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The Bara Gumbad, or "big dome," is a large domed structure grouped together with the Friday mosque of Sikander Lodi and a mehman khana (guesthouse), located in New Delhi's Lodi Gardens. The buildings were constructed at different times during the Lodi era and occupy a common raised platform. Formerly an outlying area of Delhi, the Lodi Gardens are a British-planned landscaped garden which includes a number of monuments (primarily tombs) from the Sayyid and the Lodi dynasties. Originally called Willingdon Park, the gardens were located in the former village of Khairpur, now on the edge of Lutyen's Delhi, the colonial capital built by the British in the early 20th century. The gardens, which cover approx. 70 acres, have come to be surrounded by institutional buildings and some of contemporary Delhi's most expensive real estate.
Although they were built under the same dynasty, each of the three structures was undertaken separately. The Bara Gumbad, completed in 1490, is considered to have the first full dome constructed in Delhi. Its original purpose is contested; although it appears to be a freestanding tomb, it contains no tombstone. This causes the speculation that the building might have been intended as a gateway for the Friday mosque; however, their respective placements, stylistic differences, and construction dates do not support this theory. The Friday mosque, completed in 1494, is the first example of the new mosque type that developed during the Lodi era. Characterized by a relatively simple five bay prayer hall building adjacent to a simple open courtyard, this type was an important precedent for mosque architecture in the Lodi and Mughal eras.
The complex can be accessed from various points along the roads bordering the Lodi Gardens, with the access from the Lodi road towards the south most prominent. The buildings are situated at a distance of about 300 meters from Muhammad Shah's tomb towards the south and about 380 meters from Sikander Lodi's tomb towards the north. Another prominent structure, the Shish Gumbad, is located facing the Bara Gumbad at a distance of about seventy-five meters towards the north. The area surrounding the buildings is landscaped with manicured grass lawns. Few trees are planted in the immediate vicinity, leaving the view of the structures unobscured. The path winding through the Lodi Gardens approaches the buildings axially from the north, although the building plinth is accessible all from all sides.
The buildings are sited on a three-meter-high platform, measuring approximately 30 meters (east-west) by 25 meters (north-south). The Friday mosque is located along the western edge of the platform; the guesthouse is sited opposite it, occupying the eastern edge, while the Bara Gumbad is located along the southern edge. Stone masonry walls, about six meters high, connect the three structures along the southern edge. The northern edge is provided with staircases for accessing the platform. A centrally located straight flight comprising of eight steps, about ten meters wide, connects the ground to a generous mid landing. Another 'C' shaped flight of eight steps wraps around the landing, creating an amphitheatre-like space and reaching the top of the platform. The current arrangement of steps appears to be more recent, and the remains of walls adjoining the southern face of the guesthouse and the mosque indicate that the northern edge might have originally been walled. In the center of the raised court, with its southern edge along the staircase, are the remains of a square shaped platform, 8 meters wide, which appears to be a grave.
Friday mosque:
The Friday mosque is a single aisled, rectangular building, approx. 30 meters (north-south) by 8 meters (east-west). The mosque is organized in five unequal bays, which correspond to the five arched doorways on the eastern (entry) elevation. The width of the arched doorways decreases from the center towards the sides. The arches span across grey granite piers. The central arch is framed within a projecting rectangular portal, measuring about 8 meters in height by 6 meters wide. The piers of the rectangular frame are cased in dressed granite and have three shallow arched niches in red sandstone, occurring vertically above the springing point of the arch, on either side. The doorway itself is described by four receding planes of ogee arches, the outermost one being in line with the external face of the rectangular portal. The doorways immediately to the side of the central portal are about 5 meters wide, while those at the two ends are approx. 1.5 meters wide with two receding planes of ogee arches, adding to the prominence of the central doorway. The apex of each innermost arch is constant, measuring approx. 5 meters from the top of the platform. Each arch is finished in plaster and embellished with intricate carved Arabic inscriptions. The spandrels are also heavily carved with geometric motifs, and their the corners are adorned with round inscribed plaster medallions. Red sandstone eaves (chajjas) on stone brackets top the arches, interrupted only by the central projecting portal that extends above them. There is a blank plastered frieze above the eaves, followed by the projecting horizontal bands of the cornice that is topped by a blind masonry parapet adorned with petal shaped crenellations with inscribed plaster medallions.
The interior of the prayer hall reflects the five bay division of the eastern elevation. It is a rectangular space, measuring about 27 meters (north-south) by about 7 meters (east-west). Additional arches spanning between the piers on the eastern elevation and the engaged piers of the western wall emphasize the demarcation of the interior space into bays. These internal ogee arches reach a height of about five meters. They are finished in plaster and profusely decorated with carvings of Arabic inscriptions. The piers are unornamented, dressed gray granite.
The qibla (western) wall of the prayer hall is a blind wall divided into five unequal bays expressed as recessed ogee arched niches, reflecting the arched openings on the eastern wall. The two bays adjacent to the central bay have three equal niches carved out from the portion below the springing line of the main arch. These niches are separated by granite piers, which have smaller arched niches in the top third of their elevation. The three niches are made of two layers of ogee arches framed by the piers. The external layer is in gray-yellow granite, while the interior arch is made of red sandstone. The central niche is mildly distinguishable from the others because its arched portion is curved and the imposts are engraved, while those of the adjacent arches are plain. The innermost rectangular portion of the central niche is blank, while that of the adjoining niches has the carving of a vase and flora inscribed in it. The tympanum of the main outer arch is finished in plaster and has an additional niche directly above the central niche which is embellished heavily with plaster carvings of Arabic inscriptions. A band of similar inscriptions runs along the interior perimeter of the arch and around the upper niche in a closed loop. The voussoirs of the outer arch are plastered and embellished with another layer of carvings. The central bay of the western wall also has three niches, each made of four recessed planes of alternating rectangular and arched profiles. The central mihrab niche is taller and wider. It is also shallower and the innermost plane is blank, while the other two niches are deeper set with relief work. A stone minbar with three steps has been provided abutting the northern pier of the central niche.
Hemispherical domes cover the three central bays, while the terminal bays are covered by low flat vaulted ceilings. The square plan of the three central bays transitions into an octagonal drum through the application of corbelled pendentives at the corners. The corbelling occurs in four layers, which increases in width from the bottom up. The layers are further embellished with curved niches set into rectangular frames, which also increase in number, the lowest corbel having one and the last corbel having five such niches. The last layers of the pendentives form alternate edges of the octagonal drum; the remaining edges being formed by the extension of the walls and are also provided with similar curved niches. The octagonal drum transitions into a hexadecagon, followed by a thirty-two-sided polygon by the provisions of small struts. Each face of the hexadecagon is provided with shallow niches, while the thirty-two-sided polygon is described by a projecting band of red sandstone, followed by a band of inscriptions finally topped by the hemispherical dome. The dome is finished in plain plaster. The voussoirs of the arches, the pendentives and the tympanum are all covered by intricate stucco Arabic inscriptions. The central dome is relatively higher that the other two domes.
The northern and southern walls of the mosque are punctured by ogee arch doorways below the springline of the main arch. Each opening leads to a projecting balcony, comprising of red sandstone posts supporting a tiered roof. The balconies protrude out from the faade and are supported on red sandstone brackets, whose profiles and carvings are characteristic of Hindu architecture. An elaborately carved arched niche is provided above each opening on the interior wall. It is set into a rectangular frame embossed with Arabic text.
The plasterwork on the external northern and southern walls of the mosque has fallen off, exposing the stone masonry, while that on the western wall has survived. The central bay of the western wall projects out and is marked by two solid towers at the corners. These towers are divided vertically into four layers; the first two layers from the bottom are orthogonal, while the third layer has alternating curved and angular fluting; the top layer, extending over the parapet of the mosque, has a circular section. The corners of the mosque are marked by similar tapering towers, which are divided into four layers. Each layer is circular in plan except the third layer, which is described by alternating curved and angular fluting. All the towers have the remains of finials at their apex. The central projecting wall has four red sandstone brackets in its upper third portion, which may have supported a projecting balcony similar to those on the north and south elevations.
The plasterwork on the walls of the plinth is now gone, exposing the rubble masonry construction below. The western face of the plinth is punctured by five ogee arch openings set into rectangular frames, one in the center and two each on the sides. These openings provide access to the basement within the plinth.
The roof has three domes corresponding to the three central bays of the prayer hall and the three central arches on the eastern elevation. The extrados of the domes are finished in plaster. The octagonal drums supporting the domes protrude out over the roof level, above which the circular bases of the domes are decorated with blind crestings having floral motifs. The central dome is marginally larger than the adjacent domes and all three have the remains of lotus finials at their apex.
Bara Gumbad:
Square in plan, the Bara Gumbad measures approx. 20 meters per side. Set on a plinth 3 meters high, it joins the common plinth on the north and projects beyond it to the south. Its plinth is decorated on the east, south, and west with ogee arch openings set into rectangular frames. These provide access to a basement.The walls of the Bara Gumbad are approx. 12 meters tall, above which a hemispherical dome on a hexadecagonal drum extends another 14 meters from the roof level, for a total building height of 29 meters above ground level.
Each of its elevations is nearly identical and divided into 2 horizontal sections. A projecting portal composed of an ogee arch set in a rectangular frame (approx. 8 meters wide), is centered in each elevation and rises approximately 75 cm above the parapet line of the building. The 1.5 meter wide frame is made of dressed gray granite. Each vertical pier of the frame has six shallow red sandstone niches arranged atop one another at varying heights; nine niches continue in a line along the horizontal portion of the frame. The portal is described by two receding planes of grey granite ogee arches; the spandrels are cased with black granite with a thin projecting edge of red sandstone. Two round plaster medallions adorn the spandrels. The lower layer of the portal has a central doorway, spanned by two red sandstone brackets that form a trabeated arch supporting a black granite lintel. These brackets are supported on grey granite posts. An intricately carved red sandstone frame adorns the brackets and the lintel; it starts at the springing point of the arch and frames the lintel of the doorway. The entire composition is set in a rectangular yellow sandstone frame. An ogee arch window has been provided above the trabeated entrance. The portal is crowned by the arched crenellations of the blind parapet. Solid turrets mark the projecting corners of the portal.
The remainder of the elevation, that flanking the central portal on either side and recessed behind it, is divided vertically into two equivalent parts by projecting horizontal bands of stone. Each part is described by two equal arched panels set into rectangular frames. Both the panels of the upper part on either side of the portal are blind and filled with granite masonry. The lower panels located adjacent to the portal are windows, while the lower panels at the edges are filled in. The parapet, like the portal, is decorated with arched crenellations, and the roof has solid turrets at each corner.
A single hemispherical dome surmounted on a sixteen-sided drum crowns the building. Each face of the drum is described by an ogee arched niche set in a rectangular frame. The voussoirs of the arches are gray granite, while the spandrels are clad with red sandstone. The top edge of the drum is decorated with a band of arched crenellations, similar to those on the roof parapets, running above a projecting band of stone that surrounds the drum. Below this projection is band of leaves carved in relief. The extrados of the dome are finished in smooth plaster. The lotus base, possibly for a vanished calyx finial, is still extant.
The structure can be entered either from the raised courtyard via the north elevation or from a double flight of steps located on the western elevation. Inside, the square building measures about seven meters per side. An 80 cm high, 45 cm wide solid seat runs continuously along the interior perimeter of the building. Light streams in from all four walls, which are punctured by the openings of the doorway at the ground level and the ogee arch window above. The interior surfaces of the Gumbad are unornamented and finished in dressed granite. The square plan of the room transitions into an octagon via squinches, which then support the thirty-two-sided drum and the dome. The apex of the dome has two bands of floral inscriptions; otherwise, the dome is finished in plaster. The absence of historical inscriptions has contributed to the confusion over the original purpose of the Bara Gumbad.
Mehman Khana:
The third structure in the group is rectangular in plan, measuring about 27 meters (north-south) by 7 seven meters (east-west). Located along the eastern edge of the common plinth, it faces the mosque and is connected to the Bara Gumbad by a masonry wall along its northern face. The structure is believed to have either been a mehman khana, (guesthouse) or a majlis khana (assembly hall).
The building is accessed from the common plinth through its western wall, which is divided into five bays, mirroring the eastern elevation of the mosque opposite it. The three central bays are considerably larger and have ogee arch doorways, giving access to the interior, while windows puncture the smaller end bays. The arches are set in rectangular frames, which are recessed from the face of the elevation. Each opening is composed of two recessed planes of arches. The spandrels are clad in red sandstone, contrasting with the gray granite of the elevation, and are decorated with round plaster medallions with lotus motifs. The window openings have an additional tie beam or lintel at the springline. The tympanum of the window towards the south has been filled with stone, while that of the window towards the north has been left open. A continuous chajja, supported on equidistant stone brackets, projects from the western wall above the rectangular frame. The cornice is unornamented and is topped by the projecting horizontal band of the parapet, which reaches a height of approximately five meters from the top of the raised plinth. The roof of the structure is flat. The exterior of the building lacks decoration and is finished in dressed granite.
The interior is divided into seven chambers occurring from north to south; the central chamber is the largest, measuring about 5 meters (north-south) long. It is abutted by relatively narrow chambers (approx. 2.5 meters long). The outside chambers which flank the 2.5 meter wide chambers on either side are approximately the size of the central chamber, and correspond to the arched openings in the western wall. The chambers are separated from each other by gray granite walls, punctured by simple ogee arched doorways set in rectangular frames. Square in plan, the outer rooms are separated from the adjacent chambers by stone walls with rectangular door openings with blind ogee arches and rectangular frames. Each doorway has shallow rectangular recesses on either side, as well as a small arched window set into a rectangular recess and a stone jali screen set above the doorway within the tympanum of the main arch. The eastern wall of the building has blind ogee arches, occurring as two successive planes, reflecting the arched openings of the western elevation.
The roof of the central chamber is flat and supported on arches located on four sides; flat stone brackets appear at the corners. The two adjacent rooms are covered by shallow domes supported on squinches. The interior domes are finished in plaster with carved concave fluting. The exterior of the domes has been filled to blend with the flat roof of the central room.
Certain stylistic continuities are recognizable in the three buildings; each was constructed with (local) gray granite and lime mortar. However, the degree and type of embellishment, both interior and exterior, on the mosque differs substantially from that found on the other two, relatively unadorned, buildings.
Apart from the grouping of the three structures and their stylistic similarities, the buildings do not appear to have been planned as a complex. The Friday mosque is the first example of the panchmukhi building type, where "panch" (five) and "mukhi " (facade) characterize a five-bay prayer hall. This approach was influential in both the Lodi and the Mughal periods. The Bara Gumbad is significant for having the first complete hemispherical dome in Delhi.
The differences in the surface ornament of the buildings suggest that the buildings were constructed at different times, with the Bara Gumbad and the guesthouse being similar in style and decoration, without the multilayered arches of the Friday mosque. The function of the Bara Gumbad is still unknown; its geometry and form aligns with the predominant tomb architecture of the period (like the neighboring Shish Gumbad). However, there is no grave or cenotaph in the building, and rather than being blank, its qibla wall (like its other walls) is punctured by an entrance. While the continuous stone bench in the interior is also found in gateway architecture, (as in the Alai Darwaza at the Quwat-ul-Islam Mosque in Mehrauli), the size of the Bara Gumbad vis-a-vis the Friday mosque does not support this conjecture. Some scholars surmise that the structure might have been a gateway to the larger complex of tombs within the Lodi Gardens.
Lodi Dynasty
-----------------
The Lodi dynasty in India arose around 1451 after the Sayyid dynasty. The Lodhi Empire was established by the Ghizlai tribe of the Afghans. They formed the last phase of the Delhi Sultanate. There were three main rulers in the history of Lodi dynasty. All three of them have been discussed in detail in the following lines. So read on about the Lodi dynasty history.
Buhlul Khan Lodi
Buhlul Khan Lodi (1451-1489) was the founder of the Lodi dynasty in India and the first Afghan ruler of Delhi. He was an Afghan noble who was a very brave soldier. Buhlul Khan seized the throne without much resistance from the then ruler, Alam Shah. His territory was spread across Jaunpur, Gwalior and northern Uttar Pradesh. During his reign in 1486, he appointed his eldest son Barbak Shah as the Viceroy of Jaunpur. Though he was an able ruler, he really couldn't decide as to which son of his should succeed him as the heir to the throne.
Sikandar Lodi
After the death of Buhlul Khan, his second son succeeded him as the king. He was given the title of Sultan Sikander Shah. He was a dedicated ruler and made all efforts to expand his territories and strengthen his empire. His empire extended from Punjab to Bihar and he also signed a treaty with the ruler of Bengal, Alauddin Hussain Shah. He was the one who founded a new town where the modern day Agra stands. He was known to be a kind and generous ruler who cared for his subjects.
Ibrahim Lodhi
Ibrahim Lodhi was the son of Sikander who succeeded him after his death. Due to the demands of the nobles, his younger brother Jalal Khan was given a small share of the kingdom and was crowned the ruler of Jaunpur. However, Ibrahim's men assassinated him soon and the kingdom came back to Ibrahim Lodhi. Ibrahim was known to be a very stern ruler and was not liked much by his subjects. In order to take revenge of the insults done by Ibrahim, the governor of Lahore Daulat Khan Lodhi asked the ruler of Kabul, Babur to invade his kingdom. Ibrahim Lodhi was thus killed in a battle with Babur who was the founder of the Mughal dynasty in India. With the death of Ibrahim Lodhi, the Lodhi dynasty also came to an end.
This is the final part of photos depicting internals of the pillars, bridge and water used in my latest project K7 Diesel Locomotive. As usual they barely scratch the surface but at least they provide some insights of how the model was put together.
If you are interested in more details then please check out my previous posts that show the final diorama and other internals.
F-4C number 64-0829 was relatively unique among Phantoms during the Vietnam War, and had a strike camera mounted underneath the radome. As the Air Force's original version of the aircraft, the F-4C didn't mount an internal gun. Instead it supported a wide spectrum of weapons including AIM-4 Falcon, AIM-7 Sparrows, AIM-9 Sidewinders, the AGM-12 Bullpup, and even nuclear weapons. An integrated cannon wasn't added until the F-4E variant, which also upgraded the radar quite significantly.
Criticism is often difficult to take, epically when the recipient puts so much of themselves into the production of a piece of work. All too often it’s delivered poorly and without sufficient thought towards the recipient’s feelings, causing an unhelpful, if not offensive interchange. I have to say I see this happening all too often in our new social networking environment, as people remove themselves from the face to face conversation and become lazy in their virtual interchanges. This is truly a shame, as If criticism is delivered by somebody who is receptive and willing to work towards the genuine development of another person, (not just serve their own ends), then it can be a stimulating and rewarding personal development tool for improvement, ‘for both parties’.
Following on from what others have said, I wanted to explore those little voices in our heads, (or is that jus me!) Anyway, self criticism is ‘also’ vital part, if not a fundamental element of personal development, but one that can be allot more complex! In the outset, it offers any artist a way of making creative choices. It’s a method of analysis that can be used to evaluate subtle experimentations, to guide compositional choices and applied sensitively, constructively and effectively, an invaluable tool for the development of a creative person! But there is of course a problem here. The scales sometimes are very sensitive and can tip into either the positive or negative and both result in a distorted unhelpful creative direction! If too negative, the result can be terribly destructive, if too positive, the person remains deluded and slows down genuine development. Now I’m of course oversimplifying this, and I don’t pretend to fully understand everybody’s needs, but I do find myself listening and often arguing with those positive and negative voices in my head! A healthy critical personal debate may sound like a trip to an asylum is needed, but let me assure you that this conflict is a good thing, as long as it’s balanced!
So the next time your too harsh on yourself or even others, or the next time your offering insincere comments, just take a step back and take some time to think about what you’re saying and the impact on not only others but yourself...and you never know, your insightful comment may help to balance those internal voices!
Oh if you fancy listing to some of my internal voices, you’re more than welcome to join me on a Whitby workshop in February... You can find the links on my profile, cheers....
4 way Camera rotation of a disused railway tunnel with an Led Eddie inspired silhouette centerpiece achieved using my mum's old net curtains and a 10w rgb torch.
Shot during another great nights wafting with Chris and Alan T.
Great to finally meet Alan the engineer behind the crt.
Shot using the awesome www.Facebook.com/camerarotationtool
Straight from the card.
This is number 29 of my lp 52.
Nice 1
++++++++ FROM WIKIPEDIA ++++++++++
Kalimpong is a hill station in the Indian state of West Bengal. It is located at an average elevation of 1,250 metres (4,101 ft). The town is the headquarters of the Kalimpong district.The Indian Army's 27 Mountain Division is located on the outskirts of the town.
Kalimpong is known for its educational institutions, many of which were established during the British colonial period.[5] It used to be a gateway in the trade between Tibet and India before China's annexation of Tibet and the Sino-Indian War. Kalimpong and neighbouring Darjeeling were major centres calling for a separate Gorkhaland state in the 1980s, and more recently in 2010.
The municipality sits on a ridge overlooking the Teesta River and is a tourist destination owing to its temperate climate, magnificent Himalayan beauty and proximity to popular tourist locations in the region. Horticulture is important to Kalimpong: It has a flower market notable for its wide array of orchids; nurseries, which export Himalayan grown flower bulbs, tubers and rhizomes, contribute to the economy of Kalimpong.[2] Home to Nepalisindigenous Lepchas, other ethnic groups and non-native immigrants from other parts of India, the town is a religious centre of Buddhism. The Tibetan Buddhist monastery Zang Dhok Palri Phodang holds a number of rare Tibetan Buddhist scriptures.[6]
The Kalimpong Science Centre, established under the Darjeeling Gorkha Hill Council (DGHC) in 2008 is a recent addition to its many tourist attractions. The Science Centre, which provides for scientific awareness among the students of the town and the locals sits atop the Deolo Hill.
Name origin
The precise etymology of the name Kalimpong remains unclear. There are many theories on the origin of the name. One widely accepted theory claims that the name "Kalimpong" means "Assembly (or Stockade) of the King's Ministers" in Tibetan, derived from kalon ("King's ministers") and pong ("stockade"). It may be derived from the translation "ridge where we play" from Lepcha, as it was known to be the place for traditional tribal gatherings for summer sporting events. People from the hills call the area Kalempung ("the black spurs").[7]
According to K.P. Tamsang, author of The Untold and Unknown Reality about the Lepchas, the term Kalimpong is deduced from the name Kalenpung, which in Lepcha means "Hillock of Assemblage";[8] in time, the name was distorted to Kalebung, and later further contorted to Kalimpong. Another possible derivation points to Kaulim, a fibrous plant found in abundance in the region.[9]
History
Katherine Graham Memorial Chapel, Dr. Graham's Homes
The Clock Tower of Kalimpong.
Until the mid-19th century, the area around Kalimpong was ruled in succession by the Sikkimese and Bhutanese kingdoms.[8][10] Under Sikkimese rule, the area was known as Dalingkot.[11] In 1706, the king of Bhutan won this territory from the Sikkimese monarch and renamed it Kalimpong.[11] Overlooking the Teesta Valley, Kalimpong is believed to have once been the forward position of the Bhutanese in the 18th century. The area was sparsely populated by the indigenous Lepcha community and migrant Bhutia and Limbu tribes.
After the Anglo-Bhutan War in 1864, the Treaty of Sinchula (1865) was signed, in which Bhutanese held territory east of the Teesta River was ceded to the British East India Company.[8] At that time, Kalimpong was a hamlet, with only two or three families known to reside there.[12] The first recorded mention of the town was a fleeting reference made that year by Ashley Eden, a government official with the Bengal Civil Service. Kalimpong was added to district of Darjeeling in 1866. In 1866–1867 an Anglo-Bhutanese commission demarcated the common boundaries between the two, thereby giving shape to the Kalimpong subdivision and the Darjeeling district.[13]
After the war, the region became a subdivision of the Western Duars district, and the following year it was merged with the district of Darjeeling.[8] The temperate climate prompted the British to develop the town as an alternative hill station to Darjeeling, to escape the scorching summer heat in the plains. Kalimpong's proximity to the Nathu La and Jelep La passes (La means "pass"), offshoots of the ancient Silk Road, was an added advantage. It soon became an important trading outpost in the trade of furs, wools and food grains between India and Tibet.[14] The increase in commerce attracted large numbers of Nepali's from the neighbouring Nepal and the lower regions of Sikkim, the areas where, Nepali's were residing since the Gorkha invasion of Sikkim in 1790. The movement of people into the area, transformed Kalimpong from a small hamlet with a few houses, to a thriving town with increased economic prosperity. Britain assigned a plot within Kalimpong to the influential Bhutanese Dorji family, through which trade and relations with Bhutan flowed. This later became Bhutan House, a Bhutanese administrative and cultural centre.[15][16][17]
The arrival of Scottish missionaries saw the construction of schools and welfare centres for the British.[12] Rev. W. Macfarlane in the early 1870s established the first schools in the area.[12] The Scottish University Mission Institution was opened in 1886, followed by the Kalimpong Girls High School. In 1900, Reverend J.A. Graham founded the Dr. Graham's Homes for destitute Anglo-Indian students.[12] The young missionary (and aspiring writer and poet) Aeneas Francon Williams, aged 24, arrived in Kalimpong in 1910 to take up the post of assistant schoolmaster at Dr. Graham's Homes,[18] where he later became Bursar and remained working at the school for the next fourteen years.[19] From 1907 onwards, most schools in Kalimpong had started offering education to Indian students. By 1911, the population comprised many ethnic groups, including Nepalis, Lepchas, Tibetans, Muslims, the Anglo-Indian communities. Hence by 1911, the population had swollen to 7,880.[12]
Following Indian independence in 1947, Kalimpong became part of the state of West Bengal, after Bengal was partitioned between India and East Pakistan. With China's annexation of Tibet in 1959, many Buddhist monks fled Tibet and established monasteries in Kalimpong. These monks brought many rare Buddhist scriptures with them. In 1962, the permanent closure of the Jelep Pass after the Sino-Indian War disrupted trade between Tibet and India, and led to a slowdown in Kalimpong's economy. In 1976, the visiting Dalai Lama consecrated the Zang Dhok Palri Phodang monastery, which houses many of the scriptures.[12]
Most large houses in Kalimpong were built during the British era. In the background is Mount Kangchenjunga.
Morgan House is a classic example of colonial architecture in Kalimpong.
Between 1986 and 1988, the demand for a separate state of Gorkhaland and Kamtapur based on ethnic lines grew strong. Riots between the Gorkha National Liberation Front (GNLF) and the West Bengal government reached a stand-off after a forty-day strike. The town was virtually under siege, and the state government called in the Indian army to maintain law and order. This led to the formation of the Darjeeling Gorkha Hill Council, a body that was given semi-autonomous powers to govern the Darjeeling district, except the area under the Siliguri subdivision. Since 2007, the demand for a separate Gorkhaland state has been revived by the Gorkha Janmukti Morcha and its supporters in the Darjeeling hills.[20] The Kamtapur People's Party and its supporters' movement for a separate Kamtapur state covering North Bengal have gained momentum.[21]
Geography
A view from the Deolo Resort, atop Deolo Hill, Kalimpong's highest point
The town centre is on a ridge connecting two hills, Deolo Hill and Durpin Hill,[12] at an elevation of 1,247 m (4,091 ft). Deolo, the highest point in Kalimpong, has an altitude of 1,704 m (5,591 ft) and Durpin Hill is at an elevation of 1,372 m (4,501 ft). The River Teesta flows in the valley below and separates Kalimpong from the state of Sikkim. The soil in the Kalimpong area is typically reddish in color. Occasional dark soils are found due to extensive existence of phyllite and schists.[22] The Shiwalik Hills, like most of the Himalayan foothills, have steep slopes and soft, loose topsoil, leading to frequent landslides in the monsoon season.[22] The hills are nestled within higher peaks and the snow-clad Himalayan ranges tower over the town in the distance. Mount Kanchenjunga at 8,586 m (28,169 ft) the world's third tallest peak,[23] is clearly visible from Kalimpong.[2]
View of the Himalaya range
Kalimpong has five distinct seasons: spring, summer, autumn, winter and the monsoons. The annual temperature ranges from a high of 30 °C (86 °F) to a low of 9 °C (48 °F). Summers are mild, with an average maximum temperature of 30 °C (86 °F) in August.[24] Summers are followed by the monsoon rains which lash the town between June and September. The monsoons are severe, often causing landslides which sequester the town from the rest of India. Winter lasts from December to February, with the maximum temperature being around 15 °C (59 °F). During the monsoon and winter seasons, Kalimpong is often enveloped by fog.[25]
Economy
Oranges grown in the hillsides are exported to many parts of India.
Tourism is the most significant contributor to Kalimpong's economy.[26] The summer and spring seasons are the most popular with tourists, keeping many of town's residents employed directly and indirectly. The town—earlier an important trade post between India and Tibet—hopes to boost its economy after the reopening of the Nathu La (pass) in April 2006.[27] Though this has resumed Indo–China border trades,[28] it is expected that Kalimpong will have a better chance of revival as a hub for Indo–China trades if the demand of local leaders for reopening of Jelep La pass also is met.[28]
Kalimpong is a major ginger growing area of India. Kalimpong and the state of Sikkim together contribute 15 percent of ginger produced in India.[29] The Darjeeling Himalayan hill region is internationally famous for its tea industry.[30] However, most of the tea gardens are on the western side of Teesta river (towards the town of Darjeeling) and so tea gardens near Kalimpong contribute only 4 percent of total tea production of the region. In Kalimpong division, 90 percent of land is cultivable but only 10 percent is used for tea production.[31] Kalimpong is well known for its flower export industry—especially for its wide array of indigenous orchids and gladioli.[32]
A significant contributor to the town's economy is education sector.[26] The schools of Kalimpong, besides imparting education to the locals, attract a significant number of students from the plains, the neighbouring state of Sikkim and countries such as Bhutan, Bangladesh, Nepal and Thailand.[26]
Many establishments cater to the Indian army bases near the town, providing it with essential supplies. Small contributions to the economy come by the way of the sale of traditional arts and crafts of Sikkim and Tibet. Government efforts related to sericulture, seismology, and fisheries provide a steady source of employment to many of its residents.
Kalimpong is well renowned for its cheese, noodles and lollipops. Kalimpong exports a wide range of traditional handicrafts, wood-carvings, embroidered items, bags and purses with tapestry work, copper ware, scrolls, Tibetan jewellery and artifacts.[32][33]
Transport
NH31A winds along the banks of the river Teesta near Kalimpong.
Kalimpong is located off the National Highway 31A (NH31A), which links Sevok to Gangtok. The NH31A is an offshoot of the NH 31, which connects Sevok to Siliguri.[34] These two National Highways together, via Sevok, links Kalimpong to the plains.[35] Regular bus services and hired vehicles connect Kalimpong with Siliguri and the neighbouring towns of Kurseong, Darjeeling and Gangtok. Four wheel drives are popular means of transport, as they can easily navigate the steep slopes in the region. However, road communication often get disrupted in the monsoons due to landslides. In the town, people usually travel by foot. Residents also use bicycle, two-wheelers and hired taxis for short distances.
The nearest airport is in Bagdogra near Siliguri, about 80 kilometres (50 mi) from Kalimpong. Air India, Jet Airways and Druk Air (Bhutan) are the four major carriers that connect the airport to Delhi, Kolkata, Paro (Bhutan), Guwahati and Bangkok (Thailand). The closest major railway station is New Jalpaiguri, on the outskirts of Siliguri,[2] which is connected with almost all major cities of the country.
Demographics
Population growth
At the 2011 India census,[37] Kalimpong town area had a population of 42,988, of which 52% were male and 48% female.[37]
At the 2001 census,[38] Kalimpong had an average literacy rate of 79%, higher than the national average of 59.5%: male literacy was 84%, and female literacy was 73%. In Kalimpong, 8% of the population was under 6 years of age. The Scheduled castes and scheduled tribes population for Kalimpong was 5,100 and 5,121 respectively.[39]
Civic administration
Kalimpong is the headquarters of the Kalimpong district. The semi-autonomous Darjeeling Gorkha Hill Council (DGHC), set up by the West Bengal government in 1988, administers this district as well as the Darjeeling Sadar and Kurseong subdivisions.[40] Kalimpong elects eight councillors to the DGHC, who manages the departments of Public Health, Education, Public Works, Transport, Tourism, Market, Small scale industries, Agriculture, Agricultural waterways, Forest (except reserved forests), Water, Livestock, Vocational Training and Sports and Youth services.[41] The district administration of Darjeeling, which is the authoritative body for the departments of election, panchayat, law and order, revenue, etc., also acts as an interface of communication between the Council and the State Government.[41] The rural area in the district covers three community development blocks Kalimpong I, Kalimpong II and Gorubathan consisting of forty-two gram panchayats.[42] A Sub-Divisional Officer (SDO) presides over the Kalimpong subdivision. Kalimpong has a police station that serves the municipality and 18 gram panchayats of Kalimpong–I CD block.[43]
The Kalimpong municipality, which was established in 1945,[39] is in charge of the infrastructure of the town such as potable water and roads. The municipal area is divided into twenty-three wards.[44] Kalimpong municipality is constructing additional water storage tanks to meet the requirement of potable water, and it needs an increase of water supply from the 'Neora Khola Water Supply Scheme' for this purpose.[45] Often, landslides occurring in monsoon season cause havoc to the roads in and around Kalimpong.[46] The West Bengal State Electricity Distribution Corporation Limited (WBSEDCL) provides electricity here.[47] Renewable Energy Development Agency of the state has plans to promote usage of solar street lights in Kalimpong and proposed an energy park here to sell renewable energy gadgets.[48] The Public Works Department is responsible for the road connecting the town to the National Highway–NH-31A.[49] The Kalimpong municipality has a total of 10 health care units, with a total of 433 bed capacity.[50]
The Kalimpong assembly constituency, which is an assembly segment of the Darjeeling parliamentary constituency, elects one member of the Vidhan Sabha of West Bengal.[51]
People, culture, and cuisine
The Zang Dhok Palri Phodang monastery atop Durpin Hill
The original settlers of Kalimpong are the Lepchas, although the majority of the populace are ethnic Nepali, having migrated from Nepal to Kalimpong in search of jobs while it was under British rule.[52]
Indigenous ethnic groups include the Newars, Bhutia, Sherpas, Limbus, Rais, Magars,[53] Chettris, Bahuns, Thakuris, Gurungs, Tamangs, Yolmos, Bhujels, Sunuwars, Sarkis, Damais and the Kamis.[54] The other non-native communities as old as the Nepalese are the Bengalis, Muslims, Anglo-Indians, Chinese, Biharis and Tibetans who escaped to Kalimpong after fleeing the Communist Chinese invasion of Tibet. Kalimpong is home to Trinley Thaye Dorje—one of the 17th Karmapa incarnations.[55] Kalimpong is the closest Indian town to Bhutan's western border, and has a small number of Bhutanese nationals residing here. Hinduism is the largest religion followed by Nijananda Sampradaya, Buddhism and Christianity.[53] Islam has a minuscule presence in this region, The Oldest settlers include people residing since the mid of 19th Century and also mostly Tibetan Muslims who fled in 1959 after Chinese invasion of Tibet.[56] The Buddhist monastery Zang Dhok Palri Phodang holds a number of rare Tibetan Buddhist scriptures.[6] There is a Mosque, Kalimpong Anjuman Islamia Established in 1887 in the bazaar area of Kalimpong.[57]
Popular Hindu festivals include Dashain, Tihar, Cultural Programme and the Tibetan festival of Losar. Languages spoken in Kalimpong include Nepali, which is the predominant language; Lepcha, Limbu, Tamang, Kirat, Hindi, English and Bengali.[2] Though there is a growing interest in cricket as a winter sport in Darjeeling Hills, football still remains the most popular sport in Kalimpong.[58] Every year since 1947, the Independence Shield Football Tournament is organized here as part of the two-day-long Independence Day celebrations.[59] Former captain of India national football team, Pem Dorjee hails from Kalimpong.[60]
A popular snack in Kalimpong is the momo, steamed dumplings made of pork, beef or vegetable cooked in a wrapping of flour and served with watery soup. Wai-Wai is a packaged Nepalese snack made of noodles which are eaten either dry or in soup form. Churpee, a kind of hard cheese made from yak's or chauri's (a hybrid of yak and cattle) milk, is sometimes chewed.[61] A form of noodle called Thukpa, served in soup form is popular in Kalimpong.[62] There are a large number of restaurants which offer a wide variety of cuisines, ranging from Indian to continental, to cater to the tourists. Tea is the most popular beverage in Kalimpong, procured from the famed Darjeeling tea gardens. Kalimpong has a golf course besides Kalimpong Circuit House.[2][63]
The cultural centres in Kalimpong include, the Lepcha Museum and the Zang Dhok Palri Phodang monastery. The Lepcha Museum, a kilometre away from the town centre, showcases the culture of the Lepcha community, the indigenous peoples of Sikkim. The Zang Dhok Palri Phodong monastery has 108 volumes of the Kangyur, and belongs to the Gelug of Buddhism.
Media
Kalimpong has access to most of the television channels aired in the rest of India. Cable Television still provides service to many homes in the town and it's outskirts, while DTH connections are now practically mandatory throughout the country. Besides mainstream Indian channels, many Nepali-language channels such as Dainandini DD, Kalimpong Television KTv, Haal Khabar (an association of the Hill Channel Network), Jan Sarokar, Himalayan People's Channel (HPC), and Kalimpong Times are broadcast in Kalimpong. These channels, which mainly broadcast locally relevant news, are produced by regional media houses and news networks, and are broadcast through the local cable network, which is now slowly becoming defunct due to the Indian government's ruling on mandatory digitization of TV channels. The movie production houses like JBU films produces the movies on the nepali and other languages.
Newspapers in Kalimpong include English language dailies The Statesman and The Telegraph, which are printed in Siliguri,[65][66] and The Economic Times and the Hindustan Times, which are printed in Kolkata.
Among other languages, Nepali, Hindi and Bengali are prominent vernacular languages used in this region.[25] Newspapers in all these four languages are available in the Darjeeling Hills region. Of the largely circulated Nepali newspapers Himalay Darpan, Swarnabhumi and some Sikkim-based Nepali newspapers like Hamro Prajashakti and Samay Dainik are read most.[67] The Tibet Mirror was the first Tibetan-language newspaper published in Kalimpong in 1925.[68] while Himalayan Times was the first English to have come out from Kalimpong in the year 1947, it was closed down in the year 1962 after the Chinese aggression but was started once again and is now in regular print. Internet service and Internet cafés are well established; these are mostly served through broadband, data card of different mobile services, WLL, dialup lines,[69][70] Kalimpong News, Kalimpong Online News, Kalimpong Times and KTV are the main online news sites that collect and present local and North Bengal & Sikkim news from its own agencies like KalimNews and other newspapers. Besides this there are others like kalimpong.info, kalimpongexpress.blogspot.com and several others. All India Radio and several other National and Private Channels including FM Radio are received in Kalimpong.
The area is serviced by major telecommunication companies of India with most types of cellular services in most areas.
Education
There are fifteen major schools in Kalimpong, the most notable ones being Scottish Universities Mission Institution, Dr. Graham's Homes, St Joseph's Convent, St. Augustine's School, Rockvale Academy, Saptashri Gyanpeeth, Springdale Academy, St. Philomenas School, Kalimpong Girls' High School, Kumdini Homes, Chandramaya High School, Lolay Sampu High School and Gandhi Ashram School. The Scottish Universities Mission Institution was the first school that was opened in 1886. The schools offer education up to high secondary standard, following which students may choose to join a Junior College or carry on with additional two years of schooling.
Kalimpong College, Cluny Women's College and Rockvale Management College are the main colleges in the town. Former two are affiliated to the North Bengal University and the latter affiliated to West Bengal University of Technology and apart from these, Good Shepherd IHM (Hotel management Institution) offers courses on hospitality sectors. Most students however, choose to further their studies in Siliguri, Kolkata, and other colleges in the Indian metropolis. The Tharpa Choling Monastery, at Tirpai Hill near Kalimpong, is managed by Yellow Hat sect and has a library of Tibetan manuscripts and thankas.
Flora and fauna
The area around Kalimpong lies in the Eastern Himalayas, which is classified as an ecological hotspot, one of only three among the ecoregions of India. Neora Valley National Park lies within the Kalimpong subdivision and is home to tigers.[72] Acacia is the most commonly found species at lower altitudes, while cinnamon, ficus, bamboo and cardamom, are found in the hillsides around Kalimpong. The forests found at higher altitudes are made up of pine trees and other evergreen alpine vegetation. Seven species of rhododendrons are found in the region east of Kalimpong. The temperate deciduous forests include oak, birch, maple and alder. Three hundred species of orchid are found around Kalimpong.
The Red panda, Clouded leopard, Siberian weasel, Asiatic black bear,[75] barking deer,[76] Himalayan tahr, goral, gaur[76] and pangolin are some of the fauna found near Kalimpong. Avifauna of the region include the pheasants, cuckoos, minivets, flycatchers, bulbuls, orioles, owls, partridges, sunbirds, warblers, swallows, swifts and woodpeckers.
Kalimpong is a major production centre of gladioli in India,[78] and orchids, which are exported to many parts of the world. The Rishi Bankim Chandra Park is an ecological museums within Kalimpong Citrus Dieback Research Station at Kalimpong works towards control of diseases, plant protection and production of disease free orange seedlings.
Kalimpong is also famous for their rich practice of cactus cultivation. Its nurseries attract people from far and wide for the absolutely stunning collection of cacti they cultivate. The strains of cacti, though not indigenous to the locale, have been carefully cultivated over the years, and now the town boasts one of the most fascinating and exhaustive collections of the Cactaceae family. The plants have adapted well to the altitude and environment, and now prove to be one of the chief draws of tourism to the township.
West Bengal (/bɛŋˈɡɔːl/, Bengali: Paschim Banga [ˈpoʃtʃim ˈbɔŋgo] (About this soundlisten)) is a state in the eastern region of India along the Bay of Bengal. With over 91 million inhabitants, it is the fourth-most populous state and the fourteenth-largest state by area in India. Covering an area of 88,752 km2 (34,267 sq mi), it is also the eighth-most populous country subdivision of the world. Part of the Bengal region of the Indian subcontinent, it borders Bangladesh in the east, and Nepal and Bhutan in the north. It also borders the Indian states of Odisha, Jharkhand, Bihar, Sikkim and Assam. The state capital is Kolkata, the third-largest metropolis, and seventh largest city by population in India. West Bengal includes the Darjeeling Himalayan hill region, the Ganges delta, the Rarh region and the coastal Sundarbans. The state's main ethnic group are the Bengalis, with the Bengali Hindus forming the demographic majority.
The area's early history featured a succession of Indian empires, internal squabbling, and a tussle between Hinduism and Buddhism for dominance. Ancient Bengal was the site of several major Janapadas, while the earliest cities date back to the Vedic period. The region was part of several ancient pan−Indian empires, including the Vangas, Mauryans, and the Guptas. The citadel of Gauḍa served as the capital of the Gauḍa Kingdom, the Pala Empire, and the Sena Empire. Islam was introduced through trade with the Abbasid Caliphate, but following the Ghurid conquests led by Bakhtiyar Khalji and the establishment of the Delhi Sultanate, the Muslim faith spread across the entire Bengal region. During the Bengal Sultanate, the territory was a major trading nation in the world, and was often referred by the Europeans as the "richest country to trade with". It was absorbed into the Mughal Empire in 1576. Simultaneously, some parts of the region were ruled by several Hindu states, and Baro-Bhuyan landlords, and part of it was briefly overrun by the Suri Empire. Following the death of Emperor Aurangzeb in the early 1700s, the proto-industrialised Mughal Bengal became a semi-independent state under the Nawabs of Bengal, and showed signs of the first Industrial revolution.[8][9] The region was later conquered by the British East India Company at the Battle of Plassey in 1757 and became part of the Bengal Presidency.[10][11]
The region was a hotbed of the Indian independence movement and has remained one of India's great artistic and intellectual centres.[12] Following widespread religious violence, the Bengal Legislative Council and the Bengal Legislative Assembly voted on the Partition of Bengal in 1947 along religious lines into two independent dominions: West Bengal, a Hindu-majority Indian state, and East Bengal, a Muslim-majority province of Pakistan which later became the independent Bangladesh.
Post Indian independence, West Bengal's economy is based on agricultural production and small and medium-sized enterprises.[13] For many decades the state underwent political violence and economic stagnation.[14] Today, the economy of West Bengal is the sixth-largest state economy in India with a gross state domestic product (GSDP) of ₹12.54 lakh crore (US$180 billion),[3] and has the country's 23rd-highest GSDP per capita of ₹115,748 (US$1,600).[3] West Bengal also has the 28th-highest ranking among Indian states in human development index, with the index value being less than that of India.[5] The state government debt of ₹4.0 lakh crore (US$56 billion), or 32.6% of GSDP, is fifth highest India, but has dropped from 40.65% since 2010–11.[15][16] There is moderate unemployment.[17] West Bengal has two World Heritage sites and ranks as the seventh-most visited tourist destination in India.
And when your fears subside
And shadows still remain
I know that you can love me
When there's no one left to blame
So never mind the darkness
We still can find a way
Because nothing lasts forever
Even cold November rain
______________________
Y cuando tus miedos amainan
y quedan todavía las sombras,
sé que puedes amarme.
Cuando no hay nadie más a quien culpar,
y no te preocupas de la oscuridad,
aún podemos encontrar un camino.
Porque nada dura para siempre,
ni siquiera la fría lluvia de noviembre.
My first try of "homemade bokeh"... I have to cut better (as you can see in the weird or rather sloppy shape of the hearts). But it was one I have to admit! The sackboy doll is standing on my travel-tripod in front of the Christmas tree and I'm using the Tokina 100mm macro. There's an SB-900 flash with red gel behind the tree on full power, an SB-600 with blue gel shooting through a softbox on camera right at 1/4 manual power and the internal flash shoots through a plastic diffuser at 1/5 manual power.
shot with:
Nikon D7000
Tokina AF 100mm f/2.8 AT-X Pro D macro
at f/3.2, 1/10sec, ISO 100
Internal Workin's
Pentax K-1, SMC Pentax (K) 55mm f1.8 (reversed)
Pentax Forums Daily Challenge, March 1, 2017
With instructions to be returned to Crewe Carriage Shed clearly visible, but not carrying any identifying internal user number, 12t 'Pipe' B740645 sits in the sidings behind Gresty Lane signal box, Crewe. 21st July 1992.
Saltwell Park is a Victorian park in Gateshead, Tyne and Wear, England. Opened in 1876, the park was designed by Edward Kemp and incorporates the mansion and associated grounds of the Saltwellgate estate owner, William Wailes, who sold his estate to Gateshead Council for £35,000. Upon opening, it became known as "The People's Park". The park was expanded in 1920 when the council purchased the adjacent gardens to the Saltwell Grove estate and added these to the park. This extended the park's total size to 55 acres (22 ha). Towards the end of the 20th century, the park had fallen into disrepair, but between 1999 and 2005, it was subject to a £9.6 million restoration project, funded collaboratively by the Heritage Lottery Fund and Gateshead Council and is now host to around 2 million visitors per year.
The park is split broadly into three sections. Saltwell Grove, the southern section, is an area of grassed open space with a bandstand to the western corner. The central area contains the centrepiece of the park – Wailes's former home, the Grade II listed Saltwell Towers and its surrounding belvedere walls. These have been fully restored and are now a visitor centre. There are also three war memorials, a yew-tree maze, a dene and an area containing several species of caged animals known as Pet's Corner. The largest section of the park is the Northern Fields section which contains a four-acre boating lake with a wooded island at its centre, as well as three bowling greens and two pavilions.
Saltwell Park has been presented with numerous awards in recent years, including being named "Britain's Best Park" in 2005 and Civic Trust Park of the Year in 2006. It has won a Green Flag award every year since 2006 and in 2013 it was re-listed as one of fifty-five Green Heritage sites in the UK. The park has been a social hub for over a century; an annual public bonfire night display was first held in 1883, a circus in 1886 and the park hosted the Holidays at Home programme during World War II. Today the bonfire display has grown into one of the largest in Tyne and Wear and is attended by thousands of people every year. In October 2012, Saltwell Park was the site of the first British Legion Field of Remembrance in North East England. It also plays a role in local sport and recreation; it has hosted a fundraising day in support of Sport Relief, a Race for Life for a number of years and in November 2012 a "green gym" was installed at the park – one of only two in Gateshead.
Conception and opening
At the turn of the 19th century, Gateshead was beginning to expand but, save a smattering of industrial elements mainly at Sheriff Hill and at the south shore of the River Tyne, the town and its surrounds were mostly agricultural and most of the town was covered by large, private estates. The largest of these was the Saltwell estate, which consisted of around 500 acres (200 ha) of land in a broad quadrangle between the Team Valley and the villages of Bensham and Low Fell. In 1805 this estate was broken up into a number of smaller properties including Saltwell Cottage. By 1856 Saltwell Cottage had become the Saltwellside estate and was in the hands of William Wailes, a native of Newcastle upon Tyne who had become one of the leading exponents of stained glass in England. In 1856 Wailes commissioned the design of a grand Victorian mansion for his family to live at Saltwellside. Work began in 1859 and continued until 1871 when Wailes' Saltwell Towers was finally completed. Saltwell Towers was a large, eclectic mansion in red brick with Gothic turrets and mock battlements.
While Wailes was building Saltwell Towers, Gateshead was expanding and industrialising. The resultant air pollution, poor social conditions and general shortage of clean drinking water in the town led to concern about public health and gave rise to calls for the creation of public parks. One such call was made in 1857 when the editorial of the local newspaper, the Gateshead Observer, demanded that a park be built at Windmill Hills. In 1861, the owners of ten acres of land at Windmill Hills approached the town council and offered the land free of charge so long as it was used as a place of recreation for the people of Gateshead. The land was formally conveyed on 18 November 1861 and the opening of the first public park in Gateshead was celebrated by the closing of workplaces and a day of holiday in the town.
Gateshead Council subsequently considered other sites for a second park, but it was discouraged by the high prices being asked by the estate owners at Redheugh and Shipcote. The Shipcote estate was owned by Sir Walter James, who was approached by a council park committee in 1874 and asked how much would be required to purchase at least part of his estate. Whilst negotiations were ongoing, James' offer to sell part of his estate at £650 per acre was met by fierce criticism from members of the public and the council began to seek an alternative to the Shipcote proposal. The town clerk wrote to William Wailes to ask if he would be willing to sell his 37 acres (15 ha) Saltwellside estate. On 11 November 1874, Wailes replied that the council could have his entire estate for £32,000, and in March 1875 James told the park committee that he did not wish to compete with Wailes but that he would offer a subscription if the council went ahead at Saltwellgate. Later that month the park committee formally opened talks with Wailes and, after various proposals were considered and rejected, in September 1875 the council decided to buy the entire Saltwellgate estate for an increased total price of £35,000 after securing a loan for the full amount from the Local Government Board. The agreement was formalised two months later and included a provision to lease Saltwell Towers back to Wailes for the remainder of his life.
Having obtained the Saltwellgate estate, the council contacted local ornithologist and landscaper John Hancock and asked him to submit designs for the new park. When Hancock refused, citing the pressure of his existing work, the park committee retained Edward Kemp at four guineas a day until his plans were submitted and approved in February 1876. Kemp's plans were implemented over a period of years by borough surveyor James Bowyer at a cost of around £11,000. Original plans to officially open the park on Whit Monday 1876 were not realised, and the park was never officially opened, but nonetheless, public usage began in late 1876.
Design and layout
Saltwell Park is located within a residential area around 1.5 kilometres (0.93 mi) south of Gateshead town centre on land which slopes towards the Team Valley in the west. It is a broad rectangle with boundaries at East and West Park Roads, Saltwell View and Saltwell Road South. The original site purchased from Wailes was joined by the gardens of a late 19th century villa at East Park Road known as Saltwell Grove (or "The Grove") after these were purchased by Gateshead Council in 1920. The park today constitutes around 55 acres (22 ha) of land in total.
The park is split into three sections – southern, central and northern areas – and the entire park is bordered by perimeter shrubs, plants and trees. The southern Saltwell Grove area is demarcated from the central section by an old stone wall running in a west–east direction which formed the park's original southern boundary and is, according to a Gateshead Council document, an "important feature in the history and development of the park". This section consists largely of open space, meandering pathways skirting the perimeter, a bandstand and some flowerbeds. Entrances to this section of the park are to the west at Saltwell Road and to the extreme south-east corner.
The central section comprises Saltwell Towers and its grounds and is some 17 acres (6.9 ha) in total area. Saltwell Towers is located in the middle of the central section of the park and it is surrounded to the south by its accompanying walls, walkways and ha-ha. An enclosed rose garden lies to the east of the building and to the west there is a maze and a dene through which a stream runs into a lily-pond at an entrance to the park at Saltwell Road South. The approach from the southern section is a large grassed area replete with paths which wind towards a footbridge to the Towers, which is used for general leisure activities and picnicking and is home to a stone-built war memorial. The entrance to the footbridge is the site of a bronze war memorial which sits in the centre of a roundabout surrounded by bedding flowers. The footbridge was built in 2003 and is also a war memorial.
The northern section of the park constitutes 19 acres (7.7 ha) of land and can be accessed either by external entrances at the north-eastern corner of the park and West Park Road or internally from the central section through the dene or from Pets Corner. The north-eastern entrance consists of a pair of imposing gateposts and the view from this access point sweeps across the entire northern section of the park. The eastern perimeter of this section is a terraced walkway known as the Broadwalk with adjacent, banked bedded planting. A central path from the Broadwalk splits a large grassed area almost neatly in half and leads to a lake and two child's play areas. A path circles the perimeter of the lake and seating is placed at the fringe of the lake at various points. To the south of the lake are three bowling greens and to the north are tennis courts. These cannot be seen from the lake due to a screen of plants. The plants within the screen are typical of those bedded throughout the park, which include French marigolds, roses, tulips, phlomis, sedum and silver dust.
Principal attractions
There are eleven listed buildings in Saltwell Park. Saltwell Towers, former home of William Wailes and later to lawyer Joseph Shipley (founder of the nearby Shipley Art Gallery), was the seat of the former Saltwellgate estate and has been described by a BBC report as a "fairytale mansion". The building is a dark red and yellow brick construction with asymmetrical towers, tall chimney stacks and corner turrets. It has been used for a number of purposes, including as a hospital during the First World War and as a museum from 1933 to 1969, but was then abandoned and fell into considerable disrepair. However, after a £3 million, five-year refurbishment programme was completed in 2004, the building was officially reopened as a visitors centre in the presence of Wailes' great-great-grandson. Saltwell Towers today includes a cafe, some pieces of local art, an exhibition on the history of the park and also a stained glass centrepiece commissioned from a local artist. A Gateshead Blue Plaque in commemoration of Wailes was installed in 2005. The mansion was protected in 1973 as a Grade II listed building, along with the two storey, sandstone belvedere walls which surround the west and south of the mansion. These are replete with stairs and corner battlements and the entire walls are conjoined by a walkway which is open to the public.
A stable block is at the north-west of Saltwell Towers, built in 1871 in the same style as the mansion in red brick and with a slate roof. This is a Grade II listed building and is now an educational area for schools and local community groups. Also to the north-west of Saltwell Towers is the Charlton Memorial Drinking Fountain, a stone and granite fountain inscribed in memory of George Charlton, the mayor of Gateshead between 1874 and 1875. This is Grade II listed, as is the 'Salte Well' at the west entrance to the central section of the park. The latter is dated 1872 and is a sandstone construction with a basin in the central alcove. Midway along the Broadwalk in the north section of the park is a Grade II listed bronze statue of Alderman John Lucas, mounted on a sandstone plinth and granite base. Built in 1902, it was paid for by public subscription. The wrought iron gates and accompanying stone piers which greet visitors at the north-eastern entrance to the park are also Grade II listed.
There are three war memorials in the park. There is a Boer War memorial in the central section of the park around 100 metres south of Saltwell Towers. This consists of a bronze angel perched on a granite plinth and dated 1905. A modern Durham Light Infantry memorial was unveiled on 12 July 1981 by the mayor of Newcastle. This takes the form of a sandstone wall with adjoining flanking walls which create a small ornamental garden. There are three plaques and a description commemorating men of the battalion who died in battle between 1900 and 1945. The third war memorial is the bridge adjoining the lawned, central gardens to the belvedere walls of Saltwell Towers. This timber footbridge, 22 feet (6.7 m) long and 12 feet (3.7 m) wide, is named the Primosole Bridge and is a copy of the original Edwardian bridge which once crossed the ha-ha. The name is carved onto a low stone wall which runs alongside and an inscription commemorates the men of the Durham Light Infantry who died whilst crossing the original Primosole Bridge during Operation Fustian in the Second World War.
The principal feature of the northern section of the park is a boating lake. This has been in situ since a tender to install a 4 acres (1.6 ha) lake with an island in the centre was accepted in August 1880. An approach to Joseph Swan to illuminate the lake received no response, but a further approach to John Hancock to design the lake edge was more successful; the lake edge today still follows Hancock's original design. Model boating has been a fixture of the lake since 1886 and the Saltwell Park Model Boat Club is the latest organisation to use the lake for this purpose. The island in the centre of the lake was in 1909 home to a bandstand, and visiting performers were required to travel by boat to the island, but the bandstand was moved to the Saltwell Grove section of the park in 1921. During the summer months, visitors can hire rowing boats and pedalos for use on the lake. The lake has long been inhabited by mallards and tufted ducks and it is also home to several other species of wildfowl, including swans, Canada and barnacle geese, coots and moorhens. Common pochard and grebe also inhabit the lake in winter after migrating from Russia and central Europe. Kingfishers are also reported to have returned to the lake after a lengthy absence.
There have been animals kept in Saltwell Park since June 1877 – initially, these included monkeys, deer and a raccoon. Caged animals are still kept in the north-east of the park in an area called "Pets Corner", where there are a peacock and peahen, pheasants, rabbits and guinea pigs kept in a pair of aviaries built in 1880 and paid for by John Elliot, then chief constable of Gateshead The aviaries are stone and wrought iron, octagonal constructions which were listed at Grade II by English Heritage in 1973. A bandstand was erected in 1876 and was subsequently replaced in May 1895 by an octagonal, red-brick, cast-iron and wood structure which was first sited in the northern fields. This was then moved to the island in the lake and moved again to Saltwell Grove. It was taken down and rebuilt at Beamish Museum in 1978, where it remains in use and has been designated a Grade II listed building. The present bandstand is in the Saltwell Grove area and is used every Sunday during the summer months by brass bands.
In the western shadow of Saltwell Towers there is a maze, built in 1877 by Wailes for his family's use. The maze was replanted with yew trees as part of the 2005 regeneration project to the original plans laid by Wailes. Also renovated was Saltwell Dene, a picturesque wooded area with a stream, bridges, cascades and a lily pond which inspired local artist Thomas Miles Richardson to paint a watercolour of it in the 19th century. Saltwell Dene was the final part of the 21st century restoration project to be completed, reopening to the public in March 2005. At either end of the Broadwalk there are two wooden shelters whilst the centre of the Broadwalk is marked by the Almond Pavilion. The pavilion was opened in 1881 and was a refreshment pavilion for decades before it fell into disrepair; by the 1980s it was derelict and it was then completely destroyed by fire. It has been fully reconstructed, including a replica of the original clock tower, and is once more a refreshment kiosk with new toilet facilities. It offers panoramic views into the northern fields and across the boating lake. An oriental garden was opened in 2011 to mark the twenty-year anniversary of the twinning arrangement between Gateshead and Komatsu. This includes a gravel pond, waterfalls and stone lanterns. The park is also host to three well-used bowling greens, replete with their own pavilion (the Avenue Green Pavilion) and a rose garden.
Various other attractions have been installed and subsequently removed from the park, including a paddling pool, a museum and, from 1982 to 1993, a retired and modified Vickers Viscount 701 airplane. The aircraft had its wings cut short and was marked "Saltwell Airways".
Awards and usage
Upon opening, Saltwell Park was also called 'The People's Park' and the name is still used locally today. Today, the park is a green lung in the centre of the Metropolitan Borough of Gateshead which attracts over two million visitors a year. In 2005 it was named "Britain's Best Park". In 2006 the park was chosen as Civic Trust Park of the Year and received a Gold Laurel Award from the Institute of Maintenance and Building Management. The park has won a Green Flag Award every year since 2006 and was in 2013 re-listed as one of fifty-five Green Heritage sites in the UK.
The park has long been a hub of local social activities and events. A public firework display was first held in 1883, the first circus was hosted in 1886 and the Holidays at Home programme was conducted there during World War II – from September 1942 to the end of the war, families and American G.I.s could enjoy donkey rides, dancing, brass bands and gymnastic events. A bonfire night fireworks display has been held at the park for many years, one of three public displays in Gateshead (the other two are at Barmoor in Ryton and Oliver Henderson Park in Leam Lane). This event has grown into one of the largest displays in Tyne and Wear and is attended by thousands of people. In October 2012, Saltwell Park was the site of the first British Legion Field of Remembrance in North East England. Around ten thousand crosses were planted in Saltwell Grove. An Enchanted Parks event was hosted for the seventh consecutive year in December 2012. This is a collection of winter-themed visual arts, sculpture and interactive features which attracts around 14,000 visitors every year. An annual sculpture day has been held at the park for twenty-seven years and members of the public are invited to build themed sculptures under the supervision of local professionals. The 2012 renewal, themed "Wonders of the World", was held in Saltwell Grove and attracted hundreds of families.
Saltwell Park has hosted a Race for Life – a national fundraising event for women only, organised by Cancer Research UK – for a number of years. The 5 kilometres (3.1 mi) course has been attempted by over 8,000 competitors in the last three years, with the latest renewal held in May 2012. On 21 March 2010 the park hosted a fundraising day in support of Sport Relief, a bi-annual charity event organised by the BBC. Three fun runs around the boating lake attracted over 4,000 participants in total, including Jayne Middlemiss, Andrew Hayden Smith and Futureheads guitarist David Craig. Local athletics club Saltwell Harriers have hosted an annual 10 kilometres (6.2 mi) race in and around Saltwell Park since 1911. Named the Ronnie Walker Saltwell Road Race since 2010 in honour of the long-standing club president, it is the oldest road race in England. 1984 Olympic silver medallist Mike McLeod won the race for 16 consecutive years between 1974 and 1990. In November 2012 a "green gym" was opened at the park. Fitness equipment was installed near the tennis courts in the Northern Fields section of the park and is available for use by the public free of charge. This is one of only two such outdoor public gyms in Gateshead, the other being opened simultaneously at Windy Nook Nature Reserve. A Parkrun takes place every Saturday morning at 9 am starting and finishing at the South Pavilion. As well as physical health, the park is now home to the Recovery College Collective, a peer led mental health charity offering informal drop ins and creative workshops.
Gateshead is a town in the Gateshead Metropolitan Borough of Tyne and Wear, England. It is on the River Tyne's southern bank. The town's attractions include the twenty metre tall Angel of the North sculpture on the town's southern outskirts, The Glasshouse International Centre for Music and the Baltic Centre for Contemporary Art. The town shares the Millennium Bridge, Tyne Bridge and multiple other bridges with Newcastle upon Tyne.
Historically part of County Durham, under the Local Government Act 1888 the town was made a county borough, meaning it was administered independently of the county council.
In the 2011 Census, the town had a population of 120,046 while the wider borough had 200,214.
History
Gateshead is first mentioned in Latin translation in Bede's Ecclesiastical History of the English People as ad caput caprae ("at the goat's head"). This interpretation is consistent with the later English attestations of the name, among them Gatesheued (c. 1190), literally "goat's head" but in the context of a place-name meaning 'headland or hill frequented by (wild) goats'. Although other derivations have been mooted, it is this that is given by the standard authorities.
A Brittonic predecessor, named with the element *gabro-, 'goat' (c.f. Welsh gafr), may underlie the name. Gateshead might have been the Roman-British fort of Gabrosentum.
Early
There has been a settlement on the Gateshead side of the River Tyne, around the old river crossing where the Swing Bridge now stands, since Roman times.
The first recorded mention of Gateshead is in the writings of the Venerable Bede who referred to an Abbot of Gateshead called Utta in 623. In 1068 William the Conqueror defeated the forces of Edgar the Ætheling and Malcolm king of Scotland (Shakespeare's Malcolm) on Gateshead Fell (now Low Fell and Sheriff Hill).
During medieval times Gateshead was under the jurisdiction of the Bishop of Durham. At this time the area was largely forest with some agricultural land. The forest was the subject of Gateshead's first charter, granted in the 12th century by Hugh du Puiset, Bishop of Durham. An alternative spelling may be "Gatishevede", as seen in a legal record, dated 1430.
Industrial revolution
Throughout the Industrial Revolution the population of Gateshead expanded rapidly; between 1801 and 1901 the increase was over 100,000. This expansion resulted in the spread southwards of the town.
In 1854, a catastrophic explosion on the quayside destroyed most of Gateshead's medieval heritage, and caused widespread damage on the Newcastle side of the river.
Sir Joseph Swan lived at Underhill, Low Fell, Gateshead from 1869 to 1883, where his experiments led to the invention of the electric light bulb. The house was the first in the world to be wired for domestic electric light.
In the 1889 one of the largest employers (Hawks, Crawshay and Company) closed down and unemployment has since been a burden. Up to the Second World War there were repeated newspaper reports of the unemployed sending deputations to the council to provide work. The depression years of the 1920s and 1930s created even more joblessness and the Team Valley Trading Estate was built in the mid-1930s to alleviate the situation.
Regeneration
In the late noughties, Gateshead Council started to regenerate the town, with the long-term aim of making Gateshead a city. The most extensive transformation occurred in the Quayside, with almost all the structures there being constructed or refurbished in this time.
In the early 2010s, regeneration refocused on the town centre. The £150 million Trinity Square development opened in May 2013, it incorporates student accommodation, a cinema, health centre and shops. It was nominated for the Carbuncle Cup in September 2014. The cup was however awarded to another development which involved Tesco, Woolwich Central.
Westphalian State Museum of Art and Cultural History,
City of Münster / GER
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Bronica ETRSi - Zenzanon PE 75mm f/2.8 - FUJI Pro 160NS - Epson V600
This is a representation of the internal construction of a light saber. Specifically an atypical design. This light saber produces what looks like a long, lance-shaped blade, but is actually 3 or more very thin blades which are rapidly rotating around each other.
This design gives the user a more destructive blade, as well as a longer possible reach than with regular light sabers, as well as being just as quiet. This blade is choice for task forces, and infiltrators, as there are little drawbacks in using such a lightsaber.
The main difficulty in using this design is the construction. Due to the rapidly spinning blades, force harmonizing kyber crystals must be used in order to avoid a potentially dangerous unstable blade. Due to this requirement, acquired imprinted crystals are very unlikely to work, and bleeding or cracked crystals almost never work for this design.
A rule of thumb, the closer the color, the more likely they are to work with each other.
For anyone who read this far, thank you, and I hope you enjoyed my custom saber type. It was built for a local contest, and was really nice to do.
Tall, thin, fit, tan, blonde bikini swimsuit model modeling Nikon D800 9shooter system with a Panasonic X900MK 3MOS 3D Full HD SD Camcorder with 32GB Internal Memory HC-X900MK.
The HC-X900MK camcorder rocks! It has image stabilization which makes for smooth video while shooting stills at the same time!
Pretty blonde swimsuit bikini model goddess modeling the Nikon D800-based 45WindSurfer!
Shooting photographic stills & video @ same time with Nikon D800 & 70-200 mm VR2 Nikkor Lens bracketed to a camcorder--the awsome Panasonic 3MOS 32GB Flash Memory HD Camcorder ! It shoots stabilized 60P video for super-smooth slow-mo when I slow it down in post!
I call it the 45WindSurfer Bracket, as you can catch video's constant wind and still photography's intermittent waves!
Just as windsurding was invented by combining two sports--surfing and sailing--so too was 45windsurfing born by combining two art forms!
When you get to work with pretty swimsuit bikni models, you want to make the most of everyone's time & shoot stills photography and motion pictures / video @ the same time!
Shooting (45WindSurfing) on El Matador Beach in Malbu!
The 45WindSurfer bracket allows one to attach any two cameras! Can hardly wait to attch a 4K Sony or JVC!
Modeling the Gold 45 Revolver Gold'N'Virtue bikini!
All the best on your hero's journey!
With Cam putting out all those hardsuits I thought I'd get to work on something.
Actually this was just an experiment in trying to build something thinner and smaller to use as the Friends hardsuit body. Obviously this is too weak for prime time. So I slapped on a kabuto and called it a night. Makes for a great picture though, that whole internal frame look.