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Marian Bijlenga, Raija Jokinen, Malena Karlsson
27.2.-22.3.2015, Porvoon Taidehalli, Taidetehdas, Porvoo
Sc name: Ardea intermedia
This is another tricky one to ID
They look so much like the Great Egret and Snowy Egret
Slightly smaller in size, but the disticntion is on his face, which has a green color on his gape
FORT BRAGG, N.C. – Completed in April 2012, the new Irwin Intermediate School at Fort Bragg opened just in time for the 2012-2013 school year. Construction on the $14.9 million, 112,025-square-foot facility began in 2010 and was managed by the U.S. Army Corps of Engineers Savannah District. The new school replaces the original Irwin building built in 1962. The school was formally dedicated with an opening ceremony on Sept. 27, 2012. It was named in memory of Lt. Gen. Stafford Leroy Irwin, who served as the post commander from 1946 to 1948. Located off of Normandy Drive, near Butler and Murray elementary schools, the new Irwin School serves 725 students in grades two through five. Amenities include art, music, and general purpose classrooms, computer labs, a playground, gymnasium, and multipurpose rooms with a stage and kitchen. Within the past few years, the Savannah District has completed more than $100 million in family support projects at Fort Bragg, including schools and child development centers. Between 2013 and 2020, another $90 million is budgeted for continued school development on Fort Bragg. USACE photo by Tracy Robillard, Sept. 12, 2012.
Reservist infantry candidates from the Intermediate Mortar Course practice their skill on the 81-mm mortar in the training area at Canadian Forces Base Gagetown, Oromocto, New-Brunswick, December 4, 2018.
Photo: Aviator Stéphanie Labossière, Canadian Army Trials and Evaluation Unit (CATEU)
GX03-2018-0051-007
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Des membres de la Force de réserve participant au cours sur le mortier de niveau intermédiaire pratiquent leur adresse au tir de mortier de 81 mm dans le secteur d’entraînement de la Base des Forces canadiennes Gagetown, à Oromocto, au Nouveau Brunswick, le 4 décembre 2018.
Photo : Aviator Stéphanie Labossière, Unité de l'Armée canadienne d'essais et d'évaluation (UACEE)
GX03-2018-0051-007
Canon iD MK IV
Canon 500MM
ISO 800
1/2500
F 6.3
Manual Exposure
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Anupam!!
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This drop-test model of ESA’s IXV Intermediate eXperimental Vehicle will be among the attractions on display at this year’s ESTEC Open Day on 5 October.
IXV’s sleek lifting body design gives a clue to its purpose: the flight version will be launched 420 km into spacE by a Vega rocket before beginning a long glide back through the atmosphere.
In the process, IXV will gather data on reentry conditions to help guide the design of future spaceplanes.
The IXV replica seen here was last year dropped by helicopter into the Mediterranean to demonstrate that the design would endure splashdown – note the flotation balloons.
The flight model, meanwhile, has been put through its paces at ESA’s test centre next door, with everything needed to recreate every aspect of the launch and space environment under one roof.
Credit: ESA/S.Ferreté
Just south of Catlettsburg, as we race southward along KY Route 757, the eastbound freight splits the C&O signals in the small town of Savage Branch as he darts down the Big Sandy Sub.
Taken: 10/07/06
ॐ Power Yoga Flow ~ 34 minutes ~ intermediate to advanced Strong Yoga Flow youtu.be/Ua10v6kw27c Power Yoga Flow intermediate to advanced Strong Flow class was designed for intermediate and advanced students, seeking a strong flow workout for strength, fitness, flexibility. It is is meant to provide a core daily yoga practitioners with a rigorous workout in a tight 30 minute Vinyasa. Veteran teacher Michelle Goldstein of Heart Alchemy Yoga in Venice, California brings a simple practicality to her instruction that provides a safe and easy to understand Yoga program. This yoga course is intended to help improve strength, flexibility, stamina, range of motion, breath capacity and relaxation. This 30 minute routine will increase energy levels and is great for morning, as a workout or anytime you're feeling stress or fatigue. To obtain a free download MPG of this class, subscribe to Heart Alchemy Yoga and we will send you the link. About Michelle Goldstein: Michelle has been maintaining a daily yoga practice for 15 years. A protégée of renowned Yoga teacher, Bryan Kest of Santa Monica Power Yoga, Michelle has been teaching yoga for 8 years. A devoted student, she has also studied under a wide range of respected teachers including Max Strom, Bryan Kest, Guru Singh, Saul David Raye, Erich Schiffman and others. Check out all of our great Yoga flow videos below: Five Tibetan Rites with John Goltermanhttps://youtu.be/nnNJoRLJG9E Power Yoga for Weight Loss youtu.be/yUtK7v3dsr0 Strong Yoga For Beginners Workout youtu.be/xglmLhDppmo Meditative Bhakti Yoga Flow youtu.be/mQnAvEbDNPg Bhakti Yoga Workout youtu.be/AHMO0Ja0XC4 Cardio Yoga Workout youtu.be/hy-qss2Takg Yoga Workout 1 hour Yoga For Weight Loss youtu.be/yUtK7v3dsr0 Power Yoga Flow youtu.be/XpGnuK_u4gQ Bhakti Yoga Class youtu.be/K9scEzgir-8 Yoga for Beginners youtu.be/EaKZ3Xtxf5A Mindfulness Meditation youtu.be/2K-ZcAgka2g Gentle Yin Yoga Full Class youtu.be/Z3AlyD1CIJw Bhakti Yoga flow heart opening yoga workout with Kumi Yogini youtu.be/onS6uq94NHw Bhakti yoga class yoga flow with Kumi Yogini ॐ youtu.be/K9scEzgir-8 bhakti yoga class with Kumi Yogini youtu.be/ch4CEW-vEoc Advanced Yoga Workout - Inversions, Hand Stand, Core Work youtu.be/KbLVYpQ74Zo Bhakti Yoga Flow youtu.be/KvhIvZyemtI Inspired Yoga Workout with Breathwork youtu.be/_wG5hEBrMJQ Strong beginners Yoga Workout with JQ Williams youtu.be/vQdOhTKfEt8 Bhakti Yoga flow yoga workout youtu.be/VPmOF99bBHg Beginners Yoga Flow 2015 youtu.be/Dva-ThUN6Ww Bhakti Yoga Flow with Kumi Yogini 2015 youtu.be/onS6uq94NHw Yoga for Beginners Level 1 yoga workout youtu.be/f2sIjOHFZuU Yoga Flow youtu.be/YKVhB4TxuwU 40 Minute Yin Yoga Class youtu.be/O_Vg-j5lkuA Strong Power Yoga Flow youtu.be/UwJFpTRXI-g Yoga flow daily recharge total body workout youtu.be/LiTlpC0RU6Q Strong Power Yoga Flow youtu.be/Ua10v6kw27c 30 Minute Power Yoga Flow with Twists for detox youtu.be/Sy25cbDGqBM 30 Minute Daily Yoga Flow for weight loss youtu.be/Vc4u04a5A4o Yoga for Beginners youtu.be/3gWJBgAIXwg Sun Salutations (Surya A Surya B) youtu.be/GHGU18zg4rs Click below to subscribe to our channel: youtube.com/heartalchemyyoga Our Sites www.heartalchemyyoga.com plus.google.com/+HeartAlchemyYoga facebook.com/heartalchemyyoga instagram.com/travlinyogini twitter.com/travlinyogini www.pinterest.com/travlinyogini www.michellegoldsteinyoga.com
Reservist infantry candidates from the Intermediate Mortar Course practice their skill on the 81-mm mortar in the training area at Canadian Forces Base Gagetown, Oromocto, New-Brunswick, December 4, 2018.
Photo: Aviator Stéphanie Labossière, Canadian Army Trials and Evaluation Unit (CATEU)
GX03-2018-0051-002
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Des membres de la Force de réserve participant au cours sur le mortier de niveau intermédiaire pratiquent leur adresse au tir de mortier de 81 mm dans le secteur d’entraînement de la Base des Forces canadiennes Gagetown, à Oromocto, au Nouveau Brunswick, le 4 décembre 2018.
Photo : Aviator Stéphanie Labossière, Unité de l'Armée canadienne d'essais et d'évaluation (UACEE)
GX03-2018-0051-002
Intermediate Bus with Minibus livery. Photo of bus 4020 on 202 line to Chinatown. Probably publicity view. Built in 1966 by Flxible (model 411-GD-C2 non- a/c with 35 seats).
Thursday morning, and all I had to do was get back to Kent. Hopefully before five so I could hand the hire car back, but getting back safe and sound would do, really.
I woke at six so I could be dressed for breakfast at half six when it started, and as usual when in a hotel, I had fruit followed by sausage and bacon sarnies. And lots of coffee.
Outside it had snowed. OK, it might only be an inch of the stuff, but that's more than an inch needed to cause chaos on the roads.
Back to the room to pack, one last look round and back to reception to check out, then out into the dawn to find that about a quarter of the cars were having snow and ice cleared off them before being able to be driven.
I joined them, scraping the soft snow then the ice. Bracing stuff at seven in the morning.
Now able to see out, I inched out of the car park and out to the exit and onto the untreated roads.
It was a picturesque scene, but not one I wanted to stop to snap. My first road south had only been gritted on one side, thankfully the side I was travelling down, but was still just compacted snow.
After negotiating two roundabouts, I was on the on ramp to the M6, and a 60 mile or so drive south. The motorway was clear of snow, but huge amounts of spray was thrown up, and the traffic was only doing 45mph, or the inside lane was, and that was quite fast and safe enough for me.
More snow fell as I neared Stoke, just to add to the danger of the journey, and then the rising sun glinted off the road, something which I had most of the drive home.
I went down the toll road, it costs eight quid, but is quick and easy. And safe too with so little traffic on it. I think for the first time, I didn't stop at the services, as it was only about half nine, and only three hours since breakfast.
And by the time I was on the old M6, there was just about no snow on the ground, and the road was beginning to dry out.
My phone played the tunes from my apple music store. Loudly. So the miles slipped by.
After posting some shots from Fotheringhay online, a friend, Simon, suggested others nearby that were worth a visit, and I also realised that I hadn't taken wide angle shots looking east and west, so I could drop in there, then go to the others suggested.
And stopping here was about the half way point in the journey so was a good break in the drive, and by then the clouds had thinned and a weak sin shone down.
Fotheringhay is as wonderful as always, it really is a fine church, easy to stop there first, where I had it to myself, and this time even climbed into the richly decorated pulpit to snap the details.
A short drive away was Apethorpe, where there was no monkey business. The village was built of all the same buttery yellow sandstone, looking fine in the weak sunshine.
Churches in this part of Northamptonshire are always open, Simon said.
Not at Apethorpe. So I made do with snapping the church and the village stocks and whipping post opposite.
A short drive up the hill was King's Cliffe. Another buttery yellow village and a fine church, which I guessed would be open.
Though it took some finding, as driving up the narrow high street I failed to find the church. I checked the sat nav and I had driven right past it, but being down a short lane it was partially hidden behind a row of houses.
The church was open, and was surrounded by hundreds of fine stone gravestones, some of designs I have not seen before, but it was the huge numbers of them that was impressive.
Inside the church was fine, if cold. I record what I could, but my compact camera's batter had died the day before, and I had no charger, so just with the nifty fifty and the wide angle, still did a good job of recording it.
Back to the car, I program the sat nav for home, and set off back to Fotheringhay and the A14 beyond.
No messing around now, just press on trying to make good time so to be home before dark, and time to go home, drop my bags, feed the cats before returning the car.
No real pleasure, but I made good time, despite encountering several bad drivers, who were clearly out only to ruin my mood.
Even the M25 was clear, I raced to the bridge, over the river and into Kent.
Nearly home.
I drive back down the A2, stopping at Medway services for a sandwich and a huge coffee on the company's credit card.
And that was that, just a blast down to Faversham, round onto the A2 and past Canterbury and to home, getting back at just after three, time to fill up the bird feeders, feed the cats, unpack and have a brew before going out at just gone four to return the car.
Jools would rescue me from the White Horse on her way home, so after being told the car was fine, walked to the pub and ordered two pints of Harvey's Best.
There was a guy from Essex and his American girlfriend, who were asking about all sorts of questions about Dover's history, and I was the right person to answer them.
I was told by a guide from the Castle I did a good job.
Yay me.
Jools arrived, so I went out and she took me home. Where the cats insisted they had not been fed.
Lies, all lies.
Dinner was teriyaki coated salmon, roasted sprouts and back, defrosted from before Christmas, and noodles.
Yummy.
Not much else to tell, just lighting the fire, so Scully and I would be toast warm watch the exciting Citeh v Spurs game, where Spurs were very Spursy indeed.
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From Easton-on-the-Hill I cycled on through Collyweston, passing the church with the eccentric keyholder who I had met the previous July, and then turned off through the fields. This led me to a short stretch of the A47, which thankfully wasn't terribly busy, and then I turned off on a long, winding road down from the top of the ridge through the forest until I reached Kingscliffe, one of the loveliest villages in Northamptonshire.
I had visited the church here before, in May 2016, but on that occasion a wedding had just started and so I wasn't able to see inside. The village is large, and had once been served by the railway, and it still has a busy feel. As I headed down the village high street, an ancient Skoda passed me, and I wondered if it was much more likely for such a thing to survive out here in remote Northamptonshire than in the busy towns and cities. When I got to the church, the Skoda was parked outside, and as I leaned my bike against the wall an elderly man came out of the churchyard, got in the car and drove off. It was just before nine o'clock. Thus, I had witnessed the church-opener going about his business.
This is a tremendous building, a great cruciform church with a central tower set four-square on a rise surrounded by hundreds of unreset Ketton stone headstones. You step into a wide open space that swallows sound, and I was immediately put in mind of the great churches of south Lincolnshire, which after all is only a few miles off. The star of the show here is a good collection of medieval glass, including some angels which are so similar to those in one of the Stamford churches that they must be the same workshop, and possibly even from the same collection. The rest of the glass is mostly by Kempe and not bad (as you know, I am not a huge fan), and the overall feel of the Anglo-catholic tradition, only slightly faded and diluted, is delicious. One curiosity is an elaborate spiral staircase set below the central tower.
I eventually tugged myself away, and headed off in the direction of Blatherwycke, through gentle fields and eventually past the stone walls of the Blatherwycke estate.
www.flickr.com/photos/norfolkodyssey/42383511784/in/photo...
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Ecclesiastical
¶(1) The Parish Church of All Saints (Fig. 115; Plate 8) stands in a large churchyard on the S. side of the village. It consists of a Chancel, Central Tower, North and South Transepts, Nave with Aisles, and North and South Porches. The walls are built in coursed limestone rubble; the tower has Barnack quoins and the spire is in freestone. The roofs of the chancel and porches are steep-pitched and stone-slated and the remainder are flat-pitched. The earliest part is the central tower which belongs to the first half of the 12th century as indicated by the style of the windows in the second stage. However, the tower has projecting corners, except on the N.E. where the chancel and N. transept have been widened and its plan is irregular; these characteristics are usually associated with pre-Conquest buildings. It is not possible to say whether or not the first church had transepts. Since the 12th century much of the church has been rebuilt. In the 13th century the spire was added, the N. wall of the chancel was rebuilt slightly to the N. of its former line and the E. and W. tower arches were remodelled. In this operation the new E. tower arch was set off-centre to conform with the widened chancel; the original axis of the chancel is indicated by a 12th-century window in the E. wall of the tower above the E. arch. Also at this time a chapel N. of the chancel was proposed, and possibly built, as demonstrated by a respond of an arch against the N.E. corner of the tower. Early features in the W. walls of the nave and the N. aisle show that the 13th-century nave and N. aisle were the same length as at present. The existence of a N. aisle implies that there was a transept N. of the tower at this time. Except for two 14th-century windows inserted in these 13th-century W. walls, the nave, most of the W. wall of the N. transept, the S. transept, the S. aisle and both porches, belong to the early 15th century. In the late 15th century the chancel was rebuilt, on the lines of the former walls, and the E. and N. walls of the N. transept were rebuilt, the E. wall about one metre further to the E. A diagonal passage was formed at the junction of the N. wall of the chancel and the E. wall of the transept. Also in the 15th century, the N. and S. tower arches were remodelled.
A major restoration by Browning of Stamford took place in 1862 when galleries and the old pews were removed (NRO, Faculty, 16 Aug. 1862; Peterborough Advertiser, 6 June 1863).
The church is notable for its early origin and for its dominating appearance.
Architectural Description – The Chancel has a freestone ogee-moulded plinth and two-stage weathered buttresses, those on the E. being set diagonally but not exactly on the diagonal axis. The eaves are plain and the E. wall has a parapeted gable which carries a lozenge-shaped panel inscribed '1648'; this date presumably refers to the rebuilding of the upper part of the walling which is of smaller stones than the lower. An offset, visible internally, indicates a former low-pitched roof. The E. window of the 15th-century has vertical tracery and a quatrefoil in the head. In the side walls 15th-century windows have vertical tracery and triangular heads. A priest's door in the N. wall has a four-centred head. At the N.W. corner is a diagonal passage to the N. transept; it has a flat ceiling supported on a 13th-century respond with fillets on the shafts, water-holding base and roll-moulded capital.
The Central Tower of two external stages was built in the first half of the 12th century if not earlier; the upper part and the broach spire belong to the 13th century. The S.E. external angle has quoins of Barnack stone and no plinth. Some quoins at a high level are set upright; two survive on the S.E., and one on the S.W. The E. arch of two chamfered orders supported on semi-octagonal responds has a label with mask stops; it is probably late 13th-century. The N. and S. arches have two-centred heads of two chamfered orders, the inner carried on semi-octagonal capitals and half-round shafts with wave-moulded bases; these 15th-century arches are not set centrally in the tower walls. The W. arch has two chamfered orders carried on semi-octagonal capitals and half-round shafts with water-holding bases. In the E. wall above the arch is a small round-headed 12th-century window, with deeply splayed jambs, which opens into the chancel. In the second stage on all four faces and above the level of the small window, are round-headed windows of the same date, those on the E., N. and S. with two recessed inner lights separated by a circular shaft with a scroll-decorated base, capital with primitive volutes and square abacus (Plate 5). The window on the W. is without a recessed containing arch; each of the two lights have straight unmoulded jambs, and are separated by two shafts set across the wall to carry a through-stone instead of a square abacus. Although the window is blocked internally the two shafts are visible on the nave side (Fig. 116). The sill, forming part of a double-chamfered string-course which continues round the tower, has been cut in two places to receive the steep gable of a former nave roof. The third stage of the tower is mostly 13th-century; the centre parts of the walls at this level are recessed. On each face is a tall belfry window the upper half of which becomes a gabled lucarne against the spire; they are of two lights with circular shafts, pierced central spandrels, and nail-head enrichment. The broach spire, with eaves supported on mask-stop corbels, has four small lucarnes of two lights and a blunt pyramidal finial. In the spandrel of the W. tower arch is a square-headed doorway, now blocked, which probably led to the rood loft; it is perhaps late-medieval.
The North Transept has a high ogee-moulded plinth on the E. and N., diagonal buttresses of two weathered stages and a wide projection in the angle between the chancel and the transept, fashioned as a buttress to accommodate the diagonal passage. On the E. and N. is a roll-moulded continuous sill-course, below which the walling is mostly of reused material. The parapets are plain, but below them on the W. the string-course is enriched with mask stops, possibly reused, and a carved boss. Most of the W. wall is of earlier date than those on the E. and N.; it sets back at the point where the aisle meets the transept, conforming with the arch below. The late 15th-century E. window has a four-centred head and trefoil-headed lights. The N. window of the same date has a square head, three lights with flat, cusped heads, and a label with head stops, one a female with square head-dress the other a male with forked beard. In the W. wall is a small 17th-century rectangular window with ovolo-moulded jambs and head.
¶The South Transept, of the early 15th century, has an ogee-moulded plinth, diagonal buttresses, and embattled parapets. In the E. wall is a small 16th-century doorway with a four-centred head; above it is the head of a single-light 13th-century window or recess, probably reset. The E. and S. windows have pointed segmental heads, trefoil-headed lights and quatrefoils; the tracery in the S. window has been renewed as a result of a flue, since removed, being built against the window.
The W. wall has two 15th-century four-stage buttresses with cusped and gabled tops. The W. window has splayed jambs with keel-moulded arrises and a roll-moulded internal sill of the 13th century; within the splays is a 14th-century window with curvilinear tracery having a central octofoil and mouchettes. Above, the line of an earlier steep-pitched -roof which matches that on the tower is visible externally. The 15th-century clearstorey has an embattled parapet and windows all with two trefoil-headed lights and labels with head stops; at the W. end, over the aisles, are small pilasters with gabled tops. Gargoyles, three on each side, are carved as grotesque heads, mostly of animals.
The North Aisle has a N. wall with an ogee-moulded plinth and gargoyles carved as a crowned head and a muzzled beast. At the E. end is an arch with wave-and-hollow mouldings which die into the side walls. The side windows have pointed segmental heads, ogee-headed lights and twin quatrefoils in the tracery. The N. doorway has a four-centred head and continuous moulded jambs. In the W. wall a hollow-moulded jamb with a roll stop, and part of a chamfered sill, remain from the 13th century. Above, is a late 14th-century window of three graduated and cusped lights. The South Aisle is uniform with the N. aisle and wholly of the 15th century. The first window has a label with head stops. Two gargoyles survive carved with grotesque human heads.
The North Porch, of the 15th century, has an archway with a four-centred head of two chamfered orders, the outer continuous, the inner carried on half-round responds. In the parapeted gable is a panel inscribed '1663 LT TR' which may refer to a rebuilding of part of the porch. On the E. and W. are single-light windows and inside are stone benches. The South Porch is similar to that on the N. but lacks side windows. On the exterior, E. of the entrance arch is an indent for a brass of a kneeling male figure with inscription plate, 15th-century (Fig. 117).
The Roof of the S. transept is low-pitched with cambered tie beams, wall posts and stone corbels carved with male and female heads. The nave roof, of four bays has cambered tie beams, arched braces resting on stone head corbels, and intermediate principals terminating on wooden angels with shields. At the junction of the principals and the purlins are foliated bosses; 15th-century.
Fittings – Bells: six; 1st, inscribed 'Iohn Nebon Esq gave Henry Penn made me 1714'; 2nd, inscribed 'Mistris Maria Hartleie widdo casthis bell, 1619. Richard Bardon Nicholas Baili Gardian. Mvlt ivocati pauci electi 1619'; 3rd, by T. Mears, 1832; 4th, modern; 5th, inscribed 'William Eywood Henrie Thorpe 1592'; 6th, inscribed 'IHS Nazarenus Rex Iudeorum Fili Dei miserere mei. Tho Eayre A.D. 1738'; recast 1917. Brasses and Indents. Brasses (Plate 68): in chancel (1), on N. wall, of Richard Wildbore, 1688; (2), of Samuel Wyman, woolstapler, 1700; both are small rectangular plates. Indent: see S. porch. Font: rounded limestone bowl with four circular cusped panels and smaller blank roundels between, 13th-century; beneath the latter are moulded capitals which now rest on modern detached shafts grouped round a central stem. Paley (Baptismal Fonts (1844) ) shows the bowl on a stout octagonal stem, the top of which now forms the base. In 1862 it was moved from the N. aisle where it stood on a foot-pace (faculty in NRO), and was again dismantled and reassembled in 1897 (NRO, Messrs. Roberts' account, of Stamford).
Glass: most of the early glass in the church is said to have come from Fotheringhay and been installed by the Rev. H. K. Bonney in 1862, but Bridges, writing before 1724, recorded ancient glass in the S. aisle and this probably survives incorporated in the present arrangement. Other early pieces were added in 1897 to the N. and S. aisle windows (Messrs. Roberts' account, of Stamford). Those pieces bearing the heraldic badges of the House of York, for example the fetterlock and the sun in splendour, presumably came from Fotheringhay. Unless otherwise stated the glass is 15th-century. In S. transept, in E. window (1), set in quatrefoils: unidentified shield, probably 18th-century, and four quarries showing a white rose in a sun in splendour, an oak tree, oak leaves, and a rose and fetterlock; 18th-century heraldic lion, and four quarries showing seated animals, foliage and a black-letter U entwined with cords; in S. window (2), in quatrefoils: fragment of figure possibly playing bagpipes, and four quarries with oak leaves; roundel with eagle of St. John inscribed 'iohannes', and four quarries depicting a sun in splendour and oak leaves. In nave in W. window (3), random fragments include figures playing stringed instruments, a crown, fetterlocks and oak trees. In N. aisle in W. window (4), angel playing trumpet, roundel with lion of St. Mark and inscribed scroll, angel playing lute. Locker: in chancel, small recess, medieval.
¶Monuments and Floor slabs. Monuments: in chancel – on N. wall (1), of John Neabon, 1713, and Susanna his wife who erected tablet, 1748; (2), of Thomas Law, 1714, freestone, with broken pediment enclosing skull, wide pilasters decorated with foliage, and large monogram on apron; (3), of Charlotte Bonney, 1850, by R. Brown, 58 Great Russell Street, London. On S. wall (4), of Sarah Browne (Butler), 1681, and Mary Butler, 1683, round-headed inscription panel, segmental broken pediment, side scrolls, lozenge of arms of Butler on base flanked by palm branches. In N. transept – on E. wall (5), of William Walker, 1823; (6), to three generations of the Thorpe family, masons, dated 1623, freestone, with broken pediment enclosing obelisk and painted shield of arms of Thorpe, shaped apron inscribed 'Thomas' three times, and remains of painted inscription recorded fully by Bridges (II, 432); the youngest Thomas was father of John Thorpe, the architect (Plate 65). On S. wall (7), of Thomas Boughton, 1658, with steep pediment, shield of arms of Boughton in the tympanum impaling an unidentified quartered coat; (8), of Emma Mason, 1837, by Smith of Stamford; on W. wall (9), of Rev. Henry Bonney, rector, 1810, and (10), of Bridget Bonney his wife, 1824. In N. aisle – on N. wall (11), of Jane Maddock, 1835. In S. aisle – on S. wall (12), of Francis Mason, 1818, Elizabeth his wife, 1844, and Scott Secker their grandson, 1842, by Fearn of Stamford; (13), of Elizabeth Cunnington, 1827, lozenge-shaped panel by Gilbert of Stamford; (14), of Eleanor Dafforn, 1847; (15), of Emma Law, 1829, by Gilbert of Stamford; (16), of Elizabeth Carrington, 1825; (17), of Thomas Law, 1739, and (18), of Martha Law (Forde), 1725, a pair of freestone tablets with segmental pediments, bolection-moulded surrounds, gadrooned sills and shaped aprons with shields of arms of Law impaling Forde, flanked by branches (Plate 72). In N. porch – on E. wall (19), of Ann Wood, 1796, and others, surmounted by urn; (20), of Roger Wood, 1818, and Elizabeth his wife, 1814, freestone, by Stevens. On S. wall (21), of Charles Attkins, 1802, and Ann, 1783, freestone oval tablets; (22), of Ann Attkins, 1781, freestone eared tablet with shaped panels above and below decorated with cherub's head and flowers. In S. porch – on W. wall (23), of Elizabeth Carrington, 1798, by Glithero; (24), of James Carrington, 1822, by Stephens. Monuments listed without full descriptions are of simple design. Floor slabs: in chancel – (1), of Rev. H. K. Bonney, rector, 1810, and Bridget his wife, 1824; (2), of Rev. W. Pyemont, an 'Allways Resident Rector', 1751, freestone with pitch-filled foliage decoration. In N. transept – (3), of John Walker, 1809.
www.british-history.ac.uk/rchme/northants/vol6/pp91-106#:....
Q510 splits the intermediate CPL's at 153 as it makes its way north for Toledo. 510 will take the siding at XN and meet Q241 in Leipsic. With Q241 being so long he held at North Leipsic waiting for this guy and ended up running shortly after sunset. Q241 was the second of 5 south bounds but the rest all ran after dark because of this 510 coming north. A decent amount of the CPL's are planned to be replaced in the first have of 2016 and replacements are up in several locations from Leipsic to Lima.