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Well framed automotive art looking a little like "The Nighthawks". London, like so many cities is a place of contrasts with rich and poor. This window is located in one of the more prestigious postcodes.
Thank you for any and all views, faves, invites to groups, comments and constructive critique. I’m not keen on: invitations to post 1 award 3; copy and paste comments (you know who you are); or links to your work. If you like my images there is a good chance I will like yours and I tend to reciprocate views as a matter of courtesy and personal interest. All my images are my own original work, under my copyright, with all rights reserved. This means asking the owner's permission, and obtaining it, before using the image for ANY purpose.
Copyright infringement is theft.
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Voigtländer BESSA L
Lense: Voigtländer SKOPAR 25mm, F4.0
Film: Agfa CT Precisa 100
Processing: E6 by PS13,
digitized with Epson V850 Pro
Camera: YASHICA MAT 124 G
Lense: Yashinon 80mm, F3.5
Film: Fuji Pro 160NS
Processing: C41 by PS13, digitized with Epson V370
Camera: Mamiya 645 PRO TL
Lense: Mamiya-SEKOR 50mm, F4.0 Shift
Film: Fuji Provia 100 F
Processing: PS13, digitized with Epson V370
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Zeiss Flektogon 35mm + 7D
Primary 4 children have been busy making a permanent installation in the entrance hall...48 little box canvases
Camera: Rolleicord Va
Lense: Schneider-Kreuznach XENAR, 75mm, F3.5
Film: Kodak Ektachrome 100
Processing: E-6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Velvia 100
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Berlin, 2001.
An installation on the outside of a contemporary art space in Berlin. A call was put out for people to send in copies of love letters they had written or received. The letters were subsequently enlarged to poster size and pasted all over the exterior of the building. To date, one of the most amazing things I've ever seen.
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Velvia 100
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 45mm, F2.8
Film: Fuji Velvia 100
Processing:
E-6 by PS13, digitized with Epson V850Pro
This is an installation in BladeRunner City set by BlackMamba
showing an old picture of mine.
I have worn the same clothes and used the same pose just to create a picture in picture effect.
Thank you Mamba! ♡ ♡ ♡
Hanging from the gallery’s ceiling is a mesmerizing ten-foot high installation of richly decorated handmade books, unfolded to reveal deeply personal contents.
How to Live Together and Sharing the Unknown | Koki Tanaka
Koki Tanaka is interested in the idea of temporary communities that arise in post disaster situations.
He states : “These communities exist only for a short period of time. They often integrate a reconstructed idea of community from the pre-disaster period. In a post-disaster situation people respect and help each other. Being very idealistic, this aspect doesn’t last very long. Once normal life is restored, people get tired of taking care of others”.
(From ‘Production Notes: How to Live Together’).
LWL Museum für Kunst und Kultur -
Münster / GER
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FUJI GA645Wi - EBC Fujinon 45mm f/4 - Kodak 400TX