The Ajanta Caves (Ajiṇṭhā leni; Marathi: अजिंठा लेणी) in Aurangabad district of Maharashtra, India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE. The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art, particularly painting", which are masterpieces of Buddhist religious art, with figures of the Buddha and depictions of the Jataka tales. The caves were built in two phases starting around the 2nd century BCE, with the second group of caves built around 400–650 CE according to older accounts, or all in a brief period of 460 to 480 according to the recent proposals of Walter M. Spink. The site is a protected monument in the care of the Archaeological Survey of India, and since 1983, the Ajanta Caves have been a UNESCO World Heritage Site.

 

The caves are located in the Indian state of Maharashtra, near Jalgaon and just outside the village of Ajinṭhā 20°31′56″N 75°44′44″E), about 59 kilometres from Jalgaon railway station on the Delhi – Mumbai line and Howrah-Nagpur-Mumbai line of the Central Railway zone, and 104 kilometres from the city of Aurangabad. They are 100 kilometres from the Ellora Caves, which contain Hindu and Jain temples as well as Buddhist caves, the last dating from a period similar to Ajanta. The Ajanta caves are cut into the side of a cliff that is on the south side of a U-shaped gorge on the small river Waghur, and although they are now along and above a modern pathway running across the cliff they were originally reached by individual stairs or ladders from the side of the river 35 to 110 feet below.

 

The area was previously heavily forested, and after the site ceased to be used the caves were covered by jungle until accidentally rediscovered in 1819 by a British officer on a hunting party. They are Buddhist monastic buildings, apparently representing a number of distinct "monasteries" or colleges. The caves are numbered 1 to 28 according to their place along the path, beginning at the entrance. Several are unfinished and some barely begun and others are small shrines, included in the traditional numbering as e.g. "9A"; "Cave 15A" was still hidden under rubble when the numbering was done. Further round the gorge are a number of waterfalls, which when the river is high are audible from outside the caves.

 

The caves form the largest corpus of early Indian wall-painting; other survivals from the area of modern India are very few, though they are related to 5th-century paintings at Sigiriya in Sri Lanka. The elaborate architectural carving in many caves is also very rare, and the style of the many figure sculptures is highly local, found only at a few nearby contemporary sites, although the Ajanta tradition can be related to the later Hindu Ellora Caves and other sites.

 

HISTORY

Like the other ancient Buddhist monasteries, Ajanta had a large emphasis on teaching, and was divided into several different caves for living, education and worship, under a central direction. Monks were probably assigned to specific caves for living. The layout reflects this organizational structure, with most of the caves only connected through the exterior. The 7th-century travelling Chinese scholar Xuanzang informs us that Dignaga, a celebrated Buddhist philosopher and controversialist, author of well-known books on logic, lived at Ajanta in the 5th century. In its prime the settlement would have accommodated several hundred teachers and pupils. Many monks who had finished their first training may have returned to Ajanta during the monsoon season from an itinerant lifestyle.

 

The caves are generally agreed to have been made in two distinct periods, separated by several centuries.

 

CAVES OF THE FIRST (SATAVAHANA) PERIOD

The earliest group of caves consists of caves 9, 10, 12, 13 and 15A. According to Walter Spink, they were made during the period 100 BCE to 100 CE, probably under the patronage of the Satavahana dynasty (230 BCE – c. 220 CE) who ruled the region. Other datings prefer the period 300 BCE to 100 BCE, though the grouping of the earlier caves is generally agreed. More early caves may have vanished through later excavations. Of these, caves 9 and 10 are stupa halls of chaitya-griha form, and caves 12, 13, and 15A are vihāras (see the architecture section below for descriptions of these types). The first phase is still often called the Hinayāna phase, as it originated when, using traditional terminology, the Hinayāna or Lesser Vehicle tradition of Buddhism was dominant, when the Buddha was revered symbolically. However the use of the term Hinayana for this period of Buddhism is now deprecated by historians; equally the caves of the second period are now mostly dated too early to be properly called Mahayana, and do not yet show the full expanded cast of supernatural beings characteristic of that phase of Buddhist art. The first Satavahana period caves lacked figurative sculpture, emphasizing the stupa instead, and in the caves of the second period the overwhelming majority of images represent the Buddha alone, or narrative scenes of his lives.

 

Spink believes that some time after the Satavahana period caves were made the site was abandoned for a considerable period until the mid-5th century, probably because the region had turned mainly Hindu

 

CAVES OF THE LATER OR VAKATAKA PERIOD

The second phase began in the 5th century. For a long time it was thought that the later caves were made over a long period from the 4th to the 7th centuries CE, but in recent decades a series of studies by the leading expert on the caves, Walter M. Spink, have argued that most of the work took place over the very brief period from 460 to 480 CE, during the reign of Emperor Harishena of the Vakataka dynasty. This view has been criticized by some scholars, but is now broadly accepted by most authors of general books on Indian art, for example Huntington and Harle.

 

The second phase is still often called the Mahāyāna or Greater Vehicle phase, but scholars now tend to avoid this nomenclature because of the problems that have surfaced regarding our understanding of Mahāyāna.

 

Some 20 cave temples were simultaneously created, for the most part viharas with a sanctuary at the back. The most elaborate caves were produced in this period, which included some "modernization" of earlier caves. Spink claims that it is possible to establish dating for this period with a very high level of precision; a fuller account of his chronology is given below. Although debate continues, Spink's ideas are increasingly widely accepted, at least in their broad conclusions. The Archaeological Survey of India website still presents the traditional dating: "The second phase of paintings started around 5th – 6th centuries A.D. and continued for the next two centuries". Caves of the second period are 1–8, 11, 14–29, some possibly extensions of earlier caves. Caves 19, 26, and 29 are chaitya-grihas, the rest viharas.

 

According to Spink, the Ajanta Caves appear to have been abandoned by wealthy patrons shortly after the fall of Harishena, in about 480 CE. They were then gradually abandoned and forgotten. During the intervening centuries, the jungle grew back and the caves were hidden, unvisited and undisturbed, although the local population were aware of at least some of them.

 

REDISCOVERY

On 28 April 1819, a British officer for the Madras Presidency, John Smith, of the 28th Cavalry, while hunting tiger, accidentally discovered the entrance to Cave No. 10 deep within the tangled undergrowth. There were local people already using the caves for prayers with a small fire, when he arrived. Exploring that first cave, long since a home to nothing more than birds and bats and a lair for other larger animals, Captain Smith vandalized the wall by scratching his name and the date, April 1819. Since he stood on a five-foot high pile of rubble collected over the years, the inscription is well above the eye-level gaze of an adult today. A paper on the caves by William Erskine was read to the Bombay Literary Society in 1822. Within a few decades, the caves became famous for their exotic setting, impressive architecture, and above all their exceptional, all but unique paintings. A number of large projects to copy the paintings were made in the century after rediscovery, covered below. In 1848 the Royal Asiatic Society established the "Bombay Cave Temple Commission" to clear, tidy and record the most important rock-cut sites in the Bombay Presidency, with John Wilson, as president. In 1861 this became the nucleus of the new Archaeological Survey of India. Until the Nizam of Hyderabad built the modern path between the caves, among other efforts to make the site easy to visit, a trip to Ajanta was a considerable adventure, and contemporary accounts dwell with relish on the dangers from falls off narrow ledges, animals and the Bhil people, who were armed with bows and arrows and had a fearsome reputation.

 

Today, fairly easily combined with Ellora in a single trip, the caves are the most popular tourist destination in Mahrashtra, and are often crowded at holiday times, increasing the threat to the caves, especially the paintings. In 2012, the Maharashtra Tourism Development Corporation announced plans to add to the ASI visitor centre at the entrance complete replicas of caves 1, 2, 16 & 17 to reduce crowding in the originals, and enable visitors to receive a better visual idea of the paintings, which are dimly-lit and hard to read in the caves. Figures for the year to March 2010 showed a total of 390,000 visitors to the site, divided into 362,000 domestic and 27,000 foreign. The trends over the previous few years show a considerable growth in domestic visitors, but a decline in foreign ones; the year to 2010 was the first in which foreign visitors to Ellora exceeded those to Ajanta.

 

PAINTINGS

Mural paintings survive from both the earlier and later groups of caves. Several fragments of murals preserved from the earlier caves (Caves 9 and 11) are effectively unique survivals of court-led painting in India from this period, and "show that by Sātavāhana times, if not earlier, the Indian painter had mastered an easy and fluent naturalistic style, dealing with large groups of people in a manner comparable to the reliefs of the Sāñcī toraņa crossbars".

 

Four of the later caves have large and relatively well-preserved mural paintings which "have come to represent Indian mural painting to the non-specialist", and fall into two stylistic groups, with the most famous in Caves 16 and 17, and apparently later paintings in Caves 1 and 2. The latter group were thought to be a century or more later than the others, but the revised chronology proposed by Spink would place them much closer to the earlier group, perhaps contemporary with it in a more progressive style, or one reflecting a team from a different region. The paintings are in "dry fresco", painted on top of a dry plaster surface rather than into wet plaster.

 

All the paintings appear to be the work of painters at least as used to decorating palaces as temples, and show a familiarity with and interest in details of the life of a wealthy court. We know from literary sources that painting was widely practised and appreciated in the courts of the Gupta period. Unlike much Indian painting, compositions are not laid out in horizontal compartments like a frieze, but show large scenes spreading in all directions from a single figure or group at the centre. The ceilings are also painted with sophisticated and elaborate decorative motifs, many derived from sculpture. The paintings in cave 1, which according to Spink was commissioned by Harisena himself, concentrate on those Jataka tales which show previous lives of the Buddha as a king, rather than as an animal or human commoner, and so show settings from contemporary palace life.

 

In general the later caves seem to have been painted on finished areas as excavating work continued elsewhere in the cave, as shown in caves 2 and 16 in particular. According to Spink's account of the chronology of the caves, the abandonment of work in 478 after a brief busy period accounts for the absence of painting in caves such as 4 and 17, the later being plastered in preparation for paintings that were never done.

 

COPIES

The paintings have deteriorated significantly since they were rediscovered, and a number of 19th-century copies and drawings are important for a complete understanding of the works. However, the earliest projects to copy the paintings were plagued by bad fortune. In 1846, Major Robert Gill, an Army officer from Madras presidency and a painter, was appointed by the Royal Asiatic Society to replicate the frescoes on the cave walls to exhibit these paintings in England. Gill worked on his painting at the site from 1844 to 1863 (though he continued to be based there until his death in 1875, writing books and photographing) and made 27 copies of large sections of murals, but all but four were destroyed in a fire at the Crystal Palace in London in 1866, where they were on display.

 

Another attempt was made in 1872 when the Bombay Presidency commissioned John Griffiths, then principal of the Bombay School of Art, to work with his students to make new copies, again for shipping to England. They worked on this for thirteen years and some 300 canvases were produced, many of which were displayed at the Imperial Institute on Exhibition Road in London, one of the forerunners of the Victoria and Albert Museum. But in 1885 another fire destroyed over a hundred paintings that were in storage. The V&A still has 166 paintings surviving from both sets, though none have been on permanent display since 1955. The largest are some 3 × 6 metres. A conservation project was undertaken on about half of them in 2006, also involving the University of Northumbria. Griffith and his students had unfortunately painted many of the paintings with "cheap varnish" in order to make them easier to see, which has added to the deterioration of the originals, as has, according to Spink and others, recent cleaning by the ASI.

 

A further set of copies were made between 1909 and 1911 by Christiana Herringham (Lady Herringham) and a group of students from the Calcutta School of Art that included the future Indian Modernist painter Nandalal Bose. The copies were published in full colour as the first publication of London's fledgling India Society. More than the earlier copies, these aimed to fill in holes and damage to recreate the original condition rather than record the state of the paintings as she was seeing them. According to one writer, unlike the paintings created by her predecessors Griffiths and Gill, whose copies were influenced by British Victorian styles of painting, those of the Herringham expedition preferred an 'Indian Renascence' aesthetic of the type pioneered by Abanindranath Tagore.

 

Early photographic surveys were made by Robert Gill, who learnt to use a camera from about 1856, and whose photos, including some using stereoscopy, were used in books by him and Fergusson (many are available online from the British Library), then Victor Goloubew in 1911 and E.L. Vassey, who took the photos in the four volume study of the caves by Ghulam Yazdani (published 1930–1955).

 

ARCHITECTURE

The monasteries mostly consist of vihara halls for prayer and living, which are typically rectangular with small square dormitory cells cut into the walls, and by the second period a shrine or sanctuary at the rear centred on a large statue of the Buddha, also carved from the living rock. This change reflects the movement from Hinayana to Mahāyāna Buddhism. The other type of main hall is the narrower and higher chaitya hall with a stupa as the focus at the far end, and a narrow aisle around the walls, behind a range of pillars placed close together. Other plainer rooms were for sleeping and other activities. Some of the caves have elaborate carved entrances, some with large windows over the door to admit light. There is often a colonnaded porch or verandah, with another space inside the doors running the width of the cave.

 

The central square space of the interior of the viharas is defined by square columns forming a more or less square open area. Outside this are long rectangular aisles on each side, forming a kind of cloister. Along the side and rear walls are a number of small cells entered by a narrow doorway; these are roughly square, and have small niches on their back walls. Originally they had wooden doors. The centre of the rear wall has a larger shrine-room behind, containing a large Buddha statue. The viharas of the earlier period are much simpler, and lack shrines. Spink in fact places the change to a design with a shrine to the middle of the second period, with many caves being adapted to add a shrine in mid-excavation, or after the original phase.

 

The plan of Cave 1 shows one of the largest viharas, but is fairly typical of the later group. Many others, such as Cave 16, lack the vestibule to the shrine, which leads straight off the main hall. Cave 6 is two viharas, one above the other, connected by internal stairs, with sanctuaries on both levels.

 

The four completed chaitya halls are caves 9 and 10 from the early period, and caves 19 and 26 from the later period of construction. All follow the typical form found elsewhere, with high ceilings and a central "nave" leading to the stupa, which is near the back, but allows walking behind it, as walking around stupas was (and remains) a common element of Buddhist worship (pradakshina). The later two have high ribbed roofs, which reflect timber forms, and the earlier two are thought to have used actual timber ribs, which have now perished. The two later halls have a rather unusual arrangement (also found in Cave 10 at Ellora) where the stupa is fronted by a large relief sculpture of the Buddha, standing in Cave 19 and seated in Cave 26. Cave 29 is a late and very incomplete chaitya hall.

 

The form of columns in the work of the first period is very plain and un-embellished, with both chaitya halls using simple octagonal columns, which were painted with figures. In the second period columns were far more varied and inventive, often changing profile over their height, and with elaborate carved capitals, often spreading wide. Many columns are carved over all their surface, some fluted and others carved with decoration all over, as in cave 1.

 

The flood basalt rock of the cliff, part of the Deccan Traps formed by successive volcanic eruptions at the end of the Cretaceous, is layered horizontally, and somewhat variable in quality, so the excavators had to amend their plans in places, and in places there have been collapses in the intervening centuries, as with the lost portico to cave 1. Excavation began by cutting a narrow tunnel at roof level, which was expanded downwards and outwards; the half-built vihara cave 24 shows the method. Spink believes that for the first caves of the second period the excavators had to relearn skills and techniques that had been lost in the centuries since the first period, which were then transmitted to be used at later rock-cut sites in the region, such as Ellora, and the Elephanta, Bagh, Badami and Aurangabad Caves.

 

The caves from the first period seem to have been paid for by a number of different patrons, with several inscriptions recording the donation of particular portions of a single cave, but according to Spink the later caves were each commissioned as a complete unit by a single patron from the local rulers or their court elites. After the death of Harisena smaller donors got their chance to add small "shrinelets" between the caves or add statues to existing caves, and some two hundred of these "intrusive" additions were made in sculpture, with a further number of intrusive paintings, up to three hundred in cave 10 alone.

 

A grand gateway to the site, at the apex of the gorge's horsehoe between caves 15 and 16, was approached from the river, and is decorated with elephants on either side and a nāga, or protective snake deity.

 

ICONOGRAPHY OF THE CAVES

In the pre-Christian era, the Buddha was represented symbolically, in the form of the stupa. Thus, halls were made with stupas to venerate the Buddha. In later periods the images of the Buddha started to be made in coins, relic caskets, relief or loose sculptural forms, etc. However, it took a while for the human representation of the Buddha to appear in Buddhist art. One of the earliest evidences of the Buddha's human representations are found at Buddhist archaeological sites, such as Goli, Nagarjunakonda, and Amaravati. The monasteries of those sites were built in less durable media, such as wood, brick, and stone. As far as the genre of rock-cut architecture is concerned it took many centuries for the Buddha image to be depicted. Nobody knows for sure at which rock-cut cave site the first image of the Buddha was depicted. Current research indicates that Buddha images in a portable form, made of wood or stone, were introduced, for the first time, at Kanheri, to be followed soon at Ajanta Cave 8 (Dhavalikar, Jadhav, Spink, Singh). While the Kanheri example dates to 4th or 5th century CE, the Ajanta example has been dated to c. 462–478 CE (Spink). None of the rock-cut monasteries prior to these dates, and other than these examples, show any Buddha image although hundreds of rock-cut caves were made throughout India during the first few centuries CE. And, in those caves, it is the stupa that is the object of veneration, not the image. Images of the Buddha are not found in Buddhist sailagrhas (rock-cut complexes) until the times of the Kanheri (4th–5th century CE) and Ajanta examples (c. 462–478 CE).

 

The caves of the second period, now all dated to the 5th century, were typically described as "Mahayana", but do not show the features associated with later Mahayana Buddhism. Although the beginnings of Mahāyāna teachings go back to the 1st century there is little art and archaeological evidence to suggest that it became a mainstream cult for several centuries. In Mahayana it is not Gautama Buddha but the Bodhisattva who is important, including "deity" Bodhisattva like Manjushri and Tara, as well as aspects of the Buddha such as Aksobhya, and Amitabha. Except for a few Bodhisattva, these are not depicted at Ajanta, where the Buddha remains the dominant figure. Even the Bodhisattva images of Ajanta are never central objects of worship, but are always shown as attendants of the Buddha in the shrine. If a Bodhisattva is shown in isolation, as in the Astabhaya scenes, these were done in the very last years of activities at Ajanta, and are mostly 'intrusive' in nature, meaning that they were not planned by the original patrons, and were added by new donors after the original patrons had suddenly abandoned the region in the wake of Emperor Harisena's death.

 

The contrast between iconic and aniconic representations, that is, the stupa on one hand and the image of the Buddha on the other, is now being seen as a construct of the modern scholar rather than a reality of the past. The second phase of Ajanta shows that the stupa and image coincided together. If the entire corpus of the art of Ajanta including sculpture, iconography, architecture, epigraphy, and painting are analysed afresh it will become clear that there was no duality between the symbolic and human forms of the Buddha, as far as the 5th-century phase of Ajanta is concerned. That is why most current scholars tend to avoid the terms 'Hinayana' and 'Mahayana' in the context of Ajanta. They now prefer to call the second phase by the ruling dynasty, as the Vākāţaka phase.

 

CAVES

CAVE 1

Cave 1 was built on the eastern end of the horse-shoe shaped scarp, and is now the first cave the visitor encounters. This would when first made have been a less prominent position, right at the end of the row. According to Spink, it is one of the latest caves to have been excavated, when the best sites had been taken, and was never fully inaugurated for worship by the dedication of the Buddha image in the central shrine. This is shown by the absence of sooty deposits from butter lamps on the base of the shrine image, and the lack of damage to the paintings that would have been happened if the garland-hooks around the shrine had been in use for any period of time. Although there is no epigraphic evidence, Spink believes that the Vākāţaka Emperor Harishena was the benefactor of the work, and this is reflected in the emphasis on imagery of royalty in the cave, with those Jakata tales being selected that tell of those previous lives of the Buddha in which he was royal.

 

The cliff has a more steep slope here than at other caves, so to achieve a tall grand facade it was necessary to cut far back into the slope, giving a large courtyard in front of the facade. There was originally a columned portico in front of the present facade, which can be seen "half-intact in the 1880s" in pictures of the site, but this fell down completely and the remains, despite containing fine carving, were carelessly thrown down the slope into the river, from where they have been lost, presumably carried away in monsoon torrents.

 

This cave has one of the most elaborate carved façades, with relief sculptures on entablature and ridges, and most surfaces embellished with decorative carving. There are scenes carved from the life of the Buddha as well as a number of decorative motifs. A two pillared portico, visible in the 19th-century photographs, has since perished. The cave has a front-court with cells fronted by pillared vestibules on either side. These have a high plinth level. The cave has a porch with simple cells on both ends. The absence of pillared vestibules on the ends suggest that the porch was not excavated in the latest phase of Ajanta when pillared vestibules had become a necessity and norm. Most areas of the porch were once covered with murals, of which many fragments remain, especially on the ceiling. There are three doorways: a central doorway and two side doorways. Two square windows were carved between the doorways to brighten the interiors.

 

Each wall of the hall inside is nearly 12 m long and 6.1 m high. Twelve pillars make a square colonnade inside supporting the ceiling, and creating spacious aisles along the walls. There is a shrine carved on the rear wall to house an impressive seated image of the Buddha, his hands being in the dharmachakrapravartana mudra. There are four cells on each of the left, rear, and the right walls, though due to rock fault there are none at the ends of the rear aisle. The walls are covered with paintings in a fair state of preservation, though the full scheme was never completed. The scenes depicted are mostly didactic, devotional, and ornamental, with scenes from the Jataka stories of the Buddha's former existences as a bodhisattva), the life of the Gautama Buddha, and those of his veneration. The two most famous individual painted images at Ajanta are the two over-life size figures of the protective bodhisattvas Padmapani and Vajrapani on either side of the entrance to the Buddha shrine on the wall of the rear aisle (see illustrations above). According to Spink, the original dating of the paintings to about 625 arose largely or entirely because James Fegusson, a 19th-century architectural historian, had decided that a scene showing an ambassador being received, with figures in Persian dress, represented a recorded embassy to Persia (from a Hindu monarch at that) around that date.

 

CAVE 2

Cave 2, adjacent to Cave 1, is known for the paintings that have been preserved on its walls, ceilings, and pillars. It looks similar to Cave 1 and is in a better state of preservation.

 

Cave 2 has a porch quite different from Cave one. Even the façade carvings seem to be different. The cave is supported by robust pillars, ornamented with designs. The front porch consists of cells supported by pillared vestibules on both ends. The cells on the previously "wasted areas" were needed to meet the greater housing requirements in later years. Porch-end cells became a trend in all later Vakataka excavations. The simple single cells on porch-ends were converted into CPVs or were planned to provide more room, symmetry, and beauty.

 

The paintings on the ceilings and walls of this porch have been widely published. They depict the Jataka tales that are stories of the Buddha's life in former existences as Bodhisattva. Just as the stories illustrated in cave 1 emphasize kingship, those in cave 2 show many "noble and powerful" women in prominent roles, leading to suggestions that the patron was an unknown woman. The porch's rear wall has a doorway in the center, which allows entrance to the hall. On either side of the door is a square-shaped window to brighten the interior.

 

The hall has four colonnades which are supporting the ceiling and surrounding a square in the center of the hall. Each arm or colonnade of the square is parallel to the respective walls of the hall, making an aisle in between. The colonnades have rock-beams above and below them. The capitals are carved and painted with various decorative themes that include ornamental, human, animal, vegetative, and semi-divine forms.

 

Paintings appear on almost every surface of the cave except for the floor. At various places the art work has become eroded due to decay and human interference. Therefore, many areas of the painted walls, ceilings, and pillars are fragmentary. The painted narratives of the Jataka tales are depicted only on the walls, which demanded the special attention of the devotee. They are didactic in nature, meant to inform the community about the Buddha's teachings and life through successive rebirths. Their placement on the walls required the devotee to walk through the aisles and 'read' the narratives depicted in various episodes. The narrative episodes are depicted one after another although not in a linear order. Their identification has been a core area of research since the site's rediscovery in 1819. Dieter Schlingloff's identifications have updated our knowledge on the subject.

 

CAVE 4

The Archeological Survey of India board outside the caves gives the following detail about cave 4: "This is the largest monastery planned on a grandiose scale but was never finished. An inscription on the pedestal of the buddha's image mentions that it was a gift from a person named Mathura and paleographically belongs to 6th century A.D. It consists of a verandah, a hypostylar hall, sanctum with an antechamber and a series of unfinished cells. The rear wall of the verandah contains the panel of Litany of Avalokiteśvara".

 

The sanctuary houses a colossal image of the Buddha in preaching pose flanked by bodhisattvas and celestial nymphs hovering above.

 

CAVES 9-10

Caves 9 and 10 are the two chaitya halls from the first period of construction, though both were also undergoing an uncompleted reworking at the end of the second period. Cave 10 was perhaps originally of the 1st century BCE, and cave 9 about a hundred years later. The small "shrinelets" called caves 9A to 9D and 10A also date from the second period, and were commissioned by individuals.

 

The paintings in cave 10 include some surviving from the early period, many from an incomplete programme of modernization in the second period, and a very large number of smaller late intrusive images, nearly all Buddhas and many with donor inscriptions from individuals. These mostly avoided over-painting the "official" programme and after the best positions were used up are tucked away in less prominent positions not yet painted; the total of these (including those now lost) was probably over 300, and the hands of many different artists are visible.

 

OTHER CAVES

Cave 3 is merely a start of an excavation; according to Spink it was begun right at the end of the final period of work and soon abandoned. Caves 5 and 6 are viharas, the latter on two floors, that were late works of which only the lower floor of cave 6 was ever finished. The upper floor of cave 6 has many private votive sculptures, and a shrine Buddha, but is otherwise unfinished. Cave 7 has a grand facade with two porticos but, perhaps because of faults in the rock, which posed problems in many caves, was never taken very deep into the cliff, and consists only of the two porticos and a shrine room with antechamber, with no central hall. Some cells were fitted in.

 

Cave 8 was long thought to date to the first period of construction, but Spink sees it as perhaps the earliest cave from the second period, its shrine an "afterthought". The statue may have been loose rather than carved from the living rock, as it has now vanished. The cave was painted, but only traces remain.

 

SPINK´S DETAILED CHRONOLOGY

Walter M. Spink has over recent decades developed a very precise and circumstantial chronology for the second period of work on the site, which unlike earlier scholars, he places entirely in the 5th century. This is based on evidence such as the inscriptions and artistic style, combined with the many uncompleted elements of the caves. He believes the earlier group of caves, which like other scholars he dates only approximately, to the period "between 100 BCE – 100 CE", were at some later point completely abandoned and remained so "for over three centuries", as the local population had turned mainly Hindu. This changed with the accession of the Emperor Harishena of the Vakataka Dynasty, who reigned from 460 to his death in 477. Harisena extended the Central Indian Vakataka Empire to include a stretch of the east coast of India; the Gupta Empire ruled northern India at the same period, and the Pallava dynasty much of the south.

 

According to Spink, Harisena encouraged a group of associates, including his prime minister Varahadeva and Upendragupta, the sub-king in whose territory Ajanta was, to dig out new caves, which were individually commissioned, some containing inscriptions recording the donation. This activity began in 462 but was mostly suspended in 468 because of threats from the neighbouring Asmaka kings. Work continued on only caves 1, Harisena's own commission, and 17–20, commissioned by Upendragupta. In 472 the situation was such that work was suspended completely, in a period that Spink calls "the Hiatus", which lasted until about 475, by which time the Asmakas had replaced Upendragupta as the local rulers.

 

Work was then resumed, but again disrupted by Harisena's death in 477, soon after which major excavation ceased, except at cave 26, which the Asmakas were sponsoring themselves. The Asmakas launched a revolt against Harisena's son, which brought about the end of the Vakataka Dynasty. In the years 478–480 major excavation by important patrons was replaced by a rash of "intrusions" – statues added to existing caves, and small shrines dotted about where there was space between them. These were commissioned by less powerful individuals, some monks, who had not previously been able to make additions to the large excavations of the rulers and courtiers. They were added to the facades, the return sides of the entrances, and to walls inside the caves. According to Spink, "After 480, not a single image was ever made again at the site", and as Hinduism again dominated the region, the site was again abandoned, this time for over a millennium.

 

Spink does not use "circa" in his dates, but says that "one should allow a margin of error of one year or perhaps even two in all cases".

 

IMPACT ON MODERN INDIAN PAINTINGS

The Ajanta paintings, or more likely the general style they come from, influenced painting in Tibet and Sri Lanka.

 

The rediscovery of ancient Indian paintings at Ajanta provided Indian artists examples from ancient India to follow. Nandlal Bose experimented with techniques to follow the ancient style which allowed him to develop his unique style. Abanindranath Tagore also used the Ajanta paintings for inspiration.

 

WIKIPEDIA

The Oz (Oscar Diggs) 12'' doll has been deboxed. He is posed free standing, both with and without his accessories, which include his top hat, his traveling bag, and the China Girl 4'' mini doll.

 

The Oscar Diggs doll is a 12'' tall posable fashion doll, with a removable outfit. It consists of a black faux wool coat with black satin lining, a black satin vest, dark gray pinstriped pants, a black bow tie, and white satin dress shirt. His vest is actually only a front panel sewn onto his shirt. He also has ankle high black boots, and a black top hat. His outfit looks well tailored, and fits him well.

 

His face is a decent facimile of the Oscar Diggs movie character. His skin tone is a medium tan. He has dark brown facial hair, with thick eyebrows, mustache and goatee. He has small, narrow dark brown eyes staring straight ahead. His nose is medium sized and straight. He has short rooted hair that is a mixture of dark brown and black strands. His sideburns are black. His hair is slicked back, but doesn't have a lot of hair product, so is still soft and resilient, even over his forehead, and stays pretty neat. I groom his hair just using my fingers.

 

His body is well proportioned, with his head, hands, feet looking to be realistic sizes. His articulation consists of neck, shoulder, elbow and hip joints. His neck is a ball joint allowing 360 rotation and tilting up about 20 degrees. His shoulder ball joint allowing 360 rotation about a vertical plane, and tilting about 45 degrees from the vertical. His elbows are ball joints allowing 360 degress rotation, and tilting about 45 degrees. Finally his hips allow 360 rotation (constrained by his pants), and tilting about 20 degrees away from the vertical. He can sit with his legs together. Since he cannot bend his knees, he has to sit with his legs straight.

 

I think that this doll is a great bargain for the $20 price. He looks good, has rooted hair, has a good looking outfit, with many accessories, including the 4'' China Girl mini doll. The mini doll seems to be identical to the Disney Store mini doll, that is sold separately for $9.50. I can't be absolutely sure of that until I get the DS mini doll, which should happen by Tuesday, February 19.

 

Oz (Oscar Diggs) 12'' Fashion Doll With China Girl 4'' Mini Doll

By Tollytots, a division of Jakks Pacific

Based on a character in Disney's Oz The Great and Powerful

Released by Target online February 5, 2013

Purchased from Target online on February 6, 2013

Received on February 14, 2013

First Look

 

Following product information from the US Target website

 

Oz the Great and Powerful Oz and China Fashion Dolls

$19.99

 

This Oz doll is inspired by James Franco's character in the movie Oz the Great and Powerful. Oz is dressed for adventure in his coat, vest and top hat. This articulated doll comes with a mini China Doll and a travel bag, so your little one can reenact all her favorite scenes from the movie.

 

Includes all Winter Village sets.

Also includes the forthcoming Fixtures for Manchester City, Salford & Broughton Rangers Rugby League Clubs. What is particularly interesting is the fact all the results from 1912-13 have been printed too.

The actual card measures just 6 x 11cm when closed.

Shoreditch London Old Street and City Road Silicon Roundabout Major Road Works.

This was due to be completed Autumn 2022 which has been delayed until Early 2024. The project commenced way back in 2019.

This cycle lane change was initially a three-year project. Now Five Years. The road is the inner ring road for London. They have blocked one of the tube entrances which includes the underpass. Ironically, cyclist do not even use this route since they blocked off the backstreets to traffic. They are trying to sabotage London. The situation is disgusting.

includes AFL-CIO monument for fallen workers. See more monuments at Labor Movement flickr groups

An afternoon at Cowdray Polo

[group] Owls | [order] STRIGIFORMES | [family] Strigidae | [latin] Asio flammeus | [UK] Short-eared Owl | [FR] Hibou marais | [DE] Sumpfohreule | [ES] Lechuza Campestre | [NL] Velduil | [IRL] Ulchabhán réisc

 

Measurements

spanwidth min.: 90 cm

spanwidth max.: 105 cm

size min.: 37 cm

size max.: 40 cm

Breeding

incubation min.: 24 days

incubation max.: 29 days

fledging min.: 24 days

fledging max.: 29 days

broods 1

eggs min.: 4

eggs max.: 8

 

Status: A scarce winter visitor throughout Ireland and rare breeding species, mainly in the south and east. Favours uplands and coastal lowlands.

 

Conservation Concern: Amber-listed in Ireland due to its small breeding population. The European population is currently evaluated as Depleted due to a large historical decline.

 

Identification: The only Irish owl species likely to be seen hunting during the day. Very similar in appearance to Long-eared Owl in all plumages. Adult Short-eared Owls can be identified by their yellow eyes and very small "ear" tufts. The black steeaking on the body tends to be much coarser than on Long-eared Owl. Juvenile Short-eareds are identical to juvenile Long-eared Owls, but have yellow eyes.

 

Similar Species: Long-eared Owl, Barn Owl.

 

Call: Generally silent when seen in Ireland. Display includes a quiet series of hoots given in flight.

 

Diet: As for Long-eared Owl. Comprises small mammals, frogs and birds.

 

Breeding: Rare and sporadic breeding species in uplands throughout Ireland. The majority of the European population breeds in Scandinavia and Russia.

 

Wintering: Widespread winter visitor to coastal lowlands (dunes, scrubby fields, machair). Sometimes two or more Short-eared Owls can be seen hunting together at favoured sites.

 

Where to See: The Wicklow coast, including the East Coast Nature Reserve is a good area to look for Short-eared Owls in winter. Numbers fluctuate from year to year, so may absent from even optimal sites in some years.

  

Status: A scarce winter visitor throughout Ireland and rare breeding species, mainly in the south and east. Favours uplands and coastal lowlands.

 

Conservation Concern: Amber-listed in Ireland due to its small breeding population. The European population is currently evaluated as Depleted due to a large historical decline.

 

Identification: The only Irish owl species likely to be seen hunting during the day. Very similar in appearance to Long-eared Owl in all plumages. Adult Short-eared Owls can be identified by their yellow eyes and very small "ear" tufts. The black steeaking on the body tends to be much coarser than on Long-eared Owl. Juvenile Short-eareds are identical to juvenile Long-eared Owls, but have yellow eyes.

 

Similar Species: Long-eared Owl, Barn Owl.

 

Call: Generally silent when seen in Ireland. Display includes a quiet series of hoots given in flight.

 

Diet: As for Long-eared Owl. Comprises small mammals, frogs and birds.

 

Breeding: Rare and sporadic breeding species in uplands throughout Ireland. The majority of the European population breeds in Scandinavia and Russia.

 

Wintering: Widespread winter visitor to coastal lowlands (dunes, scrubby fields, machair). Sometimes two or more Short-eared Owls can be seen hunting together at favoured sites.

 

Where to See: Skerries, Rogerstown Estuary, Bull Island, the East Coast Nature Reserve is a good area to look for Short-eared Owls in winter. Numbers fluctuate from year to year, so may absent from even optimal sites in some years.

  

Physical characteristics

 

Short-eared Owls are medium-sized owls with mottled brown and buff plumage. Their facial disks are light, with dark patches at the eyes. They have short ear-tufts that are usually held down, out of view. They are light underneath, with finely streaked chests and bellies. Males are paler than females. Short-eared Owls have dark markings at the wrist on both the underside and upper side of the wings. In flight they can be hard to tell from the closely related Long-eared Owls, except by behavior and habitat.

Because they are active during the day, Short-eared Owls are easier to see than most other owls. They are especially active at dawn and dusk, and they perform dramatic courtship flights, complete with vocalizing and wing clapping, during the breeding season. They are chase-predators and hunt by flying low over an open area, with their wings at a slight dihedral, somewhat like Northern Harriers. Their buoyant wing-beats give them a distinctive moth-like appearance.

 

Habitat

 

Short-eared Owls inhabit open terrain in all seasons. They use shrub-steppe, grasslands, agricultural areas, marshes, wet meadows, and shorelines. They are often seen perched on fence posts or pieces of driftwood.

 

Other details

 

Asio flammeus is a widespread but patchily distributed breeder across much of Europe, which accounts for less than a quarter of its global breeding range. Its European breeding population is relatively large (>58,000 pairs), but underwent a large decline between 1970-1990. Although declines continued in a few countries during 1990-2000, they abated across most of Europe, and the species was broadly stable overall. Nevertheless, its total population size remains below the level that preceded its decline.

This owl inhabits a large part of Eurasia, North America and southern South America. In Europe, especially in the south, its distribution is increasingly fragmented. The total population of the European Union is estimated at 1500-3500 breeding pairs. It fluctuates according to rodent densities, but seems to decrease following mainly habitat loss, but also persecution and use of pesticides (especially rodenticides). Many birds are also killed along roads and railways.

Fluctuations in the Short-eared Owl population, due most likely to cyclical variation in the population of voles, make it difficult to determine long-term trends. However, declines have been recorded from many parts of the owls range, and Short-eared Owls are listed as an at-risk species by Partners in Flight. Development and agriculture, which result in loss of habitat, are the most significant threats to the population.

 

Feeding

 

Short-eared Owls eat small mammals, especially voles. They take other small rodents, shrews, rabbits, gophers, bats, and muskrats as well. Occasionally, they prey on birds.

 

Conservation

 

This species has an extremely large range, and hence does not approach the thresholds for Vulnerable under the range size criterion (Extent of Occurrence 30% decline over ten years or three generations). The population size is extremely large, and hence does not approach the thresholds for Vulnerable under the population size criterion (10% in ten years or three generations, or with a specified population structure). For these reasons the species is evaluated as Least Concern. [conservation status from birdlife.org]

 

Breeding

 

Courtship and territorial behaviour is spectacular for an Owl. Males perform aerial displays by rising quickly with rhythmic and exaggerated wing beats, hovering, gliding down, and rising again, often 200 to 400 meters above ground. Wing claps, in bursts of 2 to 6 per second, are often made during this flight and some singing occurs. The flight can be ended with a spectacular descent where the male hold his wings aloft and shimmies rapidly to the ground. Two birds may engage in flight, locking talons, and fighting briefly. Often, a display where one bird flashes its light underwing towards another is used during territorial and courtship flights.

The Short-eared Owl nests on the ground, unlike most other Owls. Nests are usually situated in the shelter of a grass mound, under a grass tuft, or among herbaceous ground cover. Nests are loosely constructed by the female, who scrapes a spot on the ground and then lines the scrape with grass stems, herb stalks, and feathers plucked from her breast. Clutch sizes range from 4 to 14 eggs (average 5 to 7), with large clutches laid during years of high food abundance. Clutch size increases from south to north. Eggs are laid every 1 to 2 days and incubation commences with the first. Incubation is done largely by the female, with the male bringing food to the nest and occasionally taking a turn incubating. Young grow very rapidly after hatching, and begin to wander from the nest as soon as 12 days, an adaptation for a ground-nesting species to reduce the amount of time they are vulnerable to predation. Young fledge at about 4 weeks.

The Short-eared Owl routinely lays replacement clutches, because of high predation rates. In southern areas, it may raise 2 broods in 1 year. Because reproductive success is relatively poor, the ability to lay large clutches helps populations recover after periodic declines.

The Short-eared Owl is highly migratory, and nomadic, except in southern parts of its range. Movements of up to 2,000 kilometers have been documented. This Owl has relatively small nesting territories and home ranges, varying from 15 to 200 hectares (35 to 500 acres), and may nest in loose colonies in excellent habitat. Because of its nomadic tendencies, mate and site fidelity are very low. Breeders tend to wander until they find areas with high densities of prey before settling to breed. In winter, large numbers of Owls will occur in areas with lots of food. Communal winter roosts of up to 200 birds are known, with these birds ranging over nearby areas to hunt. Resident Owls will defend winter foraging territories of about 6 hectares (15 acres), before expanding the territory size during the breeding season.

 

Migration

 

Thought to be highly migratory in N part of range, though migration perhaps confused with nomadic food searches and juvenile dispersal; also, wintering areas may become breeding areas if food plentiful. Although present throughout year in middle latitudes, ringing data indicate seasonal N-S and W-SW migration: bird rings in Oklahoma recovered 1730 km SSE in California. In Europe and Asia, migratory in N of range: N populations winter from British Is, S Scandinavia and C Asia S to N half of Africa and parts of S & E Asia; known to breed in N China and winter in S China. Accidental Spitsbergen, Bear Is, Jan Mayen, Azores, Madeira and Cape Verde Is.

 

The Canyon Diablo meteorites include the many fragments of the asteroid that created the Barringer Crater (Meteor Crater), Arizona, USA. Meteorites have been found around the crater rim, and are named for nearby Canyon Diablo, which lies about three to four miles west of the crater.

 

The asteroid fell about 50,000 years ago. The meteorites have been known and collected since the mid-19th century and were known and used by pre-historic Native Americans. The Barringer Crater, from the late 19th to the mid-20th century, was the center of a long dispute over the origin of craters that showed little evidence of volcanism. That debate was settled in the 1950s thanks to Eugene Shoemaker's study of the crater.

 

In 1953, Clair Cameron Patterson measured ratios of the lead isotopes in samples of the meteorite. The result permitted a refinement of the estimate of the age of the Earth to 4.550 billion years (± 70 million years).

Pag island - Croatia.

 

We were staying in a house in the middle of nowhere between mountains and sheeps which includes no clubs.

A good thing after more than 4 months of night life and we knew it was going to start again for the last days.

 

But finally we decided to try one in Novelia, a few kilometers from the house. We were ready to sleep in the cars but we needed something for the before party.

 

Natalia had the idea to prepare a giant Caïpirinha for everyone.

We were carrying the precious liquid in a empty 5 liters bottle of water (and I was holding it in the street ...).

We drunk this and another things outside on a little square in the front of the club.

 

We finally entered, I went back a lot of time to go to the sandwich place next door to buy a bottle of Heineken each time.

Croatia is probably the place where I drunk the most of that beer. In France I considered it as a bad one but compared to the Croatian it's tasty.

it was easy the club was like a bar with a terasse, completly opened so I was coming back inside with my beer bought for a cheaper price.

After a few the waiter was not even asking about my order and was opening the fridge directly.

 

We had some fun there, running away from strange guys, something we did untill the end but not before extorting 2 cigarettes from a drunk Swiss guy.

The plan was to go to the cars to take the blankets and go to the beach to sleep before being able to drive.

 

On our way we found some mattress on the streets and thought that it was just a perfect gift, big mistake.

Going to the beach we met a police guy who asked for our ID's and if we were about to go sleeping on the beach ...

Nooo, I didn't have my ID, Caroline shew her student card and Renato saved us showing his passport and help us lying.

We had to split because we were 2 cars, we let the mattress next to the car (very smart) and slept inside. Paul in the trunk !

 

When I woke up I just saw the mountains, felt the sun and wondered where I was, Paul was driving and we were almost arrived ...

Later I learnt that the other group had to sleep outside for a moment because teh policemen were following them. Also the story tells that the Brasilians freaked out about the police that's why we came back so early on the morning !

The king cobra (Ophiophagus hannah) is a venomous snake endemic to Asia. The sole member of the genus Ophiophagus, it is not taxonomically a true cobra, despite its common name and some resemblance. With an average length of 3.18 to 4 m (10.4 to 13.1 ft) and a record length of 5.85 m (19.2 ft), it is the world's longest venomous snake. The species has diversified colouration across habitats, from black with white stripes to unbroken brownish grey. The king cobra is widely distributed albeit not commonly seen, with a range spanning from the Indian Subcontinent through Southeastern Asia to Southern China. It preys chiefly on other snakes, including those of its own kind. This is the only ophidian that constructs an above-ground nest for its eggs, which are purposefully and meticulously gathered and protected by the female throughout the incubation period.

 

The threat display of this elapid includes spreading its neck-flap, raising its head upright, making eye contact, puffing, hissing and occasionally charging. Given the size of the snake, it is capable of striking at a considerable range and height, sometimes sustaining a bite. Envenomation from this species is medically significant and may result in a rapid fatality unless antivenom is administered in time. Despite the species' fearsome reputation, altercations usually only arise from an individual inadvertently exposing itself or being cornered.

 

Threatened by habitat destruction, it has been listed as Vulnerable on the IUCN Red List since 2010. Regarded as the national reptile of India, it has an eminent position in the mythology and folk traditions of India, Bangladesh, Sri Lanka and Myanmar.

 

Taxonomy

The king cobra is also referred to by the common name "hamadryad", especially in older literature. Hamadryas hannah was the scientific name used by Danish naturalist Theodore Edward Cantor in 1836 who described four king cobra specimens, three captured in the Sundarbans and one in the vicinity of Kolkata. Naja bungarus was proposed by Hermann Schlegel in 1837 who described a king cobra zoological specimen from Java. In 1838, Cantor proposed the name Hamadryas ophiophagus for the king cobra and explained that it has dental features intermediate between the genera Naja and Bungarus. Naia vittata proposed by Walter Elliot in 1840 was a king cobra caught offshore near Chennai that was floating in a basket. Hamadryas elaps proposed by Albert Günther in 1858 were king cobra specimens from the Philippines and Borneo. Günther considered both N. bungarus and N. vittata a variety of H. elaps. The genus Ophiophagus was proposed by Günther in 1864. The name is derived from its propensity to eat snakes.

 

Naja ingens proposed by Alexander Willem Michiel van Hasselt in 1882 was a king cobra captured near Tebing Tinggi in northern Sumatra.

 

Ophiophagus hannah was accepted as the valid name for the king cobra by Charles Mitchill Bogert in 1945 who argued that it differs significantly from Naja species. A genetic analysis using cytochrome b, and a multigene analysis showed that the king cobra was an early offshoot of a genetic lineage giving rise to the mambas, rather than the Naja cobras.

 

A phylogenetic analysis of mitochondrial DNA showed that specimens from Surattani and Nakhon Si Thammarat Provinces in southern Thailand form a deeply divergent clade from those from northern Thailand, which grouped with specimens from Myanmar and Guangdong in southern China.

 

Description

 

Scales of the king cobra

 

A baby king cobra showing its chevron pattern on the back

The king cobra's skin is olive green with black and white bands on the trunk that converge to the head. The head is covered by 15 drab coloured and black edged shields. The muzzle is rounded, and the tongue black. It has two fangs and 3–5 maxillar teeth in the upper jaw, and two rows of teeth in the lower jaw. The nostrils are between two shields. The large eyes have a golden iris and round pupils. Its hood is oval shaped and covered with olive green smooth scales and two black spots between the two lowest scales. Its cylindrical tail is yellowish green above and marked with black. It has a pair of large occipital scales on top of the head, 17 to 19 rows of smooth oblique scales on the neck, and 15 rows on the body. Juveniles are black with chevron shaped white, yellow or buff bars that point towards the head. Adult king cobras are 3.18 to 4 m (10.4 to 13.1 ft) long. The longest known individual measured 5.85 m (19.2 ft). Ventral scales are uniformly oval shaped. Dorsal scales are placed in an oblique arrangement.

 

The king cobra is sexually dimorphic, with males being larger and paler in particular during the breeding season. Males captured in Kerala measured up to 3.75 m (12.3 ft) and weighed up to 10 kg (22 lb). Females captured had a maximum length of 2.75 m (9 ft 0 in) and a weight of 5 kg (11 lb). The largest known king cobra was 5.59 m (18 ft 4 in) long and captured in Thailand. It differs from other cobra species by size and hood. It is larger, has a narrower and longer stripe on the neck.

 

Distribution and habitat

The king cobra has a wide distribution in South and Southeast Asia. It occurs up to an elevation of 2,000 m (6,600 ft) from the Terai in India and southern Nepal to the Brahmaputra River basin in Bhutan and northeast India, Bangladesh and to Myanmar, southern China, Cambodia, Thailand, Laos, Vietnam, Malaysia, Singapore, Indonesia and the Philippines.

 

In northern India, it has been recorded in Garhwal and Kumaon, and in the Shivalik and terai regions of Uttarakhand and Uttar Pradesh. In northeast India, the king cobra has been recorded in northern West Bengal, Sikkim, Assam, Meghalaya, Arunachal Pradesh, Nagaland, Manipur and Mizoram. In the Eastern Ghats, it occurs from Tamil Nadu and Andhra Pradesh to coastal Odisha, and also in Bihar and southern West Bengal, especially the Sundarbans. In the Western Ghats, it was recorded in Kerala, Karnataka and Maharashtra, and also in Gujarat. It also occurs on Baratang Island in the Great Andaman chain.

 

Behaviour and ecology

  

Captive king cobras with their hoods extended

Like other snakes, a king cobra receives chemical information via its forked tongue, which picks up scent particles and transfers them to a sensory receptor (Jacobson's organ) located in the roof of its mouth. When it detects the scent of prey, it flicks its tongue to gauge the prey's location, with the twin forks of the tongue acting in stereo. It senses earth-borne vibration and detects moving prey almost 100 m (330 ft) away.

 

Following envenomation, it swallows its prey whole. Because of its flexible jaws, it can swallow prey much larger than its head. It is considered diurnal because it hunts during the day, but has also been seen at night, rarely.

 

Diet

King cobra in Pune

King cobra in Pune, India

The king cobra is an apex predator and dominant over all other snakes except large pythons. Its diet consists primarily of other snakes and lizards, including Indian cobra, banded krait, rat snake, pythons, green whip snake, keelback, banded wolf snake and Blyth's reticulated snake. It also hunts Malabar pit viper and hump-nosed pit viper by following their odour trails. In Singapore, one was observed swallowing a clouded monitor. When food is scarce, it also feeds on other small vertebrates, such as birds, and lizards. In some cases, the cobra constricts its prey using its muscular body, though this is uncommon. After a large meal, it lives for many months without another one because of its slow metabolic rate.

 

Defence

 

A king cobra in its defensive posture (mounted specimen at the Royal Ontario Museum)

The king cobra is not considered aggressive. It usually avoids humans and slinks off when disturbed, but is known to aggressively defend incubating eggs and attack intruders rapidly. When alarmed, it raises the front part of its body, extends the hood, shows the fangs and hisses loudly. Wild king cobras encountered in Singapore appeared to be placid, but reared up and struck in self defense when cornered.

 

The king cobra can be easily irritated by closely approaching objects or sudden movements. When raising its body, the king cobra can still move forward to strike with a long distance, and people may misjudge the safe zone. It can deliver multiple bites in a single attack.

 

Growling hiss

The hiss of the king cobra is a much lower pitch than many other snakes and many people thus liken its call to a "growl" rather than a hiss. While the hisses of most snakes are of a broad-frequency span ranging from roughly 3,000 to 13,000 Hz with a dominant frequency near 7,500 Hz, king cobra growls consist solely of frequencies below 2,500 Hz, with a dominant frequency near 600 Hz, a much lower-sounding frequency closer to that of a human voice. Comparative anatomical morphometric analysis has led to a discovery of tracheal diverticula that function as low-frequency resonating chambers in king cobra and its prey, the rat snake, both of which can make similar growls.

 

Reproduction

 

A captive juvenile king cobra in its defensive posture

The female is gravid for 50 to 59 days.The king cobra is the only snake that builds a nest using dry leaf litter, starting from late March to late May. Most nests are located at the base of trees, are up to 55 cm (22 in) high in the centre and 140 cm (55 in) wide at the base. They consist of several layers and have mostly one chamber, into which the female lays eggs. Clutch size ranges from 7 to 43 eggs, with 6 to 38 eggs hatching after incubation periods of 66 to 105 days. Temperature inside nests is not steady but varies depending on elevation from 13.5 to 37.4 °C (56.3 to 99.3 °F). Females stay by their nests between two and 77 days. Hatchlings are between 37.5 and 58.5 cm (14.8 and 23.0 in) long and weigh 9 to 38 g (0.32 to 1.34 oz).

 

The venom of hatchlings is as potent as that of the adults. They may be brightly marked, but these colours often fade as they mature. They are alert and nervous, being highly aggressive if disturbed.

 

The average lifespan of a wild king cobra is about 20 years.

 

Venom

Venom of the king cobra, produced by the postorbital venom glands, consists primarily of three-finger toxins (3FTx) and snake venom metalloproteinases (SVMPs).

 

Of all the 3FTx, alpha-neurotoxins are the predominant and most lethal components when cytotoxins and beta-cardiotoxins also exhibit toxicological activities. It is reported that cytotoxicity of its venom varies significantly, depending upon the age and locality of an individual. Clinical cardiotoxicity is not widely observed, nor is nephrotoxicity present among patients bitten by this species, presumably due to the low abundance of the toxins.

 

SVMPs are the second most protein family isolated from the king cobra's venom, accounting from 11.9% to 24.4% of total venom proteins. The abundance is much higher than that of most cobras which is usually less than 1%. This protein family includes principal toxins responsible for vasculature damage and interference with haemostasis, contributing to bleeding and coagulopathy caused by envenomation of vipers. While there are such haemorrhagins isolated from the king cobra's venom, they only induce species-sensitive haemorrhagic and lethal activities on rabbits and hares, but with minimal effects on mice. Clinical pathophysiology of the king cobra's SVMPs has yet to be well studied, although its substantial quantity suggests involvement in tissue damage and necrosis as a result of inflammatory and proteolytic activities, which are instrumental for foraging and digestive purposes.

 

Ohanin, a minor vespryn protein component specific to this species, causes hypolocomotion and hyperalgesia in experimental mice. It is believed that it contributes to neurotoxicity on the central nervous system of the victim.

 

Clinical Management

King cobra's envenomation may result in a rapid fatality, as soon as 30 minutes following a bite. Local symptoms include dusky discolouration of skin, edema and pain; in severe cases swelling extends proximally with necrosis and tissue sloughing that may require amputation. Onset of general symptoms follows while the venom is targeting the victim's central nervous system, resulting in blurred vision, vertigo, drowsiness, and eventually paralysis. If not treated promptly, it may progress to cardiovascular collapse and subsequently coma. Death soon follows due to respiratory failure.

 

Polyvalent antivenom of equine origin is produced by Haffkine Institute and King Institute of Preventive Medicine and Research in India. A polyvalent antivenom produced by the Thai Red Cross Society can effectively neutralise venom of the king cobra. In Thailand, a concoction of turmeric root has been clinically shown to create a strong resilience against the venom of the king cobra when ingested. Proper and immediate treatments are critical to avoid death. Successful precedents include a client who recovered and was discharged in 10 days after being treated by accurate antivenom and inpatient care.

 

It can deliver up to 420 mg venom in dry weight (400–600 mg overall) per bite, with a LD50 toxicity in mice of 1.28 mg/kg through intravenous injection, 1.5 to 1.7 mg/kg through subcutaneous injection, and 1.644 mg/kg through intraperitoneal injection. For research purposes, up to 1 g of venom was obtained through milking

 

Threats

In Southeast Asia, the king cobra is threatened foremost by habitat destruction owing to deforestation and expansion of agricultural land. It is also threatened by poaching for its meat, skin and for use in traditional Chinese medicine.

 

Conservation

The king cobra is listed in CITES Appendix II. It is protected in China and Vietnam. In India, it is placed under Schedule II of Wildlife Protection Act, 1972. Killing a king cobra is punished with imprisonment of up to six years. In the Philippines, king cobras (locally known as banakon) are included under the list of threatened species in the country. It is protected under the Wildlife Resources Conservation and Protection Act (Republic Act No. 9147), which criminalises the killing, trade, and consumption of threatened species with certain exceptions (like indigenous subsistence hunting or immediate threats to human life), with a maximum penalty of two years imprisonment and a fine of ₱20,000.

 

Cultural significance

The king cobra has an eminent position in the mythology and folklore of India, Bangladesh, Sri Lanka and Myanmar. A ritual in Myanmar involves a king cobra and a female snake charmer. The charmer is a priestess who is usually tattooed with three pictograms and kisses the snake on the top of its head at the end of the ritual. Members of the Pakokku clan tattoo themselves with ink mixed with cobra venom on their upper bodies in a weekly inoculation that they believe would protect them from the snake, though no scientific evidence supports this.

 

It is regarded as the national reptile of India.

Bedding to include sewing the brown floral comforter, duvet, & pillows. I also made the afghan throw blanket using a fuzzy knit neck scarf, and the bed using foam, fabric, a glue gun, wooden beads glued over toothpicks for the legs, 😊

Thursday at the Goodwood Festival of Speed. A flat display from the Red Arrows on Thursday. Friday's display was cancelled due to the rain/low cloud.

Construction progress continues on 5th Signal Command’s 59,000-square-foot Cyber Center Europe located on Clay Kaserne in Wiesbaden, Germany June 19, 2013. The facility, scheduled to be complete in summer 2014, will feature 200 workstations, a detached parking structure and many sustainable design elements. The U.S. Army Corps of Engineers Europe District, in partnership with the German construction agency, is managing the project, which broke ground in June 2012. The Cyber Center will capitalize on the use of natural light, thus minimizing the need for florescent lighting. It will also include low flow, water-saving plumbing, using 40 percent less water than a comparably sized building and saving more than 200,000 gallons of water annually. It is on track to be the second U.S. Green Building Council LEED Silver certified facility on Clay Kaserne – U.S. Army Europe’s headquarters building was the first. The center, recently dedicated to Lt. Gen. Robert E. Gray, a distinguished signal officer, will consolidate several key organization under one roof. (U.S. Army Corps of Engineers photo by Jennifer Aldridge)

The full title of this 360/720 panorama includes the above phrase, but is prefaced with: In the manner of Robbert Frick.

  

Robbert Frick is a Los Angeles-based artist. He attached a camera to his car and drove around, generating pictures that way. This method is both relevant to LA and elegantly minimal.

  

My friend, Paul Zelevansky suggested I do something similar with the equipment I use to generate 360/720 spherical panoramas. At first, I didn’t think this would work. Then, I became intrigued. It might generate really different kinds of images.

  

So…I got a tripod out, mounted theVRkit rotator on it, and put all this on the floor of the passenger side of my Subaru Forester Sport. I put my iPhone 11 with my Sandmarc fisheye lens in the Rotator clamp, and set off.

  

I didn’t have to go very far before I had my first pano. You have to know my neighborhood in West Des Moines to understand how really smashed up this picture is.

  

1. My house is sizable, but it doesn’t have 3 garages on the first floor. It doesn’t even have two garages.

2. I appear to be going east, to the right of my house, but the picture has moved everything that actually is west of my house to the east.

3. Not to mention my left arm has taken the place of my right arm in the first reflection and then moves back to its proper place in the next reflection.

  

There are many more instances in this image of fractured duplications and reflections. Enjoy!

  

This image is a 360/720 spherical panorama. It is best viewed in a VR headset such as the Oculus Quest 2, but can also be viewed happily just as it is.

 

Location: Jewellery Quarter Station

Sponsor: Jewellery Quarter BID

Artist: Rob Conway

 

This maternal bear is inspired by the Ancient Egypt Gallery at Birmingham Museum and Art Gallery. The gallery's Egyptian artefacts include human and animal mummies brought to the city by explorers during the height of Victorian Egyptomania! The bandages also relate to Birmingham Children's Hospital, whilst the name 'Mummy Bear' refers to the character from 'Goldilocks and the Three Bears'.

 

Repeating The Big Hoot’s multi-award-winning formula, Birmingham Children’s Hospital Charity and Wild in Art have teamed up once again to present The Big Sleuth!

 

To most people, the word ‘sleuth’ means a private detective, but it’s also the collective noun for a group of bears! Bizarre but true. Birmingham has brought both definitions together this summer by bringing the sun bear, the world’s smallest species of bear (now threatened with extinction), to the region for the second free, public-art trail!

 

The trail, which culminates on Sunday 17th September, is hoping to attract thousands of families, tourists and residents to the region. Hoping they discover places they’ve never visited before, as well as appreciate the beautiful pieces of art!

 

Each striking sculpture on the trail tells a different story, whether it is raising awareness of the children’s hospital, the plight of the sun bear, celebrating a community, the city’s industrial heritage or a famous film character or artist.

 

At the end of the trail, the large bears together with the special celebrity bear cubs will be auctioned off in October to raise vital funds for Birmingham Children’s Hospital Charity. The Big Sleuth’s predecessor, The Big Hoot, raised over £500,000 for the charity at auction, and The Big Sleuth aims to do the same.

 

The Big Sleuth bear has been created specifically for Birmingham.

Created by Guy McKinley and developed by Wild in Art, our bear sculpture has been designed to act as a canvas for artists, schools and communities to showcase the creativity and uniqueness of Birmingham. The world’s smallest species of bear, the Sun Bear is also known as the Honey Bear as it likes to eat vast quantities of it - using its trademark incredibly long tongue to scoop it all up. The Sun Bear originates from South Asia and will bring out the explorer and traveller in all of us to ensure we all get more active to walk, jog, run or cycle the trail.

The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.

 

Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]

 

Overall Race Summary

Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.

Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races

Course: This is an undulating course with some good flat stretches on the Curragh.

  

Viewing this on a smartphone device?

If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".

 

Some Useful Links

GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313

Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html

Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare

Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306

Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/

Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/

A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)

 

Can I use the photograph with the watermark?

Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.

 

How can I get a full resolution, no watermark, copy of these photographs?

 

All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.

 

If you would like to contribute something for your photograph(s)?

Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets

  

At the Cowichan estuary, thickets include a variety of wildflowers, still moist with morning dew

City Palace, Jaipur, which includes the Chandra Mahal and Mubarak Mahal palaces and other buildings, is a palace complex in Jaipur, the capital of the Rajasthan state, India. It was the seat of the Maharaja of Jaipur, the head of the Kachwaha Rajput clan. The Chandra Mahal palace now houses a museum but the greatest part of it is still a royal residence. The palace complex, which is located northeast of the centre of the grid patterned Jaipur city, incorporates an impressive and vast array of courtyards, gardens and buildings. The palace was built between 1729 and 1732, initially by Sawai Jai Singh II, the ruler of Amber. He planned and built the outer walls, and later additions were made by successive rulers right up to the 20th century. The credit for the urban layout of the city and its structures is attributed to two architects namely, Vidyadar Bhattacharya, the chief architect in the royal court and Sir Samuel Swinton Jacob, apart from the Sawai himself who was a keen architectural enthusiast. The architects achieved a fusion of the Shilpa Shastra of Indian architecture with Rajput, Mughal and European styles of architecture.

 

The palace complex lies in the heart of Jaipur city, to the northeast of the very centre. The site for the palace was located on the site of a royal hunting lodge on a plain land encircled by a rocky hill range, five miles south of Amber (city). The history of the city palace is closely linked with the history of Jaipur city and its rulers, starting with Maharaja Sawai Jai Singh II who ruled from 1699-1744. He is credited with initiating construction of the city complex by building the outer wall of the complex spreading over many acres. Initially, he ruled from his capital at Amber, which lies at a distance of 11 kilometres from Jaipur. He shifted his capital from Amber to Jaipur in 1727 because of an increase in population and increasing water shortage. He planned Jaipur city in six blocks separated by broad avenues, on the classical basis of principals of Vastushastra and other similar classical treatise under the architectural guidance of Vidyadar Bhattacharya, a man who was initially an accounts-clerk in the Amber treasury and later promoted to the office of Chief Architect by the King.

 

Following Jaisingh's death in 1744, there were internecine wars among the Rajput kings of the region but cordial relations were maintained with the British Raj. Maharaja Ram Singh sided with the British in the Sepoy Mutiny or Uprising of 1857 and established himself with the Imperial rulers. It is to his credit that the city of Jaipur including all of its monuments (including the City Palace) are stucco painted 'Pink' and since then the city has been called the "Pink City". The change in colour scheme was as an honour of hospitality extended to the Prince of Wales (who later became King Edward VII) on his visit. This colour scheme has since then become a trademark of the Jaipur city.

 

Man Singh II, the adopted son of Maharaja Madho Singh II, was the last Maharaja of Jaipur to rule from the Chandra Mahal palace, in Jaipur. This palace, however, continued to be a residence of the royal family even after the Jaipur kingdom merged with the Indian Union in 1949 (after Indian independence in August 1947) along with other Rajput states of Jodhpur, Jaisalmer and Bikaner. Jaipur became the capital of the Indian state of Rajasthan and Man Singh II had the distinction of becoming the Rajapramukh (present day Governor of the state) for a time and later was the Ambassador of India to Spain.

Includes planter and window box in fully 3D mesh with box textures and UV maps included for easy customisation. Available as full perm or copy/mod. See themeshcloud.com/2017/02/daisy-and-marigold-mesh-planterw... for more details.

Common Two-banded Sea Bream (Diplodus vulgaris) is a species of marine ray-finned fish belonging to the family Sparidae, which includes the seabreams and porgies. This species is found in the north-eastern Atlantic Ocean and the Mediterranean. It is an important species for fisheries and is grown in aquaculture.

 

Diplodus vulgaris has an oval shaped, deep, compressed body with a moderately fleshy-lipped slightly protrusible mouth. There are 8 slender brown coloured incisor-like teeth at the front of each jaw with between 3 and 5 rows of molar-like teeth in the upper jaw and between2 and 4 rows of similar teeth in the lower jaw. The molar like teeth sit behind the incisor like teeth and extend along the sides of each jaw. The dorsal fin is supported by 11 or 12 spines and between 13 and 16 soft rays while there are 3 spines and 12 to 15 soft rays supporting the anal fin. The overall colour is grey, greenish or brownish, paler on the lower body. There is a dark band on the nape which extends to the base of the pectoral fins and to the rear edge of the gill cover, a second dark band rings the caudal peduncle immediately behind the rearmost soft rays of the dorsal and anal fins. This may be less extensive in young individuals. There is a black spot at the base of the pectoral fn. The forked caudal fin is dark, darkening towards the rear margin while the other fins are greyish, also darkening towards their margins. The common two-banded seabream has a maximum published total length of 45 cm (18 in), although 22 cm (8.7 in) is more typical, with a maximum published weight of 1.3 kg (2.9 lb).

 

Diplodus vulgaris is found in the northeastern Atlantic Ocean from the Canary Islands and Madeira north to the Bay of Biscay and throughout the Mediterranean and Black Sea.[9] In the Bay of Biscay the species has been spreading north and is now found as far north as the Channel Islands and Normandy. The common two-banded seabream is an oceanodromous, euryhaline, benthopelagic fish found at depths between 0 and 160 m (0 and 525 ft), although typically found in water less than 50 m (160 ft) deep, over rocky and sandy substrates. The young fishes may be found living among seagrass beds.

 

Diplodus vulgaris is carnivorous, a study of their diet in the Adriatic Sea found that the preyed on crustaceans, molluscs, polychaetes, fish eggs and sea urchins with the most important prey being zooplanktonic copepods and gastropods. They also found that prey preferences changed as the fish grew with smaller fish mainly feeding on zooplankton and larger fish on benthic invertebrates.[11] Another study, off southwestern Portugal, found that the common two-banded seabream preyed on brittle stars, polychaetes, amphipods and sea urchins.[12]

 

The common two-banded seabream is a protandric hermaphrodite. A study in the Gulf of Gabes in Tunisia found that the sex ratio was 1.66 females to each male. It also found that the spawning season ran from October to February, peaking in December and January. The total length at which half of the population attained sexual maturity was around 14.14 cm (5.57 in) for females and 13.57 cm (5.34 in) for males. In the Aegean Sea workers found that the spawning season ran from September until March and peaked during December and that the size that 50% of the population reached sexual maturity was 18.35 cm (7.22 in) for males and 20.37 cm (8.02 in) for females. Females were found to have oocyte counts between 10,727 and 316,730, with a mean of around 73,000.

 

Photo by Nick Dobbs, White Tower Bay, Malta 14-08-2024

Aaron Schock became the youngest member of Congress when in 2009, at the age of 27, he was sworn in to the U.S. House representing Illinois' 18th congressional district. The district is based in Peoria and includes part of Springfield.

 

During his tour terms in Congress, Schock became a prolific fundraiser for the GOP, and was viewed widely as one of the rising stars of the party. Facing intense scrutiny of his spending and financial dealings, Schock announced his resignation from Congress on March 17, 2015, effective March 31.

Item Attributes Of all the tastes that LorAnn provides, These Tastes are taken into consideration the most effective for making your personal E-Juice. They are water soluble, they include no food additives or tryglicerides. These 10 Loads ALWAYS Ship Within a Corrugated Box to Maintain Your Oils Safe After Distribution, We

 

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As always NEoN celebrates its festival with a late night party. Acts include Plastique Fantastique, Verity Brit & Musician U, Fallope & The Tubes and Resident DJ RHL. With a pop up bar and performances amongst our large group exhibition the vast factory space West Ward Works, this night promises to be a visual audible delight.

 

Plastique Fantastique (UK)

 

A performance fiction envisaged as a group of human and non-human avatars delivering communiqués from the past and the future. The communiqués are channelled through installations, writing, comics and sound and moving image work and performances, addressing technology, popular and mass media and sacred cultures and also human-machine animals and non-human entities and agents. Over several years, numerous people have produced Plastique Fantastique but there is also a core group producing the performance fiction. Plastique Fantastique was first presented by David Burrows and Simon O’Sullivan and developed with long-term collaborators Alex Marzeta and Vanessa Page, and more recently with Mark Jackson. For NE0N 2017, this group will call forth and trap a bit-coin-fairy-spirit to ask it seems questions. The performance – Plastique Fantastique Protocols for the Society for Cutting Up Mun-knee-snakers (S.C.U.M.): I-Valerie-Solaris-AKA-@32ACP-Amazon.co.uk-recommends-‘Pacific-Rim’ may/may-not shoot b1t-c0in-f@iry-sp1r1t) – uses drone-folk-songs, moving image projection, reliquaries and ritual to manifest the block-chain-spirit.

 

David Burrows, Alex Marzeta, Vanessa Page and Mark Jackson will be performing.

  

Rites of the Zeitgeber, Verity Brit & Musician ‘U’ (UK)

 

9 channel video installation, live score performed by musician ‘U’

 

The Zeitgeber (‘time giver’ or ‘synchroniser’) is honoured by a triadic henge of stacked CRT monitors in which past durations collide with future vacuums. Strange extra-terrestrial topographies are traversed across geological time and the internet. Curious substances are unearthed and lost languages resurrected. Fragments from Mina Loy, J. G. Ballard and Henri Bergson emerge amongst an archaeology of media from Super 8, VHS, to HD. Time bends from matter, history is up-set and the clock is obsolete.

 

Verity Birt an artist based in London. She studied an MA in Moving Image at the Royal College of Art (2013–2015) and BA in Art Practice at Goldsmiths University of London (2008–2011). She is involved with collaborative research groups; The Future is a Collective Project, Reconfiguring Ruins and a founding member of women artists collective Altai. This summer, Verity was artist in residence at BALTIC and The Newbridge Project in Newcastle. Previous exhibitions include: Our House of Common Weeds; Res. Gallery, London (2017); Relics from the De-crypt | Gossamer Fog Gallery London (2017), Altai in Residence, Experiments in Collective Practice, Dyson Gallery, London (2017); Chemhex Extract, Peacock Visual Arts, Aberdeen (2016); Feeling Safer, IMT Gallery, London and Gallery North, New York (2016); Come to Dust, Generator Projects, Dundee (2016)

 

Fallopé & The Tubes (UK)

 

A weirdo-punk performance band. Each live show features live humans! film and visuals! costumes! sculpture! visual props! and music/a sequence of sounds!

 

Fallopé and The Tubes is a fluctuating live musical and performative event with contributions from Sarah Messenger, Ruby Pester, Nadia Rossi, Rachel Walker, Catherine Weir, Emma McIntyre and Skye Renee Foley. The group are made up of Scottish based artists and musicians that are also filmmakers, festival organisers, librarians, boatbuilders and more who work collaboratively to devise live performances. Drawing influence from a wide range of fringe and mainstream musical genres, exploring sexuality, elements of social satire, self promotion and leftist political ideologies.

 

The group was established in January 2014 at Insriach Bothy, Aviemore and have developed their practice during numerous residency experiences across Scotland. By living and working together ‘off grid’ the group have developed experimental techniques to create a collective energy. Fallopé & The Tubes draw influence from a wide range of fringe and mainstream musical genres, as well as sexuality, elements of social satire and self promotion and leftist political ideologies. Soakin Records

 

DJ RHL (UK)

 

Resident NEoN DJ has been entertaining us since 2010. Djing for about 25 years, he predominately plays Techno but you often find him playing anything dance music related. Spinning old school vinyl sets containing an eclectic mix of old and new stuff. RHL just likes making people dance. Check here for past performances.

 

Accompanying DJ RHL is ‘The Wanderer‘ aka Naomi Lamb. Naomi works layers of diverse video loops into an ever evolving collage colours textures and shape and intuitively mixies visuals live. She improvises, freestyles and channels the room, customising the ephemeral moving collage in response to the tone of the happening.

 

For the past 20 years Naomi has been a prolific live video art performer utilising techniques and process that is often associated with the ever growing subculture of VJing and presents under the name of ‘The Wander’. Naomi has an intimate knowledge of not only the process of live video performance but also an wide reaching connections within the VJ community and has performed at many of the leading outdoor music and art festivals in New Zealand with a debut at two English Festivals this summer and she is super please for her first time mixing it up in Scotland to be at NEoN. “

 

AGK Booth

 

Yuck ’n Yum hereby invites you to attend the Annual General Karaoke booth at this year’s NEoN at Night. The AGK is a fiercely contested karaoke video competition, getting creative types to make videos that will shock, delight and confound its audience. First staged back in 2010, over the years the AGK has built up a sizeable back catalogue of singalong anthems encompassing everything from pop classics to the most extreme avant garde out there. Now Yuck ’n Yum will bring the AGK archive to NEoN revellers in an audiovisual extravaganza that will overturn everything you ever thought you knew about karaoke convention. This November, Yuck ’n Yum together with NEoN are making a song and dance about it.

 

About the Artists Yuck ‘n Yum is a curatorial collective formed in Dundee 2008. Until 2013 its main raison d’etre was to make zines and distribute art. The AGK booth is the first of three projects that will kick start a period of activity after a couple of years of hibernation.

 

Yuck ‘n Yum are Andrew Maclean, Gayle Meikle, Ben Robinson, Alexandra Ross, Alex Tobin, Becca Clark and Morgan Cahn.

 

WEST WARD WORKS

Guthrie Street

DD1 5BR

 

Images: Kathryn Rattray Photography

The festival celebrates the finest in both gardening and food. Visitors can expect stunning show gardens and nursery displays alongside a bounty of food producers, shopping and top tips from garden experts and celebrity chefs.

 

Set against the picturesque Malvern Hills, show gardens are always a number one destination, with five designers being awarded with RHS Gold Medals in 2016.

 

The Floral Marquee is bursting with examples of the finest nurseries in the UK and abroad, with many old favourites and new varieties on sale.

 

The foodie hotspot, Festival Food and Drink Pavilion, is a lively market of food producers offering a variety of artisan produce. At the heart is a Kitchen Theatre where celebrity guests and local producers showcase their skills and produce.

 

Other festival favourites include the School Gardens, Get Going Get Growing pavilion and Family Day (Sunday).

 

RHS Malvern Spring Festival is a joint partnership with the Royal Horticultural Society and Three Counties Agricultural Society.

 

An entirely new vision brings RHS Malvern Spring Festival into full bloom for 2017, taking inspiration from the event’s Spa town heritage. The landmark four-day spectacle, taking place from Thursday 11 – Sunday 14 May at the Three Counties Showground, welcomes all new features and exhibits and a vibrant line up of the finest in gardening, food and lifestyle.

 

Jane Furze, Head of RHS Malvern Spring Festival, said: “We are so excited to share the glorious plans that are afoot for RHS Malvern Spring Festival 2017. It really is going to be a sensational year for our leading event with plenty for everyone. Whether you’re a newcomer to gardening, a veteran horticulturalist or simply looking for a family day out, RHS Malvern Spring Festival has it all. We look forward to welcoming visitors to our stunning showcase of spring in May.”

 

The new vision for RHS Malvern Spring Festival takes inspiration from Malvern Spa’s Victorian heyday as a fashionable health resort – a place where day-trippers descended to take advantage of the clean air and to enjoy the health giving waters amongst the romantic beauty of the hills and into a town of pleasure gardens, assembly rooms and numerous eating-places.

 

Promising a bountiful day out for everyone, visitors can expect:

 

NEW FOR 2017

 

FLORAL MARQUEE

RHS Malvern Spring Festival boasts the UK’s longest Floral Marquee at over 195 metres – the equivalent length of four Olympic swimming pools. The Floral Marquee welcomes more than 65 leading UK and international nurseries, setting the horticultural standards with impressive displays of prized blooms and new varieties. Exhibitors in the Floral Marquee represent the very best in plants and advice available. Here visitors can browse and buy from the very best.

 

JOE SWIFT’S PLANT HUNTER PARLOUR

BBC Gardeners’ World presenter and acclaimed garden expert, Joe Swift brings to life a new centerpiece of the Floral Marquee – Joe’s Plant Hunter Parlour. This immersive experience like no other features daily talks from award winning nurseries and welcomes budding gardeners big and small to discover, learn and indulge their inner plant hunter.

 

LIVE WELL

Newly introduced for the very first time, this dedicated zone interprets and explores the theme of health and wellbeing in the 21st century.

 

JEKKA MCVICAR’S HEALTH & WELLBEING GARDEN

The centrepiece of the Live Well zone, British Queen of Herbs, Jekka McVicar designs and builds a specially commissioned permanent garden, bringing to life the role gardens continue to play in our health and sense of wellbeing. Jekka’s garden is a living working space for mind, body and senses.

 

The garden is both a tranquil seating space where visitors can spend time amongst the aromatic herb beds, and a place to learn and explore what living well meant in yesteryear and what it means today. Visitors are invited to join daily ‘herbal conversations’ with Jekka herself and explore the awe-inspiring world of alternative therapies. The garden is in support of Pathways, a day service for adults with learning disabilities and difficulties.

 

GROW

A horticultural experience by Jon Wheatley, RHS Gold Medal winning gardener and Chairman of RHS South West in Bloom, Grow takes inspiration from interactive Country gardens and wildflower borders, showcasing a variety of edible beds and bountiful Grow To Show competitions.

 

SPA GARDENS

A brand new category introduced for the very first time to RHS Malvern Spring Festival, offering a unique platform for emerging gardening talent. Glorious gardens from up and coming designers bring to life the new vision and reflect the thirst for knowledge, new horizons and innovative technology at the heart of Malvern’s Victorian heritage. Gold Medal winning Chelsea garden designer, Jo Thompson is mentoring the new talent as they embark on this exciting new challenge. The Spa Gardens category also features one garden from an international designer supported by the esteemed Moscow Flower Show. This is part of a newly introduced exchange programme, which in return offers one selected British Spa Garden designer the once in a lifetime chance to showcase at Moscow Flower Show in July.

 

INDOOR SHOPPING ARCADES

A premium quality shopping experience, it is here that visitors can pick up unique pieces in fashion, furniture, homewares, horticulture, gifts and more from independent designers, craftsmen, artisans and artists.

 

PLANT ARCADES

An exciting open-air shopping experience with over 35 nurseries, each showcasing a wonderful array of plants. Plant steals aplenty can be found here, especially during the famous sell-off on Sunday.

 

MAKING A WELCOME RETURN

 

FESTIVAL GREEN

The heart of RHS Malvern Spring Festival featuring a colourful array of pleasure gardens, a bandstand of live music, an impressive collection of classic cars, an array of global flavours from the International Street Food Market, and plenty of places to picnic. It is here visitors rediscover the Victorian love of amusement, surprise and delight, alongside enjoying unique show gardens unlike any other.

 

FESTIVAL THEATRE

Hosted by RHS Malvern Spring Festival favourite and award winning writer and broadcaster, James Alexander-Sinclair, the Festival Theatre plays host to a lively line up of leading experts and familiar faces. Visitors may take a seat and enjoy demonstrations, talks and exciting features as personalities share their knowledge and passion for all things gardening and food. Confirmed experts include Carol Klein, Joe Swift, Jekka McVicar and Jon Wheatley with plenty more to be announced soon.

 

SHOW GARDENS

The highest standard of garden design is showcased in the Show Gardens of RHS Malvern Spring Festival 2017. Leading designers create awe-inspiring gardens as they compete for prestigious RHS accolades including Gold medals and the coveted Best In Show. RHS Malvern Spring Festival is famed as the show that raises the bar for design and horticultural talent with numerous RHS Gold medals awarded in 2016. This year is tipped to be no exception.

 

FOOD & DRINK PAVILION

A foodie hotspot, the Food & Drink Pavilion is a magnificent celebration of British tastes with bountiful offerings from the country’s best-loved artisan producers. Expect the freshest field produce, big cheeses, bread of heaven, specialty gins, decadent bakes and more.

 

KITCHEN GARDEN THEATRE

This animated live kitchen, hosted by Mark Diacono, showcases a line up of delicious cookery demonstrations from culinary experts and the country’s top chefs. Mark shares advice from his home farm cookery school, Otter Farm and experience as head gardener at River Cottage.

 

YOUNG GARDENER

A hive of activity tailored to inspire the next generation of gardeners and horticulturalists with fun hands-on activities to help children learn and explore the wonderful world of plants and gardens.

 

FAMILY DAY

Budding gardeners great and small are invited to get green fingered with a dedicated Family Day on the Sunday of RHS Malvern Spring Festival. This exciting and educational day with plenty of hands on activities is the ideal opportunity to engage children in the fun of gardening and the great outdoors. Expect Kids Cookery demonstrations, make and take crafts, Kids Plant and Grow workshops with BBC Blue Peter Gardener, Chris Collins and more.

 

SCHOOL GARDENS

RHS Malvern Spring Festival is one of the only RHS Shows in the UK to have a collection of Show Gardens designed and built entirely by young people. This year sees over 12 schools and educational groups from across the three counties taking part, led by BBC Blue Peter Gardener, Chris Collins.

 

RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. For more information, please call 01684 584900 or visit

 

British Queen of Herbs, Jekka McVicar will unveil the first ever specially commissioned permanent garden at RHS Malvern Spring Festival 2017. A magnificent centrepiece of the celebrated event’s all-new Live Well zone, Jekka’s garden will bring to life the contribution horticulture continues to make to our health and wellbeing in today’s bustling modern world. The Health & Wellbeing Garden will be launched when the show opens its gates on Thursday 11 May at the Three Counties Showground.#

 

RHS Ambassador for Health through Horticulture, Jekka McVicar said: “I am delighted to have been asked to create a lasting garden for RHS Malvern Spring Festival. I want the Health & Wellbeing Garden to be a usable and beautiful space that is embraced by people of all ages – a space for growth, education and reflection. With the Malvern Hills as a dramatic backdrop, RHS Malvern Spring Festival is such a beautiful place and because it’s at the start of the summer, it’s always a time of such optimism. It is a real privilege to bring this garden to life as part of such a dynamic and exciting show.”

 

Jekka’s Health & Wellbeing garden, as the focus for the new Live Well Zone, is inspired by the increasing need for reflection and escape from the stresses of modern life. It also seeks to preserve and share the vital knowledge of how horticulture and its associated therapies can help the mind, body and soul. The garden will be a living, working space with a tranquil seating area, where visitors can immerse themselves amongst the aromatic herb beds, and also educate themselves on the place that herbs and horticulture play in today’s society.

 

Head of RHS Malvern Spring Festival, Jane Furze said: “It is a real pleasure to be working with Jekka to build a garden not only for this year’s event, but also for the future. Jekka’s designs look spectacular and we cannot wait to see these brought to life and shared with our many visitors. The Health & Wellbeing Garden will no doubt be a real highlight of RHS Malvern Spring Festival 2017 and for many years to come.”

 

Throughout the 4-days of RHS Malvern Spring Festival, Jekka will host daily ‘herb conversations’ in the garden, unearthing hidden gems from the world of alternative therapies, food and gardening. Jekka will also provide insights into herbs as the foundation of modern medicine, seeking to preserve the knowledge that over time is danger of being lost.

 

The Health & Wellbeing Garden is in support of Pathways, a work-focused day service for adults with learning disabilities and difficulties. Pathways use gardening and the environment as an educational tool to introduce young adults to the working world. Clients of Pathways benefit from gaining vital skills for entering the working world, these include trust, communication, interaction with peers, taking direction and responsibility for themselves and others.

 

Leaving a legacy, Jekka’s garden will provide Pathways with a nurturing space to continue their works in encouraging clients to grow. Throughout the show times, Pathways will sell plants and refreshments from the garden. Funds raised from these sales go towards covering the costs of the residential trip taken twice each year for clients of Pathways, a vital retreat for clients that contributes to their sense of wellbeing. Outside of show days, Pathways and local schools will host sessions in the garden. The garden aims to inspire visitors of all ages and abilities with engaging elements tailored for all.

 

Jekka’s design will incorporate the unique and flexible WoodBlocX system, specially selected to provide permanent raised bed structures to house the garden’s vast selection of herbs and edibles. The centrepiece of the garden contains four large planted sections featuring smooth curves constructed from the unique WoodBlocX system. WoodBlocX use sustainable, long-lasting, organic and FSC accredited wooden bricks, which can be used to create any shape such as the naturally fluid curves seen in Jekka’s elegant design.

 

Considered an unmatched expert by the UK’s top chefs and horticulturalists, Jekka McVicar is an enterprising British herb grower, organic gardening expert, author and broadcaster. Jekka’s Herb Farm, in nearby South Gloucestershire, boasts the largest collection of culinary herbs in the UK with more than 500 different varieties.

 

Alongside her RHS Ambassadorship for Health through Horticulture, Jekka’s accolades include 62 RHS Gold Medals, Garden Media Guild Lifetime Achievement Award and the RHS Lawrence Medal for the best exhibit shown at any RHS show in 2009. Jekka is also a Vice President of the RHS, Vice President of the Herb Society, is a founder member of the RHS Herb advisory group, and a member of the RHS Three Counties Agricultural Society Joint Committee. Jekka has herself exhibited at RHS Malvern Spring Festival since 1993 and has been a vital contributor to the team at Three Counties for over a decade.

 

RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. Tickets are now on sale. For more information and to book tickets, please call

One of a pair of Apache helicopters approaching Shoreham Airport this afternoon.

This NOAA GOES full-disk color composite includes Tropical Storms Odile and Polo in the Eastern Pacific along with Hurricane Edouard in the Atlantic, Sept. 17, 2014.

New York City's longest running weekly psytrance event is back at Sullivan Room for yet another action-packed evening.

 

lineup for the night will include:

 

SKOOCHA (UKSL / Parabola Records)

 

Skoocha is one of the may aliases of French/Spanish Musician & Producer Benoit Munoz. He discovered Trance in 1995 while visiting friends in Amsterdam when somebody gave him the first Dragonfly compilation. From there there was no turning back and he knew music would be his life. Now a busy music producer and musician in NY since 2003. Skoocha still finds time to craft Trance tracks that will blend the emotions of the oldschool goatrance that started all this with the power of the actual production and the Funk of NY ! Over the years he has worked released tracks with Manmademan (UKSL / Flying Rhino) Biotonic (Solstice ) Earworm (3d Vision) Mesmerizer (MindControl). His music has been played extensively over the world by dj's like Domino and the mighty Juno Reactor. His long awaited 1st album that will contain many unreleased tracks as well as remixes of the old ones is due this winter on Parabola Records (Germany). It will be the 2nd release of this new label after the Talamasca Vs XSI Album.

 

Expect a set that combines old and new tracks as well as some new collaborations.

 

Also, we'll be celebrating Skoocha's birthday!

  

CTRL + ALT + DEL (Nexus Media, US/India)

  

LUIS CAMPOS (Dreamcatcher/Reality Engine, US/Brazil)

   

Deco by the Dreamcatchers AND Neuronymphonic

    

**August 20, 10pm - 4am **

   

@ Sullivan Room, New York City www.sullivanroom.com

218 Sullivan St (between Bleecker and West 3rd St, 2 blocks east of 6th Ave)

 

General Admission: $10.00

RSVP to psycheground@yahoo.com for $5.00 reduced list

  

21+ with ID

 

Subway: A, B, C, D, E, F, or V trains to "W 4 St - Wash Sq"

 

Map to Sullivan Room:

maps.yahoo.com/broadband#mvt=m&gid1=11059006&q1=2...

 

www.myspace.com/psycheground

The Vine weevil is getting the reputation of being one of the worst garden pests in In the UK! This is a photo of one we found in our garden.

 

Vine weevil potentially could damage most of the plants we have in our garden! Plants we have which are on their favourite menu include Acers, Azaleas, Begonias, Berberis, Camelias, Chousia, Cotoneaster, Cyclamen, Euonymus, Ferns, Fuchsia, Hedera (ivy), Hydrangea, Heuchera, Mahonia, Ilex (holly), Laurus, Magnolia, Pelargoniums, Primulae, Rhododendron, Skimmia, Strawberries and Taxus (yew)!

 

In 2006 we first realized that we must have some vine weevil activity in the garden when we first noticed that one of our Pyracantha plants had leaf 'chobblings' suggestive of vine weevil. Since becoming more 'vine weevil aware' we have noticed that every garden and garden centre we have visited also has signs of at least some minimal vine weevil activity!

 

The adults are about 9mm in length, are speckled with small light brown patches on their wing cases. Their antennae are elbowed and this is typical of the vine weevil group of beetles. They can not fly but they are excellent climbers. They like to eat waxy leaves leaving characteristic U-shaped or irregular notches.

 

Apparently vine weevils that are found in gardens are all female and each lays up to a thousand viable eggs during the summer months.

 

The larvae developing from the eggs cause the main damage to garden plants by feeding on plant roots and tubers. The white larvae with a pale brown head are curved, have no legs and grow up to 10mm in length.

  

Most vine weevils we have found in the garden have been in the the larval form. The adult beetles are not only quite well camouflaged in the garden but also are usually nocturnal. In fact most adult beetles we have found have been in our house and not in the garden! Although the adult beetles can not fly, they are excellent climbers which explains why we usually have found them on sufaces in the house including ceilings and mirrors.

 

Since adult vine weevil beetles are mostly nocturnal it is often advised that gardeners should consider hunting for them at night by shaking plants in the hope that the beetles will drop down to a sheet spread out on the ground to catch them. However, for us, this method has not been successful. in any case we have too many plants to make this method practical for us!

 

In recent years, we have become more on the lookout for vine weevil larvae. When digging soil or compost, repotting plants or especially when handling begonia tubers related to winter storage, we stay on the alert for the occasional vine weevil grubs. We have found that during these activities is the most opportune time for us to destroy individual vine weevils before they reach the adult beetle form and this has become our main method of vine weevil control. In the last few years, since becoming more on the alert to identify and destroy vine weevil larvae, vine weevil does not seem to have become any more troublesome in our garden!

 

Although there is a vine weevil insecticide that is licensed for use in pots we prefer not to use this. There is also a nematode biological agent against of vine weevil grubs named Steinernema krausse which can be applied to soil but it becomes expensive to apply over a large garden and is not effective if the soil is too dry or too cold or the nematodes have not been stored correctly.

All brand new Coca-Cola collectibles. Most of the current eBay listings are from the Town Square Collection. Other collectibles include cars, trucks, clocks, and polar bears.

 

If you see an item that is not listed please ask and I will be sure to set up a listing for you.

 

Receive at least a 5% discount when you mention this Flickr set!!!

 

Here is general information about the Town Square Village Collection which I have taken from 2CollectCola:

 

These finely detailed pieces are designed with Coca Cola logos and advertising themes of the 1930's to 1950's for a nostalgic touch.

 

Coca-Cola Town Square has gone through several changes over the years:

• In 1992 Cavanagh Group International produced the first line of Christmas village for The Coca-Cola Company. They started the Coca-Cola Christmas Society issuing exclusive newsletters, ornaments, and Town Square pieces to members for a fee.

• In 1994 - 5 two additional lines were added for specialty markets - House of Lloyds (3 buildings and 1 accessory) and American Classics (6 buildings and 6 accessories) featured special buildings and accessories only available through limited outlets.

• In 1995 mass Retail Stores began carrying these popular Christmas collectibles - Lowes, Walmart, Sears and Target. Some years offered special editions only available at a particular retailer making collectors rush all over town.

• A change in production for 2000 meant that much smaller numbers were available. The quantity made was limited to the numbers pre-ordered by Town Square retailers in April and brought into the US in October.

• Adding fiber-optic buildings caused a big shift in 2002, with some collectors liking the new multi-colored editions and some hating them. A mixture of fiber-optic and led lit buildings were made every year after 2003. The addition of motion and movement created many new pieces from 2003-2006.

• In 2006 Cavanagh moved the business to Santa's Best who retired this popular collectible Christmas Village and replaced with the new Main Street Collection that featured similar attention to detail on the same scale.

• After 2007, the complete Town Square collection was retired by Cavanagh/Santa's Best and no new pieces will be produced.

  

Now is the time to find all the Town Square Village you are missing and add them to your priceless collection before they are gone forever.

 

14-Day Return + FREE Shipping.

 

See my eBay store for tons of Coca-Cola Collectibles.

 

stores.ebay.com/1-Antique-and-Vintage-Collectibles

 

Go directly to the Coca-Cola sale page:

 

stores.ebay.com/1-Antique-and-Vintage-Collectibles/Coca-C...

Action from the GAS Arena at the 2016 Goodwood Festival of Speed

The Kerala backwaters are a chain of brackish lagoons and lakes lying parallel to the Arabian Sea coast (known as the Malabar Coast) of Kerala state in southern India. The network includes five large lakes linked by canals, both manmade and natural, fed by 38 rivers, and extending virtually half the length of Kerala state. The backwaters were formed by the action of waves and shore currents creating low barrier islands across the mouths of the many rivers flowing down from the Western Ghats range.

 

The Kerala Backwaters are a network of interconnected canals, rivers, lakes and inlets, a labyrinthine system formed by more than 900 km of waterways, and sometimes compared to the American Bayou. In the midst of this landscape there are a number of towns and cities, which serve as the starting and end points of backwater cruises. National Waterway No. 3 from Kollam to Kottapuram, covers a distance of 205 km and runs almost parallel to the coast line of southern Kerala facilitating both cargo movement and backwater tourism.

 

The backwaters have a unique ecosystem - freshwater from the rivers meets the seawater from the Arabian Sea. In certain areas, such as the Vembanad Kayal, where a barrage has been built near Kumarakom, salt water from the sea is prevented from entering the deep inside, keeping the fresh water intact. Such fresh water is extensively used for irrigation purposes.

 

Many unique species of aquatic life including crabs, frogs and mudskippers, water birds such as terns, kingfishers, darters and cormorants, and animals such as otters and turtles live in and alongside the backwaters. Palm trees, pandanus shrubs, various leafy plants and bushes grow alongside the backwaters, providing a green hue to the surrounding landscape.

 

Vembanad Kayal is the largest of the lakes, covering an area of 200 km², and bordered by Alappuzha (Alleppey), Kottayam, and Ernakulam districts. The port of Kochi (Cochin) is located at the lake's outlet to the Arabian Sea. Alleppey, "Venice of the East", has a large network of canals that meander through the town. Vembanad is India’s longest lake.

 

HOUSE BOATS

The kettuvallams (Kerala houseboats) in the backwaters are one of the prominent tourist attractions in Kerala. More than 2000 kettuvallams ply the backwaters, 120 of them in Alappuzha. Kerala government has classified the tourist houseboats as Platinum, Gold and silver.

 

The kettuvallams were traditionally used as grain barges, to transport the rice harvested in the fertile fields alongside the backwaters. Thatched roof covers over wooden hulls, 30 m in length, provided protection from the elements. At some point in time the boats were used as living quarters by the royalty. Converted to accommodate tourists, the houseboats have become floating cottages having a sleeping area, with western-style toilets, a dining area and a sit out on the deck. Most tourists spend the night on a house boat. Food is cooked on board by the accompanying staff – mostly having a flavour of Kerala. The houseboats are of various patterns and can be hired as per the size of the family or visiting group. The living-dining room is usually open on at least three sides providing a grand view of the surroundings, including other boats, throughout the day when it is on the move. It is brought to a standstill at times of taking food and at night. After sunset, the boat crew provide burning coils to drive away mosquitoes. Ketuvallams are motorised but generally proceed at a slow speed for smooth travel. All ketuvallams have a generator and most bedrooms are air-conditioned. At times, as per demand of customers, electricity is switched off and lanterns are provided to create a rural setting.

 

While many ketuvalloms take tourists from a particular point and bring them back to around the same point next morning there are some specific cruises mostly in the Alappuzha area, such as the one night cruise from Alappuzha to Thotapally via Punnamada Lake two nights cruise from Alappuzha to Alumkavadi, one night cruise from Alappuzha to Kidangara, and one night cruise from Alappuzha to Mankotta. There are numerous such cruises.

 

Beypore, located 10 km south of Kozhikode at the mouth of the Chaliyar River, is a famous fishing harbour, port and boat building centre. Beypore has a 1,500 year-tradition of boatbuilding. The skill of the local shipwrights and boat builders are widely sought after. There is a houseboat-building yard at Alumkadavu, in Ashtamudi Kayal near Kollam.

 

FERRY SERVICES

Regular ferry services connect most locations on both banks of the backwaters. The Kerala State Water Transport Department operates ferries for passengers as well as tourists. It is the cheapest mode of transport through the backwaters.

 

ECONOMIC SIGNIFICANCE

Connected by artificial canals, the backwaters form an economical means of transport, and a large local trade is carried on by inland navigation. Fishing, along with fish curing is an important industry.

 

Kerala backwaters have been used for centuries by the local people for transportation, fishing and agriculture. It has supported the efforts of the local people to earn a livelihood. In more recent times, agricultural efforts have been strengthened with reclamation of some backwater lands for rice growing, particularly in the Kuttanad area. Boat making has been a traditional craft, so has been the coir industry.

 

Kuttanad is crisscrossed with waterways that run alongside extensive paddy fields, as well as fields of cassava, banana and yam. A unique feature of Kuttanad is that many of these fields are below sea level and are surrounded by earthen embankments. The crops are grown on the low-lying ground and irrigated with fresh water from canal and waterways connected to Vembanad lake. The area is similar to the dikes of the Netherlands where land has been reclaimed from the sea and crops are grown.

 

WIKIPEDIA

The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.

 

Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]

 

Overall Race Summary

Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.

Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races

Course: This is an undulating course with some good flat stretches on the Curragh.

  

Viewing this on a smartphone device?

If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".

 

Some Useful Links

GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313

Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html

Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare

Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306

Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/

Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/

A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)

 

Can I use the photograph with the watermark?

Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.

 

How can I get a full resolution, no watermark, copy of these photographs?

 

All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.

 

If you would like to contribute something for your photograph(s)?

Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets

   

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Apple Valley Farm

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The Oz (Oscar Diggs) 12'' doll has been deboxed. He is posed free standing, both with and without his accessories, which include his top hat, his traveling bag, and the China Girl 4'' mini doll.

 

The Oscar Diggs doll is a 12'' tall posable fashion doll, with a removable outfit. It consists of a black faux wool coat with black satin lining, a black satin vest, dark gray pinstriped pants, a black bow tie, and white satin dress shirt. His vest is actually only a front panel sewn onto his shirt. He also has ankle high black boots, and a black top hat. His outfit looks well tailored, and fits him well.

 

His face is a decent facimile of the Oscar Diggs movie character. His skin tone is a medium tan. He has dark brown facial hair, with thick eyebrows, mustache and goatee. He has small, narrow dark brown eyes staring straight ahead. His nose is medium sized and straight. He has short rooted hair that is a mixture of dark brown and black strands. His sideburns are black. His hair is slicked back, but doesn't have a lot of hair product, so is still soft and resilient, even over his forehead, and stays pretty neat. I groom his hair just using my fingers.

 

His body is well proportioned, with his head, hands, feet looking to be realistic sizes. His articulation consists of neck, shoulder, elbow and hip joints. His neck is a ball joint allowing 360 rotation and tilting up about 20 degrees. His shoulder ball joint allowing 360 rotation about a vertical plane, and tilting about 45 degrees from the vertical. His elbows are ball joints allowing 360 degress rotation, and tilting about 45 degrees. Finally his hips allow 360 rotation (constrained by his pants), and tilting about 20 degrees away from the vertical. He can sit with his legs together. Since he cannot bend his knees, he has to sit with his legs straight.

 

I think that this doll is a great bargain for the $20 price. He looks good, has rooted hair, has a good looking outfit, with many accessories, including the 4'' China Girl mini doll. The mini doll seems to be identical to the Disney Store mini doll, that is sold separately for $9.50. I can't be absolutely sure of that until I get the DS mini doll, which should happen by Tuesday, February 19.

 

Oz (Oscar Diggs) 12'' Fashion Doll With China Girl 4'' Mini Doll

By Tollytots, a division of Jakks Pacific

Based on a character in Disney's Oz The Great and Powerful

Released by Target online February 5, 2013

Purchased from Target online on February 6, 2013

Received on February 14, 2013

First Look

 

Following product information from the US Target website

 

Oz the Great and Powerful Oz and China Fashion Dolls

$19.99

 

This Oz doll is inspired by James Franco's character in the movie Oz the Great and Powerful. Oz is dressed for adventure in his coat, vest and top hat. This articulated doll comes with a mini China Doll and a travel bag, so your little one can reenact all her favorite scenes from the movie.

 

City Palace, Jaipur, which includes the Chandra Mahal and Mubarak Mahal palaces and other buildings, is a palace complex in Jaipur, the capital of the Rajasthan state, India. It was the seat of the Maharaja of Jaipur, the head of the Kachwaha Rajput clan. The Chandra Mahal palace now houses a museum but the greatest part of it is still a royal residence. The palace complex, which is located northeast of the centre of the grid patterned Jaipur city, incorporates an impressive and vast array of courtyards, gardens and buildings. The palace was built between 1729 and 1732, initially by Sawai Jai Singh II, the ruler of Amber. He planned and built the outer walls, and later additions were made by successive rulers right up to the 20th century. The credit for the urban layout of the city and its structures is attributed to two architects namely, Vidyadar Bhattacharya, the chief architect in the royal court and Sir Samuel Swinton Jacob, apart from the Sawai himself who was a keen architectural enthusiast. The architects achieved a fusion of the Shilpa Shastra of Indian architecture with Rajput, Mughal and European styles of architecture.

 

The palace complex lies in the heart of Jaipur city, to the northeast of the very centre. The site for the palace was located on the site of a royal hunting lodge on a plain land encircled by a rocky hill range, five miles south of Amber (city). The history of the city palace is closely linked with the history of Jaipur city and its rulers, starting with Maharaja Sawai Jai Singh II who ruled from 1699-1744. He is credited with initiating construction of the city complex by building the outer wall of the complex spreading over many acres. Initially, he ruled from his capital at Amber, which lies at a distance of 11 kilometres from Jaipur. He shifted his capital from Amber to Jaipur in 1727 because of an increase in population and increasing water shortage. He planned Jaipur city in six blocks separated by broad avenues, on the classical basis of principals of Vastushastra and other similar classical treatise under the architectural guidance of Vidyadar Bhattacharya, a man who was initially an accounts-clerk in the Amber treasury and later promoted to the office of Chief Architect by the King.

 

Following Jaisingh's death in 1744, there were internecine wars among the Rajput kings of the region but cordial relations were maintained with the British Raj. Maharaja Ram Singh sided with the British in the Sepoy Mutiny or Uprising of 1857 and established himself with the Imperial rulers. It is to his credit that the city of Jaipur including all of its monuments (including the City Palace) are stucco painted 'Pink' and since then the city has been called the "Pink City". The change in colour scheme was as an honour of hospitality extended to the Prince of Wales (who later became King Edward VII) on his visit. This colour scheme has since then become a trademark of the Jaipur city.

 

Man Singh II, the adopted son of Maharaja Madho Singh II, was the last Maharaja of Jaipur to rule from the Chandra Mahal palace, in Jaipur. This palace, however, continued to be a residence of the royal family even after the Jaipur kingdom merged with the Indian Union in 1949 (after Indian independence in August 1947) along with other Rajput states of Jodhpur, Jaisalmer and Bikaner. Jaipur became the capital of the Indian state of Rajasthan and Man Singh II had the distinction of becoming the Rajapramukh (present day Governor of the state) for a time and later was the Ambassador of India to Spain.

GOVERNOR TOMBLIN ANNOUNCES RECORDS MANAGEMENT,

SURVEY AND PLANNING GRANTS

More than 50 communities receive $464,177 in grant funding to preserve local archives

CHARLESTON, W.Va. (March 9, 2016) - Gov. Earl Ray Tomblin today awarded more than $464,000 in grant funding to more than 50 communities across the state to preserve West Virginia history through the survey and planning and records management and preservation grant programs.

 

"Whether written stories about our past or historic land documents, West Virginia is full of records, archives and landmark structures that play an important role in defining our state's history," Gov. Tomblin said. "This grant funding will help enhance access to public records and maintain historic infrastructure around the state to ensure our state's past is preserved and passed down for generations."

 

The Records Management and Preservation Grant Program is administered through the Records Management and Preservation Board (RMPB) and includes projects to improve management, storage conditions, access, and preservation of public records held in county offices. Funding for the grants program comes from filing fees collected by county clerks and deposited in the special Public Records and Preservation Account. Recipients of Records Management and Preservation Grants include:

 

Barbour County Commission

$6,218

To scan and index criminal case files in the prosecuting attorney's office.

 

Berkeley County Council

$10,000

To index digital images of case files in the circuit clerk's office.

 

Boone County Commission

$10,000

To scan and index civil and criminal case files in the circuit clerk's office.

 

Braxton County Commission

$13,182

To purchase open steel shelving and archival cubic foot records storage boxes for the prosecuting attorney's, sheriff's and circuit clerk's offices; and to digitize chancery case files in the circuit clerk's office.

 

Brooke County Commission

$4,215

To rebind and encapsulate deed books in the county clerk's office.

 

Calhoun County Commission

$10,000

To index deed books digitized by the RMPB Statewide Preservation Project in the county clerk's office.

 

Doddridge County Commission

$8,650

To purchase a map cabinet and Mylar sleeves to encapsulate maps, and to rebind and encapsulate will and land books in the county clerk's office.

 

Fayette County Commission

$10,305

To digitize birth, death, and marriage books in the county clerk's office, and for the county commission to purchase an oversize scanner to digitize maps, blueprints, and other records that will be used by all county offices.

 

Gilmer County Commission

$12,347

To purchase roller shelving for improved storage of deed books in the county clerk's office.

 

Grant County Commission

$9,245

To digitize deed books and deeds of trust books in the county clerk's office.

 

Greenbrier County Commission

$12,500

To scan and index map cards in the assessor's office, and to scan and index civil and criminal case files in the circuit clerk's office.

 

Hampshire County Commission

$6,954

To restore and digitize wills and will books, and to purchase roller shelving in the county clerk's office.

 

Hardy County Commission

$9,455

To digitize land books in the assessor's office.

 

Harrison County Commission

$10,000

To digitize the assessor's copies of land books in the county clerk's office.

 

Jackson County Commission

$14,859

To purchase map cabinets and Mylar sleeves to encapsulate maps in the county clerk's office.

 

Kanawha County Commission

$19,091

To purchase roller shelving for oversize deed and land books in the county clerk's office; and to scan and index civil case files in the circuit clerk's office.

 

Lewis County Commission

$15,000

To index digitized deed books in the county clerk's office, and to scan and index criminal case files in the circuit clerk's office.

 

Lincoln County Commission

$11,650

To index deed books digitized by the RMPB Statewide Preservation Project, to purchase public access computers for the records room, and to restore and encapsulate land books in the county clerk's office.

 

Marshall County Commission

$2,727

To review records and implement the retention schedule, and to scan and index case files in the prosecuting attorney's office.

 

Mason County Commission

$12,500

To digitize the assessor's copies of land books, and to scan and index estate files in the county clerk's office.

 

McDowell County Commission

$3,000

To digitize maps in the county clerk's office.

 

Mercer County Commission

$11,703

To purchase moveable track shelving for long-term inactive case files in the circuit clerk's office.

 

Mingo County Commission

$7,500

To scan and index order books in the circuit clerk's office.

 

Monroe County Commission

$7,847

To scan and index map cards in the assessor's office, and to purchase shelving for inactive case files in the circuit clerk's office.

 

Morgan County Commission

$6,355

To scan and index tax records, and to purchase two color scanners and open steel shelving for the sheriff's office.

 

Nicholas County Commission

$4,818

To restore and encapsulate the assessor's copies of land books in the county clerk's office.

 

Ohio County Commission

$10,000

To digitize microfilm of case files in the circuit clerk's office.

 

Pendleton County Commission

$4,636

To digitize deed, release, and deeds of trust books, and to restore, rebind, and encapsulate deed books in the county clerk's office.

 

Pocahontas County Commission

$7,500

To review and implement the records retention schedule and scan and index deed books in the county clerk's office.

 

Preston County Commission

$7,500

To scan and index deed books in the county clerk's office.

 

Putnam County Commission

$9,500

To digitize oil and gas lease books in the county clerk's office, and to purchase open steel shelving for homestead and property records in the assessor's office.

 

Raleigh County Commission

$4,963

To review and implement the records retention schedule, and to purchase a high-volume, cross-cut shredder to dispose of records that have exceeded the retention requirement in the assessor's office.

 

Ritchie County Commission

$13,991

To purchase moveable track shelving for improved case file management in the prosecuting attorney's office.

 

Roane County Commission

$4,523

To encapsulate and rebind the earliest chancery order books in the circuit clerk's office.

 

Summers County Commission

$5,146

To digitize military discharge books, and to restore, rebind, and encapsulate will and deed books in the county clerk's office.

 

Taylor County Commission

$7,993

To scan and index map cards, and to purchase color scanners and public access computers for the assessor's office.

 

Tucker County Commission

$11,136

To scan and index birth books, to purchase public access computers, and to restore, rebind, and encapsulate the assessor's copies of land books in the county clerk's office.

 

Upshur County Commission

$10,000

To digitize chancery and law case files in the circuit clerk's office.

  

Wayne County Commission

$17,109

To index deed books digitized by the RMPB Statewide Preservation Project, to encapsulate the assessor's copies of land books, and to purchase a map cabinet in the county clerk's office.

 

Webster County Commission

$7,500

To scan and index deeds of trust books in the county clerk's office.

 

Wood County Commission

$7,500

To index deed books digitized by the RMPB Statewide Preservation Project in the county clerk's office.

 

Wyoming County Commission

$4,909

To restore, rebind, and encapsulate will and birth books in the county clerk's office.

 

The Survey and Planning Grant Program is administered with funds from the Historic Preservation Fund, National Park Service. The grants may be used for activities including conducting architectural/archaeological surveys, National Register nominations, predevelopment plans and heritage education projects. Recipients of Survey and Planning Grants include:

 

Beverly Historic Landmark Commission

$6,300

To assist with the 2016 Statewide Preservation Conference to be held in Beverly/Elkins, Randolph County.

 

City of Lewisburg/Lewisburg Historic Landmark Commission

$16,800

To assist with the Barracks Plans and Specs in Lewisburg, Greenbrier County.

 

City of Morgantown/Morgantown Historic Landmark Commission

$11,000

To assist with the architectural survey of the Suncrest neighborhood in Morgantown, Monongalia County.

 

Hampshire County Historic Landmark Commission

$3,500

To assist with the Phase II of a cemetery survey of Hampshire County.

 

City of Wheeling/Wheeling Historic Landmark Commission

$14,490

To assist with predevelopment documents for the Towngate Theatre and Stifel Arts Center projects in Wheeling, Ohio County.

 

Moorefield Historic Landmark Commission

$12,000

To assist with the architectural resurvey of the Moorefield Historic District in Moorefield, Hardy County.

 

Greenbrier County Historic Landmark Commission

$5,000

To assist with the preparation of a National Register Nomination on the Senator Robert Boone Property in Ronceverte, Greenbrier County.

 

Corporation of Shepherdstown

$5,460

To assist with the historic structures report on the Mecklenburg Tobacco Warehouse in Shepherdstown, Jefferson County.

 

Beckley Historic Landmark Commission

$5,600

To assist with the Neville and Main Street Building Assessments in Beckley, Raleigh County.

 

Photos available for media use. All photos should be attributed “Photo courtesy of Office of the Governor.”

International student orientation includes members of the Class of 2018, international transfer students, and international exchange students. Part of their orientation includes a tour of the libraries and an ice cream social. (Photo by Josh Renaud '17)

 

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U.S. Department of Agriculture (USDA) Natural Resources Conservation Service (NRCS) District Conservationist for Arkansas Derrek Nokes, and State Grazing Lands Specialists such as Jeremy Huff assisted Kenny and Annette Sites with a conservation plan that includes prescribed grazing (528); and the forage and biomass planting (524) of the pastures, in Sheridan, AR, on June 27, 2019.

 

A companion video can be seen at youtu.be/JOiyO31rOis

 

Prescribed Grazing manages the harvest of vegetation by grazing and/or browsing animals.

 

This improves or maintains desired species composition and vigor of plant communities. Improves or maintains quantity and quality of forage for grazing and browsing animals’ health and productivity. Improves or maintains surface and/or subsurface water quality and quantity. Improve or maintain riparian and watershed function. Reduce accelerated soil erosion and maintain or improve soil condition. Improve or maintain the quantity and quality of food and/or cover available for wildlife. Manage fine fuel loads to achieve desired conditions.

 

Forage and Biomass Planting establishes adapted and/or compatible species, varieties, or cultivars of herbaceous species suitable for pasture, hay, or biomass production.

 

These pastures improve or maintain livestock nutrition and/or health. Provide or increase forage supply during periods of low forage production. Reduce soil erosion. Improve soil and water quality. Produce feedstock for biofuel or energy production

 

NRCS has a proud history of supporting America’s farmers, ranchers, and forest landowners. For more than 80 years, we have helped people make investments in their operations and local communities to keep working lands working, boost rural economies, increase the competitiveness of American agriculture, and improve the quality of our air, water, soil, and habitat.

 

As the USDA’s primary private lands conservation agency, we generate, manage, and share the data, technology, and standards that enable partners and policymakers to make decisions informed by objective, reliable science.

 

And through one-on-one, personalized advice, we work voluntarily with producers and communities to find the best solutions to meet their unique conservation and business goals. By doing so, we help ensure the health of our natural resources and the long-term sustainability of American agriculture.

 

Farm Production and Conservation (FPAC) is the Department’s focal point for the nation’s farmers and ranchers and other stewards of private agricultural lands and non-industrial private forest lands. FPAC agencies implement programs designed to mitigate the significant risks of farming through crop insurance services, conservation programs and technical assistance, and commodity, lending, and disaster programs.

 

The agencies and service supporting FPAC are Farm Service Agency (FSA), Natural Resources Conservation Service (NRCS), and Risk Management Agency (RMA).

 

For more information please see www.usda.gov.

Prescribed Grazing, Practice Code 528, nrcs.usda.gov/wps/portal/nrcs/detail/national/programs/?cid=nrcs144p2_027164

  

USDA Photo by Lance Cheung.

   

(Includes Leeds TOTW: Barriers)

 

A group of children collecting money for a guy on the row known as "Black Shops" Seacroft.

 

This shop parade has undergone many changes in the last 12 years, however the off-licence and post office, not in view, have remained a permanent feature throughout this very long period!

Seoul – officially the Seoul Special City – is the capital and largest metropolis of the Republic of Korea (commonly known as South Korea), forming the heart of the Seoul Capital Area, which includes the surrounding Incheon metropolis and Gyeonggi province, the world's 16th largest city. It is home to over half of all South Koreans along with 678,102 international residents.

 

Situated on the Han River, Seoul's history stretches back more than two thousand years when it was founded in 18 BCE by Baekje, one of the Three Kingdoms of Korea. It continued as the capital of Korea under the Joseon Dynasty. The Seoul Capital Area contains five UNESCO World Heritage Sites: Changdeok Palace, Hwaseong Fortress, Jongmyo Shrine, Namhansanseong and the Royal Tombs of the Joseon Dynasty. Seoul is surrounded by mountains, the tallest being Mt. Bukhan, the world's most visited national park per square foot. Modern landmarks include the iconic N Seoul Tower, the gold-clad 63 Building, the neofuturistic Dongdaemun Design Plaza, Lotte World, the world's second largest indoor theme park, Moonlight Rainbow Fountain, the world's longest bridge fountain and the Sevit Floating Islands. The birthplace of K-pop and the Korean Wave, Seoul received over 10 million international visitors in 2014, making it the world's 9th most visited city and 4th largest earner in tourism.

 

Today, Seoul is considered a leading and rising global city, resulting from an economic boom called the Miracle on the Han River which transformed it to the world's 4th largest metropolitan economy with a GDP of US$845.9 billion in 2014 after Tokyo, New York City and Los Angeles. In 2015, it was rated Asia's most livable city with the second highest quality of life globally by Arcadis. A world leading technology hub centered on Gangnam and Digital Media City, the Seoul Capital Area boasts 15 Fortune Global 500 companies such as Samsung, the world's largest technology company, as well as LG and Hyundai-Kia. In 2014, the city's GDP per capita (PPP) of $39,786 was comparable to that of France and Finland. Ranked sixth in the Global Power City Index and Global Financial Centres Index, the metropolis exerts a major influence in global affairs as one of the five leading hosts of global conferences.

 

Seoul is the world's most wired city and ranked first in technology readiness by PwC's Cities of Opportunity report. It is served by the KTX high-speed rail and the Seoul Subway, providing 4G LTE, WiFi and DMB inside subway cars. Seoul is connected via AREX to Incheon International Airport, rated the world's best airport nine years in a row (2005–2013) by Airports Council International. Lotte World Tower, a 556-metre supertall skyscraper with 123 floors, has been built in Seoul and become the OECD's tallest in 2016, with the world's tallest art gallery. Its Lotte Cinema houses the world's largest cinema screen. Seoul's COEX Mall is the world's largest underground shopping mall.

 

Seoul hosted the 1986 Asian Games, 1988 Summer Olympics, 2002 FIFA World Cup, the Miss Universe 1980 pageant, and the 2010 G-20 Seoul summit. A UNESCO City of Design, Seoul was named the 2010 World Design Capital.

 

ETYMOLOGY

The city has been known in the past by the names Wirye-seong (Hangul: 위례성; Hanja: 慰禮城, during the Baekje era), Hanju (Hangul: 한주; Hanja: 漢州, during the Silla era), Namgyeong (Hangul: 남경; Hanja: 南京, during the Goryeo era), Hanseong (Hangul: 한성; Hanja: 漢城, during both the Baekje and Joseon eras), Hanyang (Hangul: 한양; Hanja: 漢陽, during the Joseon era), Gyeongseong (京城, during the colonial era).

 

During Japan's annexation in Korea, "Hanseong" (Hangul: 한성; Hanja: 漢城) was renamed to "Keijō" (京城, or Template:Korean 한국, Gyeongseong) by the Imperial authorities to prevent confusion with the hanja '漢', as it also refers to the Han Chinese. In reality, the ancient name of Seoul, Hanseong (Hangul: 한성; Hanja: 漢城), originally had the meaning of "big" or "vast".

 

Its current name originated from the Korean word meaning "capital city," which is believed to be derived from the word Seorabeol (Hangul: 서라벌; Hanja: 徐羅伐), which originally referred to Gyeongju, the capital of Silla.

 

Unlike most place names in Korea, "Seoul" has no corresponding hanja (Chinese characters used in the Korean language). On January 18, 2005, Seoul government officially changed its official Chinese language name to Shou'er (simplified Chinese: 首尔; traditional Chinese: 首爾; pinyin: Shǒu'ěr) from the historic Hancheng (simplified Chinese: 汉城; traditional Chinese: 漢城; pinyin: Hànchéng), of which use is becoming less common.

 

HISTOY

Settlement of the Han River area, where present-day Seoul is located, began around 4000 BC.

 

Seoul is first recorded as Wiryeseong, the capital of Baekje (founded in 18 BC) in the northeastern Seoul area. There are several city walls remaining in the area that date from this time. Pungnaptoseong, an earthen wall just outside Seoul, is widely believed to have been at the main Wiryeseong site. As the Three Kingdoms competed for this strategic region, control passed from Baekje to Goguryeo in the 5th century, and from Goguryeo to Silla in the 6th century.

 

In the 11th century Goryeo, which succeeded Unified Silla, built a summer palace in Seoul, which was referred to as the "Southern Capital". It was only from this period that Seoul became a larger settlement. When Joseon replaced Goryeo, the capital was moved to Seoul (also known as Hanyang and later as Hanseong), where it remained until the fall of the dynasty. The Gyeongbok Palace, built in the 14th century, served as the royal residence until 1592. The other large palace, Changdeokgung, constructed in 1405, served as the main royal palace from 1611 to 1872.

 

Originally, the city was entirely surrounded by a massive circular stone wall to provide its citizens security from wild animals, thieves and attacks. The city has grown beyond those walls and although the wall no longer stands (except along Bugaksan Mountain (Hangul: 북악산; Hanja: 北岳山), north of the downtown area), the gates remain near the downtown district of Seoul, including most notably Sungnyemun (commonly known as Namdaemun) and Heunginjimun (commonly known as Dongdaemun). During the Joseon dynasty, the gates were opened and closed each day, accompanied by the ringing of large bells at the Bosingak belfry. In the late 19th century, after hundreds of years of isolation, Seoul opened its gates to foreigners and began to modernize. Seoul became the first city in East Asia to introduce electricity in the royal palace, built by the Edison Illuminating Company and a decade later Seoul also implemented electrical street lights.

 

Much of the development was due to trade with foreign countries like France and United States. For example, the Seoul Electric Company, Seoul Electric Trolley Company, and Seoul Fresh Spring Water Company were all joint Korean–American owned enterprises. In 1904, an American by the name of Angus Hamilton visited the city and said, "The streets of Seoul are magnificent, spacious, clean, admirably made and well-drained. The narrow, dirty lanes have been widened, gutters have been covered, roadways broadened. Seoul is within measurable distance of becoming the highest, most interesting and cleanest city in the East.

"After the annexation treaty in 1910, the Empire of Japan annexed Korea and renamed the city Gyeongseong ("Kyongsong" in Korean and "Keijo" in Japanese). Japanese technology was imported, the city walls were removed, some of the gates demolished. Roads became paved and Western-style buildings were constructed. The city was liberated at the end of World War II.

 

In 1945, the city was officially named Seoul, and was designated as a special city in 1949.

 

During the Korean War, Seoul changed hands between the Russian/Chinese-backed North Korean forces and the American-backed South Korean forces several times, leaving the city heavily damaged after the war. The capital was temporarily relocated to Busan. One estimate of the extensive damage states that after the war, at least 191,000 buildings, 55,000 houses, and 1,000 factories lay in ruins. In addition, a flood of refugees had entered Seoul during the war, swelling the population of the city and its metropolitan area to an estimated 1.5 million by 1955.

 

Following the war, Seoul began to focus on reconstruction and modernization. As Korea's economy started to grow rapidly from the 1960s, urbanization also accelerated and workers began to move to Seoul and other larger cities. From the 1970s, the size of Seoul administrative area greatly expanded as it annexed a number of towns and villages from several surrounding counties.

 

According to 2012 census data, the population of the Seoul area makes up around 20% of the total population of South Korea, Seoul has become the economic, political and cultural hub of the country, with several Fortune Global 500 companies, including Samsung, SK Holdings, Hyundai, POSCO and LG Group headquartered there.

 

Seoul was the host city of the 1986 Asian Games and 1988 Summer Olympics as well as one of the venues of the Football World Cup 2002.

 

GEOGRAPHY

Seoul is in the northwest of South Korea. Seoul proper comprises 605.25 km2, with a radius of approximately 15 km, roughly bisected into northern and southern halves by the Han River. The Han River and its surrounding area played an important role in Korean history. The Three Kingdoms of Korea strove to take control of this land, where the river was used as a trade route to China (via the Yellow Sea). The river is no longer actively used for navigation, because its estuary is located at the borders of the two Koreas, with civilian entry barred. Historically, the city was during the Joseon Dynasty bounded by the Seoul Fortress Wall, which stretched between the four main mountains in central Seoul: Namsan, Naksan, Bukaksan and Inwangsan. The city is bordered by eight mountains, as well as the more level lands of the Han River plain and western areas. Due to its geography and to economic development policies, Seoul is a very polycentric city. The area that was the old capital in the Joseon Dynasty, and mostly comprises Jongno District and Jung District, constitutes the historical and political center of the city. However, for example, the city's financial capital is widely considered to be in Yeouido, while its economic capital is Gangnam District.

 

CLIMATE

Seoul is either classified as a humid subtropical climate (Köppen Cwa), using the −3 °C isotherm of the original Köppen scheme, or a humid continental climate (Köppen Dwa), using the 0 °C isotherm preferred by some climatologists. Summers are generally hot and humid, with the East Asian monsoon taking place from June until September. August, the warmest month, has average high and low temperatures of 29.6 and 22.4 °C with higher temperatures possible. Winters are often cold to freezing with average January high and low temperatures of 1.5 and −5.9 °C and are generally much drier than summers, with an average of 28 days of snow annually. Sometimes, temperatures do drop dramatically to below −10.0 °C, in odd occasions rarely as low as −15.0 °C in the mid winter period between January and February.

  

ADMINISTRATIVE DISTRICTS

Seoul is divided into 25 gu (Hangul: 구; Hanja: 區) (district). The gu vary greatly in area (from 10 to 47 km2) and population (from fewer than 140,000 to 630,000). Songpa has the most people, while Seocho has the largest area. The government of each gu handles many of the functions that are handled by city governments in other jurisdictions. Each gu is divided into "dong" (Hangul: 동; Hanja: 洞) or neighbourhoods. Some gu have only a few dong while others like Jongno District have a very large number of distinct neighbourhoods. Gu of Seoul consist of 423 administrative dongs (Hangul: 행정동) in total. Dong are also sub-divided into 13,787 tong (Hangul: 통; Hanja: 統), which are further divided into 102,796 ban in total.

 

DEMOGRAPHICS

Seoul proper is noted for its population density, which is almost twice that of New York and eight times greater than Rome. Its metropolitan area was the most densely populated in the OECD in Asia in 2012, and second worldwide after that of Paris. As of December 2013, the population was 10.14 million, in 2012, it was 10,442,426. As of the end of June 2011, 10.29 million Republic of Korea citizens lived in the city. This was a 24% decrease from the end of 2010. The population of Seoul has been dropping since the early 1990s, the reasons being the high costs of living and an aging population.

 

The number of foreigners living in Seoul is 255,501 in 2010 according to Seoul officials.[58] As of June 2011, 281,780 foreigners were located in Seoul. Of them, 186,631 foreigners (66%) were Chinese citizens of Korean ancestry. This was an 8.84% increase from the end of 2010 and a 12.85% increase from June 2010. The next largest group was Chinese citizens who are not of Korean ethnicity; 29,901 of them resided in Seoul. The next highest group consisted of the 9,999 United States citizens who were not of Korean ancestry. The next highest group were the Republic of China (Taiwan) citizens, at 8,717.

 

The two major religions in Seoul are Christianity and Buddhism. Other religions include Muism (indigenous religion) and Confucianism. Seoul is home to one of the world's largest Christians congregations, Yoido Full Gospel Church , which has around 830,000 members. Seoul is home to the world's largest modern university founded by a Buddhist Order, Dongguk University. Other Christian faiths like The Church of Jesus Christ of Latter-day Saints (Mormons) maintains a presence in the city.

 

ECONOMY

Seoul is the business and financial hub of South Korea. Although it accounts for only 0.6 percent of the nation's land area, 48.3 percent of South Korea's bank deposits were held in Seoul in 2003, and the city generated 23 percent of the country's GDP overall in 2012. In 2008 the Worldwide Centers of Commerce Index ranked Seoul No.9. The Global Financial Centres Index in 2015 listed Seoul as the 6th financially most competitive city in the world. The Economist Intelligence Unit ranked Seoul 15th in the list of "Overall 2025 City Competitiveness" regarding future competitiveness of cities.

 

MANUFACTURING

The traditional, labour-intensive manufacturing industries have been continuously replaced by information technology, electronics and assembly-type of industries; however, food and beverage production, as well as printing and publishing remained among the core industries. Major manufacturers are headquartered in the city, including Samsung, LG, Hyundai, Kia and SK. Notable food and beverage companies include Jinro, whose soju is the most sold alcoholic drink in the world, beating out Smirnoff vodka; top selling beer producers Hite (merged with Jinro) and Oriental Brewery. It also hosts food giants like Seoul Dairy Cooperative, Nongshim Group, Ottogi, CJ, Orion, Maeil Dairy, Namyang dairy and Lotte.

 

FINANCE

Seoul hosts large concentration of headquarters of International companies and banks, including 15 companies on fortune 500 list such as Samsung, LG and Hyundai. Most bank headquarters and the Korea Exchange are located in Yeouido (Yeoui island), which is often called "Korea's Wall Street" and has been serving as the financial center of the city since the 1980s. The Seoul international finance center & SIFC MALL, Hanhwa 63 building, the Hanhwa insurance company head office. Hanhwa is one of the three largest Korean insurance companies, along with Samsung Life and Gangnam & Kyob life insurance group.

 

COMMERCE

The largest wholesale and retail market in South Korea, the Dongdaemun Market, is located in Seoul. Myeongdong is a shopping and entertainment area in downtown Seoul with mid- to high-end stores, fashion boutiques and international brand outlets. The nearby Namdaemun Market, named after the Namdaemun Gate, is the oldest continually running market in Seoul.

 

Insadong is the cultural art market of Seoul, where traditional and modern Korean artworks, such as paintings, sculptures and calligraphy are sold. Hwanghak-dong Flea Market and Janganpyeong Antique Market also offer antique products. Some shops for local designers have opened in Samcheong-dong, where numerous small art galleries are located. Itaewon caters mainly to foreign tourists and American soldiers based in the city. The Gangnam district is one of the most affluent areas in Seoul and is noted for the fashionable and upscale Apgujeong-dong and Cheongdam-dong areas and the COEX Mall. Wholesale markets include Noryangjin Fisheries Wholesale Market and Garak Market.

 

The Yongsan Electronics Market is the largest electronics market in Asia. Electronics markets are Gangbyeon station metro line 2 Techno mart, ENTER6 MALL & Shindorim station Technomart mall complex.

 

Times Square is one of Seoul's largest shopping malls featuring the CGV Starium, the world's largest permanent 35 mm cinema screen.

 

KOREA WORLD TRADE CENTER COMPLEX which comprises COEX mall, congress center, 3 Inter-continental hotels, Business tower (Asem tower), Residence hotel,Casino and City airport terminal was established in 1988 Seoul Olympic . 2nd World trade trade center is planning at Seoul Olympic stadium complex as MICE HUB by Seoul city. Ex-Kepco head office building was purchased by Hyundai motor group with 9billion USD to build 115-storey Hyundai GBC & hotel complex until 2021. Now ex-kepco 25-storey building is under demolition.

 

ARCHITECTURE

The traditional heart of Seoul is the old Joseon Dynasty city, now the downtown area, where most palaces, government offices, corporate headquarters, hotels, and traditional markets are located. Cheonggyecheon, a stream that runs from west to east through the valley before emptying into the Han River, was for many years covered with concrete, but was recently restored by an urban revival project in 2005. Jongno street, meaning "Bell Street," has been a principal street and one of the earliest commercial steets of the city, on which one can find Bosingak, a pavilion containing a large bell. The bell signaled the different times of the day and controlled the four major gates to the city. North of downtown is Bukhan Mountain, and to the south is the smaller Namsan. Further south are the old suburbs, Yongsan District and Mapo District. Across the Han River are the newer and wealthier areas of Gangnam District, Seocho District and surrounding neighborhoods.

 

HISTORICAL ARCHITECTURE

Seoul has many historical and cultural landmarks. In Amsa-dong Prehistoric Settlement Site, Gangdong District, neolithic remains were excavated and accidentally discovered by a flood in 1925.

 

Urban and civil planning was a key concept when Seoul was first designed to serve as a capital in the late 14th century. The Joseon Dynasty built the "Five Grand Palaces" in Seoul – Changdeokgung, Changgyeonggung, Deoksugung, Gyeongbokgung and Gyeonghuigung – all of which are located in the district of Jongno District and Jung District. Among them, Changdeokgung was added to the UNESCO World Heritage List in 1997 as an "outstanding example of Far Eastern palace architecture and garden design". The main palace, Gyeongbokgung, underwent a large-scale restoration project. The palaces are considered exemplary architecture of the Joseon period. Beside the palaces, Unhyeongung is known for being the royal residence of Regent Daewongun, the father of Emperor Gojong at the end of the Joseon Dynasty.

 

Seoul has been surrounded by walls that were built to regulate visitors from other regions and protect the city in case of an invasion. Pungnap Toseong is a flat earthen wall built at the edge of the Han River which is widely believed to be the site of Wiryeseong. Mongchon Toseong (Hangul: 몽촌토성; Hanja: 蒙村土城) is another earthen wall built during the Baekje period which is now located inside the Olympic Park. The Fortress Wall of Seoul was built early in the Joseon Dynasty for protection of the city. After many centuries of destruction and rebuilding, approximately ⅔ of the wall remains, as well as six of the original eight gates. These gates include Sungnyemun and Heunginjimun, commonly known as Namdaemun (South Great Gate) and Dongdaemun (East Great Gate). Namdaemun was the oldest wooden gate until a 2008 arson attack, and was re-opened after complete restoration in 2013. Situated near the gates are the traditional markets and largest shopping center, Namdaemun Market and Dongdaemun Market.

 

There are also many buildings constructed with international styles in the late 19th and early 20th centuries. The Independence Gate was built in 1897 to inspire an independent spirit. Seoul Station was opened in 1900 as Gyeongseong Station.

 

MODERN ARCHITECTURE

Various high-rise office buildings and residential buildings, like the Gangnam Finance Center, the Tower Palace, N Seoul Tower and Jongno Tower, dominate the city's skyline. A series of new high rises are under construction, including the Lotte World Tower, scheduled to be completed by 2016. As of July 2016, and excluding the still unopened Lotte World Tower, the tallest building in the city is the 279-metre-high Three International Finance Center.

 

The World Trade Center Seoul, located in Gangnam District, hosts various expositions and conferences. Also in Gangnam District is the COEX Mall, a large indoor shopping and entertainment complex. Downstream from Gangnam District is Yeouido, an island that is home to the National Assembly, major broadcasting studios, and a number of large office buildings, as well as the Korea Finance Building and the Yoido Full Gospel Church. The Olympic Stadium, Olympic Park, and Lotte World are located in Songpa District, on the south side of the Han River, upstream from Gangnam District. Two new modern landmarks of Seoul are Dongdaemun Design Plaza & Park, designed by Zaha Hadid, and the new wave-shaped Seoul City Hall, by Yoo Kerl of iArc.

 

In 2010 Seoul was designated the World Design Capital for the year.

 

CULTURE

TECHNOLOGY

Seoul has a very technologically advanced infrastructure. It has the world's highest fibre-optic broadband penetration, resulting in the world's fastest internet connections with speeds up to 1 Gbps. Seoul provides free Wi-Fi access in outdoor spaces. This 47.7 billion won ($44 million) project will give residents and visitors Internet access at 10,430 parks, streets and other public places by 2015.

 

MUSEUMS

Seoul is home to 115 museums, including four national and nine official municipal museums. Amongst the city's national museum, The National Museum of Korea is the most representative of museums in not only Seoul but all of South Korea. Since its establishment in 1945, the museum has built a collection of 220,000 artifacts. In October 2005, the museum moved to a new building in Yongsan Family Park. The National Folk Museum is situated on the grounds of the Gyeongbokgung Palace in the district of Jongno District and uses replicas of historical objects to illustrate the folk history of the Korean people. The National Palace Museum of Korea is also located on the grounds of the Gyeongbokgung Palace. Finally, the Seoul branch of the National Museum of Modern and Contemporary Art, whose main museum is located in Gwacheon, opened in 2013, in Sogyeok-dong.

 

Bukchon Hanok Village and Namsangol Hanok Village are old residential districts consisting of hanok Korean traditional houses, parks, and museums that allows visitors to experience traditional Korean culture.

 

The War Memorial, one of nine municipal museums in Seoul, offers visitors an educational and emotional experience of various wars in which Korea was involved, including Korean War themes. The Seodaemun Prison is a former prison built during the Japanese occupation, and is currently used as a historic museum.The Seoul Museum of Art and Ilmin Museum of Art have preserved the appearance of the old building that is visually unique from the neighboring tall, modern buildings. The former is operated by Seoul City Council and sits adjacent to Gyeonghuigung Palace, a Joseon dynasty royal palace. Leeum, Samsung Museum of Art, is widely regarded as one of Seoul's largest private museum. For many Korean film lovers from all over the world, the Korean Film Archive is running the Korean Film Museum and Cinematheque KOFA in its main center located in Digital Media City (DMC), Sangam-dong. The Tteok & Kitchen Utensil Museum and Kimchi Field Museum provide information regarding Korean culinary history.

 

RELIGIOUS MONUMENTS

There are also religious buildings that take important roles in Korean society and politics. The Wongudan altar was a sacrificial place where Korean rulers held heavenly rituals since the Three Kingdoms period. Since the Joseon Dynasty adopted Confucianism as its national ideology in the 14th century, the state built many Confucian shrines. The descendants of the Joseon royal family still continue to hold ceremonies to commemorate ancestors at Jongmyo. It is the oldest royal Confucian shrine preserved and the ritual ceremonies continue a tradition established in the 14th century. Munmyo and Dongmyo were built during the same period. Although Buddhism was suppressed by the Joseon state, it has continued its existence. Jogyesa is the headquarters of the Jogye Order of Korean Buddhism. Hwagyesa and Bongeunsa are also major Buddhist temples in Seoul.

 

The Myeongdong Cathedral is a landmark of the Myeongdong, Jung District and the biggest Catholic church established in 1883. It is a symbol of Catholicism in Korea. It was also a focus for political dissent in the 1980s. In this way the Roman Catholic Church has a very strong influence in Korean society.

 

There are many Protestant churches in Seoul. The most numerous are Presbyterian, but there are also many Methodist, Baptist, and Lutheran churches. Yoido Full Gospel Church is a Pentecostal church affiliated with the Assemblies of God on Yeouido in Seoul. With approximately 830,000 members (2007), it is the largest Pentecostal Christian congregation in the world, which has been recognized by the Guinness Book of World Records.

 

FESTIVALS

In October 2012 KBS Hall in Seoul hosted major international music festivals – First ABU TV and Radio Song Festivals within frameworks of Asia-Pacific Broadcasting Union 49th General Assembly. Hi! Seoul Festival is a seasonal cultural festival held four times a year every spring, summer, autumn, and winter in Seoul, South Korea since 2003. It is based on the "Seoul Citizens' Day" held on every October since 1994 to commemorate the 600 years history of Seoul as the capital of the country. The festival is arranged under the Seoul Metropolitan Government. As of 2012, Seoul has hosted Ultra Music Festival Korea, an annual dance music festival that takes place on the 2nd weekend of June.

 

TRANSPORTATION

Seoul features one of the world's most advanced transportation infrastructures that is constantly under expansion. Its system dates back to the era of the Korean Empire, when the first streetcar lines were laid and a railroad linking Seoul and Incheon was completed. Seoul's most important streetcar line ran along Jongno until it was replaced by Line 1 of the subway system in the early 1970s. Other notable streets in downtown Seoul include Euljiro, Teheranno, Sejongno, Chungmuro, Yulgongno, and Toegyero. There are nine major subway lines stretching for more than 250 km, with one additional line planned. As of 2010, 25% of the population has a commute time of an hour or more.

 

BUS

Seoul's bus system is operated by the Seoul Metropolitan Government (S.M.G.), with four primary bus configurations available servicing most of the city. Seoul has many large intercity/express bus terminals. These buses connect Seoul with cities throughout South Korea. The Seoul Express Bus Terminal, Central City Terminal and Seoul Nambu Terminal are located in the district of Seocho District. In addition, East Seoul Bus Terminal in Gwangjin District and Sangbong Terminal in Jungnang District operate in the east of the city.

 

SUBWAY

Seoul has a comprehensive urban railway network that interconnects every district of the city and the surrounding areas. With more than 8 million passengers per day, Seoul has one of the busiest subway systems in the world. The Seoul Metropolitan Subway has 19 total lines which serve Seoul, Incheon, Gyeonggi province, western Gangwon province, and northern Chungnam province. In addition, in order to cope with the various modes of transport, Seoul's metropolitan government employs several mathematicians to coordinate the subway, bus, and traffic schedules into one timetable. The various lines are run by Korail, Seoul Metro, Seoul Metropolitan Rapid Transit Corporation, NeoTrans Co. Ltd., AREX, and Seoul Metro Line 9 Corporation.

 

TRAIN

Seoul is connected to every major city in South Korea by rail. Seoul is also linked to most major South Korean cities by the KTX high-speed train, which has a normal operation speed of more than 300 km/h. Major railroad stations include:

 

Seoul Station, Yongsan District: Gyeongbu line (KTX/Saemaul/Mugunghwa-ho), Gyeongui line (Saemaul/Commuter)

Yongsan Station, Yongsan District: Honam line (KTX/Saemaul/Mugunghwa), Jeolla/Janghang lines (Saemaul/Mugunghwa)

Yeongdeungpo Station, Yeongdeungpo District: Gyeongbu/Honam/Janghang lines (Saemaul/Mugunghwa)

Cheongnyangni Station, Dongdaemun District: Gyeongchun/Jungang/Yeongdong/Taebaek lines (Mugunghwa)

 

In addition, Suseo Station,in Gangnam District, is scheduled to open in late 2016, and offer KTX service on the newly built Suseo High Speed Railway.

 

AIRPORTS

Two international airports serve Seoul. Gimpo International Airport, formerly in Gimpo but annexed to Seoul in 1963, was for many years (since its original construction during the Korean War) the only international airport serving Seoul. Other domestic airports were also built around the time of the war, including Yeouido.

 

When it opened in March 2001, Incheon International Airport on Yeongjong island in Incheon changed the role of Gimpo Airport significantly. Incheon is now responsible for almost all international flights and some domestic flights, while Gimpo serves only domestic flights with the exception of flights to Haneda Airport in Tokyo, Osaka Kansai International Airport, Taipei Songshan Airport in Taipei, Hongqiao Airport in Shanghai, and Beijing Capital International Airport in Beijing. This has led to a significant drop in flights from Gimpo Airport, though it remains one of South Korea's busiest airports.

 

Meanwhile, Incheon International Airport has become, along with Hong Kong, a major transportation center for East Asia.

 

Incheon and Gimpo are linked to Seoul by highways, and to each other by the Incheon International Airport Railroad, which is also linked to Incheon line #1. Gimpo is also linked by subway (line No. 5 and #9). The Incheon International Airport Railroad, connecting the airport directly to Seoul Station in central Seoul, was recently opened. Shuttle buses also transfer passengers between Incheon and Gimpo airports.

 

CYCLING

Cycling is becoming increasingly popular in Seoul and in the entire country. Both banks of the Han River have cycling paths that run all the way across the city along the river. In addition, Seoul introduced in 2015 a bicycle-sharing system named Ddareungi.

 

EDUCATION

UNICERSITIES

Seoul is home to the majority of South Korea's most prestigious universities, including Seoul National University, Yonsei University, Korea University, Sungkyunkwan University, Sogang University, Hanyang University, Chung-Ang University, Ewha Womans University, Hankuk University of Foreign Studies, Hongik University, Kyung Hee University, Soongsil University, Sookmyung Women's University, Korea Military Academy, and the University of Seoul.

 

SECONDARY EDUCATION

Education from grades 1–12 is compulsory. Students spend six years in elementary school, three years in middle school, and three years in high school. Secondary schools generally require that the students wear uniforms. There is an exit exam for graduating from high school and many students proceeding to the university level are required to take the College Scholastic Ability Test that is held every November. Although there is a test for non-high school graduates, called school qualification exam, most of Koreans take the test

 

Seoul is home to various specialized schools, including three science high schools (Hansung Science High School, Sejong Science High School and Seoul Science High School), and six foreign language High Schools (Daewon Foreign Language High School, Daeil Foreign Language High School, Ewha Girls' Foreign Language High School, Hanyoung Foreign Language High School, Myungduk Foreign Language High School and Seoul Foreign Language High School). Seoul Metropolitan Office of Education comprises 235 College-Preparatory High Schools, 80 Vocational Schools, 377 Middle Schools, and 33 Special Education Schools as of 2009.

 

INTERNATIONAL RELATIONS

Seoul is a member of the Asian Network of Major Cities 21 and the C40 Cities Climate Leadership Group.

 

WIKIPEDIA

Lake Montezuma is a census-designated place (CDP) in Yavapai County in the U.S. state of Arizona. The population was 3,344 at the 2000 census. The CDP includes the communities of Rimrock and McGuireville. Located along Interstate 17, it is 20 miles (32 km) south of Sedona and 8 miles (13 km) north of Camp Verde in central Arizona's Verde Valley.

 

The community was originally known as Beaver Creek as ranchers and farmers settled along the banks of the creek named for the prolific numbers of beavers found there. In 1882, when there were a total of 8 local children, Yavapai County set up one of the first schools in the Verde Valley, Beaver Creek School, drawing kids from many miles around the area.

 

The area of the community known as McGuireville started in 1910 when Eugene McGuire settled near the confluence of Dry Beaver Creek and Wet Beaver Creek. This was also at the junction of the historic road from Stoneman Lake which split there with one route going on to Cornville, Cottonwood and Jerome and the other going south to Camp Verde and on to Prescott via Cherry. This later became the site of the first local business besides ranching and dudes when Midge Montgomery set up the original Beaver Creek Store there in 1931.

 

The area generally became known as Rimrock in 1926 when Virginia Finnie, the daughter of a prominent local rancher, started a dude ranch which she appropriately named Rimrock Guest Ranch. It was so named for the prominent limestone rimrocks forming the edges of the mesas visible from the hill top ranch.

 

Around 1957 shortly after the Black Canyon Highway was built north from Phoenix one of the largest ranches in Rimrock was turned into a subdivision called Lake Montezuma. The developers were planning on selling much of the property to out of state buyers and realized they needed something attractive in the name. They dug out a pond below the original ranch house and named it Lake Montezuma after the area's most significant local landmark - Montezuma Well National Monument.

 

The majority of the population of the rapidly growing area soon lived in this one subdivision and virtually all of them were not from the local area. They would identify themselves as being from Lake Montezuma not realizing that they might also be considered a resident of Rimrock and also Beaver Creek. Thus the confusion over the name of the general area.

 

en.wikipedia.org/wiki/Lake_Montezuma,_Arizona

 

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

Murree (Punjabi, Urdu: مری) is a hill station and summer resort and the administrative centre of Murree Tehsil, Pakistan, which is a subdivision of Rawalpindi District and includes the Murree Hills.

Murree was the summer capital of the British Raj in the Punjab Province (British India). A popular tourist destination Located in the north-west Himalayas at an average altitude of 2,291 metres (7,516 ft), the city of Murree, draped in forests of pine, and oak, experiences pleasant summers and cold, snowy winters. The city is famous for its buildings styled in tudorbethan and neo-gothic architecture dating from the colonial era.

Murree is located along the Islamabad-Murree Highway, some 58.3 km (36.2 mi) northeast of Islamabad.

Murree was developed in 1851 by the (then) President of the Punjab Administrative Board, Sir Henry Lawrence, and was originally established for the British troops garrisoned on the Afghan frontier as a sanatorium.Officially, the municipality was created in 1850.

The permanent town of Murree was constructed at Sunnybank in 1853. The church was sanctified in May 1857, and the main road, Jinnah Road, formerly known as The Mall (and still commonly referred to as), was built. The most significant commercial establishments, the Post Office, general merchants with European goods, tailors and a millinery, were established opposite the church. Until 1947, access to Jinnah Road was restricted for "natives" (non-Europeans).

Until 1876, Murree was the summer headquarters of the Punjab local government; after 1876 the headquarters were moved to Shimla.[

The railway connection with Lahore, the capital of the Punjab Province, via Rawalpindi, made Murree a popular resort for Punjab officials, and the villas and other houses erected for the accommodation of English families gave it a European aspect. The houses crowned the summit and sides of an irregular ridge, the neighbouring hills were covered during the summer with encampments of British troops, while the station itself was filled with European visitors from the plains and travellers to Kashmir.

Murree is one of the largest resort towns in the Galyat area of Pakistan, and is the municipal or regional capital of Murree Tehsil* (*general administrative subdivision), it is an administrative division of the Rawalpindi District. The town of Muree is situated on the southern slopes of the Western Himalayan foothills as they ascend northeastward, towards the bifurcated states of Kashmir. During British colonial rule in the nineteenth century, its altitude was established at 7,500 feet (2,300 m).

Murree is accessible by road from the centre of the Islamabad and Rawalpindi areas. It is still associated with Britain; many British fruits (including cherries, raspberries and strawberries) thrive locally. There is an Anglican church, built in 1857, located at the centre of the town, which is still used as a place of worship. Many houses around the church are still standing, functioning mostly as hotels. Old traditional restaurants have been replaced by fast-food shops and newer restaurants. Some famous old places of accommodation, such as the Rich Villa Inn and Gulberg Hotel, have completely disappeared. A typical hotel provides a motel-type accommodation with breakfast and communication access. Newly built hotels are also accessible

Murree houses headquarters of 12th infantry division of Pakistan Army and large number of educational and training institutions. Combined Military Hospital established to cater the needs of civilian population of Murree and adjoining areas. Pakistan Air Force also maintains base at Lower Topa. For administrative purposes the military areas of Murree are divided in two separate cantonments, Murree Cantonment and Murree Hills Cantonment.

Murree Houses residence for Punjab Governor at the Kashmir point. The imposing building was built in nineteenth century by the British. There are Punjab and Sindh Houses to cater needs of the provincial government. Similarly, there are Rest Houses for the Judges of Supreme Court and Lahore High Court. A large number of government, semi government and private departments and institutions maintain guest houses in Murree. A number of diplomatic missions based in Islamabad established their camp offices in Murree in the 1960s. The same however are seldom used now. Adjacent to Murree is the Galliat region of North West Frontier Province which includes Nathiagalli, Ayubia, Khanspur, Dunga Galli, Khairagalli and Changla Galli. Before the British rule whether part of Rawalpindi District of Muzaffarabad, Murree and Galiat have been part of same administrative unit, however in 1850 the British decided to divide them between Rawalpindi and Hazara. Howevere despite divided by provincial boundaries, Murree and Galliat are inseparable both geographically, culturally, linguistically as well as from the point of view of the tourists. Murree serves as a gateway to Galliat.

[Bhurban]] and New Murree (Patriata) have also developed as tourist centres. The whole Murree Galliat region is known for its scenic beauty. Mountains overhung with pines and oaks, bubbling with gurgling springs, crisscrossed by rivulets, dotted with sprawling lawns and orchards overloaded with fruits present a nice spectacle. A fine view of the snowy peaks of Kashmir is to be had on a clear day, and the crest of Nanga Parbat can sometimes be seen.

Bhurban, boosting with a five star Pearl Continental Hotel and a nine hole Golf course has cropped recently as another tourist attraction in the area. Lying at an altitude of 6000 ft, Bhurban is situated at a distance of 13 kilometres from Murree on one of main roads leading to Azad Kashmir. The Punjab government is said to have plans to develop New Murree city at Patriata fifteen kilometres southeast of Murree. The Punjab Tourism department constructed resorts amidst the forests on the Patriata ridge in 1987 as well as a 3 kilometre sky slope from the top of Patriata ridge to Gulara Gali (not functioning currently). Patriata is connected with Islamabad and Murree through a number of all weather roads.

 

More from last weekend's Bonfire celebrations in Lewes

The present remains of the castle include work from about 1114 to about 1476. Created as a defence against the Welsh, the castle fell to the Welsh several times in the twelfth century. Later in its history, it was unsuccessfully besieged by forces of Owain Glyndŵr in 1403 with assistance from soldiers from France and Brittany who captured Kidwelly town. The castle was relieved by a Norman army after just three weeks. The gatehouse was extensively damaged and it was rebuilt on the instructions of King Henry V. It largely escaped involvement in the English Civil War.

 

The plan of the castle consists of a square inner bailey defended by four round towers, which overlook a semi-circular outer curtain wall on the landward side, with the massive gatehouse next to the river. The river prevents this from being a truly concentric plan, however a jutting tower protects the riverside walls, and the final plan is very strong.

Tynemouth Castle is located on a rocky headland (known as Pen Bal Crag), overlooking Tynemouth Pier.

 

The moated castle-towers, gatehouse and keep are combined with the ruins of the Benedictine priory where early kings of Northumbria were buried.

 

The coat of arms of the town of Tynemouth still includes three crowns commemorating the tradition that the Priory had been the burial place for three kings.

 

Little is known of the early history of the site. Some Roman stones have been found there, but there is no definite evidence that it was occupied by the Romans.

 

The Priory was founded early in the 7th century, perhaps by Edwin of Northumbria. In 651 Oswin, king of Deira was murdered by the soldiers of King Oswiu of Bernicia, and subsequently his body was brought to Tynemouth for burial.[1] He became St Oswin and his burial place became a shrine visited by pilgrims. He was the first of the three kings buried at Tynemouth.

 

In 792 Osred II, who had been king of Northumbria from 789 to 790 and then deposed, was murdered. He also was buried at Tynemouth Priory.[1] Osred was the second of the three kings buried at Tynemouth.

 

The third king to be buried at Tynemouth was Malcolm III, king of Scotland, who was killed at the Battle of Alnwick in 1093.[1] (This is the same Malcolm who appears in Shakespeare's Macbeth.) The king's body was sent north for reburial, in the reign of his son Alexander I, at Dunfermline Abbey, or possibly Iona.

 

In 800 the Danes plundered Tynemouth Priory,[1] and afterwards the monks strengthened the fortifications sufficiently to prevent the Danes from succeeding when they attacked again in 832. However, in 865 the church and monastery were destroyed by the Danes. At the same time, the nuns of St Hilda, who had come there for safety, were massacred. The priory was again plundered by the Danes in 870. The priory was destroyed by the Danes in 875.

 

Norman rule

Earl Tostig made Tynemouth his fortress during the reign of Edward the Confessor. By that time, the priory had been abandoned and the burial place of St Oswin had been forgotten. According to legend, St Oswin appeared in a vision to Edmund, a novice, who was living there as a hermit. The saint showed Edmund where his body lay and so the tomb was re-discovered in 1065.

 

Tostig was killed at the Battle of Stamford Bridge in 1066 and so was not able to re-found the monastery as he had intended.

 

In 1074 Waltheof II, Earl of Northumbria, last of the Anglo-Saxon earls, granted the church to the monks of Jarrow together with the body of St Oswin (Oswine of Deira), which was transferred to that site for a while.

 

In 1090 Robert de Mowbray, Earl of Northumberland decided to re-found Tynemouth Priory, but he was in dispute with William de St-Calais, the Bishop of Durham and so placed the priory under the jurisdiction of the priory of St Albans. Monks were sent from St Albans in 1090 to colonise the new monastery.

 

However, when the abbot of St Albans visited in 1093, Prior Thurgot of Durham met him and prevented the usurpation of the rights of Durham.

 

In 1091, seamen from William II's ships plundered Tynemouth and one victim appealed to St. Oswin, whose shrine was in the priory, and the next day the ships were all lost on the rocks of Coquet Island in fair weather. Thereafter, William Rufus held St. Oswin in great reverence.

 

In 1093 Malcolm III of Scotland invaded England and was killed at Alnwick by Robert de Mowbray. Malcolm's body was buried at Tynemouth Priory for a time, but it is believed that he was subsequently reburied in Dunfermline Abbey, in Scotland.

 

In 1095 Robert de Mowbray took refuge in Tynemouth Castle after rebelling against William II. William besieged the castle and captured it after two months. Mowbray escaped to Bamburgh Castle, but subsequently returned to Tynemouth. The castle was re-taken and Mowbray was dragged from there and imprisoned for life for treason. In 1110 a new church was completed on the site.

 

Tynemouth Priory viewed from Tynemouth pier shows the strategic and dramatic nature of its headland setting

It is believed that at the time of Robert Mowbray's capture in 1095 there was a castle on the site consisting of earthen ramparts and a wooden stockade.

 

In 1296 the prior of Tynemouth was granted royal permission to surround the monastery with walls of stone, which he did. In 1390 a gatehouse and barbican were added on the landward side of the castle.

 

Much remains of the priory structure as well as the castle gatehouse and walls which are 3200 feet (975 m) in length. The promontory was originally completely enclosed by a curtain wall and towers, but the north and east walls fell into the sea, and most of the south wall was demolished; the west wall, the gatehouse and a section of the south wall (with original wall walk) remain in good condition.

 

Edward II

In 1312 King Edward II took refuge in Tynemouth Castle together with his favourite Piers Gaveston, before fleeing by sea to Scarborough Castle. These events were dramatised by Christopher Marlowe in his play Edward II, published in 1594. Act 2 Scene 2 of the play is set 'Before Tynemouth Castle'; Act 2 Scene 3 is set 'Near Tynemouth Castle'; and Act 2 Scene 4 is set 'In Tynemouth Castle'.

 

Tynemouth Priory was also the resting place of Edward's illegitimate son Adam FitzRoy. FitzRoy accompanied his father in the Scottish campaigns of 1322, and died shortly afterwards on 18 September 1322, of unknown causes, and was buried at Tynemouth Priory on 30 September 1322; his father paid for a silk cloth with gold thread to be placed over his body.[2]

The Oratory of St Mary, or Percy Chapel

In 1538 the monastery of Tynemouth was suppressed when Robert Blakeney was the last prior of Tynemouth. At that time, apart from the prior, there were fifteen monks and three novices in residence.

 

The priory and its attached lands were taken over by King Henry VIII who granted them to Sir Thomas Hilton. The monastic buildings were dismantled leaving only the church and the Prior's house. The castle, however, remained in royal hands.

 

New artillery fortifications were built from 1545 onwards, with the advice of Sir Richard Lee and the Italian military engineers Gian Tommaso Scala and Antonio da Bergamo. The medieval castle walls were updated with new gunports.[3] The castle was the birthplace of Henry Percy, 9th Earl of Northumberland in 1564, during the period when his father, the 8th Earl, was guardian of the castle.

 

In May 1594 George Selby and Thomas Power, lieutenant of Tynemouth Castle, captured two fugitives from the court of Anne of Denmark who had stolen some of her jewels. Power kept Jacob Kroger, a German goldsmith, and Guillaume Martyn, a French stableman, as prisoners at Tynemouth for five weeks until they were returned to Edinburgh for summary trial and execution.[4]

  

Parish church

The church remained in use as a parish church until 1668 when a new church was built nearby. The ruins of the church can still be seen. Beneath them is a small (18 feet by 12 feet) chapel, the Oratory of St Mary or Percy Chapel. Its notable decorative features include a painted ceiling with numerous coats of arms and other symbols, stained-glass side windows, and a small rose window in the east wall, above the altar.

 

Tynemouth priory, 1867 proof engraving by William Miller after J M W Turner. The lighthouse, since demolished, stands on the far right of the promontory.

For some time a navigation light, in the form of a coal-fired brazier, had been maintained on top of one of the turrets at the east end of the Priory church. It is not known when this practice began, but a source of 1582 refers to: "the kepinge of a continuall light in the night season at the easte ende of the churche of Tinmouthe castle ... for the more safegarde of such shippes as should passe by that coast".[5] As Governor of Tynemouth Castle, Henry Percy, 8th Earl of Northumberland is recorded as having responsibility for the light's maintenance; and he and his successors in that office were entitled to receive dues from passing ships in return.

 

In 1559, however, the stairs leading to the top of the turret collapsed, preventing the fire from being lit.[5] In 1665, therefore, the then Governor (Colonel Villiers) had a purpose-built lighthouse erected on the headland (within the castle walls, using stone taken from the priory); it was rebuilt in 1775.[6] Like its predecessor, the lighthouse was initially coal-fired, but in 1802 an oil-fired argand light was installed and by 1871 it displayed a revolving red light. In 1841 William Fowke (a descendant of Villiers and his successor as Governor) sold the lighthouse to Trinity House, London.[6] It remained in operation until 1895, when it was replaced by St. Mary's Lighthouse in Whitley Bay to the north. Tynemouth Castle Lighthouse was subsequently demolished, in 1898.[7]

 

At the end of the 19th century the castle was used as a barracks with several new buildings being added. Many of these were removed after a fire in 1936. The castle played a role during World War I and World War II[8] when it was used as a coastal defence installation covering the mouth of the river Tyne. The restored sections of the coastal defence emplacements are open to the public. These include a guardroom and the main armoury, where visitors can see how munitions were safely handled and protected.

 

More recently the site has hosted the modern buildings of Her Majesty's Coastguard; however the new coastguard station, built in 1980 and opened by Prince Charles, was closed in 2001.[9]

 

Present-day

Tynemouth Castle and Priory is now managed by English Heritage, which charges an admission fee.

 

In 2002, it doubled as a castle for a tourist advert for the Isle of Mull.

Leam Lane Estate is a housing estate in Gateshead, built in the 1950s and early 60's. Originally made up solely of council-built accommodation and housing association houses. Most of the properties are now privately owned. The estate is located around 4 miles (6.4 km) from Newcastle upon Tyne, 10.5 miles (16.9 km) from Sunderland, and 15.5 miles (24.9 km) from Durham. In 2011, Census data for the Gateshead Metropolitan Borough Council ward of Wardley and Leam Lane recorded a total population of 8,327.

 

The estate's main shopping area, Fewster Square, provides a number of amenities, including independent shops, two supermarkets, post office, and medical centre. The nearby Oliver Henderson Park includes a play area, lake, skateboard park and a bowling green, as well as a large grass football pitch.

 

Leam Lane Estate is bordered by Heworth, Whitehills Estate, Springwell Estate, Wardley and Windy Nook. Most of the estate is in the NE10 postcode, with NE9 covering the upper side of Leam Lane, at the border with Springwell.

 

Demography

According to the 2011 Census, the Wardley and Leam Lane ward has a population of 8,327. 51.2% of the population are female, slightly above the national average, while 48.8% are male. Only 2.5% of the population were from a black, Asian and minority ethnic (BAME) group, as opposed to 14.6% of the national population.

 

Data from the 2011 Census found that the average life expectancy in Wardley and Leam Lane is 79.9 years for men, and 81.9 years for women. These statistics compare fairly favorably, when compared to the average life expectancy in the North East of England, of 77.4 and 81.4 years, respectively.

 

Car ownership is higher than the average in the Metropolitan Borough of Gateshead (63.5%), but lower than the national average of 74.2% – with 67.8% of households in the Wardley and Leam Lane ward owning at least one car.

 

Education

Leam Lane Estate is served by four primary schools: Colegate Community Primary School and St. Augustine's Catholic Primary School – both of which were rated "good" by Ofsted. Also, Lingey House Primary School and Roman Road Primary School – both of which were rated "outstanding". Nearby primary schools also include The Drive Community Primary School in Heworth, St. Alban's Catholic Primary School in Pelaw, and Wardley Primary School and White Mere Community Primary School in Wardley.

 

In terms of secondary education, Leam Lane Estate is located within the catchment area for Heworth Grange School. An inspection carried out by Ofsted in January 2017 deemed the school to be "inadequate". Students from the area also attend the nearby Cardinal Hume Catholic School in Wrekenton, rated "outstanding" by Ofsted in January 2014, as well as St. Joseph's Catholic Academy in Hebburn, which was rated "requires improvement" by Ofsted in January 2019.

 

Governance

Wardley and Leam Lane is a local council ward in the Metropolitan Borough of Gateshead. This ward covers an area of around 1.6 square miles (4.1 km2), and has a population of 8,327. As of April 2020, the ward is served by three councillors: Anne Wheeler, Linda Green and Stuart Green. Leam Lane Estate is located within the parliamentary constituencies of Gateshead. As of April 2020, the constituency is served by MP Ian Mearns.

 

Transport

Air

The nearest airport to Leam Lane Estate is Newcastle International Airport, which is located around 11.5 miles (18.5 km) away by road. Teesside International Airport and Carlisle Lake District Airport are located around 34.5 and 60 miles (55.5 and 96.6 km) away by road, respectively.

 

Bus

Leam Lane Estate is served by Go North East's local bus services, with services 51, 52, 57 and 58 serving Gateshead and Newcastle upon Tyne. Gateshead Central Taxis also operate services 67 and 69, which serve Wardley, Winlaton and the Metrocentre.

 

Rail

The nearest Tyne and Wear Metro stations are located at Pelaw and Heworth. The Tyne and Wear Metro provides a regular service to Newcastle, with trains running up to every 6 minutes (7–8 minutes during the evening and Sunday) between Pelaw and South Gosforth, increasing to up to every 3 minutes at peak times. Heworth is the nearest rail station, with Northern Trains providing an hourly service along the Durham Coast Line.

 

Road

Leam Lane Estate is located near to the A184 – a busy route linking South Tyneside with Gateshead and Newcastle upon Tyne. By road, Gateshead can be reached in around 10 minutes, Newcastle in 15 minutes, and Newcastle International Airport in 30 minutes.

 

People from Leam Lane Estate

Chris Waddle – former professional football player and manager

Jill Halfpenny – actress, best known for her roles in Coronation Street, EastEnders and Waterloo Road

 

In the media

The world's first online home shopping took place in the area, when resident, Jane Snowball, bought an item from a local Tesco supermarket in May 1984, by using her television set and remote control. The scheme had been developed by Newcastle University lecturer, Ross Davies, in conjunction with Rediffusion.

 

Gateshead is a town in the Gateshead Metropolitan Borough of Tyne and Wear, England. It is on the River Tyne's southern bank. The town's attractions include the twenty metre tall Angel of the North sculpture on the town's southern outskirts, The Glasshouse International Centre for Music and the Baltic Centre for Contemporary Art. The town shares the Millennium Bridge, Tyne Bridge and multiple other bridges with Newcastle upon Tyne.

 

Historically part of County Durham, under the Local Government Act 1888 the town was made a county borough, meaning it was administered independently of the county council.

 

In the 2011 Census, the town had a population of 120,046 while the wider borough had 200,214.

 

History

Gateshead is first mentioned in Latin translation in Bede's Ecclesiastical History of the English People as ad caput caprae ("at the goat's head"). This interpretation is consistent with the later English attestations of the name, among them Gatesheued (c. 1190), literally "goat's head" but in the context of a place-name meaning 'headland or hill frequented by (wild) goats'. Although other derivations have been mooted, it is this that is given by the standard authorities.

 

A Brittonic predecessor, named with the element *gabro-, 'goat' (c.f. Welsh gafr), may underlie the name. Gateshead might have been the Roman-British fort of Gabrosentum.

 

Early

There has been a settlement on the Gateshead side of the River Tyne, around the old river crossing where the Swing Bridge now stands, since Roman times.

 

The first recorded mention of Gateshead is in the writings of the Venerable Bede who referred to an Abbot of Gateshead called Utta in 623. In 1068 William the Conqueror defeated the forces of Edgar the Ætheling and Malcolm king of Scotland (Shakespeare's Malcolm) on Gateshead Fell (now Low Fell and Sheriff Hill).

 

During medieval times Gateshead was under the jurisdiction of the Bishop of Durham. At this time the area was largely forest with some agricultural land. The forest was the subject of Gateshead's first charter, granted in the 12th century by Hugh du Puiset, Bishop of Durham. An alternative spelling may be "Gatishevede", as seen in a legal record, dated 1430.

 

Industrial revolution

Throughout the Industrial Revolution the population of Gateshead expanded rapidly; between 1801 and 1901 the increase was over 100,000. This expansion resulted in the spread southwards of the town.

 

In 1854, a catastrophic explosion on the quayside destroyed most of Gateshead's medieval heritage, and caused widespread damage on the Newcastle side of the river.

 

Sir Joseph Swan lived at Underhill, Low Fell, Gateshead from 1869 to 1883, where his experiments led to the invention of the electric light bulb. The house was the first in the world to be wired for domestic electric light.

 

In the 1889 one of the largest employers (Hawks, Crawshay and Company) closed down and unemployment has since been a burden. Up to the Second World War there were repeated newspaper reports of the unemployed sending deputations to the council to provide work. The depression years of the 1920s and 1930s created even more joblessness and the Team Valley Trading Estate was built in the mid-1930s to alleviate the situation.

 

Regeneration

In the late noughties, Gateshead Council started to regenerate the town, with the long-term aim of making Gateshead a city. The most extensive transformation occurred in the Quayside, with almost all the structures there being constructed or refurbished in this time.

 

In the early 2010s, regeneration refocused on the town centre. The £150 million Trinity Square development opened in May 2013, it incorporates student accommodation, a cinema, health centre and shops. It was nominated for the Carbuncle Cup in September 2014. The cup was however awarded to another development which involved Tesco, Woolwich Central.

 

Governance

In 1835, Gateshead was established as a municipal borough and in 1889 it was made a county borough, independent from Durham County Council.

 

In 1870, the Old Town Hall was built, designed by John Johnstone who also designed the previously built Newcastle Town Hall. The ornamental clock in front of the old town hall was presented to Gateshead in 1892 by the mayor, Walter de Lancey Willson, on the occasion of him being elected for a third time. He was also one of the founders of Walter Willson's, a chain of grocers in the North East and Cumbria. The old town hall also served as a magistrate's court and one of Gateshead's police stations.

 

Current

In 1974, following the Local Government Act 1972, the County Borough of Gateshead was merged with the urban districts of Felling, Whickham, Blaydon and Ryton and part of the rural district of Chester-le-Street to create the much larger Metropolitan Borough of Gateshead.

 

Geography

The town of Gateshead is in the North East of England in the ceremonial county of Tyne and Wear, and within the historic boundaries of County Durham. It is located on the southern bank of the River Tyne at a latitude of 54.57° N and a longitude of 1.35° W. Gateshead experiences a temperate climate which is considerably warmer than some other locations at similar latitudes as a result of the warming influence of the Gulf Stream (via the North Atlantic drift). It is located in the rain shadow of the North Pennines and is therefore in one of the driest regions of the United Kingdom.

 

One of the most distinguishing features of Gateshead is its topography. The land rises 230 feet from Gateshead Quays to the town centre and continues rising to a height of 525 feet at Queen Elizabeth Hospital in Sheriff Hill. This is in contrast to the flat and low lying Team Valley located on the western edges of town. The high elevations allow for impressive views over the Tyne valley into Newcastle and across Tyneside to Sunderland and the North Sea from lookouts in Windmill Hills and Windy Nook respectively.

 

The Office for National Statistics defines the town as an urban sub-division. The latest (2011) ONS urban sub-division of Gateshead contains the historical County Borough together with areas that the town has absorbed, including Dunston, Felling, Heworth, Pelaw and Bill Quay.

 

Given the proximity of Gateshead to Newcastle, just south of the River Tyne from the city centre, it is sometimes incorrectly referred to as being a part of Newcastle. Gateshead Council and Newcastle City Council teamed up in 2000 to create a unified marketing brand name, NewcastleGateshead, to better promote the whole of the Tyneside conurbation.

 

Economy

Gateshead is home to the MetroCentre, the largest shopping mall in the UK until 2008; and the Team Valley Trading Estate, once the largest and still one of the larger purpose-built commercial estates in the UK.

 

Arts

The Baltic Centre for Contemporary Art has been established in a converted flour mill. The Glasshouse International Centre for Music, previously The Sage, a Norman Foster-designed venue for music and the performing arts opened on 17 December 2004. Gateshead also hosted the Gateshead Garden Festival in 1990, rejuvenating 200 acres (0.81 km2) of derelict land (now mostly replaced with housing). The Angel of the North, a famous sculpture in nearby Lamesley, is visible from the A1 to the south of Gateshead, as well as from the East Coast Main Line. Other public art include works by Richard Deacon, Colin Rose, Sally Matthews, Andy Goldsworthy, Gordon Young and Michael Winstone.

 

Traditional and former

The earliest recorded coal mining in the Gateshead area is dated to 1344. As trade on the Tyne prospered there were several attempts by the burghers of Newcastle to annex Gateshead. In 1576 a small group of Newcastle merchants acquired the 'Grand Lease' of the manors of Gateshead and Whickham. In the hundred years from 1574 coal shipments from Newcastle increased elevenfold while the population of Gateshead doubled to approximately 5,500. However, the lease and the abundant coal supplies ended in 1680. The pits were shallow as problems of ventilation and flooding defeated attempts to mine coal from the deeper seams.

 

'William Cotesworth (1668-1726) was a prominent merchant based in Gateshead, where he was a leader in coal and international trade. Cotesworth began as the son of a yeoman and apprentice to a tallow - candler. He ended as an esquire, having been mayor, Justice of the Peace and sheriff of Northumberland. He collected tallow from all over England and sold it across the globe. He imported dyes from the Indies, as well as flax, wine, and grain. He sold tea, sugar, chocolate, and tobacco. He operated the largest coal mines in the area, and was a leading salt producer. As the government's principal agent in the North country, he was in contact with leading ministers.

 

William Hawks originally a blacksmith, started business in Gateshead in 1747, working with the iron brought to the Tyne as ballast by the Tyne colliers. Hawks and Co. eventually became one of the biggest iron businesses in the North, producing anchors, chains and so on to meet a growing demand. There was keen contemporary rivalry between 'Hawks' Blacks' and 'Crowley's Crew'. The famous 'Hawks' men' including Ned White, went on to be celebrated in Geordie song and story.

 

In 1831 a locomotive works was established by the Newcastle and Darlington Railway, later part of the York, Newcastle and Berwick Railway. In 1854 the works moved to the Greenesfield site and became the manufacturing headquarters of North Eastern Railway. In 1909, locomotive construction was moved to Darlington and the rest of the works were closed in 1932.

 

Robert Stirling Newall took out a patent on the manufacture of wire ropes in 1840 and in partnership with Messrs. Liddell and Gordon, set up his headquarters at Gateshead. A worldwide industry of wire-drawing resulted. The submarine telegraph cable received its definitive form through Newall's initiative, involving the use of gutta-percha surrounded by strong wires. The first successful Dover–Calais cable on 25 September 1851, was made in Newall's works. In 1853, he invented the brake-drum and cone for laying cable in deep seas. Half of the first Atlantic cable was manufactured in Gateshead. Newall was interested in astronomy, and his giant 25-inch (640 mm) telescope was set up in the garden at Ferndene, his Gateshead residence, in 1871.

 

Architecture

JB Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that "no true civilisation could have produced such a town", adding that it appeared to have been designed "by an enemy of the human race".

 

Victorian

William Wailes the celebrated stained-glass maker, lived at South Dene from 1853 to 1860. In 1860, he designed Saltwell Towers as a fairy-tale palace for himself. It is an imposing Victorian mansion in its own park with a romantic skyline of turrets and battlements. It was originally furnished sumptuously by Gerrard Robinson. Some of the panelling installed by Robinson was later moved to the Shipley Art gallery. Wailes sold Saltwell Towers to the corporation in 1876 for use as a public park, provided he could use the house for the rest of his life. For many years the structure was essentially an empty shell but following a restoration programme it was reopened to the public in 2004.

 

Post millennium

The council sponsored the development of a Gateshead Quays cultural quarter. The development includes the Gateshead Millennium Bridge, erected in 2001, which won the prestigious Stirling Prize for Architecture in 2002.

 

Former brutalism

The brutalist Trinity Centre Car Park, which was designed by Owen Luder, dominated the town centre for many years until its demolition in 2010. A product of attempts to regenerate the area in the 1960s, the car park gained an iconic status due to its appearance in the 1971 film Get Carter, starring Michael Caine. An unsuccessful campaign to have the structure listed was backed by Sylvester Stallone, who played the main role in the 2000 remake of the film. The car park was scheduled for demolition in 2009, but this was delayed as a result of a disagreement between Tesco, who re-developed the site, and Gateshead Council. The council had not been given firm assurances that Tesco would build the previously envisioned town centre development which was to include a Tesco mega-store as well as shops, restaurants, cafes, bars, offices and student accommodation. The council effectively used the car park as a bargaining tool to ensure that the company adhered to the original proposals and blocked its demolition until they submitted a suitable planning application. Demolition finally took place in July–August 2010.

 

The Derwent Tower, another well known example of brutalist architecture, was also designed by Owen Luder and stood in the neighbourhood of Dunston. Like the Trinity Car Park it also failed in its bid to become a listed building and was demolished in 2012. Also located in this area are the Grade II listed Dunston Staithes which were built in 1890. Following the award of a Heritage Lottery Fund grant of almost £420,000 restoration of the structure is expected to begin in April 2014.

 

Sport

Gateshead International Stadium regularly holds international athletics meetings over the summer months, and is home of the Gateshead Harriers athletics club. It is also host to rugby league fixtures, and the home ground of Gateshead Football Club. Gateshead Thunder Rugby League Football Club played at Gateshead International Stadium until its purchase by Newcastle Rugby Limited and the subsequent rebranding as Newcastle Thunder. Both clubs have had their problems: Gateshead A.F.C. were controversially voted out of the Football League in 1960 in favour of Peterborough United, whilst Gateshead Thunder lost their place in Super League as a result of a takeover (officially termed a merger) by Hull F.C. Both Gateshead clubs continue to ply their trade at lower levels in their respective sports, thanks mainly to the efforts of their supporters. The Gateshead Senators American Football team also use the International Stadium, as well as this it was used in the 2006 Northern Conference champions in the British American Football League.

 

Gateshead Leisure Centre is home to the Gateshead Phoenix Basketball Team. The team currently plays in EBL League Division 4. Home games are usually on a Sunday afternoon during the season, which runs from September to March. The team was formed in 2013 and ended their initial season well placed to progress after defeating local rivals Newcastle Eagles II and promotion chasing Kingston Panthers.

 

In Low Fell there is a cricket club and a rugby club adjacent to each other on Eastwood Gardens. These are Gateshead Fell Cricket Club and Gateshead Rugby Club. Gateshead Rugby Club was formed in 1998 following the merger of Gateshead Fell Rugby Club and North Durham Rugby Club.

 

Transport

Gateshead is served by the following rail transport stations with some being operated by National Rail and some being Tyne & Wear Metro stations: Dunston, Felling, Gateshead Interchange, Gateshead Stadium, Heworth Interchange, MetroCentre and Pelaw.

 

Tyne & Wear Metro stations at Gateshead Interchange and Gateshead Stadium provide direct light-rail access to Newcastle Central, Newcastle Airport , Sunderland, Tynemouth and South Shields Interchange.

 

National Rail services are provided by Northern at Dunston and MetroCentre stations. The East Coast Main Line, which runs from London Kings Cross to Edinburgh Waverley, cuts directly through the town on its way between Newcastle Central and Chester-le-Street stations. There are presently no stations on this line within Gateshead, as Low Fell, Bensham and Gateshead West stations were closed in 1952, 1954 and 1965 respectively.

 

Road

Several major road links pass through Gateshead, including the A1 which links London to Edinburgh and the A184 which connects the town to Sunderland.

 

Gateshead Interchange is the busiest bus station in Tyne & Wear and was used by 3.9 million bus passengers in 2008.

 

Cycle routes

Various bicycle trails traverse the town; most notably is the recreational Keelmans Way (National Cycle Route 14), which is located on the south bank of the Tyne and takes riders along the entire Gateshead foreshore. Other prominent routes include the East Gateshead Cycleway, which connects to Felling, the West Gateshead Cycleway, which links the town centre to Dunston and the MetroCentre, and routes along both the old and new Durham roads, which take cyclists to Birtley, Wrekenton and the Angel of the North.

 

Religion

Christianity has been present in the town since at least the 7th century, when Bede mentioned a monastery in Gateshead. A church in the town was burned down in 1080 with the Bishop of Durham inside.[citation needed] St Mary's Church was built near to the site of that building, and was the only church in the town until the 1820s. Undoubtedly the oldest building on the Quayside, St Mary's has now re-opened to the public as the town's first heritage centre.

 

Many of the Anglican churches in the town date from the 19th century, when the population of the town grew dramatically and expanded into new areas. The town presently has a number of notable and large churches of many denominations.

 

Judaism

The Bensham district is home to a community of hundreds of Jewish families and used to be known as "Little Jerusalem". Within the community is the Gateshead Yeshiva, founded in 1929, and other Jewish educational institutions with international enrolments. These include two seminaries: Beis Medrash L'Morot and Beis Chaya Rochel seminary, colloquially known together as Gateshead "old" and "new" seminaries.

 

Many yeshivot and kollels also are active. Yeshivat Beer Hatorah, Sunderland Yeshiva, Nesivos Hatorah, Nezer Hatorah and Yeshiva Ketana make up some of the list.

 

Islam

Islam is practised by a large community of people in Gateshead and there are 2 mosques located in the Bensham area (in Ely Street and Villa Place).

 

Twinning

Gateshead is twinned with the town of Saint-Étienne-du-Rouvray near Rouen in France, and the city of Komatsu in Japan.

 

Notable people

Eliezer Adler – founder of Jewish Community

Marcus Bentley – narrator of Big Brother

Catherine Booth – wife of William Booth, known as the Mother of The Salvation Army

William Booth – founder of the Salvation Army

Mary Bowes – the Unhappy Countess, author and celebrity

Ian Branfoot – footballer and manager (Sheffield Wednesday and Southampton)

Andy Carroll – footballer (Newcastle United, Liverpool and West Ham United)

Frank Clark – footballer and manager (Newcastle United and Nottingham Forest)

David Clelland – Labour politician and MP

Derek Conway – former Conservative politician and MP

Joseph Cowen – Radical politician

Steve Cram – athlete (middle-distance runner)

Emily Davies – educational reformer and feminist, founder of Girton College, Cambridge

Daniel Defoe – writer and government agent

Ruth Dodds – politician, writer and co-founder of the Little Theatre

Jonathan Edwards – athlete (triple jumper) and television presenter

Sammy Johnson – actor (Spender)

George Elliot – industrialist and MP

Paul Gascoigne – footballer (Newcastle United, Tottenham Hotspur, Lazio, Rangers and Middlesbrough)

Alex Glasgow – singer/songwriter

Avrohom Gurwicz – rabbi, Dean of Gateshead Yeshiva

Leib Gurwicz – rabbi, Dean of Gateshead Yeshiva

Jill Halfpenny – actress (Coronation Street and EastEnders)

Chelsea Halfpenny – actress (Emmerdale)

David Hodgson – footballer and manager (Middlesbrough, Liverpool and Sunderland)

Sharon Hodgson – Labour politician and MP

Norman Hunter – footballer (Leeds United and member of 1966 World Cup-winning England squad)

Don Hutchison – footballer (Liverpool, West Ham United, Everton and Sunderland)

Brian Johnson – AC/DC frontman

Tommy Johnson – footballer (Aston Villa and Celtic)

Riley Jones - actor

Howard Kendall – footballer and manager (Preston North End and Everton)

J. Thomas Looney – Shakespeare scholar

Gary Madine – footballer (Sheffield Wednesday)

Justin McDonald – actor (Distant Shores)

Lawrie McMenemy – football manager (Southampton and Northern Ireland) and pundit

Thomas Mein – professional cyclist (Canyon DHB p/b Soreen)

Robert Stirling Newall – industrialist

Bezalel Rakow – communal rabbi

John William Rayner – flying ace and war hero

James Renforth – oarsman

Mariam Rezaei – musician and artist

Sir Tom Shakespeare - baronet, sociologist and disability rights campaigner

William Shield – Master of the King's Musick

Christina Stead – Australian novelist

John Steel – drummer (The Animals)

Henry Spencer Stephenson – chaplain to King George VI and Queen Elizabeth II

Steve Stone – footballer (Nottingham Forest, Aston Villa and Portsmouth)

Chris Swailes – footballer (Ipswich Town)

Sir Joseph Swan – inventor of the incandescent light bulb

Nicholas Trainor – cricketer (Gloucestershire)

Chris Waddle – footballer (Newcastle United, Tottenham Hotspur and Sheffield Wednesday)

William Wailes – stained glass maker

Taylor Wane – adult entertainer

Robert Spence Watson – public benefactor

Sylvia Waugh – author of The Mennyms series for children

Chris Wilkie – guitarist (Dubstar)

John Wilson - orchestral conductor

Peter Wilson – footballer (Gateshead, captain of Australia)

Thomas Wilson – poet/school founder

Robert Wood – Australian politician

Gus and Jack Gervasoni at locarno spring before it was reconstructed. circa 1990

 

Image available for purchase from www.ballaratheritage.com.au

 

Victorian Heritage Register Statement of Significance

 

What is significant?

 

The Hepburn Springs Mineral Reserve is approximately 30 hectares of public land adjacent to Hepburn Springs township that includes the Hepburn Mineral Springs Spa Complex. The reserve contains a series of mineral springs that have been in continuous public use for drinking and bathing since the mid-19th century are the best known of the large concentration of more than 100 mineral springs in Victoria's Central Highlands first systematically inventoried by the Geological Survey of Victoria in 1910 under Director of E.J. Dunn (1904 - 1912). A reserve of 0.5 hectares was first created on the site in 1868 to protect the springs from surrounding gold mining activities. The extent of the reserve was increased to its present size in the early 20th century as a result of local pressure for protection of the mineral springs local pressure and on the recommendation of Dunn that a network of Mineral Springs Reserves of standard size be established throughout Victoria.

 

Although the local community, in particular the Swiss-Italian migrants, had regularly used the springs since at least the 1870s, it was the construction of the rail line to nearby Daylesford in 1880 that markedly increased the accessibility of the springs to tourists who came in increasing numbers to 'take the waters'. By the 1890s a bath house had been established at the springs offering a range of hydrotherapies, reflecting the popularity of health tourism in the late 19th and early 20th centuries. The popularity of the Springs continued through the first decades of the 20th century and into the inter-war years, but declined rapidly after the Second World War. In the 1980s resurgence in the popularity of the Hepburn Mineral Springs led to substantial renovation of the spa bath house. The Reserve continues to be a major Victorian tourist destination.

 

The topography of the Reserve is dominated by a gully, through which Spring Creek runs and along which the Reserves' three main springs, the Soda, Locarno and Sulphur springs are located. The springs have been modified over time, with infrastructure in place from the early 20th century to permit water to be collected by efficient and sanitary means for use in the bath house and for drinking. The Locarno Spring, identified in 1914 and named in honour of a prominent Swiss-Italian community member, is permanently set aside for public use. Members of the local Swiss community were also responsible for construction of the swimming pool on Spring Creek in the south of the reserve in the late 1920s (H1865).

 

The landscape, once reflecting mining activities, is now a picturesque combination of regrowth native vegetation and exotic trees on the higher land while along the creek are cultivated parklands of lawn, exotic deciduous trees and conifers and ornamental plantings and paving, much of which is Castlemaine slate. Many of the exotic trees were planted by local communities in an effort to beautify the reserve, provide shade in summer and create a landscape reminiscent of European spa centres. The main lawn area or Picnic Park, is dominated by a single Sierra Redwood (Sequioadentrum giganteum) specimen planted in 1901 to commemorate Federation.

 

Within the garden landscape along the creek are a number of buildings associated with the recreational use of the mineral springs since late 19th century including the only extant 19th century mineral springs bathhouse in Victoria. This brick building was erected in 1895 and extended in the 1920s with the addition of further baths and waiting room (1922) followed by a boiler house. This structure continued in use until the late 1980s when major renovations and additions were undertaken creating the Hepburn Springs Spa Complex in which external fabric of the original bath house and 1920s extension was retained along with a brick chimney from the boiler house. To the south of the bath house a timber pavilion was erected in 1897 to provide shelter for visitors. This was replaced in 1908 by the extant Edwardian red brick hexagonal pavilion in which community dances and other social functions were held in the inter-war period and which continues to serve as a shelter for visitors. An adjoining kiosk, also in red brick was added on the north side of the pavilion in 1939.

 

There are a number of other buildings in the Reserve including the caretakers cottage, a single storey weatherboard cottage probably dating to the early 20th century, and the Sound Shell, a small concrete block structure in the Picnic Park erected in 1971 by the Hepburn Springs Progress Association to provide an open air performance space.

 

How is it significant?

 

The Hepburn Mineral Springs Reserve is of historic, social, aesthetic and scientific significance to the State of Victoria

 

Why is it Significant?

 

Hepburn Springs Mineral Reserve is of historical significance as an intact and authentic expression of 19th and early 20th century nature and health tourism in Victoria, made popular through the development of the country rail network and also reflected in the construction of the Mount Buffalo Chalet in 1910 (H0901) and development of the Buchan Caves Reserve in the first decades of the 20th century (H1978). The rapid rise in the popularity of the Hepburn Springs Mineral Reserve in the late 19th century was specifically related to the then popular belief in the recuperative and invigorating powers of 'taking the waters'.

 

The Hepburn Mineral Springs Reserve is of historic significance as the best known and most popular of Victoria's mineral springs, in continuous use since at least the 1870s. Hepburn Springs is the only mineral spa development with a surviving 19th century bath house.

 

Hepburn Mineral Springs Reserve is of scientific significance for the geological feature of the mineral springs themselves, each of which has a unique chemical composition, and for the Reserve's association with the establishment of the network of Mineral Reserves in Victoria in the early 20th century through the Geological Survey of Victoria and its Director E. J Dunn (1904 - 1912).

 

The Hepburn Mineral Springs Reserve is of aesthetic significance as a constructed picturesque and evocative cultural landscape combining exotic, European, plantings with indigenous vegetation, exhibiting a high degree of authenticity especially in the largely intact pavilion and surviving fabric of the 19th century bath house set amid the garden landscape.

 

Hepburn Springs Mineral Reserve is of social significance to the people of Victoria as a highly popular place of recreation and source of mineral water for public use.

 

Hepburn Springs Mineral Reserve is of social significance for its association with European migrant communities in Victoria, in particular the Swiss-Italian community who recognised the therapeutic value of the springs in the 19th century, who continue to have a strong attachment to the place and who contribute to the conservation of the springs through community action.

In spring of 2007, the Albertina also received the previously based in Salzburg "Batliner Collection" as unrestricted permanent loan. The collection of Rita and Herbert Batliner includes important works by modern masters, from French impressionism to German expressionism of the "Blue Rider" and the "bridge" to works of the Fauvist or the Russian avant-garde from Chagall to Malevich.

de.wikipedia.org / wiki / Albertina_ (Vienna)

 

 

The Albertina

The architectural history of the Palais

(Pictures you can see by clicking on the link at the end of page!)

Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869

"It is my will that ​​the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".

This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.

Image: The Old Albertina after 1920

It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.

The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.

In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.

Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.

1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.

Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990

The era of stately representation with handing down their cultural values ​​found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:

After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".

Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905

This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.

The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.

Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.

Image: The palace after the demolition of the entrance facade, 1948-52

Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values ​​of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.

Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei

This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.

Image: The restored suburb facade of the Palais Albertina suburb

The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.

Image: The new entrance area of the Albertina

64 meter long shed roof. Hans Hollein.

The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".

 

Christian Benedictine

Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.

 

www.wien-vienna.at/albertinabaugeschichte.php

A chance encounter with a Torrent in a fast flowing river close to Grey Lake, Patagonia, Chile Viewed from a very wobbly bridge rendered from wood and string.