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To view more of my images, of Aldeburgh, please click
"here" !
I would be most grateful if you refrained from inserting images, or group invites; thank you!
Aldeburgh is a coastal town in the English county of Suffolk. Located on the River Alde, the town is notable for its Blue Flag shingle beach and fisherman huts where freshly caught fish are sold daily, and the Aldeburgh Yacht Club. The internationally renowned Aldeburgh Festival of arts, which takes place at nearby Snape Maltings, was created in 1948 by the resident and acclaimed composer Benjamin Britten. A popular weekend destination, with second homes making up roughly a third of its residential property, particular attractions are the ancient Moot Hall (where the town council still meets), Napoleonic-era Martello towerto the south, sheltered yachting marina at Slaughden, and two family run shops serving fish and chips, one of which is often cited as among the best fish and chip shops in the UK. Alde Burgh means "old fort" although this structure, along with much of the Tudor town, has now been lost to the sea. In the 16th century, Aldeburgh was a leading port, and had a flourishing ship-building industry. Sir Francis Drake's ships Greyhound and Pelican (later renamed Golden Hind) were both built in Aldeburgh. The flagship of the Virginia Company, the Sea Venture is believed to have been built there in 1608. When the River Alde silted up and was unable to accommodate larger ships, the area went into decline. Aldeburgh survived principally as a fishing village until the nineteenth century, when it became popular as a seaside resort. Much of its distinctive and whimsical architecture derives from this period. The river is now home to a yacht club and a sailing club. Aldeburgh is on the North Sea coast and is located around 87 miles (140 km) north-east of London, 20 miles (32 km) north-east of Ipswich and 23 miles (37 km) south ofLowestoft. Locally it is 4 miles (6.4 km) south of the town of Leiston and 2 miles (3.2 km) south of the village of Thorpeness. It lies just to the north of the River Alde with the narrow shingle spit of Orford Ness all that stops the river meeting the sea at Aldeburgh - instead it flows another 9 miles (14 km) to the south-west. The beach is mainly shingle and wide in places with fishing boats able to be drawn up onto the beach above the high tide. The beach was awarded the Blue flag rural beach award in 2005 and becomes narrower at the neck of Orford Ness. The shingle bank allows access to the Ness from the north, passing a Martello tower and two yacht clubs at the site of the former village of Slaughden. Aldeburgh was flooded during the North Sea flood of 1953 and flood defences around the town were strengthened as a result. The town is within the Suffolk Coast and Heaths Area of Outstanding Natural Beauty (AONB) and has a number of Sites of Special Scientific Interest (SSSI) and nature reserves in the local area. The Alde-Ore Estuary SSSI covers the area surrounding the river fromSnape to its mouth, including the whole of Orford Ness. This contains a number of salt marsh and mudflat habitats. The Leiston-Aldeburgh SSSI extends from the northern edge of the town to cover a range of habitats including grazing marsh and heathland. This includes Thorpeness Mere and the North Warren RSPB reserve an area of wildlife and habitat conservation and nature trails run by the Royal Society for the Protection of Birds. Two smaller geological SSSI units are also found on the southern edges of the town. Aldeburgh Brick Pit is a 0.84 hectares (2.1 acres) site showing a clear stratigraphy of Red Crag deposits above Corralline Crag. It is considered a significant site for demonstrating the stratigraphy of Red Crag. Aldeburgh Hall Pit is a shallow pit of 0.8 hectares (2.0 acres) area. The site features a section of Corralline Crag and is considered to be one of the best sites in Britain for Neogene fauna. It has a number of churches including the Anglican pre-Reformation church of St Peter and St Paul and the Catholic Church of Our Lady and St Peter.
From Wikipedia, the free encyclopedia
Un hélicoptère CH-147 Chinook dépose des membres du 3e bataillon, Royal 22e Régiment dans le secteur d'entraînement de la base des Forces armées canadiennes de Valcartier, dans le cadre du cours d'aviation tactique de base, le 29 septembre 2020.
Photo: Caporal Laura Landry, Section imagerie, 438 ETAH
20200929SJL2002P002
this is an insert to my friends birthday card.
thankyou for looking and all your lovely commentsxxxxxxxx
“MOON BOUND -- Apollo 10 spacecraft and lunar module move away from expended S-IVB stage and head for the distant moon. S-IVB, built by McDonnell Douglas Corporation for the National Aeronautics and Space Administration (NASA), will fire for about five minutes to propel Apollo 10 out of parking orbit about the earth and into lunar trajectory at a velocity of approximately 24,200 m.p.h. (39,000 km.h.) The three Apollo 10 astronauts then will separate the command and service modules from the S-IVB and turn the spacecraft around to dock with the lunar module, attached to the forward end of the stage. Following separation of the three modules from the S-IVB, the depleted stage is scheduled to proceed past the moon and enter an orbit about the sun. As third stage of the giant Saturn V launch vehicle, the S-IVB fires first for about 2½-minutes, providing the final thrust to insert itself, the lunar module and spacecraft into parking orbit. Restart of the S-IVB follows orbital checkout of the stages and Apollo 10. McDonnell Douglas Astronautics Company produces the S-IVB at its facility in Huntington Beach, California, and static fires the stage at its Sacramento, Test Center, Sacramento, California.”
Although the caption of this is 'personalized' to apply to Apollo 10, I believe it was used, and is applicable, to all of the lunar landing missions.
Photographed in Cyberjaya, Malaysia
Assembly : Shah Alam, Selangor, Malaysia
Notes : Missing front skirting. Missing badges on the rear hatch. Chrome insert on the front fender indicators are non-standard.
The Proton Iswara Aeroback Special Edition is, as its name suggests, an unique variant of the best selling Proton Iswara. The Proton Iswara is of course, the good 'ol 1985 Proton Saga with a completely redesigned exterior, but with the same old interior, engine, transmission, chassis and whatnot. Its full name is actually Proton Saga Iswara, but most Malaysians often refer to it as simply the Proton Iswara. The same car is known as the Proton MPi in the United Kingdom, in which MPi denotes 'multi-point fuel injection'. The fuel injection technology fitted to the U.K. bound Proton Saga Iswara offered better fuel efficiency and reduced greenhouse emissions in comparison to the old carburettor system from the 1980s Saga. The vast majority of Iswaras sold in Malaysia never received fuel injection, and as a matter of fact, the 2007 Proton Saga LMST was one of the last, if not the last passenger car sold in Malaysia to be fitted with a carburettor. Nonetheless, Proton did make a limited edition Iswara for the Malaysian market called the Proton CARES ( short for Clean Air Regulated Emission System ), which had fuel injection as well as the original dashboard from the Mitsubishi Lancer Fiore. It had a unique dark green paint colour, in reference to its environmentally friendly emissions, hence the name Proton CARES. Only 200 units ( in both saloon and hatchback forms ) were made.
The Iswara Aeroback Special Edition, or Iswara S.E. in short, and often called the Saga LMSS by the community, is largely a cosmetic upgrade over the Iswara Aeroback 5-door / hatchback. It came with the same bulletproof, if a little dated Mitsubishi 4G13P 1.3-litre carburetted engine. The same 5-speed manual was the only option, for good reason; would you accept a 3-speed automatic with a brand new car in the early 21st century ? Proton knew better, fortunately. The interior was left largely unchanged over the regular Iswara, which by this time was really showing its age. The Iswara S.E. also came with new 'diamond' headlamps, which yellowed / deteriorated at an alarming rate, and Altezza rear lights, which may have been trendy in 2001, but they look way too 'rice' today. It was also fitted with a decent bodykit, as well as rear roof and tailgate spoilers. The best part of the Iswara S.E. though, in my honest opinion, is the new 14-inch alloy rims. And it even got a rear wiper too, something the 2003-2007 Saga LMST lacked. Supposedly, the Iswara S.E. had been tweaked by Lotus, but it's hard to say really; it's age old 1980s chassis is no hot hatch material, unlike the brilliant Satria GTi's. Each and every Iswara S.E. came in the metallic silver paint colour above, and was priced at RM 38,869.
I LIKE : Great looking rims. Proven, bulletproof engine. The cute little Proton badges in the side mouldings.
I DISLIKE : This has to be the worst Saga ever. It may have been mechanically reliable, but everything felt and looked cheap, tacky and unrefined. The headlamps will turn yellow in no time. Ugly rear lights. Still no fuel injection. Still no ABS. Still no airbag ( yes, even the driver doesn't get one, let alone the passengers ). Drinks fuel. Poor NVH.
My friend, working on her graphic design project during lunch. This is quite different from what I usually take pictures of but I just like the way her unfinish work is developing and the colors of the artwork. The project is named "Insert Face Here" and from the name I'm guessing it's mostly about her life, personality, and/or interests are. Even though it's still incomplete I love how the picture coming up and I can't wait for the results.
Side note: I am thinking of trying the 365 project but I still not certain. I mean even though i am online all the time, I don't post picture unless I really love it or I find it perfect or I just want to share it with others. Will love if someone telling me about this project and more information about it :)
To view more of my images, of Wicken Fen, please click
"here" !
Please do not insert images, or group invites, thank you!
Set up in May 1899 by the National Trust, Wicken Fen is one of Britain’s oldest nature reserves. Since 2001, it has been home to a herd of Konik Ponies which were introduced to help manage the fenland by grazing and trampling. Konik means “small horse” in their native Poland and presumably refers to the fact that these primitive horses rarely stand taller than 13hh. As hardy as they are small, these wetland horses come from the Polish farmland east of the San river and descend from the tarpan, a pre-historic wild horse that roamed Britain and Europe since before the last Ice Age. The last tarpan died in Russia in 1879 but the Wicken Fen Koniks share some of its genes and many of its features, such as a mouse dun coat and dorsal stripes. The reasons that led the National Trust to introduce the Koniks to Wicken, however, are a lot more prosaic than this romantic link with a long-extinct horse that roamed Britain long-before the Romans came. “Koniks are primitive breed and you want animals who are able to cope on their own if you are going for hands-off extensive grazing,” explains Carol Laidlaw, a reserve warden at Wicken Fen.
Wicken Fen is a wetland nature reserve situated near the village of Wicken, Cambridgeshire, England. It is one of Britain's oldest nature reserves, and was the first reserve cared for by the National Trust, starting in 1899. The first parcel of land for the reserve was donated to the Trust by Charles Rothschild in 1901. The reserve includes fenland, farmland, marsh, and reedbeds. Wicken Fen is one of only four wild fens which still survive in the enormous Great Fen Basin area of East Anglia, where 99.9% of the former fens have now been replaced by arable cultivation. Naturalists were originally drawn to Wicken because of its species richness and the presence of rarities. The Fen has therefore received a great deal of recording effort and as a result, huge species lists have accumulated. Many nationally rare species have been recorded. Surveys continue to the present day. In 1998 over 20 species new to the Fen were recorded for the first time and in 2005 another 10 were added. Many of the species lists can be downloaded from the Fen website (see below). Wicken Fen was established as a nature reserve because of its invertebrate and plant interest. Over 8,500 species have so far been recorded on the fen, including more than 125 that are included in the Red Data Book of rare invertebrates. The reserve supports large numbers of fly, snail, spider and beetle species. Damselflies found here include the emerald, azure, large red, red-eyed, variable and common blue; together with dragonflies such as the southern and brown hawkers, emperor, hairy dragonfly and black-tailed skimmer. The Lepidoptera fauna is very rich also, especially the moths, with over 1000 species. The nationally rare reed leopard moth is common at the site. Other local moths include cream-bordered green pea, yellow-legged clearwing and emperor. China-mark moths such as the small, brown and ringed are also seen here. Local butterflies include the green hairstreak, brown argus, speckled wood and brimstone. Snails include the Red Data Book Desmoulin's whorl snail. Notable plants include the fen violet, great fen sedge Cladium mariscus, marsh pea, greater spearwort, marsh orchids and milk parsley. There are also a number of stonewort species present in the ditches and ponds, along with flowering rush, water millefoil, and yellow and white water lilies. The site is mainly noted for its plants and invertebrates, but many birds also can be seen, and these are particularly popular with visitors as they are often easier to observe than the more elusive insects and plants. Bird species recorded living at the site include great crested grebe, cormorant, gadwall, teal, sparrowhawk, water rail, kingfisher, snipe, woodcock, great spotted and green woodpeckers; and barn, little, tawny, long-eared and short-eared owls. Visiting birds include bittern, whooper swan, golden plover, garganey, pochard, goosander, marsh harrier, hen harrier, merlin and hobby. In season, it is most unlikely that visitors will fail to hear the 'drumming' of snipe. Wicken Fen is divided by a man-made watercourse called "Wicken Lode". The area north of Wicken Lode, together with a smaller area known as Wicken Poors' Fen and St. Edmunds Fen, forms the classic old, undrained fen. The designated national nature reserve of 269 hectares also includes the area around the Mere, to the south of Wicken Lode. These areas contain original peat fen with communities of carr and sedge. They support rare and uncommon fenland plants such as marsh pea, Cambridge milk parsley, fen violet and marsh fern. This part of the Fen can be enjoyed from a series of boardwalks (made from recycled plastic). The area south of the Lode is called "Adventurers' Fen" and consists of rough pasture (grading from dry to wet grassland), reedbed and pools. The dykes, abandoned clay pits and other watercourses carry a great wealth of aquatic plants and insects, many of which are uncommon elsewhere.
From Wikipedia, the free encyclopedia
*insert epic laughter*
So fellow user Wilson, Wilson, & Wilkins uploaded a photo of their own Headless Horseman fig which is near identical to mine. Funny thing is, I’ve had this fig built before they uploaded that photo, so there is no plagiarism going on here. Anyway, I had discovered that a ring piece from the LOTR sets and other themes can fit perfectly on a mini figure neck peg. The whole Headless Horseman segment from Disney’s The Legend of Sleepy Hollow is brilliant and is oh so Halloween.
Well, Doing more editing. I know this is probably not my best but since I got pro I thought it was worth uploading. Also, Like the title said, "I need a name for these guys."
Again, graphic design inspired by, 'Pierre E Fieschi'.
Hope you enjoyed it.
- Maine
________________________
We are troubled on every side, yet not distressed; we are perplexed, but not in despair; Persecuted, but not forsaken; cast down, but not destroyed. 2 Corinthians 4:8-9
Hi guys.
I don't really know what to say.
It's been too long... I'm sorry.
I've had no motivation.
I feel so bad.
I never spend any time with my dolls anymore.
I am trying to get back into YouTube and photography.
Hopefully things will get better in the summer.
DA90027 was nice enough to let me use his photo to do a past and present comp.
Thanks.
This shot was taken looking north west.
flickriver.com/photos/javier1949/popular-interesting/
“EL BATEL” AUDITORIO Y PALACIO DE CONGRESOS DE CARTAGENA
Paseo de Alfonso XII s/nº Cartagena, Región de Murcia. España
Arquitectos: José Selgas y Lucía Cano (selgascano). Concurso de proyectos 2001. Proyecto: 2002 Construcción: 2006-11. Equipo de diseño: Lara Resco, Carlos Chacón, José de Villar, José Jaraiz, Lorena del Río, Blas Antón, San Miguel Millán, Julián Fernández, Beatriz Quintana, Jaehoon Yook, Jeongwoo Choi, Laura Culiañez y Bárbara Bardín
Ubicado delante del puerto deportivo de Cartagena y colindante con al Museo Nacional de Arqueología Subacuática, ha completado la fachada marítima de la ciudad. Tiene su inspiración en las tradiciones portuarias de la ciudad de Cartagena, así se forma por la sucesión longitudinal de volúmenes de tamaños diferentes, dispuestos unos junto a otros como grandes contenedores industriales. Espacios de distintos usos identificados por colores se van sucediendo a lo largo del recorrido interior en el que los autores, con una personal utilización de materiales plásticos e iluminación, sumergen al visitante en un universo de experiencias. Los materiales y las técnicas utilizadas para su construcción han sido especialmente concebidos para EL Batel, suponiendo una revolución arquitectónica y un referente de modernidad en una ciudad de tres mil años de historia. Uno de los aspectos fundamentales del proyecto, además de su concepto lineal, es su afán de integración por lo que se hunde parcialmente en el terreno y comunica sus espacios mediante rampas.
Una compleja estructura, caracterizada por la mínima presencia de pilares, crea un interior de grandes espacios diáfanos y un efecto liviano. Un espacio ligero, translúcido y delicado comunicado interiormente mediante suaves rampas que permiten el recorrido por todo el edificio, haciéndolo totalmente accesible. Cuenta con un aforo total de 2.500 personas distribuidas en 9 salas. La sala principal, Sala A, que permite albergar 1.401 espectadores, se encuentra ubicada bajo el nivel del mar, y sus paredes formadas por láminas de policarbonato de tonos azules hacen de la estancia un espacio relajante y armonioso. La Sala B es un auditorio con capacidad para 444 personas y está especialmente indicada para congresos o eventos con un ambiente cálido y acogedor. El vestíbulo principal se ha diseña como un gran paseo que desciende hacia las salas multiusos, atravesando un primer cuerpo con el auditorio y desembocando en el que se ubica la Sala A. Hacia la planta superior del primer cuerpo del edificio se desarrolla otra impresionante rampa suspendida desde el techo, que conduce hasta la sala de exposiciones. En esta planta además se sitúan la sala VIP, una gran terraza sobre el paseo de Alfonso XII con vistas a los edificios históricos de la Universidad y otra con vistas al puerto, el restaurante-cafetería y una zona de oficinas.
El entorno está formado por una extensa plataforma de 20.000 m2 realizada con tablones de abeto de la que surge el amueblamiento urbano, bancos, alcorques, papeleras…, creando un espacio de ocio y relajación, que disfruta del paseo marítimo y las vistas del mar en uno de sus lados, o de una zona arbolada de palmeras y ficus en forma de bosque hacia el otro.
Estructuralmente se conforma, en su parte excavada, mediante un vaso de hormigón armado, formado por losas de gran espesor que actúan como contrapeso, así como un sistema de muros perimetrales y pilares de hormigón armado. Sobre la rasante, la estructura es básicamente metálica, con tres grandes alineaciones de pilares. Las dos laterales que se sitúan en las fachadas largas del edificio se han resuelto con pilares especiales formados por 6 tubos de acero macizo de pequeño diámetro que se empresillan formando dos tercetos. Estos pilares se integran en las dos grandes fachadas transparentes por lo que son visibles tanto interior como exteriormente. La alineación central de pilares es de hormigón. El auditorio principal, se resuelve mediante un sistema de dos grandes cerchas embebidas en las fachadas largas del edificio y una gran caja escénica que se materializa mediante un gran prisma de hormigón en el que apoyan las cerchas. El edificio se completa con varias marquesinas, una situada en la zona de entrada resuelta mediante un emparrillado metálico, y dos en la zona de cubiertas que se resuelven mediante estructuras tensadas con un sistema de membranas textiles que funcionan como grandes parasoles. Hay que destacar las fachadas, dos de ellas de de grandes dimensiones, realizadas con ETFE (Etileno-TetraFluoroEtileno, un tipo de plástico de gran resistencia al calor, a la corrosión y a los rayos UV), con luminosas líneas de color insertas en el proceso de extrusión, mediante la inyección de pequeñas manchas de pintura de neón en cada pieza, con diferentes colores e intensidades; planchas onduladas sustentadas mediante sistemas de cables verticales conectados entre si, y anclados a un gran marco de acero, que crean unas fachadas suaves y ondeantes.
Diecast metal Cannon table top lighter insert. Items for Sale. www.flickr.com/people/frenchvintagetreasures/
Pecos Bill Snowglobe Insert
Designed by Jody Daily & Kevin Kidney
Yep, this is the tiny figurine inside the glass snowglobe. It's only 2-1/2 inches tall...
Snowglobe inserts need to be as detailed as possible because the curved globe and water magnify the sculpture to a much larger size.
Busy, busy, busy, but I'll catch up in a few days!!
Coin-operated binoculars on the 'Top of the Rock'.
Fireplace inserts are used to convert masonry fireplaces, which are inefficient and polluting, into effective heating systems. View more fireplace inserts..
Hi, friends!
My new tattoo, i hope you like it
marketplace.secondlife.com/p/Oz-Design-Tattoo-Insert-Coin...
Jagged Ambush Bug (Phymata fasciata) has captured and envenomated a bee. The bee has not yet fully succumbed to the lethal effect of the venom. Its legs are still twitching. But the ambush bug is already inserting its proboscis (or beak) to begin feeeding on its victim. Found on sunflowers lining my driveway. Arvada, Jefferson Co., Colo.
The Tenba camera insert fits perfectly in my Belstaff Colonial 554 bag and creates nice little dividers (velcro customisable).
The above stuff (and more, including a Digital Harinezumi, batteries, filters, etc) fit easily into the bag.
Before I started shooting portraits with the new film, I decided to test it on pears. An unpleasant and rare experience with a defective Fomapan 400 had its effect)))
At the same time, I also checked the reaction of this film to non-actinic lighting, under which I had to cut it to fit a 9x12 cassette format, insert it into the cassette and develop it in a cuvette.
Anaglyph (from the Greek. Άνάγλυϕος "relief") is a method of obtaining a stereo effect for a stereo pair of ordinary images using color coding of images intended for the left and right eyes. To obtain the effect, it is necessary to use special (anaglyphic) glasses, in which instead of the lenses there are inserted filters of a pair of additional colors: as a rule, for the left eye - red, for the right one - turquoise. The stereo image is a combination of stereo pair images, in which the picture for the left eye is shown in the red channel (the right one does not see it because of the light filter), and in turquoise (blue-green) - for the right one. That is, each eye perceives an image that is colored in the opposite color. It can be used as a rule. In the red-cyan anaglyph, it can be seen as the "white", and the cyan within the anaglyph as the "black". The eye viewing through the cyan filter visions of the opposite. Actual black or white in the anaglyph display, being void of color, are perceived to be the same. Only the green has been perceived. Red is not perceived because cyan gel. However, green and blue are perceived through cyan gel.
Listenwave Photography
What does not matter ?😜
1.What to photograph - Camera. 📷📱
2.Where to photograph - Place. 🌋
3.When to photograph -Time.🌅🌄
What is important ?😎
1.Study and tune the camera. 👨🔧
2.Learn where you are going.
3.Study the lighting at different times.🌞🌚
What's the secret?♀️
1.Feel the instrument, hear what it says. 🙏
2.Feel the atmosphere of the place, catch the wave. 🌊
3.Switch on .Catch the moment!⚡️
What to photograph?
✨Finding the observer, comes awareness!✨
youtu.be/-jzwzkvMag8
www.instagram.com/listenwave_photography/
www.facebook.com/421924981996871 Listenwave Photography
.
What does not matter ?😜
1.What to photograph - Camera. 📷📱
2.Where to photograph - Place. 🌋
3.When to photograph -Time.🌅🌄
.
What is important ?😎
1.Study and tune the camera. 👨🔧
2.Learn where you are going.
3.Study the lighting at different times.🌞🌚
.
What's the secret?♀️
1.Feel the instrument, hear what it says. 🙏
2.Feel the atmosphere of the place, catch the wave. 🌊
3.Switch on .Catch the moment!⚡️
.
What to photograph?
✨Finding the observer, comes awareness!✨
Scription Chronodex Weekly Planner 2012 - free download with the cost of a prayer
(www.flickr.com/photos/moleskineart/6364230271/in/photostream)
Finally made up my mind to create my own diary for 2012 a week ago, here I go sharing with you all! But first please give me a little support, my Dad recovered from prostate cancer but at the same time developed Parkinson's disease a few years ago. In the past week he has deteriorated a lot, bed bound finally, no more speech, I'm the last person he can recognize. It is so tough for Mom as a care taker. All I ask for is your sincere prayers, as you download this creation, for my Dad and Mom, so that he can go peacefully proud of his sons, and she can start to explore this new world with us. What a courageous woman she is.
(www.flickr.com/photos/moleskineart/6361903821/in/photostream)
Thanks to my Dad's dedication to Chinese painting and art, I had my implicit training early in life and became a visual person yet unafraid to look deep into the subject matters. For years, I bought diaries but none of them satisfied my visual and creative needs.
(www.flickr.com/photos/moleskineart/6335595394/in/photostream)
Since the beginning of the diary making business, every single diary is made by representing time in fixed grids. To challenge this right representation, after exploring in deep thoughts the essence of my own perfect diary, I present to you my Chronodex idea.
Come to think of it, the paper which makes up a diary originated from trees, when the sheets of paper are bound together in the middle, it is almost like foliages stemming from a tree's trunk. Each page is like a branch, each opened page is a week, each day is like a beautiful flower grew from that page, consist of petals of your day's time slices.
You may argue that this format is still slicing time into blocks and far from the fractal nature, but soon as you start using it, you will find that time is no longer right, instead you will find fluidity through free notations.
The more important time slices can be drawn larger, activities can be dots or pies (petals if you will) depending on duration or importance, space on a page is no longer limited to grids. Basically you can roam freely and be amazed how beautiful your week can be.
What's more is that your mind gradually deviate from the rigid format a typical diary imposes on you, reactivity soon flourishes. Imagine the effect happening in weeks! And I'm not kidding.
(www.flickr.com/photos/moleskineart/6364164607/in/photostream)
Scription Chronodex Weekly Planner 2012 (Jan - Jun) Download
(just remember to pray for my Dad and Mom, sincerely)
It is done with the Midori Traveler's Notebook size in mind, even if you don't own a Traveler's Notebook, you can still use it without the leather cover.
Hong Kong Holiday version
Japanese Holiday version
Free of Holidays version
To grow your own diary, after downloading the PDF version of your choice, print it out double sided (duplex) in landscape mode on A4 papers. Be sure to print it out 100% without scale, left/right binding (try the first few pages on your printer and settings and you'll see what I mean). Check the sequence after the print out.
(www.flickr.com/photos/moleskineart/6364170655/in/photostream)
(www.flickr.com/photos/moleskineart/6364175293/in/photostream)
(www.flickr.com/photos/moleskineart/6364180447/in/photostream)
Next, cut away the left and right portion of the A4 paper according to the cut line.
(www.flickr.com/photos/moleskineart/6364185407/in/photostream)
(www.flickr.com/photos/moleskineart/6364191991/in/photostream)
Now here's the interesting part of the binding. Use a chisel to punch holes on both ends of the spine and stitch the pages up. You can staple them together just the same. This method will get you a bound notebook but ready for a cool bookmark which I will mention in a moment.
(www.flickr.com/photos/moleskineart/6364194541/in/photostream)
(www.flickr.com/photos/moleskineart/6364200541/in/photostream)
(www.flickr.com/photos/moleskineart/6364206651/in/photostream)
(www.flickr.com/photos/moleskineart/6364210857/in/photostream)
(www.flickr.com/photos/moleskineart/6364216463/in/photostream)
To create a bookmark, simple take a piece of hard paper, cut it the way I showed above. Slide it between the papers of the current week, the slide 90 degree up following the spine to have the tab exposed on top of the diary (I hope I'm describing it right). There you go! a bookmark with a tab extruding from the top of your diary.
This cool bookmark invention based on the way you bind your diary is so useful and flexible, you will find it amazing when you reach the 12th week of the year! Tell me about that in a few months.
(www.flickr.com/photos/moleskineart/6364223093/in/photostream)
The last part of my Chronodex journey was to make a cool diary cover. Thanks for my family's tolerance, I had a little free time in broad daylight having fun doing it, 2 cups of coffee, listening to audiobook through my iPhone/Jambox combo.
(www.flickr.com/photos/oxothuk/6352848866/)
Small features are infused into the diary, I hope you will enjoy the little tibits, do explore the "Boarding pass to success" idea. If you are interested, I will be sharing the July - December version, which is still in stage zero. Fellow Scription reader Boris from Russia already had a taste of the Chronodex, so go ahead and try yours. Your feedback and comment is what keeps me going, please do pray.
More on Scription blog: scription.typepad.com/blog/2011/11/scription-chronodex-we...
The MR16 pins became loose and no longer make a good contact with the socket. I show the insert with a small tape measure for size comparison.
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