View allAll Photos Tagged installation
Bridgette Guerzon Mills
Page in Field Guides: Book of Collections
multi media book art installation made out of natural materials, Art on the Trail, Lake Roland, Baltimore, MD 2015
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Velvia 100
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V370
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 210mm, F4.0
Film: Fuji Velvia RVP 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 50mm Shift, F4.0
Film: Fuji Velvia RVP 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
Camera: Mamiya C330
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V370
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Installation boredom
Masterstudiengang Bühnenbild_Szenischer Raum; z.Zt. www.lwl.org/industriemuseum/standorte/henrichshuette-hatt...
Camera: Minolta X-700
Lense: Zeiss Flektogon 35mm,
F 2.4
Film: Rollei Superpan 200
Processing: Adox FX-39, 1+9,
13:30 min, 20°, digitized with Epson V370, Hybrid -> digital texture layering
Found in an abandoned office. Although I'm not impressed with Windows 10, I don't think I'd want to go back this far!
This was a test run of an installation I did as part of my Fine Art degree.
The concept was that as a way of showing my dedication and love of Japan, I folded a thousand origami cranes, which in Japanese legend will grant the folder one wish.
I had some stuck to the wall, referencing the The Wave by Hokusai.
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 50mm Shift, F4.0
Film: Fuji Velvia RVP 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
yashica mat 124g
kodak portra 160VC (expired)
I was really surprised when I saw this scan - I thought that there was no way this shot would come out. To take it I put my Yashica on my bag as I had no tripod and exposed for about a minute during a loud concert with everything vibrating from the powerful bass and also the wooden floor shaking from the movement of people. Still it looks quite sharp. The framing is almost completly random, I couldn't see much on the focusing screen and I couldn't really point the camera in the desired direction on my bag-tripod...
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C330
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V370
Camera: Minolta Dynax 8000i
Lense: Minolta AF, 28-85 mm, F.3.5
Film: Color Implosion 400
Processing: C41 by CEWE, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Voigtländer BESSA L
Lense: Voigtländer SKOPAR 25mm, F4.0
Film: Agfa CT Precisa 100
Processing: E6 by PS13,
digitized with Epson V850 Pro
Camera: YASHICA MAT 124 G
Lense: Yashinon 80mm, F3.5
Film: Fuji Pro 160NS
Processing: C41 by PS13, digitized with Epson V370
Camera: Mamiya 645 PRO TL
Lense: Mamiya-SEKOR 50mm, F4.0 Shift
Film: Fuji Provia 100 F
Processing: PS13, digitized with Epson V370
Paper & Print installation shown at the "HEADSPACE" show, Chicago Art Department, September 12, 2014
www.chicagoartdepartment.org/headspace/
Printed at Depression Press w/ the assistance of Lead Technical Production Mgr., Jesse Biondo