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Cécile Brünner, the rose, is just about done for this season. Two days of high winds are forecast and they'll probably finish her off. Maybe then she'll get pruned. There's always something going on with Cécile. She's housed the wren's nest, is part of the cottage's windbreak, and climbs up and over the shade house where, despite the "monster who ate everything" frost, she kept the houseplants safe. While she was at it, three ginkgo seedlings arrived in the mail the other day and are in there too, recovering, getting used to their new home ahead of them heading off into the "wild wood" next year.
I picked the last few buds of Cécile on their skinny little stems. They don't make the best cut flowers. But they are pretty enough for a dressing table or vanity for a day or two; then this…
Fortuitously, this little vase and it's posey are roughly the size of the wren's nest, so I know the formula: 42 turns of the focussing rail, front to back. toddkeith533 favoured the notion of a small aperture for close-up photography over stacking. So, taking his advice to enhance my inherent "efficiency", or laziness, I've stopped down to f/11 and reduced the process to just seven exposures — hybridisation, if you like. While I was at it, I turned off the overhead lighting and swapped out the flash I used on the wren's nest for the less powerful 430 EXII. The results? No exposure compensation numbers were harmed, and computer time was far, far less than for however many photos I used at f/4.
What it all amounts to is a pretty little pink thing to insert among the green doom and gloom of a frozen landscape. Even wilted and drying roses are better than that!
In 1953 Chevrolet renamed its series and the Bel Air name was applied to the premium model range. Two lower series, the 150 and 210, also emerged (as successors to the Special and Deluxe series, respectively). The 1953 Chevrolet was advertised as "Entirely new through and through," due to the restyled body panels, front and rear ends. However, essentially these Chevrolets had similar frame and mechanicals to the 1949-52 cars.
The 1953-54 Chevrolet range had a unique and somewhat awkward look about it and much of this stemmed from its role as a transitional model to introduce a raft of changes that were necessary to pave the way for the introduction of the 1955-57 range that really established the Bel Air as a cultural icon. The pre-war technology: such as torque tube drive, six-cylinder splash feed engines, knee action suspension, split windshields, etc., of the early models was phased out and the foundations for the first post war modern Chevrolet passenger car were finalized in this 1953-54 model.
Of all the Bel Air variants available across the 1953-54 range the two door hardtop and convertible remain the stand outs in terms of style. The Bel Air series featured a wide chrome strip of molding from the rear fender bulge, to the rear bumper. The inside of this stripe was painted a coordinating color with the outside body color, and "Bel Air" scripts were added inside the strip. Lesser models had no model designation anywhere on the car, only having a Chevy crest on the hood and trunk.
1953 was the first year for a curved, one-piece windshield. Bel Air interiors had an optional massive expanse of chrome across the lower part of the dashboard (most were painted), along with a deluxe Bel Air steering wheel with full chrome horn ring. Carpeting and full wheel covers rounded out Bel Air standard equipment.
For 1954, the Bel Air stayed essentially the same, except for a revised grille and taillights, and a revised engine that had insert bearings and higher oil pressure, needed for the full-flow oil filtration system that was not available prior to 1954. Prior to 1954, the 235 and 216 cubic inch six cylinder engines had babbit bearings and scoops to create oil pressure at the bottom of each rod and the oil pressure was standard at 15-30 PSI. During these years, there were three engine choices, depending on the transmission ordered. Both 235 cubic inch engines were "Blue Flame" inline six cylinder OHV engines, featuring hydraulic valve lifters (in 1953 with automatic transmissions) and aluminum pistons. The 106 hp (79 kW) 235 cubic inch displacement engine was standard on stickshift models, with solid lifters and splash plus pressure lubrication including babbit bearings. Powerglide cars got a 115 hp (86 kW) version which had hydraulic lifters and full pressure lubrication.
In 1953 and 1954, Bel Airs could be ordered in convertible, hardtop coupe, two- and four-door sedans, and, for 1954, the Beauville station wagon which featured woodgrain trim around the side windows. Many new options, once available only to more expensive luxury cars, became offered starting in 1953, including power steering and the Guidematic headlight dimmer in 1953; and power brakes, power 2-way front seat and power front windows in 1954. All 1954 models equipped with the standard transmission used the 1953 Powerglide engine.
[Text from Wikipedia]
en.wikipedia.org/wiki/Chevrolet_Bel_Air
This Lego Miniland-scale Chevrolet 1953 Bel Air Hardtop has been created for Flickr LUGNuts' 120th Build Challenge, - 'Happy 10th Anniversary, LUGNuts', - where all the previous challenge themes are open for use in creating builds for the Challenge.
The Challenge theme chosen is number 78 - 'Places, Everyone' - for any vehicle named after a place.
Another 10 paper inserts advertising Wills's cigarettes & tobacco ~ Capstan, Cut Golden Bar, Gold Flake, Legation, Whiffs & Woodbines
A private family commission for a wedding present.
Hand embroidered monogramme and snowflakes on French and Thai silk, silk and spandex snowflake patterned backing, Australian feather insert.
60 x 30cm
Photo: Tara Badcock
Collection: J & M Buckley, Canada
This is the (insert name) Chopper for my faction. CAC are appreciated.
(I could use a name)
(pic is crap. Sorry.)
Hope you enjoyed it.
JJ
North & east north aisle windows with east chancel window over the late 12c nave altar . The north aisle was added in late 15c / early 16c when all the windows were probably inserted - the aisle waggon roof is late contemporaray with the aisle, the chancel roof is 1893
- Church of St Nonna, Bradstone Devon
Picture with thanks - copyright Michael Garlick CCL www.geograph.org.uk/photo/5740168
Showroom
Crta. Santiago-Pontevedra a 9 Km. de Santiago de Compostela en dirección a Pontevedra. 15.866 Ameneiro-Teo (La Coruña) España.
Inserted, inflated, and ready for action. As you might be able to tell, the models have removable genitalia. They all have male heads and torsos, but you never know their "sex" until you pull the gown up.
Obviously, Canada, being a much more liberal and accepting country than America, made a perfect choice for the X-Men to make their new home. See where this photo was taken at maps.yuan.cc/.
An image from the Achieves, reprocessed with Photoshop CC 2026
I would be most grateful if you would refrain from inserting images, and/or group invites; thank you!
To view more of my images, taken Chartwell, please click "here" !
Chartwell was the principal adult home of Sir Winston Churchill.
Churchill and his wife Clementine bought the property, located two miles south of Westerham, Kent, England, in 1922. Extensive renovations simplifying and modernising the home were undertaken directly, completely transforming it when complete. When it became clear to the Churchills in 1946 that they could not afford to run the property, a consortium of wealthy businessmen organised by Lord Camrose purchased the estate. The arrangement was that for payment of nominal rent both Sir Winston and Lady Churchill would have the right to live there until they both died, at which point the property would be presented to the National Trust. When Sir Winston died in 1965, Clementine decided to present Chartwell to the National Trust immediately. The site had been built upon at least as early as the 16th century, when the estate had been called 'Well Street'. Henry VIII is reputed to have stayed in the house during his courtship of Anne Boleyn at nearby Hever Castle. The original farmhouse was significantly enlarged and modified during the 19th century. It became, according to the National Trust, an example of 'Victorian architecture at its least attractive, a ponderous red-brick country mansion of tile-hung gables and poky oriel windows'. The estate derives its name from the well to the north of the house called 'Chart Well'. 'Chart' is an Old English word for rough ground. The highest point of the estate is approximately 650 feet above sea level, and the house commands a spectacular view across the Weald of Kent. This view 'possessed Churchill' and was certainly an important factor in persuading him to buy a house of 'no great architectural merit'. Churchill employed architect Philip Tilden to modernise and extend the house. Tilden worked between 1922 and 1924, simplifying and modernising, as well as allowing more light into the house through large casement windows. He worked in the gently vernacular architecture tradition that is familiar in the early houses of Edwin Lutyens, a style stripped of literal Tudor Revival historicising details but retaining multiple gables with stepped gable ends, and windows in strips set in expanses of warm pink brick hung with climbers. Tilden's work completely transformed the house. Similarly to many early 20th century refurbishments of old estates, the immediate grounds, which fall away behind the house, were shaped into overlapping rectilinear terraces and garden plats, in lawn and mixed herbaceous gardens in the Lutyens-Jekyll manner, linked by steps descending to lakes that Churchill created by a series of small dams, the water garden where he fed his fish, Lady Churchill's Rose garden and the Golden Rose Walk, a Golden Wedding anniversary gift from their children. The garden areas provided inspiration for Churchill's paintings, many of which are on display in the house's garden studio. In 1938, Churchill was pressed to offer Chartwell for sale for financial reasons, at which time the house was advertised as containing 5 reception rooms, 19 bed and dressing rooms, 8 bathrooms, set in 80 acres with three cottages on the estate and a heated and floodlit swimming pool. He withdrew after industrialist Sir Henry Strakosch agreed to take over his share portfolio (which had suffered heavily from losses on Wall Street) for three years and pay off heavy debts. During the Second World War, the house was mostly unused. Its relatively exposed position, in a county so near across the English Channel to German occupied France, meant it was potentially vulnerable to a German airstrike or commando raid. The Churchills instead spent their weekends at Ditchley, Oxfordshire until security improvements were completed at the prime minister's official country residence, Chequers, in Buckinghamshire. The house has been preserved as it would have looked when Churchill owned it. Rooms are carefully decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. The house is Grade I listed for historical reasons. The gardens are listed Grade II.
The property is currently under the administration of the National Trust. Chartwell was bought by a group of Churchill's friends in 1946, with the Churchills paying a nominal rent, but was not open to the public until it was presented to the nation in 1966, one year after Churchill's death.e of Winston Churchill
Blacky started his first "ASTHMA MEDICATION" tonight at 6.00pm on the 15th March 2012... Catherine and the nurse gave Blacky his first treatment for "FELINE ASTHMA".... I was quite surprised how well Blacky did for Catherine, where as when i tried i FAILED BAD!!!!!!!!!!!!!... So for now Blacky goes to the clinic once a week for the next 3-6 months for him to get use to the medication, then often when the coughing comes back or worsens... But sadly his weight hasn't gone down he's gone from 8.4kg to now 8.7kg... Told Blacky he will have to go and see "JENNY CRAIG" to lose the weight LOL... Blacky is slowly getting back to the old Blacky once again and that makes me a very happy cat mum... xxxxx Michelle xxxx Blacky and xxxx Champaz...
BLACKY ASTHMA MEDICATION...
Fluticasone Propionate........ $30.00 each time!
HAVING PROBLEMS WITH BLACKY AT THE MOMENT, IM OFF FOR NOW!!!!!!!!!!!!!!!! XXXX MICHELLE
so I was grocery shopping at walmart tonight, and I guess I got lucky and today happens to be not long after whenever they last restocked toys 'cause they finally had the create a monster kit I needed ;3;
I still don't know what to call her, so I guess I'm open to suggestions xD
I've had people on dA say I should name her [insert various first name here] Skellington 'cause I guess she's a little reminiscent of Jack, but that's not what I was going for at all; she's just a random skeleton girl, she doesn't follow the whole "child of a great monster" theme that the actual MH characters follow
I still need to finish painting the shoes that came with her add-on pack, I only just got more paint though; so for now she's wearing the ones that came with the starter kit.
but other than that she's pretty much done.
I may make her another dress 'cause this one is far from perfect, but we'll see.
better pictures tomorrow, sorry the light in my room is all sorts of horrible.
This is the ruins of Castle Rising Castle, near the village of Castle Rising.
When we got to the car park, I noticed a school party. So as soon as we paid and got in, I went all the way around taking pictures of the castle. By the time I completed one lap of the castle mound above, the secondary school kids started to come in. So I went out, had a little look at the village and road then back in.
Weren't here for long but at least I got my photos of the castle. I missed going inside it, but then those students were probably inside doing school work or something.
It is north of King's Lynn, and south of Sandringham.
Castle Rising Castle is a ruined castle situated in the village of Castle Rising in the English county of Norfolk. It was built in about 1138 by William d'Aubigny, 1st Earl of Arundel, who also owned Arundel Castle. Much of its square keep, surrounded by a defensive mount, is intact. It is currently owned by Lord Howard of Rising, a descendant of William d'Aubigny.
The ruins are Grade I listed.
Ruins of Castle and Eleventh Century Church, Castle Rising - British Listed Buildings
Castle, c1138 for William d'Albini II. Barnack limestone with carstone,
Sandringham sandstone and flint. Hall keep with footings to domestic
buildings in carstone to north, surrounding circular rampart with parts of
curtain wall, gateway through rampart and bridge across deep encircling
ditch. Keep (c24m x 21m x 15m high) ashlared walls now with panels of
coursed local stone. East facade: 3-storeyed forebuilding to right breaking
forward with tiled saddle roof, to left the enclosed outside stairway of
keep. 2-bay forebuilding of ashlar with central pilaster strip and clasping
buttresses to angles, all having shafts to ground and 1st floors; 2 large
semi-circular headed windows to 1st floor, string course above with figure
ccrbels; 3 square openings to 2nd floor; left return with similar window
as east to 1st floor, tall semi-circular headed blank arch below blocked
with local stones and having side shafts. Wall to roofless outside stairs
with ashlar clasping buttress with shafts at angles, central ashlar pilaster
strip having remains above of postern stair; high blank arcade to left and
right, that to left of 6 semi-circular headed arches with cushion capitals
to lost shafts, rear of arcade with chevron indentations, zig-zag string
course below, remains of two circular openings above now containing grotesque
corbels; blank arcade to right of 6 intersecting semi-circular headed arches
with roll mouldings. Keep wall above to rear with central ashlar pilaster
strip, openings to 1st and 2nd floors, clasping buttress to left angle.
South Facade: 4 panels of roughly coursed local stones replacing original
ashlar, ashlared pilaster strips between and clasping angle turret buttresses
with engaged shafts and small stair light; battered plinth; 1 slit opening
per panel to ground floor, 1st floor with varied openings, 2nd floor with
small bullseye to each of 1st three bays, opening of double semi-circular
headed light to 4th bay. Entrance to right to attached outside stair:
semi-circular headed doorway with side shafts, a frieze of corbels above
and a blank arcade of two arches, cornice and 2 circular openings with
grotesques as to left of east facade. North facade as south. West facade
of 4 bays articulated by ashlar pilaster strips, battered plinth, altered
blank arches in ashlar to 2nd, 3rd and 4th bays, continuous with pilaster
strips, but with ashlared forebuilding to left. Interior: floorless; in
two parts, Great Hall to north, Great Chamber to south; basement to west
of Great Hall with pier and double groined vault; service rooms above
including kitchen with circular hearth of on-edge tiles to south-west angle
having circular chimney above through angle turret. Grotesque corbels for
roof of great hall. Remains of chapel in south-east corner of 1st floor
with blank arcading to south and west wall of nave, semi-circular chancel
arch with cushion capitals to shafts and decorative mouldings; one bay
chancel with raised floor, rib vaulting having figure head bosses at
crossing, zig-zag string course below sill of east window. Forebuilding
to north-east: newel stair with ashlared walls and vault; antechamber, to
Great hall on 1st floor, semi-circular headed doorway to Great Hall of 3
orders with side shafts having cushion capitals, each supporting a zigzag
and roll moulding; doorway converted to fireplace and blocked with C15
encaustic heraldic tiles inserted c1840. 1st floor room of 2 bays with rib
vaulting springing from foliage corbels of late C13, vaulting crosses the
semi-circular headed window rear arches with attached shafts. 2nd floor
room an addition, now with internal buttresses and remains of vaulting,
cushion capital to shaft of former external clasping turret buttress of keep
now low at north-west angle; C19 fireplace to south. Bridge: across ditch
to east; revetment of various local stones and erratics, 4-centred head
in brick to arch, parapet with some brick. Gateway through rampart: roofless
in variety of local stone with limestone dressings, semi-circular arches
to front and rear, returns between arches having to left one recess and
doorway to part newel stair, to right 2 recesses, all with semi-circular
headed arches. Small length of curtain wall to south of gateway on rampart,
mainly of 14th brick with some stone, stone facings lost. Ruins of Cll Parish
church: c30m north of keep of the castle, partly within earth rampart; a
variety of local stone: rubble of carstone, Sandringham sandstone, flint
and erratics. 3-cell plan of nave, central tower and apsed chancel. Part
walls of complete plan remaining. Nave with remains of opposing south and
north doorways, low bench around nave walls, to west of south doorway part
of C16 fireplace with some herringbone brickwork. Apse with round headed
single splayed lights to north and east with Roman tiles in internal
dressings. The church was superceded by the C12 church of St. Lawrence (q.v.
6/4) c260m to north, it was subsequently covered by the castle ramparts.
Excavated in early C19 when font base said to fit the stem of font now
in church of St. Laurence was discovered. From 1331-58 the Castle was the
residence of Isabella, wife of Edward II and accomplice to his murder in
l327. The Castle is a Scheduled Ancient Monument Norfolk No. 3 in the care
of English Heritage, R.A. Brown Castle Rising, HMSO, 1978.