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Oh yeah.
These are an interface to a pitching game. You actually have to grip the ball and throw it properly in order to get Mario to throw a good pitch.
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
This is an interface design for a Lie Virus Database. It's software that tracks and categorizes lies metaphorically as viruses. You can search the database, find who's been infected (lied to), who has been administered a vaccine (truth), or been effected with another virus to cover up a previous one (lie to cover up lie). You can investigate the DNA of a virus further (the actual sentences of the lie) and check the make-up of it (nouns, verbs, etc.).
I systematized everything from the name, icon, binary identification, and DNA make up.
This has been hanging about in my 'try to make something of it' folder for ages. Not sure that it shouldn't have stayed there, but still. Not even sure if it's abstract or trying to be figurative.
(Who cares? It's a picture. I do pictures. Leave the theorising to people who know what they're talking about.)
Too much Joe Meek tonight: I've been listening to I Hear a New World over again, and trying not to notice the bits that got recycled onto Outlaws' album tracks.
The "premium" offers 1 USB 2.0 and 2 Firewire 400 ports. By specififcation Firewire 400 can be used for power supply. I don't know why but most Firewire devices these days (like the "premium") don't make use of that feature. You need the power brick with Firewire 400 as well -- which is sad, because this is one of the big advantages over USB.
On the positive side, the "premium" offers an additional Firewire port, so you can connect another device and won't lose a port.
Managing Water and Land Resources for Sustainable Livelihoods at the Interface between Fresh and Saline Water Environments in Vietnam and Bangladesh
The project had five specific objectives:
1.To enhance their understanding of livelihood changes resulting from regional resources management and farm-level technological interventions.
2.
To assess the impacts of agricultural and aquacultural land and water uses on water quality, aquatic biodiversity, and inland fisheries.
3.
To develop ecologically friendly and socially acceptable techniques for rice and rice-aquaculture production systems.
4.
To develop decision-support tools and an institutional framework for integrated multipurpose management of a dual fresh- and brackish-water regime to meet the needs of diverse water users, without an adverse impact on users and the environment outside.
5.
To enhance human resources capacity and develop recommendations for resources management at the farm and regional level.
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
So here we are, on the road again, and I hadn't sorted out the Sony A6000 to Snapseed interfaces.
I shoot RAW and my image transfers from this trip look meh. After 4 weeks it finally occurred to me to look at the file size. Lo and behold, thumbnail jpgs were transferred. Ugh.
This is why my cellphone images look sharp on Flickr and the A6000 images do not.
I tested shooting RAW + JPG and the good, full Rez JPG does transfer. Lesson learned.
Next thing is image processing.
I read about how Norman Seeff used to print high contrast works with a twist. He used a black stocking between the enlarger lens and paper to give a interesting softness to some of his images.
He wasn't by any means the only one to do this.
When I worked at Samy Cameras photo lab on Sunset Blvd in Hollyweird we used to do this at client request. It was really no big deal.
What was a bigger deal was our use of Agfa Portriga Rapid 111 Glossy paper. It gave a gorgeous deep walnut brown tone. We used this for may of the gallery shows we printed for various then famous photographers.
Taking the black stocking idea and borrowing tones from Portriga Rapid, it turns out, expresses pretty well how I feel about Rome.
So, here is a series of images done in an old, outdated, likely not very hip manner.
4th interface. Gaming
- FS5 Hockey
- Air Hockey
- Ping Pong Lite
- Tap Tap Revenge 2
- Ski Jump Lite
- iSki Lite
- Snow Lite
- BClassic Lite
- Paper Toss
- StoneLoops! Lite
- Photo Hunt
Taaleritehdas is financial management house providing comprehensive private banking services.
Role: Art Director
Done in Nitro Fx, 2007
A interface do Chrome é bastante simples. A barra de endereço serve igualmente para fazer buscas e os sites podem ser automaticamente adicionados aos favoritos se clicarmos na estrela da esquerda. Para adicionar uma nova tab use o atalho do costume: Crtl+T.
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
So I decided to give mySpace a try. Among other things this little gem, I fear, will turn out to be typical.
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
INTERFACE AMNESTY@ANDFESTIVAL
SATURDAY 26th SEPTEMBER STATIC 23 Roscoe Lane Liverpool L1 4JD 1pm - 9pm
THE AMAZING ROLO
CHRIS OSHEA
JODY HUDSON-POWELL
NOISE CLUB
NORTH WEST HACKSPACE
OWL PROJECT
PIXELH8
RACHEL CARNEY: THE ASTRONAUT SHOW
SILVER & TRUE: FLIRTMAN
TONY KEMPLAN’S SONIC PICNIC
LAURA PULLIG
AND IN ASSOCIATION WITH CYBERSONICA
STRETTA
MIKE BLOW
CAPTINCAPTIN
THE SANCHO PLAN
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
INTERFACE AMNESTY@ANDFESTIVAL
SATURDAY 26th SEPTEMBER STATIC 23 Roscoe Lane Liverpool L1 4JD 1pm - 9pm
THE AMAZING ROLO
CHRIS OSHEA
JODY HUDSON-POWELL
NOISE CLUB
NORTH WEST HACKSPACE
OWL PROJECT
PIXELH8
RACHEL CARNEY: THE ASTRONAUT SHOW
SILVER & TRUE: FLIRTMAN
TONY KEMPLAN’S SONIC PICNIC
LAURA PULLIG
AND IN ASSOCIATION WITH CYBERSONICA
STRETTA
MIKE BLOW
CAPTINCAPTIN
THE SANCHO PLAN