN requirements, two aircraft were modified to P-3T standard (mainly based on the TAC/NAV Mod version), the third was originally delivered as a UP-3T in late 1995, but was later modified to VP-3T standard with a strengthened floor, passenger seats and a limited SENTAC station enabling the aircraft to perform light surveillance duties. The last flight of a Royal Thai Navy SeaGuard MR.1 took place on October 3rd 1995, and all three aircraft were subsequently scrapped.
General characteristics:
Crew: 11
Length incl. MAD tail boom: 143 ft 5in (43.77 m)
Wingspan: 118 ft 7 in (36.10 m)
Height: 34 ft 11 in (10.60 m)
Wing area: 1,527 ft2 (142 m2)
Empty weight: 82,500 lb (37,421 kg)
Loaded weight: 141,000 lb (63,977 kg)
Powerplant:
4× Rolls-Royce Tyne RTy.11 Mk 512 turboprop, 5,545 hp (4,700 shp, 4,135 kW) each
Performance:
Maximum speed: 425 mph (684 km/h, 367 kn)
Cruise speed at altitude: 378 mph (610 km/h, 328 kn)
Patrol speed: 195 mph (315 km/h, 170 kn)
Range: 4,039 mi (6,500 km; 3,510 nmi) with 3,500 kg (7,709 lb) payload,
maximum fuel and reserves for one hour.
2,299 mi (3,700 km (2,010 nmi) with 5,448 kg (12.000 lb) maximum payload,
at 84 - 85% of maximum continuous power.
Combat radius: 1,546 mi (2,490 km, 1,346 nmi), three hours on-station at 1,500 feet
Endurance: 10 hours
Service ceiling: 28,300 ft[1] (8,625 m)
Wing loading: 92 lb/ft2 (450 kg/m2)
Power/mass: 0.16 hp/lb (0.26 kW/kg)
Armament:
Bomb bay with eight internal weapon stations
Six hardpoints under the outer wings for 127 mm (5.0 in) HVARs or missiles like the AGM-12 Bullpup,
AGM-62 Walleye or Martel ASM, or sensor and air sampling pods
Four more hardpoints under the inner wings for gravity bombs of up to 1.000 lb (454 kg) caliber,
various sea mines and depth charges, torpedoes or inflatable life rafts for rescue missions.
Total internal and external ordnance capacity of 12,000 lb (5.448 kg)
The kit and its assembly:
Another contribution to the 2016 “In the Navy” Group Build at whatifmodelers.com, and a build outside the usual comfort zone. This time, I wanted to build a whiffy maritime patrol aircraft, based on a classic post-WWII airliner, since there were and are many benchmarks (e.g. the Lockheed P-3, based on the Aurora, the Canadian CP-140 Argus, based on the Bristol Britannia, or the Il-38, based on the Il-18).
I found the Airfix Vickers Vanguard as potential basis – and there had actually been a maritime patrol proposal for the RAF. At least one respective whif kit had been built – and there’s even a kit conversion set available.
Anyway, I wanted a personal conversion, and the modifications are actually rather modest:
- Closure of many windows
- Implantation of a nose radome from a VEB Plasticart 1:100 Tu-20/95
- Adapted nose landing gear
- An MAD boom, made from heated, thick OOB sprue
- Underwing pods with a starboard search light (modified MiG 15 slipper tanks)
- A cockpit compartment w/o interior was added, primarily to block sight into the fuselage
- Several small radomes, antennae fairings and strakes were added along the upper and lower hull
- Propellers received a metal axis
- A bomb bay was simulated with engravings and semi-circular fairings, simulating door hinges
- External ordnance could have been added, but I resisted and kept the aircraft clean
- The clear styrene windows were omitted, later to be filled with ClearFix
While these mods appear rather simple, getting this vintage Airfix kit together turned out to be a real fight. No part actually matched another, lots of trimming and putty everywhere were necessary. Raised (even though very fine) panel lines, classic flash (not much, but annoying) and some sinkholes were included, too, as well as rather massive trailing edges. To make things worse, the fuselage halves turned out to be somewhat warped: the seam along the fuselage was canted inwards and the windscreen did not fit at all. O.K., it’s an old kit, but not an easy build, despite the limited number of parts.
Painting and markings:
This part turned out to be a true challenge. A self-evident option would have been an RAF aircraft, e .g. in Extra Sea Grey/Sky, white + grey (early Nimrod style), Hemp + Barley Grey or Medium Sea Grey, the latter two with low viz markings. But I found this option to be too obvious – and I wanted something flashy, and exotic.
Tedious legwork eventually revealed the Royal Thai Navy as potential operator, as well as several authentic livery options. The most pleasing (to me) was the flying boat’s (HU-16 and CL-215) design: overall dark blue with a white fuselage upper half and bright, orange-red wingtips and a fuselage band.
This design was simply adapted to the low-winged Vanguard airliner. The basic dark blue is Humbrol 104 (Oxford Blue), while the upper fuselage was painted first in a very light grey and off-white from the rattle can (which reacted with each other and yielded a mottled finish…). The rest was painted with brushes and lots of masking tape.
The orange wing tips and the fuselage band were created with decal sheet (TL Modellbau), in order to avoid the further trouble of masking and creating an opaque paint film. Black trim was added through generic decal stripes.
After basic painting was finished some panel shading/highlighting with pure white, Lufthansa Blau (Revell 350, RAL 5013) and dayglow orange was added for a more lively impression.
The Thai Navy route was further backed by several 1:144 decal sets from Siam Scale, a company from Thailand that offers a range of aftermarket decals for the country’s air force and navy vehicles.
Finally, the kit was sealed with a not-too-matt acrylic varnish, and as final step the fuselage windows were filled with Humbrol’s ClearFix, because this method was IMHO cleaner than the OOB clear styrene windows and the hustle of masking them, together with the risk of losing one or more in the painting process into the fuselage...
After all, and including many troubles, a pretty aircraft, even though the build as well as the paint job was more of a fight. I know why I do not like 1:144 scale as well as airliners either, and combining both turned out to be just as unnerving as expected… And with the duck bill radome, it’s probably the ugliest Vickers Vanguard ever imagined.
Madeira in Holland -
Euromast is an observation tower in Rotterdam, Netherlands, designed by Hugh Maaskant constructed between 1958 and 1960. It was specially built for the 1960 Floriade, and is a listed monument since 2010. The tower is a concrete structure with an internal diameter of 9 m (30 ft) and a wall thickness of 30 cm (12 in). For stability it is built on a concrete block of 1,900,000 kg (4,200,000 lb) so that the centre of gravity is below ground. It has a "crow's nest" observation platform 96 m (315 ft) above-ground and a restaurant. Originally 101 m (331 ft) in height it was the tallest building in Rotterdam. It lost this position to the high-rise of Erasmus MC (113.5 m, 372 ft) which was completed in 1968, but regained it when the Space Tower was added to the top of the building in 1970, giving an additional 85 m (279 ft). Euromast is a member of the World Federation of Great Towers. In 2008 and 2009, the tower hosted an extreme sports event which featured BASE jumping.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
The North American FJ-4 Fury was a swept-wing carrier-capable fighter-bomber, originally developed for the United States Navy and Marine Corps. It was the final development in a lineage that included the Air Force's F-86 Sabre. The FJ-4 shared its general layout and engine with the earlier FJ-3, but featured an entirely new wing design. And it was, as a kind of final embodiment with the FJ-4B, a very different aircraft from the F-86 .
The first FJ-4 flew on 28 October 1954 and delivery began in February 1955. Of the original order for 221 FJ-4 fighters, the last 71 were modified into the FJ-4B fighter-bomber version, of which the Netherlands received 16 aircraft under the designation FJ-4B from the USA in the course of NATO support. Even though the main roles of the MLD were maritime patrol, anti-submarine warfare and search and rescue, the FJ-4B was a dedicated fighter-bomber, and these aircraft were to be used with the Dutch Navy’s Colossus-Class carrier HNLMS Karel Doorman (R81).
Compared to the lighter FJ-4 interceptor, the FJ-4B had a stronger wing with six instead of four underwing stations, a stronger landing gear and additional aerodynamic brakes under the aft fuselage. The latter made landing safer by allowing pilots to use higher thrust settings, and were also useful for dive attacks. Compared to the FJ-4, external load was doubled, and the US FJ-4Bs were capable of carrying a nuclear weapon on the inboard port station, a feature the MLD Furies lacked. The MLD aircraft were still equipped with the corresponding LABS or Low-Altitude Bombing System for accurate delivery of ordnance.
The Dutch Furies were primarily intended for anti-ship missions (toting up to five of the newly developed ASM-N-7 missiles - renamed in AGM-12B Bullpup after 1962 - plus a guidance pod) and CAS duties against coastal targets, as well as for precision strikes. In a secondary role, the FJ-4B could carry Sidewinder AAMs for interception purposes.
The MLD's FJ-4B became operational in 1956, just in time to enhance the firepower of the Karel Doorman, which just had its 24 WW-II era propeller driven Fairey Firefly strike fighters and Hawker Sea Fury fighter/anti-ship aircraft backed up with 14 TBF Avenger ASW/torpedo bombers and 10 Hawker Sea Hawk fighters (the MLD owned 22 of these) for an ASW/Strike profile. The Furies joined the carrier in late 1957 and replaced the piston-engined attack aircraft.
In 1960, during the Dutch decolonization and planned independence of Western New Guinea, a territory which was also claimed by Indonesia, the Karel Doorman set sail along with two destroyers and a modified oil tanker to 'show the flag'. In order to avoid possible problems with Indonesia's ally Egypt at the Suez Canal, the carrier instead sailed around the horn of Africa. She arrived in Fremantle, Australia, where the local seamen's union struck in sympathy with Indonesia; the crew used the propeller thrust of aircraft chained down on deck to nudge the carrier into dock without tugs! In addition to her air wing, she was ferrying twelve Hawker Hunter fighters to bolster the local Dutch defense forces, which the Karel Doorman delivered when she arrived at Hollandia, New Guinea.
During the 1960 crisis, Indonesia prepared for a military action named Operation Trikora (in the Indonesian language, "Tri Komando Rakyat" means "The Three Commands of the People"). In addition to planning for an invasion, the TNI-AU (Indonesian Air Forces) hoped to sink the Karel Doorman with Soviet-supplied Tupolev Tu-16KS-1 Badger naval bombers using AS-1 Kennel/KS-1 Kometa anti-ship missiles. This bomber-launched missile strike mission was cancelled on short notice, though, because of the implementation of the cease-fire between Indonesia and the Netherlands. This led to a Dutch withdrawal and temporary UN peacekeeping administration, followed by occupation and annexation through Indonesia. While the Dutch aircraft served actively during this conflict, flying patrols and demonstrating presence, visibly armed and in alert condition, no 'hot' sortie or casualty occured, even though one aircraft, 10-18, was lost in a start accident. The pilot ejected safely.
The MLD FJ-4Bs only served on the carrier until its overhaul in 1964, after which the carrier-borne attack role was eliminated and all aircraft were transferred to land bases (Valkenburg) or in reserve storage. The Seahawks were retired from service by the end of the 1960s after the sale of the Karel Doorman to Argentina, and the FJ-4Bs were returned to the United States, where they were re-integrated into the USMC until the end of the 1960ies, when all FJ-4 aircraft were phased out.
General characteristics:
Crew: 1
Length: 36 ft 4 in (11.1 m)
Wingspan: 39 ft 1 in (11.9 m)
Height: 13 ft 11 in (4.2 m)
Wing area: 338.66 ft² (31.46 m²)
Empty weight: 13,210 lb (6,000 kg)
Loaded weight: 20,130 lb (9,200 kg)
Max. take-off weight: 23,700 lb (10,750 kg)
Powerplant: 1 × Wright J65-W-16A turbojet, 7,700 lbf (34 kN)
Performance:
Maximum speed: 680 mph (1,090 km/h) at 35,000 ft (10,670 m)
Range: 2,020 mi (3,250 km) with 2× 200 gal (760 l) drop tanks and 2× AIM-9 missiles
Service ceiling: 46,800 ft (14,300 m)
Rate of climb: 7,660 ft/min (38.9 m/s)
Wing loading: 69.9 lb/ft² (341.7 kg/m²)
Thrust/weight: .325
Armament:
4× 20 mm (0.787 in) cannon
6× pylons under the wings for 3,000 lb (1,400 kg) external ordnance, including up to 6× AIM-9 Sidewinder AAMs, bombs and guided/unguided ASM, e .g. ASM-N-7 (AGM-12B Bullpup) missiles.
The kit and its assembly
Originally, this model project was inspired by a (whiffy) Dutch F3H Demon profile, designed by fellow user Darth Panda at whatifmodelers.com. I found the idea of a foreign/NATO user of one of these early carrier-borne jet fighters very inspiring – not only because of the strange design of many of these aircraft, but also since the USN and USMC had been the only real world users of many of these types.
Initially, I planned to convert a F3H accordingly. But with limited storage/display space at home I decided to apply the MLD idea to another smaller, but maybe even more exotic, type: the North American FJ-4B Fury, which was in 1962 recoded into AF-1E.
I like the beefy Sabre cousin very much. It’s one of those aircraft that received little attention, even from model kit manufacturers. In fact, in 1:72 scale there are only vintage vacu kits or the very basic Emhar kit available. Th Emhar kit, which I used here and which is a kind donation of a fellow modeler (Thanks a lot, André!), a rather rough thing with raised panel lines and much room for improvements. As a side note, there's also a FJ-4B from Revell, but it's just a 1996 re-issue with no improvements, whatsoever.
Another facet of the model: When I did legwork concerning a possible background story, I was surprised to find out that the Netherlands actually operated aircraft carriers in the 1950s, including carrier-borne, fixed-wing aircraft, even jets in the form of Hawker Sea Hawks. The real life FJ-4Bs service introduction, the naissance of NATO and the Indonesian conflict as well as the corresponding intervention of the Karel Doorman carrier all fell into a very plausible time frame – and so there’s a very good and plausible story why the MLD could actually have used the Fury fighter bomber!
The Emhar kit was not modified structurally, but saw some changes in detail. These include a scratch-built cockpit with side walls, side consoles and a new ejection seat, plus a Matchbox pilot figure, a new front wheel (from a Kangnam Yak-38, I believe), plus a lot of added blade aerials and a finer pitot.
The flaps were lowered, for a more lively look- Another new feature is the opened air intake, which features a central splitter - in fact a vertically placed piece of a Vicker Wellesley bomb container from Matchbox. At the rear end, the exhaust pipe was opened and lengthened internally.
The six weapon hardpoints were taken from the original kit, but I did not use the four Sidewinder AAMs and the rather bulky drop tanks. So, all ordnance is new: the Bullpups come from the Hasegawa air-to-ground missile set, the drop tanks are leftover pieces from a Hobby Boss F-86. They are much more 'delicate', and make the Fury look less stout and cumbersome. The guidance pod for the Bullpups (a typical FJ-4B feature with these weapons) is a WWII drop tank, shaped with the help of benchmark pictures. Certainly not perfect, but, hey - it's just a MODEL!
Painting and markings
I used mid-1950ies MLD Sea Furys and Sea Hawks as a design benchmark, but this Fury is placed just into the time frame around 1960 when the MLD introduced a new 3-digit code system. Before that, a code "6-XX" with the XX somewhere in the 70 region would have been appropriate, and I actually painted the fuselage sides a bit darker so as if the old code had recently been painted over.
Dutch MLD aircraft tended to keep their former users’ liveries, but in the FJ-4B’s case I thought that a light grey and white aircraft (USN style) with Dutch roundels would look a bit odd. So I settled for early NATO style with Extra Dark Sea Grey upper sides (Humbrol 123) and Sky from below (Testors 2049 from their Authentic Line).
I also went for an early design style with a low waterline - early Hawker Sea Furies were painted this way, and a high waterline would probably be more typical. But in the face of potential seriosu action, who knows...? Things tend to be toned down quickly, just remember the RN Harriers during the Falkland conflict. I'll admit that the aircraft looks a bit simple and dull now, but this IMHO just adds to the plausible look of this whif. I prefer such subtleties to garish designs.
The surfaces were weathered with dry-brushed lighter shades of the basic tones (mostly Humbrol 79, but also some 140 and 67, and Humbrol 90 and 166 below), including overpainted old codes in a slightly darker tone of EDSG, done with Revell 77. A light wash with black ink emphasizes edges and some details - the machine was not to look worn.
The interior was painted in medium grey (Humbrol 140), the landing gear is white (Humbrol 130), and some details like the air intake rim, the edges of the landing gear covers, the flaps or the tips of the wing fences were painted in bright red (Humbrol 174), for some contrast to the overall grey upper sides.
The MLD markings were puzzled together. The roundels come from an Xtradecal sheet for various Hawker Sea Furies, the '202' code comes, among others, from a Grumman Bearcat aftermarket sheet. The 'KON. MARINE' line is hand-made, letter by letter, from a TL Modellbau aftremarket sheet.
Most stencils and warning sign decals come from the original decal sheet, as well as from a FJ-4 Xtradecal aftermarket sheet, from F-86 kits and the scrap box. I wanted these details to provide the color to the aircraft, so that it would not look too uniform, but still without flashy decorations and like a rather utilarian military item.
finally, the model received a coat of semi-matt varnish (Tamiya Acryllic), since MLD aircraft had a pretty glossy finish. No dirt or soot stains were added - the Dutch kept their (few) shipborne aircraft very clean and tidy!
So, all in all, a simple looking aircraft, but this Dutch Fury has IMHO a certain, subtle charm - probably also because it is a rather rare and unpopular aircraft, which in itself has a certain whiffy aura.
yesterday i took the Company's Internal Japanese Exam. it was different from past exams cause this time they switched from the traditional JLPT(日本語能力試験) to the JPT(one they use in korea).
fact: i can only maintain my concentration for 20 minutes. >:)
Once the pride of the Post Office, the LDV Pilot and Convoy series has sadly fallen from grace over the past few years, becoming largely a victim of the Ford Transit it had fought from the start, and the later Mercedes-Benz Sprinter.
The Pilot originally entered the world in 1974 under British Leyland as the Leyland Sherpa. The original design was derived from the Morris Commercial 250JU and J4 vans of the 1960's, and included a revised forward control of the J4 and moving the engine to the front in a conventional bonnet. This allowed the wheelbase to be extended resulting in greater stability, payload, side loading and the distinctive 'Sherpa' profile (though the last of the J4s and the first Sherpa are largely identical from the rear).
The Sherpa gave way to the Freight Rover 200 Series and in turn the Leyland DAF 200 Series before finally becoming the Pilot after LDV (Leyland Domestic Vehicles) was formed in 1993. The Convoy on the other hand was developed originally in 1984 as the Freight Rover 300, similar functionally apart from a wider body and more often than not a higher roof for extra internal capacity.
The Pilot was originally designed to be built on car production lines which led to it having a narrow track. This feature was made into a virtue in later publicity by stressing its ability in narrow city streets – this indeed was why the Sherpa series was for many years, preferred over the Ford Transit by the Royal Mail, in particular.
This particular generation is the 2nd and final variant of the Convoy van, launched in 1996 to replace the previous Leyland DAF 400 Series of 1989. The LDV Convoy went on to enjoy a long and somewhat prosperous life, working primarily as Mail Vans, but also as school minibuses. I know that my school had at least two Pilots and continues to use three LDV Convoys.
The LDV Convoy was replaced in 2005 by the LDV Maxus, a joint venture between LDV and Daewoo that had been in development since 2000, but wasn't launched until 2004 due to Daewoo's fall into receivership and subsequent ownership by Chevrolet. Sadly however, the Maxus was not enough to ward off the onslaught of other large, flexible panel vans that had entered the market, including the Mercedes Sprinter, the Renault Master, the Renault Trafic, the Peugeot Boxer, the IVECO Daily, the Volkswagen Transporter, and its rival since the very beginning, the ever popular Ford Transit. With such heavy competition and the LDV brand being little-known outside the UK, the company wasn't able to sell the Maxus in profitable numbers, and thus made losses of £54 million in 2008, the problem compounded by the economic recession of that year. Thus in 2009, LDV was wrapped up and disappeared for good, the last brand to carry the British Leyland name.
However, much like many other British cars and vans, it was once again the Chinese who would bring this Turkey back to life by way of SAIC (or Shanghai Automotive Industry Corporation). In 2011 they started producing their own version of the Maxus called the Maxus Datong, which means that much like the Rover Streetwise rip-off, the Mini-fake, the Montego/Maestro half-breed, we can owe China for their reproduction of Britain's long gone motoring products.
Some differences to the Settings screen like Contacts, Cypress & Internal Settings.
One of the settings is "Cypress" and
through Google searching it looks like Cypress Semiconductor Corp was a
supplier.
HL 3865 on an internal level crossing at Barrington Cement Works in Cambridgeshire. Sadly this site has now closed and there is no chance of seeing scenes like this again.
DL9475 with train 397 has stopped on the main line through Morrinsville to assist Train 474 which is in the yard sidings. The driver of the new DL9521 was having a problem associated with releasing the brakes. 397's driver was able to assist and the problem was resolved within a relatively short period. During the new DL's troubles, a rotating amber beacon was observed working. It can be seen just below the loco's frame to the rear of the battery box and ahead of the rear bogie. This is a new feature of the latest DL production series and I assume it has something to do with fault awareness and/or brake issues.
You didn't think I'd post a Rose Garden landscape without a few rose shots, did you?!
The Portland Rose Garden, though rather soggy from our very wet spring, still yielded many a gorgeous beauty!
Internal passageways in the prehistoric Su Nuraxi di Barumini on Sardinia, Italy, connected the central tower or nuraghi with four adjacent towers.
Hier muss man auch immer zweimal hinschauen, bis man ihn identifiziert hat. Lustig sieht er ja aus, wie ein Mini-Pottwal.
Wenn man nicht vorhat, ihn zu essen, ist er auch komplett ungefährlich.
Kugelfische können sich bei Gefahr aufpumpen, so dass die sonst eng am Körper anliegenden unsichbaren Stacheln nach außen stehen und als Widerhaken funktionieren. Dadurch und durch die enorme Volumenvergrößerung ist es einem Raubtier fast unmöglich, den Kugelfisch zu verschlingen. Jacques Cousteau berichtete, dass sich Kugelfische im Rachen großer Haie noch aufblasen, so dass sie feststecken und der Räuber erstickt. Sehr wehrhafte Zeitgenossen!
Pufferfish are generally believed to be the second-most poisonous vertebrates in the world, after the golden poison frog. Certain internal organs, such as the liver, and sometimes their skin, contain tetrodotoxin and are highly toxic to most animals when eaten; nevertheless, the meat of some species is considered a delicacy in Japan (fugu) and a few other Asian countries when prepared by specially trained chefs who know which part is safe to eat and in what quantity.
Puffers can inflate when they feel threatened, and predators which do not heed this warning (or which are "lucky" enough to catch the puffer suddenly, before or during inflation) may die from choking (avoiding death by poisoning...) when trying to swallow them.
Malediven-Kugelfish - Spotted puffer
I hate the internal life, i hate to be live just only in the imagination, I couldn't tell, couldn't do what i think, i made everythings slow down, sometimes is too late.
"In sleep he sang to me
In dreams he came
That voice which calls to me and speaks my name
And so I dream again for now I find
The Phantom of the Opera is there
Inside my mind."
[The phantom of the opera - Nightwish](www.youtube.com/watch?v=yuhEDECXOhE)
(From movie: "Phantom of the opera"-2004)
Grand Central Terminal (GCT) is a commuter (and former intercity) railroad terminal at 42nd Street and Park Avenue in Midtown Manhattan in New York City, United States. Built by and named for the New York Central Railroad in the heyday of American long-distance passenger rail travel, it covers 48 acres (19 ha) and has 44 platforms, more than any other railroad station in the world. Its platforms, all below ground, serve 41 tracks on the upper level and 26 on the lower, though the total number of tracks along platforms and in rail yards exceeds 100.
The terminal serves commuters traveling on the Metro-North Railroad to Westchester, Putnam, and Dutchess counties in New York State, and Fairfield and New Haven counties in Connecticut. Until 1991, the terminal served Amtrak, which moved to nearby Pennsylvania Station upon completion of the Empire Connection. The East Side Access project is underway to bring Long Island Rail Road service to the terminal.
Although the terminal has been properly called “Grand Central Terminal” since 1913, it has "always been more colloquially and affectionately known as Grand Central Station", the name of the previous rail station on the same site, and of the U.S. Post Office station next door, which is not part of the terminal. It is also sometimes used to refer to the Grand Central – 42nd Street subway station, which serves the terminal.
Grand Central Terminal features both monumental spaces and meticulously crafted detail. In a February 2013 BBC News article, historian David Cannadine described it one of the most majestic buildings of the twentieth century. In 2011, travel magazine Travel + Leisure rated it the sixth-most-visited tourist attraction for its roughly 21.6 million annual visitors.
The Main Concourse
The Main Concourse is the center of Grand Central. The space is cavernous – 275 ft (84 m) long, 120 ft (37 m) wide and 125 ft (38 m) high: – and usually filled with bustling crowds. The ticket booths are in the Concourse, although many now stand unused or have been repurposed since the introduction of ticket vending machines. The large American flag was hung in Grand Central Terminal a few days after the September 11 attacks on the World Trade Center. The main information booth is in the center of the concourse. This is a perennial meeting place, and the four-faced clock on top of the information booth is perhaps the most recognizable icon of Grand Central. The clock, designed by Henry Edward Bedford and cast in Waterbury Connecticut, is made from brass. Each of the four clock faces is made from opalescent glass (now often called opal glass or milk glass), though urban legend has it that the faces are made of opal and that Sotheby's and Christie's have estimated their value to be between $10 million and $20 million. A 1954 New York Times article on the restoration of the clock notes that "Each of the glass faces was twenty-four inches in diameter...". Within the marble and brass pagoda lies a "secret" door that conceals a spiral staircase leading to the lower-level information booth.
Hercules, Minerva and Mercury, statuary by Jules-Félix Coutan, atop the terminal, with the MetLife Building behind
Outside the station, the 13-foot (4.0 m) clock in front of the Grand Central façade facing 42nd Street contains the world's largest example of Tiffany glass. It is surrounded by sculptures of Minerva, Hercules, and Mercury. The sculptures were designed by French sculptor Jules-Felix Coutan and carved by the John Donnelly Company. At its unveiling in 1914, the 48-foot (14.6 m)- high trio was considered the largest sculptural group in the world.
The upper level tracks are reached from the Main Concourse or from various hallways and passages branching off from it. On the east side of the Main Concourse is a cluster of food purveyor shops called Grand Central Market.
Display board
The original blackboard with arrival and departure information by Track 36 was replaced by an electromechanical display in the main concourse over the ticket windows that displayed times and track numbers of arriving and departing trains.[when?] It contained rows of flip panels that displayed train information, and became a New York institution, as its many displays would flap simultaneously to reflect changes in train schedules, an indicator of just how busy Grand Central was. A small example of this type of device hangs in the Museum of Modern Art as an example of outstanding industrial design.
The flap-board destination sign was replaced with high-resolution mosaic LCD modules manufactured by Solari Udine of Italy, the maker of the original flap boards for train stations and airports. Similar modules are now also used on the trains, both on the sides to display the destination, and on the interior to display the time, next station, calling points, and other passenger information.
The Main Concourse has an elaborately decorated astronomical ceiling, conceived in 1912 by Warren with his friend, French portrait artist Paul César Helleu, and executed by James Monroe Hewlett and Charles Basing of Hewlett-Basing Studio, with Helleu consulting. Corps of astronomers and painting assistants worked with Hewlett and Basing.
The starry ceiling is astronomically inaccurate in a complicated way. While the stars within some constellations appear correctly as they would from earth, other constellations are reversed left-to-right, as is the overall arrangement of the constellations on the ceiling. For example, Orion is correctly and beautifully rendered, but the adjacent constellations Taurus and Gemini are reversed both internally and in their relation to Orion, with Taurus near Orion's raised arm where Gemini should be. One possible explanation is that the overall ceiling design might have been based on the medieval custom of depicting the sky as it would appear to God looking in at the celestial sphere from outside, but that would have reversed Orion as well. A more likely explanation is partially mistaken transcription of the sketch supplied by Columbia Astronomy professor Harold Jacoby. Though the astronomical inconsistencies were noticed promptly by a commuter in 1913, they have not been corrected in any of the subsequent renovations of the ceiling.
The original ceiling was replaced in the late 1930s to correct falling plaster.
There is a small dark circle amid the stars above the image of Pisces. In a 1957 attempt to counteract feelings of insecurity spawned by the Soviet launch of Sputnik, an American Redstone missile was set up in the Main Concourse. With no other way to erect the missile, the hole was cut so the rocket could be lifted into place. Historical preservation dictated that this hole remain (as opposed to being repaired) as a testament to the many uses of the Terminal over the years.
By the 1980s, the ceiling was obscured by decades of what was thought to be coal and diesel smoke. Spectroscopic examination revealed that it was mostly tar and nicotine from tobacco smoke. A 12-year restoration effort completed in autumn 1996 restored the ceiling to its original luster. A single dark patch above the Michael Jordan Steakhouse was left untouched by renovators to remind visitors of the grime that once covered the ceiling.
Today at work, things were hairier and scarier than I've seen them in a long time. When the hospital declares a state of internal disaster based on the state of the ER, things are ugly. Mark my words on this.
The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.
Title: The Ghost of Cassiopeia IC 63
Author: Pawel Piechnik
Location: Backyard, Bortle 6 - Krakow, Poland
This image captures the Ghost of Cassiopeia — the delicate nebula IC 63 — illuminated and sculpted by the intense radiation of Gamma Cassiopeiae. The nebula is a subtle blend of hydrogen emission, visible here mainly in reddish tones, and blue-whitish reflected light, derived largely from the sulfur filter, which gives the object its characteristic ghostly appearance. My goal was to present it as subtle and fragile, while still preserving a clearly defined internal structure.
This was my most demanding project to date, both in terms of imaging time (37 hours collected over four nights) and processing effort. The target is extremely faint, and the presence of the very bright star Gamma Cassiopeiae made the acquisition particularly challenging. Color balancing also proved difficult. In the final result, I used sulfur data primarily as luminance and added color information from hydrogen.
Camera: QHY268M + QHYCFW3 Filter Wheel
Telescope: William Optics GT81 w/ reducer (382mm focal length)
Mount: iOptron CEM70
Frames:
H: 105x600” = 17h30’
S: 113x600” = 18h50’
O: 6x600” = 1h00’
Filters:
Antlia OIII 3 nm Pro 36 mm unmounted
Antlia S-II 36 mm 4,5 nm EDGE
Antlia H-Alpha 36 mm 4,5 nm EDGE
Total: 37 hours 20 min
Bortle 6
Secretary-General Ban Ki-moon visited Bangui, the capital of the Central African Republic, to shine a light on the crisis in the country. He met with internally displaced people (IDPs) camped near the airport and those living in the grounds of Bangui’s main mosque. He also addressed the National Transitional Council.
A view of internally displaced women and a child at the main mosque in Bangui during the Secretary-General's visit.
UN Photo/Evan Schneider
05 April 2014
Bangui, Central African Republic
Photo # 585142
194. - The Internal Carotid and Vertebral Arteries. Right Side.
Original photograph taken by Polaroid Spirit 600 using ImpossibleProject PX600 UV+ Black Frame instant film.
Emulsion transfer onto heavyweight matt inkjet print of a scan from Gray's Anatomy 1st edition reprint.
As you can see, I had a bit of trouble with this transfer, and the photo isn't quite the right angle.