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Infinity is the new brand name for Blowpop, and this is the gorgous new line from Annyka.
skin: Ava
hair: 69
This photograph was taken at the Cycle of Songs rehearsal for the piece entitled 'Infinity', composed by Peter Gregson, at Emmanuel College on 12th June 2014. This was sung by a composite choir of singers mainly from Women of Note and ReSound.
This view seems to morph from one view of water and rock, into water, and then into the horizon. Much like an infinity pool, except for the rock. :-)
tinnainfinitydress.com
Infinity dress also known as convertible dress,one dress can be worn with 15+ different ways.
I wish I'd have had a better chance to make this picture come out clear and more how I wanted, but I like the idea.
Shelby's record player, and Infinity On High. Summer 2009.
Technically, this isn't a good shot (cut off limbs, girl isn't doing anything yet), but i think it's a shot that is memorable. I can't pinpoint why, but it catches the eye
This juts out from the main house at the House on the Rock. Oh, this is a photo of a poster on the wall.
The first tower in the Infinity Towers two block complex. It's supposed to be 42 stories, or about 400 feet tall when finished.
I like the curved glass effect, making the building feel like a bit of a ripple.
Infinity Mirrored Room—My Heart Is Dancing into the Universe, by Yayoi Kusama at the Hirshhorm Museum'
‘Infinity’ is an immersive environment project by Refik Anadol. Project is an integral part of artist’s ongoing ‘Temporary Immersive Environment Experiments’ which is a research on audio/visual installations by using the state called immersion which is the state of consciousness where an immersant’s awareness of physical self is transformed by being surrounded in an engrossing environment; often artificial, creating a perception of presence in a non-physical world.
In this project ‘infinity’ chosen as a concept,a radical effort to deconstruct the framework of this illusory space and transgress the normal boundaries of the viewing experience to set out to transform the conventional flat cinema projection screen into a three dimensional kinetic and architectonic space of visualisation by using contemporary algorithms.
Light is the major element in the experiment, used to blur and interconnect the boundaries between the two realms actual/fictional and physical/virtual. It signifies the threshold between the simulacrum space created by the projection technology, and the physical space where the viewer stands. The experiments will discuss the inherent spatial qualities of immersive virtual environments and their effect on the embodied person. Through the presented framework, the experiments intends to question the relativity of perception and how it informs the apprehension of our surroundings. Rather than approaching the medium as a means of escape into some disembodied techno-utopian fantasy, projects sees itself as a means of return, i.e. facilitating a temporary release from our habitual perceptions and culturally biased assumptions about being in the world, to enable us, however momentarily, to perceive ourselves and the world around us freshly.
Exhibition at Artnivo’s ’40 Meters 4 Walls 8 Cubes’ in collaboration with Istanbul Biennial at Zorlu Performing Art Center.