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General description

Crew: 4 - pilot / commander, co-pilot, offensive systems officer and defensive systems officer

Capacity: 56,700 kg (125,000 lb) of internal and external load

Length: 44.5 m (150 ft)

Wingspan: 41.8 m (140 ft)

Reinforced wingspan: 24 m (79 ft)

Height: 10.4 m (34 ft)

Alarm area: 181.2 m² (1 950 ft²)

Empty weight: 87 100 kg (192 000 lb)

Gross weight (loaded): 148,000 kg (326,000 lb)

Take-off weight: 216 400 kg (477 000 lb)

Fuel capacity: 44,049 l (11,600 US-gal)

Motorization

Number of engines: 4x

Engine Type: Turbofan

Manufacturer / Model Name: General Electric F101-GE-102

Motor buoyancy: 13 962 kgf (30,800 lbf) (136.92 kN)

Performance

Maximum speed: 1 335 km / h (830 mph)

Total Mach Speed: 1.25 Ma

Total Node Speed: 721 kn (1 340 km / h)

Range: 11,999 km (7,460 mi)

War range: 5 544 km (3 440 mi)

Service ceiling: 18 000 m (59 100 ft)

Thank you everyone for your favourites and positive comments.

 

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Internal Guidance Systems : Visionary Artists from Around the World February 6th to March 29th, 2008

Our fogs which are wandering in foam of days at one rain hour.

 

Nos brouillards qui déambulent à l'écume des jours d'une heure de pluie.

 

Hasselblad 500C/M + Zeiss Planar 80mm f/2.8 + Ilford Delta 3200 + Ilford ID-11 selfdeveloped + Epson V700 Scan Color 48 Bits Scan (No photoshop except from dust)

 

Bruno Servant © All rights reserved - Downloading and using images without permission is illegal.

brunoservant.free.fr/

PoissonSoluble92@hotmail.fr

www.facebook.com/bruno.servant

Bower AE 8mm 1:3.5 'Fish-eye' CS fisheye lens

 

_DSC2170 Anx2 1200h Q90 0.5k-1.5k f25

Que bueno es poder liberar las cosas que internamente te afectan, que el viento se encargue de llevarlas lejos de ti y que nunca mas regresen.

____________________________________________________

 

It is good to release the things that affect you internally , which is responsible for the wind carry away from you and never more return.

Inside Wells Cathedral, Somerset

I don't normally use the reverse/negative process feature, but the colors were so pretty.

View On Black Better this way...

Here is a sneak peek at the internals of individual sub-assemblies that are part of The Watchtower model.

 

There are 4 individual sections (ground floor, middle section, wooden superstructure and a roof). Every section is built around a solid core with studs on 16 sides (there are differences between the cores for each section but the rule is the same. This core is then covered by a series of panels. There are 14 different types of them in total. This differences come from the need to install windows, doors or wooden support beams but also from the need to make room for internal connections (even if two panels look alike they are built differently).

Hasselblad 500C - yokosuka, japan

 

My Blog - One Shot

 

My Tumblr - TRAVESSIA

While the Interrogator's job usually involves captured enemies, sometimes he is called upon to deal with spies or perceived traitors in the organization. A crimson guardsman has escorted one such individual before him.

Popped into Emergency Scotland 2011 and found these parked outside

this one's a form of chaotic geometric..... it's undergoing endless reconstruction & regeneration as it spreads

 

thanks for having a look at this one....appreciated....best bigger.....hope you have a Great Weekend

Internal structure here. See it in a moc here.

Red tulip internals. Focus stacked using zerene

internal aerial

Whitney Museum of American Art

Madison Avenue

February 2001

Impressionistic images through intentional camera movement.

This is of the horizon over the water at Flat Rock Point in the South Bay.

meadela, minho, portugal

Antigua-West Indies-Caribbean Island

The island of Antigua was explored by Christopher Columbus in 1493 and named for the Church of Santa María La Antigua.[5] Antigua was colonized by Britain in 1632; Barbuda island was first colonised in 1678.[5] Having been part of the Federal Colony of the Leeward Islands from 1871, Antigua and Barbuda joined the West Indies Federation in 1958.[6] With the breakup of the federation, it became one of the West Indies Associated States in 1967.[7] Following self-governance in its internal affairs, independence was granted from the United Kingdom on 1 November 1981. Antigua and Barbuda is a member of the Commonwealth and Elizabeth II is the country's queen and head of state.[8]

The economy of Antigua and Barbuda is particularly dependent on tourism, which accounts for 80% of GDP. Like other island nations, Antigua and Barbuda are particularly vulnerable to the effects of climate change, such as sea level rise, and increased intensity of extreme weather like hurricanes, which have direct impacts on the island through coastal erosion, water scarcity, and other challenges.[9] As of 2019, Antigua and Barbuda has a 0% individual income tax rate,[10] as does neighboring St. Kitts and Nevis.

Putting the “motor” in Tunnel Motor! GEXR 3806 is seen through the lower air intakes of no. 3054, an ex-Cotton Belt EMD SD45T-2.

This is a representation of the internal construction of a light saber. Specifically an atypical design. This light saber produces what looks like a long, lance-shaped blade, but is actually 3 or more very thin blades which are rapidly rotating around each other.

 

This design gives the user a more destructive blade, as well as a longer possible reach than with regular light sabers, as well as being just as quiet. This blade is choice for task forces, and infiltrators, as there are little drawbacks in using such a lightsaber.

 

The main difficulty in using this design is the construction. Due to the rapidly spinning blades, force harmonizing kyber crystals must be used in order to avoid a potentially dangerous unstable blade. Due to this requirement, acquired imprinted crystals are very unlikely to work, and bleeding or cracked crystals almost never work for this design.

 

A rule of thumb, the closer the color, the more likely they are to work with each other.

 

For anyone who read this far, thank you, and I hope you enjoyed my custom saber type. It was built for a local contest, and was really nice to do.

All's quiet on Independence Ave in Cleveland, Ohio at 7:15AM, but in a few moments the hustle of several EMD switchers will come to life with crews of the AM shift of the "CROW", Cliffs Steel's internal switching railroad. Most mills like this are nearly impossible access, but public street Independence Ave cuts right through the heart of it and it's rail operations. I felt it would be best to be here on a Sunday morning when everyone are still nursing their Saturday night head wounds and the other area businesses are off for the day. Along the street are sidewalks that even Cliffs security can't toss you off from. There, kick back and watch the show as short trains of slab and hot bottle cars come from all directions crossing Independence Ave.

I couldn't help but think of Kris Kristofferson's classic "Sunday Morning Coming Down" while trying to get my head straight after a long overnight drive from the Hudson Valley in New York.

One of the greatest songwriters had passed a couple of weeks earlier and Johnny Cash's throaty rap of the song repeated over and over in my head.

"On a Sunday mornin' sidewalk

I'm wishin', Lord, that I was stoned

'Cause there's somethin' in a Sunday

That makes a body feel alone

And there's nothin' short a' dyin'

That's half as lonesome as the sound

Of the sleepin' city sidewalk

And Sunday mornin' comin' down"

The CROW came down all right, blowing the coke gas around as they sped past, back and forth. It brought me back to life.

A fascinating high strung operation to witness on the inside, on a Sunday morning sidewalk.

Bluebell internals. Focus stacked using zerene

Acrylic paint on butcher paper with cut out work, wheatpasted on a wall in Brooklyn by street artist ELBOW-TOE.

 

The elements of the piece are similar to those in Internal 9 except that it uses paint rather than colored paper.

The more I learn about myself, the more I fear myself. I’m told I should remain neutral. A Switzerland of the mind.

This shot was taken in the foyer of a relatively new building in the docklands area in Melbourne. Very impressive architecture.

Vision of things

Secret concurrence

Spiritual wellspring

this one caught me by surprise, i loved the colours caught in my window

Monreale Cathedral is a Roman Catholic church in Monreale, Metropolitan City of Palermo, Sicily, southern Italy. One of the greatest existent examples of Norman architecture, it was begun in 1174 by William II of Sicily. In 1182 the church, dedicated to the Nativity of the Virgin Mary, was, by a bull of Pope Lucius III, elevated to the rank of a metropolitan cathedral as the seat of the diocese of Monreale, which was elevated to the Archdiocese of Monreale in 1183. Since 2015 it has been part of the Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale UNESCO World Heritage site.

The church is a national monument of Italy and one of the most important attractions of Sicily. Its size is 102 meters long and 40 meters wide.

According to a legend, William II of Sicily fell asleep under a carob tree while hunting in the woods near Monreale. The Holy Virgin appeared to him in dream, suggesting him to build a church here. After removing the tree, a treasure was found in its roots, whose golden coins were used to finance the construction. It is more likely that the church was part of a plan of large constructions in competition with the then bishop of Palermo, Walter Ophamil, who had ordered the large Cathedral of Palermo. The construction of Monreale, started in 1172, was approved by Pope Alexander III with a bull on 30 December 1174. Works, including an annexed abbey, were completed only in 1267 and the church consecrated at the presence of Pope Clement IV. In 1178 Pope Lucius III established the archdiocese of Monreale and the abbey church was elevated to the rank of cathedral. The archbishops obtained by the kings of Sicily a wide array of privileges and lands in the whole Italian peninsula.

In 1270 Louis IX, King of France, brother of King Charles I of Naples, was buried here.

In 1547-1569 a portico was added to the northern side, designed by Giovanni Domenico Gagini and Fazio Gagini, in Renaissance style, covered by a cross vault and featuring eleven round arches supported by Corinthian columns. In 1559 most of the internal pavement was added.

The archiepiscopal palace and monastic buildings on the south side were of great size and magnificence, and were surrounded by a massive precinct wall, crowned at intervals by twelve towers. This has been mostly rebuilt, and but little now remains except ruins of some of the towers, a great part of the monks' dormitory and frater, and the splendid cloister, completed about 1200.

The latter is well preserved, and is one of the finest Italian cloisters now extant both for size and beauty of detail. It is about 2,200 m2, with pointed arches decorated with diaper work, supported on pairs of columns in white marble, 216 in all, which were alternately plain and decorated by bands of patterns in gold and colors, made of glass tesserae, arranged either spirally or vertically from end to end of each shaft. The marble capitals are each carved with foliage, biblical scenes and allegories, no two being alike. At one angle, a square pillared projection contains the marble fountain or monks' lavatorium, evidently the work of Muslim sculptors.

The church's plan is a mixture of Eastern Rite and Roman Catholic arrangement. The nave is like an Italian basilica, while the large triple-apsed choir is similar to one of the early three-apsed churches, of which so many examples still exist in Syria and elsewhere in the Middle East. It is like two quite different churches put together endwise.

The basilican nave is wide, with narrow aisles. On each side, monolithic columns of grey oriental granite (except one, which is of cipolin marble) support eight pointed arches much stilted. The capitals of these (mainly Corinthian) are also of the classical period. There is no triforium, but a high clerestory with wide two-light windows, with simple tracery like those in the nave-aisles and throughout the church, which give sufficient light.

The other half, eastern in two senses, is both wider and higher than the nave. It also is divided into a central space with two aisles, each of the divisions ending at the east with an apse. The roofs throughout are of open woodwork very low in pitch, constructionally plain, but richly decorated with colour, now mostly restored. At the west end of the nave are two projecting towers, with a narthex (entrance) between them. A large open atrium, which once existed at the west, is now completely destroyed, having been replaced by a Renaissance portico by Giovanni Domenico and Fazio Gagini (1547–1569).

The main internal features are the vast (6,500 m2) glass mosaics, executed in Byzantine style between the late 12th and the mid-13th centuries by both local and Venetians masters. The tomb of William I of Sicily (the founder's father), a porphyry sarcophagus contemporary with the church, under a marble pillared canopy, and the founder William II's tomb, erected in 1575, were both shattered by a fire, which in 1811 broke out in the choir, injuring some of the mosaics and destroying all the fine walnut choir-fittings, the organs and most of the choir roof. The tombs were rebuilt, and the whole of the injured part of the church restored a few years after the fire. The present organ, revised in 1967 by Ruffatti, has six manuals and 102 stops.

On the north of the choir are the tombs of Margaret of Navarre, wife of William I, and her two sons Roger and Henry, together with an urn containing the viscera of Saint Louis of France, who died in 1270. The pavement of the triple choir, though much restored, is a specimen of marble and porphyry mosaic in opus alexandrinum, with signs of Arab influence in its main lines. The mosaic pavement of the nave was completed in the 16th century, and has disks of porphyry and granite with marble bands intermingled with irregular lines.

Two Baroque chapels were added in the 17th and 18th centuries, which are shut off from the rest of the church. The bronze doors of the mosaic-decorated portal on the left side was executed by Barisano da Trani in 1179.

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