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Hemis Monastery is a Tibetan Buddhist monastery (gompa) of the Drukpa Lineage, located in Hemis, Ladakh, India. Situated 45 km from Leh, in the state of Jammu and Kashmir. Hemis Monastery existed before the 11th century and was re-established in 1672 by the Ladakhi king Sengge Namgyal. The annual Hemis festival honoring Padmasambhava is held here in early June.
Terma and tertöns : The essence of Tebetan Buddhism.
Padmasambhava (lit. "Lotus-Born"), also known as Guru Rinpoche, is a literary character of terma (Terma or "hidden treasure"- are key Tibetan Buddhist teaching, which the tradition holds were originally esoterically hidden by various adepts such as Padmasambhava and his consorts, in the 8th century for future discovery at auspicious times by other adepts, known as tertöns. As such, they represent a tradition of continuous revelation in Tibetan Buddhism. Termas are a part of Tantric Literature. Tradition holds that terma may be a physical object such as a text or ritual implement that is buried in the ground (or earth), hidden in a rock or crystal, secreted in a herb, or a tree, hidden in a lake (or water), or hidden in the sky (space). Though a literal understanding of terma is "hidden treasure", and sometimes objects are hidden away, the teachings associated should be understood as being “concealed within the mind of the guru”, that is, the true place of concealment is in the tertön's mindstream. If the concealed or encoded teaching or object is a text, it is often written in dakini script: a non-human type of code or writing).
Terma is an emanation of Amitabha (Amitābha or Amideva, is a celestial buddha described in the scriptures of the Mahāyāna school of Buddhism. Amitābha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia, while in Vajrayana Amitābha is known for his longevity attribute, magnetising red fire element, the aggregate of discernment, pure perception and the deep awareness of emptiness of phenomena. According to these scriptures, Amitābha possesses infinite merits resulting from good deeds over countless past lives as a bodhisattva named Dharmakāra. "Amitābha" is translatable as "Infinite Light," hence Amitābha is also called "The Buddha of Immeasurable Life and Light" ).
Terma that is said to appear to tertons (A tertön is a discoverer of ancient texts or terma in Tibetan Buddhism) in visionary encounters and a focus of Tibetan Buddhist practice (Tibetan Buddhism is the body of Buddhist religious doctrine and institutions characteristic of Tibet, Mongolia, Tuva, Bhutan, Kalmykia and certain regions of the Himalayas, including northern Nepal, and India (particularly in Arunachal Pradesh, Ladakh, Dharamsala, Lahaul and Spiti district in Himachal Pradesh and Sikkim. It is also practiced in Northeast China. Religious texts and commentaries are contained in the Tibetan Buddhist canon such that Tibetan is a spiritual language of these areas. The Tibetan diaspora has spread Tibetan Buddhism to many Western countries, where the tradition has gained popularity. Among its prominent exponents is the 14th Dalai Lama of Tibet. The number of its adherents is estimated to be between ten and twenty million).
History
Hemis Monastery existed before the 11th century. Naropa, the pupil of the yogi Tilopa, and teacher of the translator Marpa is connected with this monastery. A translation was made by A. Grünwedel (Nӑro und Tilo,: Festschrift Ernst Kuhn, München 1916) of Naropa's biography that was found in Hemis monastery.
In this manuscript Naropa (or Naro) meets the "dark blue" (Skr.: nila: dark blue or black) Tilopa (or Tillo), a tantric master, who gives Naropa 12 "great" and 12 "small" tasks to do in order to enlighten him to the inherent emptiness/illusoriness of all things. Naropa is depicted as the "abbott of Nalanda" (F. Wilhelm, Prüfung und Initiation im Buche Pausya und in der Biographie des Naropa, Wiesbaden 1965, p. 70), the university-monastery in today's Bihar, India, that flourished until the sacking by Turkish and Afghan Muslim forces. This sacking must have been the driving force behind Naropa's peregrination in the direction of Hemis. After Naropa and Tilopa met in Hemis they travelled back in the direction of a certain monastery in the now no longer existing kingdom of Maghada, called Otantra which has been identified as today's Otantapuri. Naropa is consered the founding father of the Kagyu-lineage of the Himalayan esoteric Buddhism. Hence Hemis is the main seat of the Kagyu lineage of Buddhism.
In 1894 Russian journalist Nicolas Notovitch claimed Hemis as the origin of an otherwise unknown gospel, the Life of Saint Issa, Best of the Sons of Men, in which Jesus is said to have traveled to India during his "lost years." According to Notovitch, the work had been preserved in the Hemis library, and was shown to him by the monks there while he was recuperating from a broken leg. But once his story had been re-examined by historians, Notovitch confessed to having fabricated the evidence. Bart D. Ehrman states that "Today there is not a single recognized scholar on the planet who has any doubts about the matter. The entire story was invented by Notovitch, who earned a good deal of money and a substantial amount of notoriety for his hoax". However, the Indian Pandit Swami Abhedananda also claims to have read the same manuscript, and published his account of viewing it after his visit to Hemis in 1921. Abhedananda claims on the book jacket that it was translated for him with the help of a "local Lama interpreter." In the same vein, Notovich did not initially translate the manuscript, but reported his Sherpa guide did so as Notovitch could not read the original text. Notovich's version of the manuscript was translated from Tibetan to Russian to French to English. According to Swami Abhedananda's account, his Lama's translation was equivalent to the one published by Notovich. The Gutenberg Project has published the entire manuscript as a free ebook.
Hemis Festival
The Hemis Festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit.
The ceremonies begin with an early morning ritual atop the Gompa where, to the beat of drums and the resounding clash of cymbals and the spiritual wail of pipes, the portrait of "Dadmokarpo" or "Rygyalsras Rimpoche" is then ceremoniously put on display for all to admire and worship.
The most esoteric of festivities are the mystic mask dances. The Mask Dances of Ladakh are referred collectively as chams Performance. Chams performance is essentially a part of Tantric tradition, performed only in those gompas which follow the Tantric Vajrayana teachings and the monks perform tantric worship.
Source: Wikipedia and others.
We've bought some incense sticks, so it's time for some smoke shots.
Based on the instructions from gavtrain.blogspot.com/2009/07/smoke-photography-made-simp..., I had some fun :)
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Referenced on:
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
For over two thousand years, the Chinese have used incense in religious ceremonies, ancestor veneration, Traditional Chinese medicine, and daily life. Agarwood and sandalwood are the two most important ingredients in Chinese incense. Along with the introduction of Buddhism in China came calibrated incense sticks and incense clocks. The poet Yu Jianwu (487-551) first recorded them: "By burning incense we know the o'clock of the night, With graduated candles we confirm the tally of the watches." The use of these incense timekeeping devices spread from Buddhist monasteries into Chinese secular society. It is incorrect to assume that the Chinese only burn incense in the home before the family shrine. In Taoist traditions, incense is inextricably associated with the 'yin' energies of the dead, temples, shrines, and ghosts. Therefore, Taoist Chinese believe burning undedicated incense in the home attracts the dreaded hungry ghosts, who consume the smoke and ruin the fortunes of the family. However, since Neolithic times, the Chinese have evolved using incense not only for religious ceremonies, but also for personal and environmental aromatherapy.
The swirling sandalwood fumes waft through the stubs of incense sticks. The ashes crumbles, slowly, progressively, as gravity no longer could not be defied. The remnants stand as symbols to the prayers said and done.
the Taoist Temple, Beverly HIlls, Cebu City, the Philippines
more pics and journeys in colloidfarl.blogspot.com/
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali
Der Balinesische Garten spiegelt das Streben der Menschen nach Einklang mit sich selbst, ihrem Umfeld und dem gesamten Universum. Auf Bali heißt es, dass ein harmonisches Miteinander der Dämonen der Erde, der Götter des Himmels und der Menschen auf der Erde unabdingbar ist und Leben erst ermöglicht. Der Balinesische Garten ist so gestaltet, dass alle Elemente miteinander in Einklang kommen können. Darum heißt er „Garten der drei Harmonien“ – auf balinesisch Tri Hita Karana.
Er entstand 2003 im Rahmen der Städtepartnerschaft Berlin-Jakarta, zunächst in einem kleinen, bereits bestehenden Gewächshaqus.. Im Zentrum der Halle steht ein südbalinesischer Wohnhof, der durch eine Lehmziegelmauer von seiner Umgebung abgegrenzt ist. Die baulichen Elemente der Wohnstätte wurden von dem indonesischen Architekten I Putu Edy Semara entworfen und zu großen Teilen auf Bali vorgefertigt. Die „Pura“ gennannte Tempelanlage dient der in Berlin lebenden Bali-Gemeinde als Ort, an dem sie ihre Kultur pflegen und ihre Religion ausüben kann. 2012 wurden zwei zusätzliche Schreine gebaut, die in einer feierlichen Zeremonie von aus Bali eingeflogenen Priestern geweiht wurden. Auf ihnen wirst du stets Opfergaben wie Blumen, Früchte oder Räucherstäbchen finden, die dazu dienen, die Götter gnädig zu stimmen.
Für die IGA 2017 wurde dann eine 1.200 qm große Tropenhalle über dem Gewächshaus errichtet, das nach ihrer Fertigstellung abgebaut wurde. So konnte die bestehende Anlage deutlich erweitert werden. Das energieeffiziente Warmhaus ermöglichte die Kultivierung anspruchsvoller tropischer Pflanzen. Nun endlich konnte sich ein richtiger balinesischer Dschungel entfalten.
In der 14 m hohen Halle sind die Wohnanlage und die Gärten untergebracht. Das feuchtwarme Klima in der Halle stellt im Winter den Fotografen vor große Probleme, weil die Optik immer wieder beschlägt.
Quelle: GrünBerlin GmbH
The Balinese Garden reflects people's striving for harmony with themselves, their environment and the entire universe. In Bali it is said that a harmonious coexistence of the demons of the earth, the gods of heaven and the people on earth is indispensable and makes life possible. The Balinese Garden is designed so that all elements can come into harmony with each other. That is why it is called the "Garden of the Three Harmonies" - Tri Hita Karana in Balinese.
It was created in 2003 as part of the Berlin-Jakarta city partnership, initially in a small, already existing greenhouse. In the centre of the hall is a South Balinese residential courtyard, which is separated from its surroundings by a mud-brick wall. The structural elements of the dwelling were designed by the Indonesian architect I Putu Edy Semara and largely prefabricated in Bali. The temple complex, called "Pura", serves the Bali community living in Berlin as a place where they can cultivate their culture and practise their religion. In 2012, two additional shrines were built and consecrated in a solemn ceremony by priests flown in from Bali. On them, you will always find offerings such as flowers, fruits or incense sticks, which serve to make the gods merciful.
For the IGA 2017, a 1,200-square-metre tropical hall was then built over the greenhouse, which was dismantled after its completion. This allowed the existing facility to be significantly expanded. The energy-efficient warm house enabled the cultivation of demanding tropical plants. Now, finally, a real Balinese jungle could unfold.
The 14 m high hall houses the living quarters and the gardens. The warm and humid climate in the hall poses great problems for photographers in winter because the lens keeps fogging up.
Source: GrünBerlin GmbH
A display of incense sticks at the Moc An factory in Quang Phu Cau.
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My entry for this week's Macro Mondays theme. I love love love the smell of Nag Champa incense sticks, I find them really relaxing.
Boats and Boating in River Ganges in Varanasi
Yoga is an important recreational and spiritual activity that is common along the banks of the river. You can find many classes happening along the river banks. There are schools that provide diploma courses in Yoga in Varanasi.
Ashrams are common along the river banks. These ashrams are famous for low cost accommodation, meditation, yoga and other spiritual activities.
Shopping along the riverside for perfumes, incense sticks and sculptures is an interesting form of souvenir shopping.
There are 88 ghats along the river in Varanasi. Each ghat has a speciality and specific rituals and others.
Ganga Aarti of Varanasi is the most important tourist attraction that pulls thousands of tourists to Varanasi.
You can spot Hindu styled cremation and rituals along the riverside.
Boating in Varanasi is an important activity. Boating during sunrise and sunset will be aesthetically pleasing.
Ganges dolphins are becoming rare and endangered. You can find small groups of dolphins during cruising. It would take a considerable amount of time to spot the mammal but it is worth your time.
There are numerous temples along the side of the river. There is a Shiva temple, which is partially submerged into the river. It is an important attraction to row past the temple in a boat.
Apart from these, numerous attractions are linked with River Ganges. Due to the rituals and human activities, the pollution level of the river is increasing year after year. Measures are being taken to increase the purity of the water.
I can't remember what these flowers are called. But they were all over this one hippie shop in Kensington. They were kinda cool to see while I got a second hand high and/or incense headache.
Seriously "chick-with-too-many-incense-sticks," one is more then enough. Lol.
For the three nights straddling the Mid-Autumn festival[3], visitors can also see the spectacular Tai Hang Fire Dragon Dance. It's a 67-metre-long 'fire dragon' that winds its way with much fanfare and smoke through a collection of streets located in Tai Hang, close to Victoria Park in Causeway Bay. The Tai Hang Fire Dragon Dance started in 1880 when Tai Hang was a small Hakka village of farmers and fishermen on the waterfront of Causeway Bay. This custom has been followed every year since 1880, with the exception of the Japanese Occupation and during the 1967 disturbances.[4]
According to local legend, over a century ago, a few days before the Mid-Autumn Festival, a typhoon and then a plague wreaked havoc on the village. While the villagers were repairing the damage, a python entered the village and ate their livestock. According to some villagers, the python was the son of the Dragon King. A soothsayer decreed the only way to stop the chaos was to stage a fire dance for three days and nights during the upcoming Mid-Autumn Festival. The villagers made a huge dragon of straw and covered it with incense sticks, which they then lit. Accompanied by drummers and erupting firecrackers, they danced for three days and three nights – and the plague disappeared.
An inside view of Namdroling Monastery also called as Golden Temple. At the altar are golden icons of Guru Padmasambhava, Sakyamuni and Amitayus.
The Golden Temple is in Bylakuppe, Karnataka. It is a home for thousands of Tibetans living in exile and a center for Tibetan Buddhism in South India and the 2nd largest Tibetian settlement outside Tibet. The monastery not only attracts large number of young Tibetans seeking enlightenment and education, but also draws huge tourists from all over India and abroad.
The 40 ft tall golden Buddha statues are the major attractions of Bailkoppa. The statues of Buddha, Padmasambhava, and Amitayus are the notable ones. The walls of the temples and the institutions are decorated with colorful paintings depicting gods and demons from Tibetan Buddhist mythology. The altar is decorated with flowers, candles and incense sticks.
Apart from the calm and peaceful surroundings there are shopping centers near the temples where one can shop for traditional Tibetan items like costumes, statues, carpets, jewelery etc.
The Tai Hang Fire Dragon has its origin in 1880 . At that time , Tai Hang was only a small Hakka village and the villagers , most of them farmers and fishermen , Led a simple and peaceful life . The tale started when the villagers once killed a serpent in a stormy night , but in the next morning , the dead body of the serpent had disappeared . A few days later , a plague spread out in Tai Hang and many people died of infection . Meanwhile , a village elder saw Buddha one night in his dream and was told to perform a Fire Dragon Dance and to burn fire crackers in the Mid-Autumn Festival. The sulphur in the fire crackers drove away the disease and the villagers were saved. Since then , every year the Tai Hang residents would perform the Fire Dragon Dance for three nights in the Mid-Autumn Festival in memory of the incident. The Fire Dragon is altogether 220 feet long with its body divided into 32 segments , all of which are stuffed with straw and stuck full of incense sticks , So it is known as the "Fire-Dragon".
In June 2011, the Tai Hang fire dragon dance have been added to the third national intangible cultural heritage list.
www.taihangfiredragon.hk/about.htm
Camera for the photo : Olympus OM-D E-M5
Lens for the photo : M.Zuiko Digital ED 75mm f/1.8
Hemis Monastery is a Tibetan Buddhist monastery (gompa) of the Drukpa Lineage, located in Hemis, Ladakh, India. Situated 45 km from Leh, in the state of Jammu and Kashmir. Hemis Monastery existed before the 11th century and was re-established in 1672 by the Ladakhi king Sengge Namgyal. The annual Hemis festival honoring Padmasambhava is held here in early June.
Terma and tertöns : The essence of Tebetan Buddhism.
Padmasambhava (lit. "Lotus-Born"), also known as Guru Rinpoche, is a literary character of terma (Terma or "hidden treasure"- are key Tibetan Buddhist teaching, which the tradition holds were originally esoterically hidden by various adepts such as Padmasambhava and his consorts, in the 8th century for future discovery at auspicious times by other adepts, known as tertöns. As such, they represent a tradition of continuous revelation in Tibetan Buddhism. Termas are a part of Tantric Literature. Tradition holds that terma may be a physical object such as a text or ritual implement that is buried in the ground (or earth), hidden in a rock or crystal, secreted in a herb, or a tree, hidden in a lake (or water), or hidden in the sky (space). Though a literal understanding of terma is "hidden treasure", and sometimes objects are hidden away, the teachings associated should be understood as being “concealed within the mind of the guru”, that is, the true place of concealment is in the tertön's mindstream. If the concealed or encoded teaching or object is a text, it is often written in dakini script: a non-human type of code or writing).
Terma is an emanation of Amitabha (Amitābha or Amideva, is a celestial buddha described in the scriptures of the Mahāyāna school of Buddhism. Amitābha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia, while in Vajrayana Amitābha is known for his longevity attribute, magnetising red fire element, the aggregate of discernment, pure perception and the deep awareness of emptiness of phenomena. According to these scriptures, Amitābha possesses infinite merits resulting from good deeds over countless past lives as a bodhisattva named Dharmakāra. "Amitābha" is translatable as "Infinite Light," hence Amitābha is also called "The Buddha of Immeasurable Life and Light" ).
Terma that is said to appear to tertons (A tertön is a discoverer of ancient texts or terma in Tibetan Buddhism) in visionary encounters and a focus of Tibetan Buddhist practice (Tibetan Buddhism is the body of Buddhist religious doctrine and institutions characteristic of Tibet, Mongolia, Tuva, Bhutan, Kalmykia and certain regions of the Himalayas, including northern Nepal, and India (particularly in Arunachal Pradesh, Ladakh, Dharamsala, Lahaul and Spiti district in Himachal Pradesh and Sikkim. It is also practiced in Northeast China. Religious texts and commentaries are contained in the Tibetan Buddhist canon such that Tibetan is a spiritual language of these areas. The Tibetan diaspora has spread Tibetan Buddhism to many Western countries, where the tradition has gained popularity. Among its prominent exponents is the 14th Dalai Lama of Tibet. The number of its adherents is estimated to be between ten and twenty million).
Interested Viewers can see the following documentary on Padmasambhava:
Padmasambhava
www.youtube.com/watch?v=gQBbfLtxj8A&spfreload=10
History
Hemis Monastery existed before the 11th century. Naropa, the pupil of the yogi Tilopa, and teacher of the translator Marpa is connected with this monastery. A translation was made by A. Grünwedel (Nӑro und Tilo,: Festschrift Ernst Kuhn, München 1916) of Naropa's biography that was found in Hemis monastery.
In this manuscript Naropa (or Naro) meets the "dark blue" (Skr.: nila: dark blue or black) Tilopa (or Tillo), a tantric master, who gives Naropa 12 "great" and 12 "small" tasks to do in order to enlighten him to the inherent emptiness/illusoriness of all things. Naropa is depicted as the "abbott of Nalanda" (F. Wilhelm, Prüfung und Initiation im Buche Pausya und in der Biographie des Naropa, Wiesbaden 1965, p. 70), the university-monastery in today's Bihar, India, that flourished until the sacking by Turkish and Afghan Muslim forces. This sacking must have been the driving force behind Naropa's peregrination in the direction of Hemis. After Naropa and Tilopa met in Hemis they travelled back in the direction of a certain monastery in the now no longer existing kingdom of Maghada, called Otantra which has been identified as today's Otantapuri. Naropa is consered the founding father of the Kagyu-lineage of the Himalayan esoteric Buddhism. Hence Hemis is the main seat of the Kagyu lineage of Buddhism.
In 1894 Russian journalist Nicolas Notovitch claimed Hemis as the origin of an otherwise unknown gospel, the Life of Saint Issa, Best of the Sons of Men, in which Jesus is said to have traveled to India during his "lost years." According to Notovitch, the work had been preserved in the Hemis library, and was shown to him by the monks there while he was recuperating from a broken leg. But once his story had been re-examined by historians, Notovitch confessed to having fabricated the evidence. Bart D. Ehrman states that "Today there is not a single recognized scholar on the planet who has any doubts about the matter. The entire story was invented by Notovitch, who earned a good deal of money and a substantial amount of notoriety for his hoax". However, the Indian Pandit Swami Abhedananda also claims to have read the same manuscript, and published his account of viewing it after his visit to Hemis in 1921. Abhedananda claims on the book jacket that it was translated for him with the help of a "local Lama interpreter." In the same vein, Notovich did not initially translate the manuscript, but reported his Sherpa guide did so as Notovitch could not read the original text. Notovich's version of the manuscript was translated from Tibetan to Russian to French to English. According to Swami Abhedananda's account, his Lama's translation was equivalent to the one published by Notovich. The Gutenberg Project has published the entire manuscript as a free ebook.
Hemis Festival
The Hemis Festival is dedicated to Lord Padmasambhava (Guru Rimpoche) venerated as the Dance Performance at Hemis Monastery representative reincarnate of Buddha. He is believed to have been born on the 10th day of the fifth month of the Monkey year as predicted by the Buddha Shakyamuni. It is also believed that his life mission was, and remains, to improve the spiritual condition of all living beings. And so on this day, which comes once in a cycle of 12 years, Hemis observes a major extravaganza in his memory. The observance of these sacred rituals is believed to give spiritual strength and good health. The Hemis festival takes place in the rectangular courtyard in front of the main door of the monastery. The space is wide and open save two raised square platforms, three feet high with a sacred pole in the center. A raised dias with a richly cushioned seat with a finely painted small Tibetan table is placed with the ceremonial items - cups full of holy water, uncooked rice, tormas made of dough and butter and incense sticks. A number of musicians play the traditional music with four pairs of cymbals, large-pan drums, small trumpets and large size wind instruments. Next to them, a small space is assigned for the lamas to sit.
The ceremonies begin with an early morning ritual atop the Gompa where, to the beat of drums and the resounding clash of cymbals and the spiritual wail of pipes, the portrait of "Dadmokarpo" or "Rygyalsras Rimpoche" is then ceremoniously put on display for all to admire and worship.
The most esoteric of festivities are the mystic mask dances. The Mask Dances of Ladakh are referred collectively as chams Performance. Chams performance is essentially a part of Tantric tradition, performed only in those gompas which follow the Tantric Vajrayana teachings and the monks perform tantric worship.
Source: Wikipedia and others.
The Ganga Aarti (Aarti is a Hindu ritual in which light from wicks soaked in ghee (purified butter) or camphor is offered to one or more deities. Aartis also refer to the songs sung in praise of the deity, when offering of lamps is being offered) at Dasaswamedh ghat, close to Kashi Vishwanath Temple, is one of the prime attractions of Benaras (Varanasi). It starts just after sunset, with a group of young men dressed in Benarasi silk robes and saffron patta-bastra enacting synchronised mudras choreographing to the chantings, holding, incense sticks and lamps, beside the holy River Ganga (Ganges).
I understood that, pooled from Hindu gurukul institutions in Varanasi these young men (disciples) have been imparted the Nidhi s motto to preserve the purity, sanctity, and divinity of Ganga, its ghats and Kanshi (Benaras), the oldest religious place in the world besides Jerusalem. The choreography is excellent and worth seeing.
The rhythm of the choreography is wonderful to see. The ceremony is definitely worth watching!
Afternoon prayers with incense sticks at
Mengjia Longshan Temple built in 1738.
Wanhua District,
Taipei, Taiwan
艋舺龍山寺
A sad CNE blog Oct. 2020: www.blogto.com/city/2020/09/cne-close-permanently-deficit...
A variety of incense cones which thankfully were not overly sweet. I am sad to have likely lost this annual Toronto ON sconce of incense cones.
Incense is aromatic biotic material that releases fragrant smoke when burned. The term refers to the material itself, rather than to the aroma that it produces. Incense is used for aesthetic reasons, and in therapy, meditation, and ceremony. It may also be used as a simple deodorant or insectifuge.
Incense is composed of aromatic plant materials, often combined with essential oils. The forms taken by incense differ with the underlying culture, and have changed with advances in technology and increasing number of uses.
Incense can generally be separated into two main types: "indirect-burning" and "direct-burning". Indirect-burning incense (or "non-combustible incense") is not capable of burning on its own, and requires a separate heat source. Direct-burning incense (or "combustible incense") is lit directly by a flame and then fanned or blown out, leaving a glowing ember that smoulders and releases a smoky fragrance. Direct-burning incense is either a paste formed around a bamboo stick, or a paste that is extruded into a stick or cone shape.
HISTORY:
The word incense comes from Latin incendere meaning "to burn".
Combustible bouquets were used by the ancient Egyptians, who employed incense in both pragmatic and mystical capacities. Incense was burnt to counteract or obscure malodorous products of human habitation, but was widely perceived to also deter malevolent demons and appease the gods with its pleasant aroma. Resin balls were found in many prehistoric Egyptian tombs in El Mahasna, giving evidence for the prominence of incense and related compounds in Egyptian antiquity. One of the oldest extant incense burners originates from the 5th dynasty. The Temple of Deir-el-Bahari in Egypt contains a series of carvings that depict an expedition for incense.
The Babylonians used incense while offering prayers to divining oracles. Incense spread from there to Greece and Rome.
Incense burners have been found in the Indus Civilization (3300–1300 BCE). Evidence suggests oils were used mainly for their aroma. India also adopted techniques from East Asia, adapting the formulation to encompass aromatic roots and other indigenous flora. This was the first usage of subterranean plant parts in incense. New herbs like Sarsaparilla seeds, frankincense, and cypress were used by Indians.
At around 2000 BCE, Ancient China began the use of incense in the religious sense, namely for worship. Incense was used by Chinese cultures from Neolithic times and became more widespread in the Xia, Shang, and Zhou dynasties. The earliest documented use of incense comes from the ancient Chinese, who employed incense composed of herbs and plant products (such as cassia, cinnamon, styrax, and sandalwood) as a component of numerous formalized ceremonial rites. Incense usage reached its peak during the Song dynasty with numerous buildings erected specifically for incense ceremonies.
Brought to Japan in the 6th century by Korean Buddhist monks, who used the mystical aromas in their purification rites, the delicate scents of Koh (high-quality Japanese incense) became a source of amusement and entertainment with nobles in the Imperial Court during the Heian Era 200 years later. During the 14th-century Ashikaga shogunate, a samurai warrior might perfume his helmet and armor with incense to achieve an aura of invincibility (as well as to make a noble gesture to whoever might take his head in battle). It wasn't until the Muromachi period during the 15th and 16th century that incense appreciation (kōdō) spread to the upper and middle classes of Japanese society.
COMPOSITION:
A variety of materials have been used in making incense. Historically there has been a preference for using locally available ingredients. For example, sage and cedar were used by the indigenous peoples of North America. Trading in incense materials comprised a major part of commerce along the Silk Road and other trade routes, one notably called the Incense Route.
Local knowledge and tools were extremely influential on the style, but methods were also influenced by migrations of foreigners, such as clergy and physicians.
COMBUSTIBLE BASE:
The combustible base of a direct burning incense mixture not only binds the fragrant material together but also allows the produced incense to burn with a self-sustained ember, which propagates slowly and evenly through an entire piece of incense with such regularity that it can be used to mark time. The base is chosen such that it does not produce a perceptible smell. Commercially, two types of incense base predominate:
Fuel and oxidizer mixtures: Charcoal or wood powder provides the fuel for combustion while an oxidizer such as sodium nitrate or potassium nitrate sustains the burning of the incense. Fragrant materials are added to the base prior to shaping, as in the case of powdered incense materials, or after, as in the case of essential oils. The formula for charcoal-based incense is superficially similar to black powder, though it lacks the sulfur.
Natural plant-based binders: Gums such as Gum Arabic or Gum Tragacanth are used to bind the mixture together. Mucilaginous material, which can be derived from many botanical sources, is mixed with fragrant materials and water. The mucilage from the wet binding powder holds the fragrant material together while the cellulose in the powder combusts to form a stable ember when lit. The dry binding powder usually comprises about 10% of the dry weight in the finished incense. These include:
Makko (incense powder) made from the bark of various trees in the genus Persea (such as Persea thunbergii) Xiangnan pi (made from the bark of trees of genus Phoebe such as Phoebe nanmu or Persea zuihoensis.
Jigit: a resin based binder used in India
Laha or Dar: bark based powders used in Nepal, Tibet, and other East Asian countries.
Typical compositions burn at a temperature between 220 °C and 260 °C.
TYPES:
Incense is available in various forms and degrees of processing. They can generally be separated into "direct-burning" and "indirect-burning" types. Preference for one form or another varies with culture, tradition, and personal taste. The two differ in their composition due to the former's requirement for even, stable, and sustained burning.
INDIRECT-BURNING:
Indirect-burning incense, also called "non-combustible incense", is an aromatic material or combination of materials, such as resins, that does not contain combustible material and so requires a separate heat source. Finer forms tend to burn more rapidly, while coarsely ground or whole chunks may be consumed very gradually, having less surface area. Heat is traditionally provided by charcoal or glowing embers. In the West, the best known incense materials of this type are the resins frankincense and myrrh, likely due to their numerous mentions in the Bible. Frankincense means "pure incense", though in common usage refers specifically to the resin of the boswellia tree.
Whole: The incense material is burned directly in raw form on top of coal embers.
Powdered or granulated: Incense broken into smaller pieces burns quickly and provides brief but intense odour.
Paste: Powdered or granulated incense material is mixed with a sticky incombustible binder, such as dried fruit, honey, or a soft resin and then formed to balls or small pastilles. These may then be allowed to mature in a controlled environment where the fragrances can commingle and unite. Much Arabian incense, also called "Bukhoor" or "Bakhoor", is of this type, and Japan has a history of kneaded incense, called nerikō or awasekō, made using this method. Within the Eastern Orthodox Christian tradition, raw frankincense is ground into a fine powder and then mixed with various sweet-smelling essential oils.
DIRECT-BURNING:
Direct-burning incense, also called "combustible incense", is lit directly by a flame. The glowing ember on the incense will continue to smoulder and burn the rest of the incense without further application of external heat or flame. Direct-burning incense is either extruded, pressed into forms, or coated onto a supporting material. This class of incense is made from a moldable substrate of fragrant finely ground (or liquid) incense materials and odourless binder. The composition must be adjusted to provide fragrance in the proper concentration and to ensure even burning. The following types are commonly encountered, though direct-burning incense can take nearly any form, whether for expedience or whimsy.
Coil: Extruded and shaped into a coil without a core, coil incense can burn for an extended period, from hours to days, and is commonly produced and used in Chinese cultures.
Cone: Incense in this form burns relatively quickly. Incense cones were invented in Japan in the 1800s.
Cored stick: A supporting core of bamboo is coated with a thick layer of incense material that burns away with the core. Higher-quality variations have fragrant sandalwood cores. This type of incense is commonly produced in India and China. When used in Chinese folk religion, these are sometimes known as "joss sticks".
Dhoop or solid stick: With no bamboo core, dhoop incense is easily broken for portion control. This is the most commonly produced form of incense in Japan and Tibet.
Powder: The loose incense powder used for making indirect burning incense is sometimes burned without further processing. Powder incense is typically packed into long trails on top of wood ash using a stencil and burned in special censers or incense clocks.
Paper: Paper infused with incense, folded accordion style, is lit and blown out. Examples include Carta d'Armenia and Papier d'Arménie.
Rope: The incense powder is rolled into paper sheets, which are then rolled into ropes, twisted tightly, then doubled over and twisted again, yielding a two-strand rope. The larger end is the bight, and may be stood vertically, in a shallow dish of sand or pebbles. The smaller (pointed) end is lit. This type of incense is easily transported and stays fresh for extremely long periods. It has been used for centuries in Tibet and Nepal.
Moxa tablets, which are disks of powdered mugwort used in Traditional Chinese medicine for moxibustion, are not incenses; the treatment is by heat rather than fragrance.
Incense sticks may be termed joss sticks, especially in parts of East Asia, South Asia and Southeast Asia. Among ethnic Chinese and Chinese-influenced communities these are traditionally burned at temples, before the threshold of a home or business, before an image of a religious divinity or local spirit, or in shrines, large and small, found at the main entrance of every village. Here the earth god is propitiated in the hope of bringing wealth and health to the village. They can also be burned in front of a door or open window as an offering to heaven, or the devas. The word "joss" is derived from the Latin deus (god) via the Portuguese deos through the Javanese dejos, through Chinese pidgin English.
PRODUCTION:
The raw materials are powdered and then mixed together with a binder to form a paste, which, for direct burning incense, is then cut and dried into pellets. Incense of the Athonite Orthodox Christian tradition is made by powdering frankincense or fir resin, mixing it with essential oils. Floral fragrances are the most common, but citrus such as lemon is not uncommon. The incense mixture is then rolled out into a slab approximately 1 cm thick and left until the slab has firmed. It is then cut into small cubes, coated with clay powder to prevent adhesion, and allowed to fully harden and dry. In Greece this rolled incense resin is called 'Moskolibano', and generally comes in either a pink or green colour denoting the fragrance, with pink being rose and green being jasmine.
Certain proportions are necessary for direct-burning incense:
Oil content: an excess of oils may prevent incense from smoldering effectively. Resinous materials such as myrrh and frankincense are typically balanced with "dry" materials such as wood, bark and leaf powders.
Oxidizer quantity: Too little oxidizer in gum-bound incense may prevent the incense from igniting, while too much will cause the incense to burn too quickly, without producing fragrant smoke.
Binder: Water-soluble binders such as "makko" ensure that the incense mixture does not crumble when dry, dilute the mixture.
Mixture density: Incense mixtures made with natural binders must not be combined with too much water in mixing, or over-compressed while being formed, which would result in either uneven air distribution or undesirable density in the mixture, causing the incense to burn unevenly, too slowly, or too quickly.
Particulate size: The incense mixture has to be well pulverized with similarly sized particulates. Uneven and large particulates result in uneven burning and inconsistent aroma production when burned.
"Dipped" or "hand-dipped" direct-burning incense is created by dipping "incense blanks" made of unscented combustible dust into any suitable kind of essential or fragrance oil. These are often sold in the United States by flea-market and sidewalk vendors who have developed their own styles. This form of incense requires the least skill and equipment to manufacture, since the blanks are pre-formed in China or South East Asia.
Incense mixtures can be extruded or pressed into shapes. Small quantities of water are combined with the fragrance and incense base mixture and kneaded into a hard dough. The incense dough is then pressed into shaped forms to create cone and smaller coiled incense, or forced through a hydraulic press for solid stick incense. The formed incense is then trimmed and slowly dried. Incense produced in this fashion has a tendency to warp or become misshapen when improperly dried, and as such must be placed in climate-controlled rooms and rotated several times through the drying process.
Traditionally, the bamboo core of cored stick incense is prepared by hand from Phyllostachys heterocycla cv. pubescens since this species produces thick wood and easily burns to ashes in the incense stick. In a process known as "splitting the foot of the incense stick", the bamboo is trimmed to length, soaked, peeled, and split in halves until the thin sticks of bamboo have square cross sections of less than 3mm. This process has been largely replaced by machines in modern incense production.
In the case of cored incensed sticks, several methods are employed to coat the sticks cores with incense mixture:
Paste rolling: A wet, malleable paste of incense mixture is first rolled into a long, thin coil, using a paddle. Then, a thin stick is put next to the coil and the stick and paste are rolled together until the stick is centered in the mixture and the desired thickness is achieved. The stick is then cut to the desired length and dried.
Powder-coating: Powder-coating is used mainly to produce cored incense of either larger coil (up to 1 meter in diameter) or cored stick forms. A bundle of the supporting material (typically thin bamboo or sandalwood slivers) is soaked in water or a thin water/glue mixture for a short time. The thin sticks are evenly separated, then dipped into a tray of incense powder consisting of fragrance materials and occasionally a plant-based binder. The dry incense powder is then tossed and piled over the sticks while they are spread apart. The sticks are then gently rolled and packed to maintain roundness while more incense powder is repeatedly tossed onto the sticks. Three to four layers of powder are coated onto the sticks, forming a 2 mm thick layer of incense material on the stick. The coated incense is then allowed to dry in open air. Additional coatings of incense mixture can be applied after each period of successive drying. Incense sticks produced in this fashion and burned in temples of Chinese folk religion can have a thickness between 2 and 4 millimeters.
Compression: A damp powder is mechanically formed around a cored stick by compression, similar to the way uncored sticks are formed. This form is becoming more common due to the higher labor cost of producing powder-coated or paste-rolled sticks.
BURNING INCENSE:
Indirect-burning incense burned directly on top of a heat source or on a hot metal plate in a censer or thurible.
In Japan a similar censer called a egōro (柄香炉) is used by several Buddhist sects. The egōro is usually made of brass, with a long handle and no chain. Instead of charcoal, makkō powder is poured into a depression made in a bed of ash. The makkō is lit and the incense mixture is burned on top. This method is known as sonae-kō (religious burning).
For direct-burning incense, the tip or end of the incense is ignited with a flame or other heat source until the incense begins to turn into ash at the burning end. The flame is then fanned or blown out, leaving the incense to smolder.
CULTURAL VARIATIONS:
ARABIAN:
In most Arab countries, incense is burned in the form of scented chips or blocks called bakhoor (Arabic: بخور [bɑˈxuːɾ, bʊ-]. Incense is used on special occasions like weddings or on Fridays or generally to perfume the house. The bakhoor is usually burned in a mabkhara, a traditional incense burner (censer) similar to the Somali Dabqaad. It is customary in many Arab countries to pass bakhoor among the guests in the majlis ('congregation'). This is done as a gesture of hospitality.
CHINESE:
For over two thousand years, the Chinese have used incense in religious ceremonies, ancestor veneration, Traditional Chinese medicine, and daily life. Agarwood (chénxiāng) and sandalwood (tánxiāng) are the two most important ingredients in Chinese incense.
Along with the introduction of Buddhism in China came calibrated incense sticks and incense clocks. The first known record is by poet Yu Jianwu (487-551): "By burning incense we know the o'clock of the night, With graduated candles we confirm the tally of the watches." The use of these incense timekeeping devices spread from Buddhist monasteries into Chinese secular society.
Incense-stick burning is an everyday practice in traditional Chinese religion. There are many different types of stick used for different purposes or on different festive days. Many of them are long and thin. Sticks are mostly coloured yellow, red, or more rarely, black. Thick sticks are used for special ceremonies, such as funerals. Spiral incense, with exceedingly long burn times, is often hung from temple ceilings. In some states, such as Taiwan,
Singapore, or Malaysia, where they celebrate the Ghost Festival, large, pillar-like dragon incense sticks are sometimes used. These generate so much smoke and heat that they are only burned outside.
Chinese incense sticks for use in popular religion are generally odorless or only use the slightest trace of jasmine or rose, since it is the smoke, not the scent, which is important in conveying the prayers of the faithful to heaven. They are composed of the dried powdered bark of a non-scented species of cinnamon native to Cambodia, Cinnamomum cambodianum. Inexpensive packs of 300 are often found for sale in Chinese supermarkets. Though they contain no sandalwood, they often include the Chinese character for sandalwood on the label, as a generic term for incense.
Highly scented Chinese incense sticks are used by some Buddhists. These are often quite expensive due to the use of large amounts of sandalwood, agarwood, or floral scents used. The sandalwood used in Chinese incenses does not come from India, its native home, but rather from groves planted within Chinese territory. Sites belonging to Tzu Chi, Chung Tai Shan, Dharma Drum Mountain, Xingtian Temple, or City of Ten Thousand Buddhas do not use incense.
INDIAN:
Incense sticks, also known as agarbathi (or agarbatti) and joss sticks, in which an incense paste is rolled or moulded around a bamboo stick, are the main forms of incense in India. The bamboo method originated in India, and is distinct from the Nepali/Tibetan and Japanese methods of stick making without bamboo cores. Though the method is also used in the west, it is strongly associated with India.
The basic ingredients are the bamboo stick, the paste (generally made of charcoal dust and joss/jiggit/gum/tabu powder – an adhesive made from the bark of litsea glutinosa and other trees), and the perfume ingredients - which would be a masala (spice mix) powder of ground ingredients into which the stick would be rolled, or a perfume liquid sometimes consisting of synthetic ingredients into which the stick would be dipped. Perfume is sometimes sprayed on the coated sticks. Stick machines are sometimes used, which coat the stick with paste and perfume, though the bulk of production is done by hand rolling at home. There are about 5,000 incense companies in India that take raw unperfumed sticks hand-rolled by approximately 200,000 women working part-time at home, and then apply their own brand of perfume, and package the sticks for sale. An experienced home-worker can produce 4,000 raw sticks a day. There are about 50 large companies that together account for up to 30% of the market, and around 500 of the companies, including a significant number of the main ones, including Moksh Agarbatti and Cycle Pure, are based in Mysore.
JEWISH TEMPLE IN JERUSALEM:
KETORET:
Ketoret was the incense offered in the Temple in Jerusalem and is stated in the Book of Exodus to be a mixture of stacte, onycha, galbanum and frankincense.
TIBETAN:
Tibetan incense refers to a common style of incense found in Tibet, Nepal, and Bhutan. These incenses have a characteristic "earthy" scent to them. Ingredients vary from cinnamon, clove, and juniper, to kusum flower, ashvagandha, and sahi jeera.
Many Tibetan incenses are thought to have medicinal properties. Their recipes come from ancient Vedic texts that are based on even older Ayurvedic medical texts. The recipes have remained unchanged for centuries.
JAPANESE:
In Japan incense appreciation folklore includes art, culture, history, and ceremony. It can be compared to and has some of the same qualities as music, art, or literature. Incense burning may occasionally take place within the tea ceremony, just like calligraphy, ikebana, and scroll arrangement. The art of incense appreciation, or koh-do, is generally practiced as a separate art form from the tea ceremony, and usually within a tea room of traditional Zen design.
Agarwood (沈香 Jinkō) and sandalwood (白檀 byakudan) are the two most important ingredients in Japanese incense. Agarwood is known as "jinkō" in Japan, which translates as "incense that sinks in water", due to the weight of the resin in the wood. Sandalwood is one of the most calming incense ingredients and lends itself well to meditation. It is also used in the Japanese tea ceremony. The most valued Sandalwood comes from Mysore in the state of Karnataka in India.
Another important ingredient in Japanese incense is kyara (伽羅). Kyara is one kind of agarwood (Japanese incense companies divide agarwood into 6 categories depending on the region obtained and properties of the agarwood). Kyara is currently worth more than its weight in gold.
Some terms used in Japanese incense culture include:
Incense arts: [香道, kodo]
Agarwood: [ 沈香 ] – from heartwood from Aquilaria trees, unique, the incense wood most used in incense ceremony, other names are: lignum aloes or aloeswood, gaharu, jinko, or oud.
Censer/Incense burner: [香爐] – usually small and used for heating incense not burning, or larger and used for burning
Charcoal: [木炭] – only the odorless kind is used.
Incense woods: [ 香木 ] – a naturally fragrant resinous wood.
USAGE:
PRACTICAL:
Incense fragrances can be of such great strength that they obscure other less desirable odours. This utility led to the use of incense in funerary ceremonies because the incense could smother the scent of decay. An example, as well as of religious use, is the giant Botafumeiro thurible that swings from the ceiling of the Cathedral of Santiago de Compostela. It is used in part to mask the scent of the many tired, unwashed pilgrims huddled together in the Cathedral of Santiago de Compostela.
A similar utilitarian use of incense can be found in the post-Reformation Church of England. Although the ceremonial use of incense was abandoned until the Oxford Movement, it was common to have incense (typically frankincense) burned before grand occasions, when the church would be crowded. The frankincense was carried about by a member of the vestry before the service in a vessel called a 'perfuming pan'. In iconography of the day, this vessel is shown to be elongated and flat, with a single long handle on one side. The perfuming pan was used instead of the thurible, as the latter would have likely offended the Protestant sensibilities of the 17th and 18th centuries.
The regular burning of direct-burning incense has been used for chronological measurement in incense clocks. These devices can range from a simple trail of incense material calibrated to burn in a specific time period, to elaborate and ornate instruments with bells or gongs, designed to involve multiple senses.
Incense made from materials such as citronella can repel mosquitoes and other irritating, distracting, or pestilential insects. This use has been deployed in concert with religious uses by Zen Buddhists who claim that the incense that is part of their meditative practice is designed to keep bothersome insects from distracting the practitioner. Currently, more effective pyrethroid-based mosquito repellent incense is widely available in Asia.
Papier d'Arménie was originally sold as a disinfectant as well as for the fragrance.
Incense is also used often by people who smoke indoors and do not want the smell to linger.
AESTHETIC:
Many people burn incense to appreciate its smell, without assigning any other specific significance to it, in the same way that the foregoing items can be produced or consumed solely for the contemplation or enjoyment of the aroma. An example is the kōdō (香道), where (frequently costly) raw incense materials such as agarwood are appreciated in a formal setting.
RELIGIOUS:
Religious use of incense is prevalent in many cultures and may have roots in the practical and aesthetic uses, considering that many of these religions have little else in common. One common motif is incense as a form of sacrificial offering to a deity. Such use was common in Judaic worship and remains in use for example in the Catholic, Orthodox, and Anglican churches, Taoist and Buddhist Chinese jingxiang (敬香 "offer incense), etc.
Aphrodisiac Incense has been used as an aphrodisiac in some cultures. Both ancient Greek and ancient Egyptian mythology suggest the usage of incense by goddesses and nymphs. Incense is thought to heighten sexual desires and sexual attraction.
Time-keeper Incense clocks are used to time social, medical and religious practices in parts of eastern Asia. They are primarily used in Buddhism as a timer of mediation and prayer. Different types of incense burn at different rates; therefore, different incense are used for different practices. The duration of burning ranges from minutes to months.
Healing stone cleanser Incense is claimed to cleanse and restore energy in healing stones. The technique used is called “smudging” and is done by holding a healing stone over the smoke of burning incense for 20 to 30 seconds. Some people believe that this process not only restores energy but eliminates negative energy.
HEALTH RISK FROM INCENSE SMOKE:
Incense smoke contains various contaminants including gaseous pollutants, such as carbon monoxide (CO), nitrogen oxides (NOx), sulfur oxides (SOx), volatile organic compounds (VOCs), and adsorbed toxic pollutants (polycyclic aromatic hydrocarbons and toxic metals). The solid particles range between ~10 and 500 nm. In a comparison, Indian sandalwood was found to have the highest emission rate, followed by Japanese aloeswood, then Taiwanese aloeswood, while Chinese smokeless sandalwood had the least.
Research carried out in Taiwan in 2001 linked the burning of incense sticks to the slow accumulation of potential carcinogens in a poorly ventilated environment by measuring the levels of polycyclic aromatic hydrocarbons (including benzopyrene) within Buddhist temples. The study found gaseous aliphatic aldehydes, which are carcinogenic and mutagenic, in incense smoke.
A survey of risk factors for lung cancer, also conducted in Taiwan, noted an inverse association between incense burning and adenocarcinoma of the lung, though the finding was not deemed significant.
In contrast, epidemiologists at the Hong Kong Anti-Cancer Society, Aichi Cancer Center in Nagoya, and several other centers found: "No association was found between exposure to incense burning and respiratory symptoms like chronic cough, chronic sputum, chronic bronchitis, runny nose, wheezing, asthma, allergic rhinitis, or pneumonia among the three populations studied: i.e. primary school children, their non-smoking mothers, or a group of older non-smoking female controls. Incense burning did not affect lung cancer risk among non-smokers, but it significantly reduced risk among smokers, even after adjusting for lifetime smoking amount." However, the researchers qualified their findings by noting that incense burning in the studied population was associated with certain low-cancer-risk dietary habits, and concluded that "diet can be a significant confounder of epidemiological studies on air pollution and respiratory health."
Although several studies have not shown a link between incense and lung cancer, many other types of cancer have been directly linked to burning incense. A study published in 2008 in the medical journal Cancer found that incense use is associated with a statistically significant higher risk of cancers of the upper respiratory tract, with the exception of nasopharyngeal cancer. Those who used incense heavily also were 80% more likely to develop squamous-cell carcinomas. The link between incense use and increased cancer risk held when the researchers weighed other factors, including cigarette smoking, diet and drinking habits. The research team noted that "This association is consistent with a large number of studies identifying carcinogens in incense smoke, and given the widespread and sometimes involuntary exposure to smoke from burning incense, these findings carry significant public health implications."
In 2015, the South China University of Technology found toxicity of incense to Chinese hamsters' ovarian cells to be even higher than cigarettes.
Incensole acetate, a component of Frankincense, has been shown to have anxiolytic-like and antidepressive-like effects in mice, mediated by activation of poorly-understood TRPV3 ion channels in the brain.
The monks leave the monasteries early in the morning (6:30 in Luang Prabanh). They walk single file, oldest first, carrying their alms bowls in front of them. Laypeople wait for them, sometimes kneeling, and place food, flowers or incense sticks in the bowls. Women must be careful not to touch the monks.
The monks do not speak, even to say thank you. The giving of alms is not thought of as charity. The giving and receiving of alms creates a spiritual connection between the monastic and lay communities. Laypeople have a responsibility to support the monks physically, and the monks have a responsibility to support the community spiritually.
When you look at the ceremony, it seems to be an honour for people to give food to monks. They get up very early and cook the best sticky rice they have (or whatever they give to them). You see looking at their faces that they do it because they feel it, and it's an honour for them to participate in the ceremony.
Was attempting some smoke photography,and i failed miserably.. So i tried this one
Things used : 4-5 incense sticks
Time : Night
Room : Closed ;-)
Lights :Off
Movement of left hand : zig zag holding the sticks
Camera : Canon IXY Digital 2+ Exposure bias right hand held :)
The Ganga Aarti (Aarti is a Hindu ritual in which light from wicks soaked in ghee (purified butter) or camphor is offered to one or more deities. Aartis also refer to the songs sung in praise of the deity, when offering of lamps is being offered) at Dasaswamedh ghat, close to Kashi Vishwanath Temple, is one of the prime attractions of Benaras (Varanasi). It starts just after sunset, with a group of young men dressed in Benarasi silk robes and saffron patta-bastra enacting synchronised mudras choreographing to the chantings, holding, incense sticks and lamps, beside the holy River Ganga (Ganges).
I understood that, pooled from Hindu gurukul institutions in Varanasi these young men (disciples) have been imparted the Nidhi s motto to preserve the purity, sanctity, and divinity of Ganga, its ghats and Kanshi (Benaras), the oldest religious place in the world besides Jerusalem. The choreography is excellent and worth seeing. But to me it also feels artificial in a devotional context. But the ceremony is definitely worth watching!
In Hindu scriptures, Brahma is considered the supreme creator, a notch over all other deities. These scriptures date to 4-5,000 years BCE, perhaps even 8-10,000 years. The name Abraham and Sarah are believed to be derivatives of Brahma and his consort, Saraswati.
While the Hindus have temples for a whole pantheon of gods and demigods all over India and in many other countries around the world, there are very few temples for Brahma. Perhaps Brahma is considered beyond comprehensible, although Hindu mythology describes Brahma as four-headed, symbolic of being omniscient.
In fact, there are more Brahma temples outside India than in India, especially in countries like Cambodia, Thailand and Bali.
I was surprised to stumble into this small Brahma temple in Las Vegas, out on the Strip outside Caesars Palace. It is an enclosed area, and except for a tower above, it looks like a very authentic Hindu temple. Brahma is regularly worshipped here – there are fresh garlands of flower and burning incense sticks that suggest frequent visitors.
When I was there, a Thai or Cambodian woman was at the site, bowing down and praying. I didn't think it would be appropriate to take her picture, so I just took a couple of shots of the idol and the pedestal.
7R309105
Loi Krathong takes place on the evening of the full moon of the 12th month in the traditional and they do this all evening on the 12th monthThai lunar calendar. In the western calendar this usually falls in November.
Loi means 'to float', while krathong refers to the (usually) lotus-shaped container which floats on the water. Krathong has no other meaning in Thai besides decorative floats, so Loi Krathong is very hard to translate, requiring a word describing what a Krathong looks like such as Floating Crown, Floating Boat, Floating Decoration. The traditional krathong are made from a slice of the trunk of a banana tree or a spider lily plant. Modern krathongs are more often made of bread or styrofoam. A bread krathong will disintegrate after a few days and can be eaten by fish. Banana stalk krathong are also biodegradable, but styrofoam krathongs are sometimes banned, as they pollute the rivers and may take years to decompose. A krathong is decorated with elaborately-folded banana leaves, incense sticks, and a candle. A small coin is sometimes included as an offering to the river spirits. On the night of the full moon, Thais launch their krathong on a river, canal or a pond, making a wish as they do so. The festival may originate from an ancient ritual paying respect to the water spirits.
Berlin, Gardens of the World, Balinese Garden: One of two similar sculptures that guard the exit of the glasshouse. I don't know if they represent gods or demons, but on the occasion of certain Balinese religious holidays they use to be decorated with flowers
Der Balinesische Garten spiegelt das Streben der Menschen nach Einklang mit sich selbst, ihrem Umfeld und dem gesamten Universum. Auf Bali heißt es, dass ein harmonisches Miteinander der Dämonen der Erde, der Götter des Himmels und der Menschen auf der Erde unabdingbar ist und Leben erst ermöglicht. Der Balinesische Garten ist so gestaltet, dass alle Elemente miteinander in Einklang kommen können. Darum heißt er „Garten der drei Harmonien“ – auf balinesisch Tri Hita Karana.
Er entstand 2003 im Rahmen der Städtepartnerschaft Berlin-Jakarta, zunächst in einem kleinen, bereits bestehenden Gewächshaqus.. Im Zentrum der Halle steht ein südbalinesischer Wohnhof, der durch eine Lehmziegelmauer von seiner Umgebung abgegrenzt ist. Die baulichen Elemente der Wohnstätte wurden von dem indonesischen Architekten I Putu Edy Semara entworfen und zu großen Teilen auf Bali vorgefertigt. Die „Pura“ gennannte Tempelanlage dient der in Berlin lebenden Bali-Gemeinde als Ort, an dem sie ihre Kultur pflegen und ihre Religion ausüben kann. 2012 wurden zwei zusätzliche Schreine gebaut, die in einer feierlichen Zeremonie von aus Bali eingeflogenen Priestern geweiht wurden. Auf ihnen wirst du stets Opfergaben wie Blumen, Früchte oder Räucherstäbchen finden, die dazu dienen, die Götter gnädig zu stimmen.
Für die IGA 2017 wurde dann eine 1.200 qm große Tropenhalle über dem Gewächshaus errichtet, das nach ihrer Fertigstellung abgebaut wurde. So konnte die bestehende Anlage deutlich erweitert werden. Das energieeffiziente Warmhaus ermöglichte die Kultivierung anspruchsvoller tropischer Pflanzen. Nun endlich konnte sich ein richtiger balinesischer Dschungel entfalten.
In der 14 m hohen Halle sind die Wohnanlage und die Gärten untergebracht. Das feuchtwarme Klima in der Halle stellt im Winter den Fotografen vor große Probleme, weil die Optik immer wieder beschlägt.
Quelle: GrünBerlin GmbH
The Balinese Garden reflects people's striving for harmony with themselves, their environment and the entire universe. In Bali it is said that a harmonious coexistence of the demons of the earth, the gods of heaven and the people on earth is indispensable and makes life possible. The Balinese Garden is designed so that all elements can come into harmony with each other. That is why it is called the "Garden of the Three Harmonies" - Tri Hita Karana in Balinese.
It was created in 2003 as part of the Berlin-Jakarta city partnership, initially in a small, already existing greenhouse. In the centre of the hall is a South Balinese residential courtyard, which is separated from its surroundings by a mud-brick wall. The structural elements of the dwelling were designed by the Indonesian architect I Putu Edy Semara and largely prefabricated in Bali. The temple complex, called "Pura", serves the Bali community living in Berlin as a place where they can cultivate their culture and practise their religion. In 2012, two additional shrines were built and consecrated in a solemn ceremony by priests flown in from Bali. On them, you will always find offerings such as flowers, fruits or incense sticks, which serve to make the gods merciful.
For the IGA 2017, a 1,200-square-metre tropical hall was then built over the greenhouse, which was dismantled after its completion. This allowed the existing facility to be significantly expanded. The energy-efficient warm house enabled the cultivation of demanding tropical plants. Now, finally, a real Balinese jungle could unfold.
The 14 m high hall houses the living quarters and the gardens. The warm and humid climate in the hall poses great problems for photographers in winter because the lens keeps fogging up.
Source: GrünBerlin GmbH
Today we went to the Thai Buddhist Temple in Kissimmee, Florida to join in the Celebration of "Wan Awk Pansa" Kannika prepared a variety of foods and gifts to give to the Monks as a normal part of this Buddhist Celebration. There is a complete series of photos of today's festivities uploaded together. I hope you take a minute and scroll through the collection and enjoy them. This was my first experience participating in this celebration and I found it to be very interesting and satisfying.
Wan Awk Pansa
The Meaning of Wan Awk Pansa
Wan Awk Pansa (วันออกพรรษา) means the day of leaving the rains retreat. It is a public holiday in Thailand, held on the fifteenth, or full moon day, of the eleventh lunar
Tuesday, 27 October, 2015.
Wan Awk Pansa signals the end of the Buddhist Lent period, a period when many Thai Buddhists abstain from eating meat, drinking alcohol, and smoking. This is a day when many Thai people will visit a temple, often their local temple in their birthplace, to pray and to bring offerings. In the evenings, many people will take part in a tian wian or candlelit circumambulation of the main shrine of the temple. The devotees walk three times, in a clockwise direction, around the shrine, carrying a candle, three lit incense sticks and a lotus bud.
Well I was trying to set up a shot for smoke images and am getting a cold so the smoke from the incense was bothering my lungs so I just snapped a quick shot of the sticks and ran away.
The first recorded use of incense was by the Egyptians during the Fifth Dynasty, 2345-2494 BC.
Incense use in religious ritual was either further or simultaneously developed in China, and eventually transmitted to Korea, Japan and Vietnam.
Incense holds an invaluable role in East Asian Buddhist ceremonies and rites as well as in those of Chinese Taoist and Japanese Shinto shrines.
It is reputed to be a method of purifying the surroundings, bringing forth an assembly of buddhas, bodhisattvas, gods, demons, and the like.
In Chinese Taoist and Buddhist temples, the inner spaces are scented with thick coiled incense, which are either hung from the ceiling or on special stands.
Worshipers at the temples light and burn sticks of incense in small or large bundles, which they wave or raise above the head while bowing to the statues or plaques of a deity or an ancestor.
Individual sticks of incense are then vertically placed into individual censers located in front of the statues or plaques either singularly or in threes, depending on the status of the deity or the feelings of the individual.
The formula and scent of the incense sticks used in various temples throughout Asia vary widely
getting it's 70000 incense sticks reloaded before it's next dance up and down the streets of the normally quiet little neighbourhood
In Bali, Hindus make offerings to the deity represented at various temples throughout the island. This woven palm frond basket, containing a rice ball, some fruit, incense sticks, and flowers is fairly typical.
What do you mean "Who needs an incense case?" it is an essential piece of equipment for the true elvish camper, as anyone who has had her incense sticks hanging around in an empty tomato can for half a year will tell you. In a more sane household I guess it could be hsed for knitting needles, but I don't knit.
Po Lin Monastery is a Buddhist monastery, located on Ngong Ping Plateau, on Lantau Island, Hong Kong.
The monastery was founded in 1906 by three monks visiting from Jiangsu Province on the Chinese mainland and was initially known simply as "The Big Hut" (大茅蓬 Tai Mao Pung). It was renamed to its present name in 1924. The main temple houses three bronze statues of the Buddha – representing his past, present and future lives – as well as many Buddhist scriptures.
Tian Tan Buddha, a giant Buddha statue completed in 1993, is an extension of the monastery.
The Ngong Ping 360, consisting of the Ngong Ping village and a gondola lift running between Tung Chung and Ngong Ping, was built near to the Po Lin Monastery.The monastery boasts many prominent architectural structures, such as the Main Shrine Hall of Buddha, the Hall of Bodhisattva Skanda.
This monastery is also noted for making wooden bracelets that are only sold near the Tian Tan Buddha statue.
Spend the afternoon with a speedlight, some incense sticks, my cam and Photoshop ... :-)
STROBIST
One bare flashgun, shooting from the right side.
STROBIST SETUP, MAKING-OF
www.flickr.com/photos/38400107@N04/3840335553
NOTES
I prepared 9 shots for the dancer, but used only four.
In Photoshop: mostly masks and the liquify tool.
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For more strobist and Photoshop stuff visit
Have fun!
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Photographing smoke trails gives some weird and wonderful shapes and patterns. When this is combined with photoshop, it is surprising what can be achieved. An abstract smoke trail image. Original photograph manipulated and coloured in photoshop.
St Catherine's Rock in Tenby is situated just off the end of South Beach the building, originally built as a fort and at one time used as a zoo is now abandoned and derelict. The island is cut off from the mainland at high tide.
accidently emptying a box of incense sticks on the carpet instead of lighting one. And that's what is seen from above ;-)
ODC Our Daily Challenge: SEEN FROM ABOVE
Luang Prabang, or Louangphrabang (Lao: ຫຼວງພຣະບາງ, literally: "Royal Buddha Image (in the Dispelling Fear mudra)," is the capital city of Luang Prabang Province in north central Laos. The city is located at the confluence of the Nam Khan and Mekong Rivers about 300 km north of Vientiane. The population of the city is about 50,000.
The city was formerly the capital of a kingdom of the same name. It had also been known by the ancient name of Chiang Thong. Until the communist takeover in 1975, it was the royal capital and seat of government of the Kingdom of Laos. The old town centre is a UNESCO World Heritage Site.
en.wikipedia.org/wiki/Luang_Prabang
Wat Xieng Thong (or Temple of the Golden City) is a Buddhist temple (wat), located on the northern tip of the peninsula of Luang Phrabang, Laos. Wat Xieng Thong is one of the most important of Lao monasteries and remains a significant monument to the spirit of religion, royalty and traditional art.
Photo taken in Victoria Park for the event of Tai Hang Fire Dragon Dance 2012.
Quoted from Wiki about the story :
"For the three nights straddling the Mid-Autumn festival, visitors can also see the spectacular Tai Hang Fire Dragon Dance. It's a 67-metre-long 'fire dragon' that winds its way with much fanfare and smoke through a collection of streets located in Tai Hang, close to Victoria Park in Causeway Bay. The Tai Hang Fire Dragon Dance started in 1880 when Tai Hang was a small Hakka village of farmers and fishermen on the waterfront of Causeway Bay. This custom has been followed every year since 1880, with the exception of the Japanese Occupation and during the 1967 disturbances.
According to local legend, over a century ago, a few days before the Mid-Autumn Festival, a typhoon and then a plague wreaked havoc on the village. While the villagers were repairing the damage, a python entered the village and ate their livestock. According to some villagers, the python was the son of the Dragon King. A soothsayer decreed the only way to stop the chaos was to stage a fire dance for three days and nights during the upcoming Mid-Autumn Festival. The villagers made a huge dragon of straw and covered it with incense sticks, which they then lit. Accompanied by drummers and erupting firecrackers, they danced for three days and three nights – and the plague disappeared."
Below link is 2009 version :
www.flickr.com/photos/anthonyleungkc/3987569384/in/set-72...
Camera for the photo : Olympus OM-D E-M5
Lens for the photo : M.Zuiko Digital ED 75mm f/1.8
I like to read articles in photography magazines that show new tricks and projects. Recently I read one explaining how to make colored smoke pictures. I went home, set it up that evening and shoot a bunch of smoky stuff :). This image was one of the final ones. I do not know if you know how to do it, or interested in it, but I thought it may be interesting to learn for some. So, here is the low down on it:
Get incense sticks that smolder when lit, thus producing the smoke we want. You will need the area you are shooting in to be free of wind or strong air movements, so the smoke is controlled and not blown away. Thus, indoor is ideal, and make sure to not set off any smoke alarms :) Next thing you want is a black background to contrast with the white smoke. I got best results using a flash that was off the camera, to light up the smoke from an angle. Try different angles, up or down – the goal is to light up the smoke and give it better definition, while separating it from the background. So, light spill is important to control, because you want the background to stay black. To help it, either move the sticks away from the background further, or isolate the light beam by wrapping around a piece of paper around the flash head, for example. Then shoot away at different shutter speeds and aperture setting to suit the look you are going for. For me higher shutter speeds worked better to help freeze the smoky creatures.
Now, once the images are in, we load the beast ones in Photoshop and do the following:
Duplicate a master layer, then invert it (Command-I (or Control-I for you Windows cats.). This makes the smoke black, and the background white. Now, we are half way there. Next, you can colorize it, by selecting the Saturation adjustment and playing with the “hue”. If you want to take it one step further, and get different colors like I have here, then here is what you do: duplicate the layer that is inverted (has white background), and set the blend mode (in the layers palette) to “color”. Now, hit “B” to select a brush and choose a color you want for your brush to paint with. I used a medium size brush with somewhat soft edges. Next, paint the color onto any section of the smoke you want. Change colors to have a multicolor smoke creature :) Finally, to add more definition to the creature you have, use contrast/lightness adjustment to eliminate any fuzzy areas and make it sharper.
This is it, I hope you enjoy something new :)
I could have used one incense stick and cloned it to all the 6 glasses but I decided to use 6 incense sticks and kind of liked the outcome. I used only one strobe light for this picture. Smoke was taken separately and the glasses were taken separately and then the two pictures were merged.
Strobist Info:
This picture was a little tricky because of the Pot's ceramic surface. I could not avoid the umbrella glare on the pot. I tried so many different stuffs before finally removing the umbrella and shooting it from 8 ft long which made the light source small and the light more softer. I took the smoke separately and merged them. I used a 580 EX II, A Canon T1i and Canon 100mm macro lens for both the shots.
Diwali (also spelled Devali in certain regions) or Deepavali, popularly known as the "festival of lights", is an important five-day festival in Hinduism, Jainism, and Sikhism, occurring between mid-October and mid-November. For Hindus, Diwali is the most important festival of the year and is celebrated in families by performing traditional activities together in their homes. Deepavali is an official holiday in India, Nepal, Sri Lanka, Myanmar, Mauritius, Guyana, Trinidad & Tobago, Suriname, Malaysia, Singapore, and Fiji.
The name Diwali is itself a contraction of the word "Deepavali" (Sanskrit: दीपावली Dīpāvalī), which translates into "row of lamps". Diwali involves the lighting of small clay lamps (diyas, or dīpa in Sanskrit: दीप) filled with oil to signify the triumph of good over evil. During Diwali, all the celebrants wear new clothes and share sweets and snacks with family members and friends. Most Indian business communities begin the financial year on the first day of Diwali.
Diwali commemorates the return of Lord Rama along with Sita and Lakshman from his fourteen-year-long exile and vanquishing the demon-king Ravana. In joyous celebration of the return of their king, the people of Ayodhya, the Capital of Rama, illuminated the kingdom with earthen diyas (oil lamps) and burst crackers.
In Jainism, Diwali marks the attainment of moksha or nirvana by Mahavira in 527 BC. In Sikhism, Deepavali commemorates the return of Guru Har Gobind Ji to Amritsar after freeing 52 Hindu kings imprisoned in Fort Gwalior by defeating Emperor Jahangir; the people lit candles and diyas to celebrate his return. This is the reason Sikhs also refer to Deepavali as Bandi Chhorh Divas, "the day of release of detainees". Deepavali is widely celebrated in both India and Nepal.
The first day of the festival Naraka Chaturdasi marks the vanquishing of the demon Naraka by Lord Krishna and his wife Satyabhama. Amavasya, the second day of Deepawali, marks the worship of Lakshmi, the goddess of wealth in her most benevolent mood, fulfilling the wishes of her devotees. Amavasya also tells the story of Lord Vishnu, who in his dwarf incarnation vanquished the tyrant Bali, and banished him to hell. Bali was allowed to return to earth once a year, to light millions of lamps to dispel the darkness and ignorance, and spread the radiance of love and wisdom. It is on the third day of Deepawali — Kartika Shudda Padyami - that Bali steps out of hell and rules the earth according to the boon given by Lord Vishnu. The fourth day is referred to as Yama Dvitiya (also called Bhai Dooj) and on this day sisters invite
In each legend, myth and story of Deepawali lies the significance of the victory of good over evil; and it is with each Deepawali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of incense sticks hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities.
While Deepavali is popularly known as the "festival of lights", the most significant spiritual meaning is "the awareness of the inner light". Central to Hindu philosophy is the assertion that there is something beyond the physical body and mind which is pure, infinite, and eternal, called the Atman. The celebration of Deepavali as the "victory of good over evil", refers to the light of higher knowledge dispelling all ignorance, the ignorance that masks one's true nature, not as the body, but as the unchanging, infinite, immanent and transcendent reality. With this awakening comes compassion and the awareness of the oneness of all things (higher knowledge). This brings Ananda (joy or peace). Just as we celebrate the birth of our physical being, Deepavali is the celebration of this Inner Light.
While the story behind Deepavali and the manner of celebration varies from region to region (festive fireworks, worship, lights, sharing of sweets), the essence is the same – to rejoice in the Inner Light (Atman) or the underlying Reality of all things (Brahman).
Source : en.wikipedia.org/wiki/Diwali