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As its common name implies, the blue morpho butterfly’s wings are bright blue, edged with black. The blue morpho is among the largest butterflies in the world, with wings spanning from five to eight inches. Their vivid, iridescent blue coloring is a result of the microscopic scales on the backs of their wings, which reflect light. The underside of the morpho’s wings, on the other hand, is a dull brown color with many eyespots, providing camouflage against predators such as birds and insects when its wings are closed. When the blue morpho flies, the contrasting bright blue and dull brown colors flash, making it look like the morpho is appearing and disappearing. The males’ wings are broader than those of the females and appear to be brighter in color. Blue morphos, like other butterflies, also have two clubbed antennas, two fore wings and two hind wings, six legs and three body segments—the head, thorax and abdomen.
It would be wrong to imply that Mr. Brown Pelican is involved in some kind of conspiracy to advocate abusive philippics. It would be wrong because his taradiddles are far beyond the conspiracy stage. Not only that, but I sometimes feel like he has forced us into a danse macabre with his meretricious epigrams leading us to the grave. From this anecdotal evidence I would argue that Mr. Pelican can't fool me. I've met spleeny, mudslinging manipulators of the public mind before, so I know that the first lies that Mr. Pelican told us were relatively benign. Still, they have been progressing. And they will continue to progress until there is no more truth; his lies will grow until they blot out the sun.
License at www.paya.com/photos/781620
"Goodbye implies loss or rejection but well wishes are meant for times when loss is undeniably absent." - Ian Cairns
For this week's topic I chose to work with oxymorons, a combination of contradictory words.
Check out my Instagram for sneak peeks, before and afters or behind the scenes!
More from the traffic lights
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PUBLIC DOMAIN: Use as you will, but no rights implied. Click here
silhouette: the outline implies the rest of the story. a kind of mad libs. somebody sent me the following paragraph recently and i think it's the verbal equivalent. or maybe not. don't forget to thank your brain, every day.
I cdnuolt blveiee that I cluod aulaclty uesdnatnrd what I was rdanieg. The phaonmneal pweor of the hmuan mnid, aoccdrnig to a rscheearch at Cmabrigde Uinervtisy, it dseno't mtaetr in what oerdr the ltteres in a word are, the olny iproamtnt tihng is that the frsit and last ltteer be in the rghit pclae. The rset can be a taotl mses and you can still raed it whotuit a pboerlm. This is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the word as a wlohe. Azanmig huh? Yaeh and I awlyas tghuhot slpeling was ipmorantt!
The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
I think the implications are clear...
Implied diagonals and other visual suggestions and connections, rock detail along the Mt Olympus Trail, Utah, USA.
RAW file edited in View NX-I, additional adjustments (unsharp mask and histogram adjust) added in Corel Paintshop Pro
Went to Scotland -- I walked as they shopped. Was a grey day.... so made it greyer.
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Night shot obtained zooming out with my lens, from 40mm to 17mm, during an exposure time of only 30 seconds, ISO 6400. Obviously camera on tripod.
Shot taken in the far September 27th 2011 while I was wandering during the night at the foot of Mount Paterno (Dolomites), whose tormented ridges look also as visually drag during the use of my zoom.
On the left, the more brilliant line is generated by planet Jupiter. The gas giant in our solar system that shines, especially on moonless nights, more than any star because of its "proximity" to the Earth.
Therefore, I hope it is clear, nothing to do with the star trail technique, which itself is often largely misunderstood. In that case you need to set a long exposure of at least 15 minutes up to what you want, also a few hours, by pointing your camera towards the Polaris in the Northern Hemisphere, or Sigma Octantis if your are in the Southern Hemisphere, then you obtain concentric trails. Also it is possible to point the camera toward any other cardinal point in order to get more "parallel" trails the more you get closer to the celestial equator.
Instead, in this shot the trails appear to come from a single point, as a sort of Big Bang structure, which wouldn't be obtainable in any other way except that zooming during exposure.
The fact of being able to get a similar shot in just 30 seconds (without having to wait hours!) undoubtedly has its advantages. An image like this definitely belongs within the field of abstract photography... this implies it may be necessary to make a few attempts before to get a "making sense" dialogue between the various elements visible and less visible to the naked eye.
Here it seemed to me that the shining Jupiter on the left, the ridges of Paterno at the bottom as well as on the right, and the central "point of origin", due to the lens zooming, contribute to create a logical structure in the overall image (hopefully also with a symbolic meaning).
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©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
The abbey of Beauport is located near the ocean (its compound in the late Middle Ages included a harbor) on the northern coast of Brittany.
Founded around 1200 as an abbey of regular Premonstratensian (isn’t that one a mouthful?) canons, it is mostly Gothic and therefore outside of my preferred scope of interest architecturally. However, building an abbey in Brittany in the very first years of the 13th century implied some degree of faithful adherence to the old ways of doing things, as we will see...
Underneath the refectory, I found what looked like the oldest surviving part of the abbey, this cellar with archaic columns and very deep rib vaulting. There wasn’t a lot of light and I had to use my little tripod for a one-second exposure.
The Federal Building located at 111 South Orange Avenue was constructed as a U.S. Post Office with a WPA federal subsidy of $175,000 appropriated by Congress in 1931. Plans for the Neoclassical Revival Style Post Office were prepared by George Albree Freeman, his associate, Harold N. Hall, and supervising architect, Louis A. Simon. The test borings for the foundation were prepared by the local Sarasota contractor, C.W. Matheny, and the plans of George Albree Freeman and H.N. Hall were approved at the Washington D.C. level by August of 1932.
A contemporary newspaper clipping described the building as a “Classical design of the Corinthian type, fireproofed throughout with steel structure piling in the foundations. The most modern plumbing, heating, and ventilating equipment will be installed. One radical innovation in the new Post Office will be the use of marble and aluminum where metal is ordinarily employed in parts of the building used by the public.” Although Neoclassical Revival in style, several design elements and materials were indeed innovative for the time; in particular, the suppressed or implied parapet which appears at the western elevation and the use of aluminum in the interior.
The Federal Building or Post Office is an example of the fourth building period phase (1930 – 1935) in the city of Sarasota. Following a collapse of the land boom in Sarasota and the subsequent national Depression, new construction projects signaling recovery were heralded in the local press. The arrival of the S.H. Kress Company building in Sarasota received major press coverage in 1931 and the allocation in 1931 of Federal funds for the erection of the Post Office received equally enthusiastic coverage. Although the supervising contracting firm was the Worsham Brothers of Knoxville, Tennessee, Federal money and new construction created construction jobs in Sarasota.
The Post Office designs were created by George Albree Freeman who was born in 1859 in New York and practiced architecture in Stanford, Connecticut the latter part of the 19th Century. Mr. Freeman also practiced architecture in New York City where he shared an office at 28 West 23rd Street with the nationally prominent architect Bruce Price. Together Freeman and Price designed a Shingle Style residence (Seacroft) located near Seabright, New Jersey. The drawings for the resort shingle-style house are dated 1882. Freeman's architectural commissions in New York include a Neo-Georgian building dated 1904, extant at 128 East 44th Street.
George Albree Freeman first appears in Polk's Sarasota City Directory in 1926 with an office listed as 12 Blackburn Building located at 113 South Palm Avenue. George Albree Freeman was also the architect of record for the residence of Mr. Powell Crosley, Jr., located in greater Sarasota with plans prepared June 1929. The residence of Mr. Powell Crosley, also known as Seagat, was officially listed on the National Register of Historic Places in February of 1983. Freeman was a versatile and eclectic architect designing everything from Shingle Style seasonal residences to high style Mediterranean Revival mansions such as Seagate, as well as a Neo-Georgian townhouse in New York City, and finally, the Neoclassical Post Office or Federal Building in Sarasota, Florida. George Albree Freeman died on February 22, 1934. The Federal Building or new Post Office was presumably Mr. Freeman's last executed design.
The associate architect of the Federal Building, Harold N. Hall, was a local engineer and architect who was the architect of record for the Woman's Club located at 1241 North Palm Avenue.
In summary, the Post Office or Federal Building, located at 111 South Orange Avenue is significant in the use of stylized Neoclassical Revival Style ornamentation. Quality of craftsmanship is represented in the carved elements, in particular, the handling of the acanthus leaves of the Corinthian capitals which appear at the colonnade of the west elevation. The interpretation of Neoclassical Revival Style motifs is academic in handling. Neoclassical elements are applied to the building in an academic and accurate manner, such as the string courses, modillioned entablatures, and columns in antis. The Neoclassical ornamentation, however, is not “parroted.” Stylized elements appear, including the use of an implied pediment, which appears above the 9-bay loggia doors located at the west elevation, the modern material grilles being Neoclassical in form, the material being innovative. The Federal Building is a prominent building on a landmark site. Number 111 South Orange Avenue is significant as an example of the building industry in Sarasota and a product of the Works Progress Administration. Finally, it is the last monumental design project executed by the architect, George Albree Freeman.
Credit for the data above is given to the following websites:
en.wikipedia.org/wiki/United_States_Post_Office%E2%80%93F...(Sarasota,_Florida)
www.sarasotahistoryalive.com/history/buildings/federal-bu...
www.emporis.com/buildings/387504/federal-building-sarasot...
www.sarasotahistoryalive.com/history/videos/federal-build...
© All Rights Reserved - you may not use this image in any form without my prior permission.
issuu.com/fashiontellersl/docs/fth_curse_of_the_tarot
XXI - THE WORLD:
The World card implies fulfillment and accomplishment at a ventures end. Satisfaction, prizes, assurance, and positive conclusions are all things straightforwardly connected with the presence of this card. It is indicative of growing maturity, a sense of inner balance and deeper understanding. What will the world reveal to you?
MODEL: Ivyana Szondi
PHOTOGRAPHER: Pam Astonia
STYLE:
Outfit: Athena- Champagne Sparkling Couture
See the Rest:
issuu.com/fashiontellersl/docs/fth_curse_of_the_tarot
<3
Seamless white background lit with a large octa left of camera.
Instagram ≈ Youpic ≈ flickr ≈ 500px ≈ tumblr
© Copyright 2017 Barrie Spence. All rights reserved and moral rights asserted. Theses images are not in the public domain and may not be used without licence.
Comments are very welcome and very much appreciated, but any with linked/embedded images will be removed.
Photography: Anon
Hair & Makeup: Mish Bratsos
Modelling and Retouching: Kelly Kooper
Check out my YouTube video behind the scenes of this shoot - www.youtube.com/watch?v=VMnhGJwNdZA
Jessica Bledsoe in Worthington Valley, MD
THIS IMAGE IS PROTECTED BY COPYRIGHT. REPRODUCTION AND REDISTRIBUTION IS PROHIBITED WITHOUT THE EXPRESS WRITTEN CONSENT OF THE PHOTOGRAPHER. Inquiries to permissions may be made to this photographer through Flickr mail at this photo stream account.
Street neon and camera toss. One subject for this batch not pictured but the other two here and here.
The implied nine on an old watch. I took the small hands off it and took the picture before I realized there wasn't an actual number nine. The old photographers eyes are starting to go ;•) HMM!
"As the name implies, this is a hike with near endless views. Grand View Point is the southern-most spot on Canyonland’s high mesa, the Island in the Sky. Laid out below is a complex network of canyons carved by the converging Colorado and Green Rivers. This 2-mile round trip hike leaves from Grand View Overlook and travels down the mesa’s edge for as far as you can go without running out of real estate" www.hikespeak.com
"Canyonlands National Park is an American national park located in southeastern Utah near the town of Moab. The park preserves a colorful landscape eroded into numerous canyons, mesas, and buttes by the Colorado River, the Green River, and their respective tributaries. Legislation creating the park was signed into law by President Lyndon Johnson on September 12, 1964.
The park is divided into four districts: the Island in the Sky, the Needles, the Maze, and the combined rivers—the Green and Colorado—which carved two large canyons into the Colorado Plateau. While these areas share a primitive desert atmosphere, each retains its own character. Author Edward Abbey, a frequent visitor, described the Canyonlands as "the most weird, wonderful, magical place on earth—there is nothing else like it anywhere." wiki
I love a good high key implied portrait and this one grabbed me as soon as Dave sent it through. The first thing I saw were the eyes. What did you look at first?
Photography & Retouching: Dave XX Photo
Hair & Makeup: Mish Bratsos
#curves #highkey #strength #powerful #expressive #impliedtopless
As the name implies, this reflection nebula associated with the star Rigel looks suspiciously like a fairytale crone. Formally known as IC 2118 in the constellation Orion, the Witch Head Nebula glows primarily by light reflected from the star. The color of this very blue nebula is caused not only by blue color of its star, but also because the dust grains reflect blue light more efficiently than red. A similar physical process causes Earth’s daytime sky to appear blue. (ref: NASA)
Tech Specs: William Optics REDCAT 51 Telescope, ZWO ASI071MC camera running at -10F, just over 7 hours of collected data using 60 second exposures, Sky-Watcher EQ6R-Pro mount, ZWO EAF and ASIAir Pro, processed in PixInsight. Image Date: February 5 and 6, 2024. Location: The Dark Side Observatory (W59), Weatherly, PA, USA (Bortle Class 4).
An article has just appeared on Birdguides that implies that the provenance of the Peak District bird has supposedly been revealed; www.birdguides.com/news/origin-of-wandering-bearded-vultu... . It says that a young Lammergeier was rescued on 15 May, having been found exhausted near the town of Tours in North-west France. The bird had no wing tags, rings or satellite tags so a blood sample was taken. Analysis of its blood showed that he is a male known as Pierro, that was hatched in the wild in a nest at the Bargy Massif in Haute-Savoie in the Alps in 2019 and whose father was the first wild-hatched bird from the reintroduction project in the Alps. This scheme has been running for 30 years and there are now around 55 breeding pairs in the Alps. Pierro was looked after for more than a month until he had regained strength and body condition, and was released on 7 July in the Vercors National Park on the western fringes of the Alps, not far from his birth place. He was also fitted with a GPS tag before his release. But a satellite tag isn't evident in any photos I've seen of the Howden bird and the photo that accompanies the article shows Pierro lacks that small growth on the lower mandible that the Howden bird has. And finally the dates don't match as Pierro was released from captivity near the Alps on 7 July, but the Howden bird has been present in the Peak District environs since 26 June. But it does give an indication of the likely origin of the Peak District bird if there are 55 pairs in the Alps and the young may have a tendency to wander. The fact that this bird is not tagged or ringed, suggests it is a wild bred bird, though we don't know whether either or both its parents were wild bred.
This mood of this photo implies that it should be titled "The Fair Is Going", but that would be lying. The The Arizona State Fair starts Oct. 13.
I had a very vivid dream about this ferris wheel last night. The workmen who were constructing it had just completed it and somehow I ended up in line for the "first ride." They had just finished tightening the last bolt and had not yet even given it a test run, yet they were still loading people onto it. Needless to say I was very nervous about the whole proposition. I was next in line, so I ran across the aluminum platform towards the car, whose door was being held open for me... What happened next? I woke up... Maybe ACT II will play out in tonight's dream theatre?
-Added to the Cream of the Crop pool as most interesting.
Something ..... to end the holidays with.
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PUBLIC DOMAIN: Use as you will, but no rights implied. Click here
Best viewed large - El Yunque Rain Forest in Puerto Rico. A beautiful, beautiful place (one of many that PR has to offer). Lest you get too exicted, let me add that this image definitely received some Photoshop attention. I've been looking with great excitement through magic fly paula's work, and I wanted to experiment making my own sort of 'dreamscape' or 'vision'. If you have time, go visit her work... it's great! (I'm particularly fond of 'imaginary cities').