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Today is Kokila Vrat let's pray to Lord Shani Dev with our scented Spirtiual Flora Incense Sticks from the house of Satya Agarbatti stores.
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View of front
3 1/2 x 3 1/4 x 4 1/2 inches
Edited image (contrast +5, shadows -21)
Cropped to 5 x 4 inches
Getty Controlled Vocabulary Tags
This bronze incense burner has three grotesques supporting a triangular shaped vase.
H overall: 4 5/8 in. (11.7 cm)
medium: bronze
Walters Art Museum, 1948, by gift.
Satya Agarbatti Stores wishes you a very happy & prosperous Eid-Al-Adha.
Call @ +91 9070404020 / 9860021878 to book your order.
Free Delivery in this pandemic.
Stay home, Stay safe
Buy 1 Get 1 Free
Visit satyaagarbattistores.com/ to get more products
Connect with us
Twitter- twitter.com/satyaagarbatti
Instagram- www.instagram.com/satyaagarbatti/
We specialise in Chinese Antiques, Chinese Modern Art, Bronze Buddhas, Old Chinese Scroll Paintings, Incense burners, Snuff Bottles, Imperial Chinese Antiques, and fine Japanese artworks. Buddhist pieces to European Antiques Modern Art, Old Paintings.
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This captivating image captures a serene moment at a temple in Kyoto, Japan, featuring a beautifully crafted bronze incense burner. The intricate details of the burner, framed by traditional architecture, evoke a sense of tranquility and reverence. The composition highlights the contrast between the aged metal and the surrounding natural elements, while the presence of visitors adds a human touch, suggesting a narrative of contemplation and spirituality. The soft lighting enhances the peaceful atmosphere, inviting viewers to immerse themselves in the cultural richness of this historic location.
Bronze Censer, produced in Beijing, China, during the reign of the Qianlong Emperor (1736–1795), on display in the Sir Joseph Hotung Gallery Room 33 of British Museum.
This monumental bronze censer, cast in the form of a ding tripod vessel, was commissioned under the Qianlong Emperor as part of a ritual altar set for use in ancestral temples. Its surface is richly decorated with coiled dragons emerging from stylized clouds, symbolizing imperial authority and cosmic order. The inscription along the rim, written in Chinese, references the Qianlong reign and emphasizes the ruler’s legitimacy through continuity with ancient traditions. In Chinese state religion, emperors were not worshipped as deities but were believed to act as intermediaries between Heaven and Earth. Through incense-burning rituals, they communicated with cosmic forces, the sun and moon, and ancestral spirits. The scale and craftsmanship of this censer reflect both Qing-era technological mastery and the enduring role of ritual vessels in linking China’s dynastic past to its ceremonial present.
The British Museum, located in Bloomsbury, London, was established in 1753 and opened in 1759 as the world’s first national public museum. Originally housed in Montagu House, it now occupies a grand neoclassical building designed by Sir Robert Smirke, constructed between 1823 and 1852 on the same site. The museum’s encyclopedic collection of over eight million objects spans over two million years of human history, with major highlights including the Rosetta Stone, the Elgin Marbles from the Parthenon, and the Sutton Hoo treasures--many of which remain the subject of ongoing repatriation discussions.