Farm implement near McBaine in rural Boone County Missouri by Notley Hawkins Photography. Taken with a Canon EOS 5D Mark IV camera with a Canon EF16-35mm f/2.8L II USM lens at ƒ/4.0 with a 52 second exposure at ISO 100. Processed with Adobe Lightroom 6.4.

Follow me on Twitter, Google+, Facebook

www.notleyhawkins.com/

©Notley Hawkins

U.S. Customs and Border Protection, Office of Field Operations, continues to process and inspect cargo following the implementation of Title 42 USC 265 due to the Coronavirus Pandemic, at the Otay Mesa Port of Entry Commercial Inspection Facility near San Diego, Calif., March 27, 2020.

Photo by: Mani Albrecht

Iron garden implements throne at About Thyme

Lutfey Siddiqi, Visiting Professor-in-Practice, London School of Economics and Political Science, United Kingdom; Young Global Leader speaking during the Session "Implementing Stakeholder Capitalism 2" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell

Photographer: Reuben R. Sallows (1855 - 1937)

Description:

Two men standing by steam threshing machine with belts leading into open doorway of barn; man on left stands on back of threshing machine, man on right stands on ground beside it; both wear dark hats, coats and pants; frame barn in background; wood pile in foreground on left; Sallows imprint in lower left corner of matte; writing on back identifies subjects and date: Gordon Stewart and Robert Bell threshing on Lake Shore Road, 1907

Object ID : 0547-rrs-ogohc-ph

Order a higher-quality version of this item by contacting the Huron County Museum (fee applies).

Persistent URL: digital.lib.muohio.edu/u?/tradecards,3134

Subject (TGM): Women; Teenagers; Flowers; Shovels; Spades; Agricultural machinery & implements; Farmers; Farming; Farms; Plants;

Implemento do iveco vai sendo a 2 eixo pozz, bora leva ali no gaguinho pra coloca a bixa na altura padrão!

U.S. Air Force basic military training graduates stand at parade rest during an Air Force graduation Mar. 19, 2020, held at the 320th Training Squadron’s Airman Training Complex on Joint Base San Antonio-Lackland, Texas. Due to current world events, the 37th Training Wing has implemented social distancing by graduating 668 Airmen during four different ceremonies at different Airman Training Complexes. The graduation ceremonies will be closed to the public until further notice for safety and security of the newly accessioned Airmen and their family members due to coronavirus (COVID-19).

Photos courtesy of Missouri City

From Parks' projects to public safety initiatives, the "Show Me City" has implemented many successful citizen programs in 2011. At left, the Edible Arbor Trail is a site for nature lovers to see and at right, thousands of residents participated in this year's National Night Out.

"Show Me City" Continues Strong Growth and Progress

Missouri City has achieved significant successes in 2011 by continuing strong collaborations with citizens, gaining new business partnerships, earning local, state and national distinction for excellence and battling against record breaking drought conditions that brought many challenges to our parks. City Council's continued policy direction has allowed the momentum begun in 2010 to continue.

Building on Missouri City's national recognition as one of America's best places to live, according to Money magazine, and one of the country's safest communities, 5th safest in Texas, the "Show Me" City continues to garner awards. Missouri City has earned further honors for its excellent fiscal practices and policies. The prestigious gold Leadership Circle Award from the Texas State Comptroller's Office salutes the City's transparency in financial, audit and budget reporting to residents. This expansive information is available on the City's website homepage under Hot Topics.

And for more than 20 years the City Budget and the Comprehensive Annual Financial Report continue to be recognized annually by the Government Finance Officers Association of the United States and Canada for their detail on City services and programs and the City's financial condition.

A strong community connection is vital to the area's dynamic growth. Citizens played a major role in the decision to purchase the Quail Valley golf property in 2008. And more recently they weighed in on what they wanted for the new Community Center and Golf Pro Shop under construction there. This facility will offer another option for Fort Bend County residents and businesses to host their special occasions. The second floor ballroom will seat 300 and overlook the 18th holes of both the El Dorado and La Quinta golf courses. There also will be smaller rooms available for use. A restaurant will be fully staffed but plans are to have a select list of catering companies for individuals and groups planning large events.

In the past 12 months, the two courses have logged almost 54,000 rounds of golf, and close to 100 golf tournaments. We thank all of our residents for their support as well as the many others who have enjoyed the two 18-hole courses here. Citizens also shared their opinion on activities they wanted at the new the Tennis and Recreation Center currently being built on Cypress Point Drive. Residents will be pleased with the recreational amenities that will be offered. The new City facilities are scheduled to open in the spring 2012.

On the business front, the City continues to expand its commercial square footage to not only diversify the property tax base but to provide jobs for our citizens.

The Lakeview Business Park and the Beltway Crossing Complex, both off the Sam Houston Tollway, are attractive locations for nationally- and internationally-respected companies. Coupled with business growth elsewhere in the City, 800 new jobs were created in the past four years and new companies coming to Missouri City will add almost 1,000 more positions when they are fully staffed.

In the past 6 years, our commercial tax base has grown from 15 percent to 24 percent. Contributing to that expansion is Global Geophysical Services on South Gessner Road-the international firm recently celebrated a milestone when company officials rang the opening bell at the New York Stock Exchange in New York City. Another major contributor is Ben E. Keith, one of the largest food purveyors in the nation. Their half-million-square-foot distribution facility currently is under construction on its 82-acre site, with the future opportunity to expand to more than 1 million square feet. Warren Alloy will also move to Lakeview Business Park, joining a respected list of companies already based in the center. State Highway 6 continues to be a popular destination for many shoppers who now can enjoy a new type of movie experience with the Star Cinema Grill. The City's first hotel, La Quinta Inns & Suites is set to open in early 2012.

The planned expansion of the Fort Bend Toll Road across the city's eastern boundary to Sienna Plantation should encourage further commercial development. Missouri City has leveraged its capital project dollars through partnerships with other government entities, resulting in improved safety and mobility for motorists:

*The revitalization of two gateways-South Gessner Road and Texas Parkway-increases motorist and pedestrian safety and encourages continued development. South Gessner from Beltway 8 to Cravens Road was fully replaced, mosaic-tiled City monuments were strategically placed along the roadway and sidewalks were added. Upgrades to Texas Parkway feature a prominent City monument at the intersection of US90A, drainage improvements and the addition of sidewalks. Phase Two on this thoroughfare will add landscape and signage.

*Construction of raised medians on Highway 6 caused initial resident concern but feedback now is that they are pleased with the added safety factor. In addition, six new Dynamic Message Signs along Highway 6 alert motorists to important traffic information and emergency messages.

*The largest project the City has ever undertaken will be operational early in 2012. The surface water treatment plant project, a partnership among 40 government and private sector groups, who are paying for the facility through user fees, will initially serve Sienna Plantation outside of the city limits of Missouri City. The project meets a mandate for water users to move from ground to surface water incrementally over the next 15 years.

Aerial view of the new Surface Water Treatment Plant

Missouri City reaches out to meet the needs of residents through a strong homeowner's association liaison program.

The Show Me City also uses a variety of communications tools to keep the community informed, anchored by the website, www.missouricitytx.gov, Missouri City television, the quarterly citizen newsletter, news releases and the new radio station, 1690 AM.

Key to residents is the City's ongoing proactive community-based public safety programs. National Night Out each fall allows residents to meet their neighbors, discuss crime prevention measures and talk with their City Council members, the officers who patrol and the firefighters who also protect their neighborhoods. We can credit our low crime rate to police working so closely with citizens to prevent crime. In the past year, the Police Department also won a competitive federal grant for $893,000 that funded four new positions during fiscal year 2011.

In other proactive steps to curb crime in Missouri City, the Police Department is utilizing the newly-formed Burglary and Auto Theft or "BAT" Team that focuses on those crimes.

Since the formation of the BAT Team, auto thefts have decreased 20 percent over the previous year, and auto break-ins have declined 20 percent, with 11 stolen vehicles recovered, 10 auto theft suspects arrested and more than $113,000 in stolen property recovered.

Residents are pleased with the Route 170 direct transit service to The Medical Center, with connections to METRO's transit system network downtown. In a service survey, 98 percent of riders said they were satisfied with service.

The year also saw the start of METRO Park & Ride bus service for area residents with 98 percent of riders satisfied with the commuting option. Residents are overwhelmingly supportive of the rides that give them access to jobs in the Medical Center and Houston downtown transit points. Plans are under way for the permanent Park and Ride site to be located behind the Fort Bend Town Center located on Highway 6 at the Fort Bend Toll Road.

After years of planning and preparation, the City officially celebrated the grand opening of the Edible Arbor Trail, the first of its kind in the region. Visitors to the trail, just west of Murphy Road, can sample treats created by Mother Nature including Mexican Persimmon, pomegranates and kumquats.

The second phase of Oyster Creek Trail, which will be completed soon, offers a bike/pedestrian trail along Oyster Creek Bayou between Dulles Avenue and Cartwright Road that will allow residents to travel on foot or on bicycle from Mosley Park on Murphy Road to Oyster Creek Park in Sugar Land.

Another major milestone for citizens was the grand opening of an historic landmark - the Dew House and DeWalt Heritage Center in Fort Bend County's Kitty Hollow Park on Highway 6 South. The treasured house ended the year with an old-fashioned Holiday Wassail Program in December.

And Missouri City celebrated the year's end with the annual Snowfest Festival and the Snowfest Parade. Main attractions were the lighting of a 26-foot tree, the popular Snow Hill, fireworks and a special appearance from Santa.

In 2012, citizens are welcoming a new City Manager, Edward Broussard. He has been city manager since 2005 for Hutto in the Austin area and brings 16 years' experience in Texas municipal government. Former City Manager Frank Simpson accepted a position in College Station in May.

Also in the New Year, the economy will continue to control the pace of growth. Missouri City's physical location in the Houston area coupled with a developer-friendly environment and its growing reputation as a great place to live, should offer continued opportunities for the "Show Me City".

Valle del Cauca implementa programa de rehabilitación integral para personas en condición de discapacidad visual. Foto: Deywis Ayure Casas

Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint) and electronic drawing.

A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.

In addition to its more artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering and technical drawing. A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, draftsman or a draughtsman.[2]

Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.

Madame Palmyre with Her Dog, 1897. Henri de Toulouse-Lautrec

Galileo Galilei. Phases of the Moon. 1616.

Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.

There are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).

A quick, unrefined drawing may be called a sketch.

In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.

History[edit]

Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.

Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]

The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.

Drawing Outside the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[20] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.

Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[21] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.

Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.

Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.

The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.

Technique[edit]

Raphael, study for what became the Alba Madonna, with other sketches

Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[22]

Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.

The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[23] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[24]

Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.

Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.

Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.

Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[25]

Tone[edit]

Line drawing in sanguine by Leonardo da Vinci

Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.

Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.

Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.

Form and proportion[edit]

Pencil portrait by Ingres

Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.

When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive volumes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic volumes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive volumes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[26]

A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.

Perspective[edit]

Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.

Two-point perspective drawing

When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[27] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.

Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.

Artistry[edit]

Chiaroscuro study drawing by William-Adolphe Bouguereau

The composition of the image is an important element in producing an interesting work of artistic merit. The artist plans element placement in the art to communicate ideas and feelings with the viewer. The composition can determine the focus of the art, and result in a harmonious whole that is aesthetically appealing and stimulating.

The illumination of the subject is also a key element in creating an artistic piece, and the interplay of light and shadow is a valuable method in the artist's toolbox. The placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features.

When drawing an object or figure, the skilled artist pays attention to both the area within the silhouette and what lies outside. The exterior is termed the negative space, and can be as important in the representation as the figure. Objects placed in the background of the figure should appear properly placed wherever they can be viewed.

Drawing process in the Academic Study of a Male Torso by Jean-Auguste-Dominique Ingres (1801, National Museum, Warsaw)

A study is a draft drawing that is made in preparation for a planned final image. Studies can be used to determine the appearances of specific parts of the completed image, or for experimenting with the best approach for accomplishing the end goal. However a well-crafted study can be a piece of art in its own right, and many hours of careful work can go into completing a study.

Process[edit]

Individuals display differences in their ability to produce visually accurate drawings.[28] A visually accurate drawing is described as being "recognized as a particular object at a particular time and in a particular space, rendered with little addition of visual detail that can not be seen in the object represented or with little deletion of visual detail”.[29]

Investigative studies have aimed to explain the reasons why some individuals draw better than others. One study posited four key abilities in the drawing process: perception of objects being drawn, ability to make good representational decisions, motor skills required for mark-making and the drawer's own perception of their drawing.[29] Following this hypothesis, several studies have sought to conclude which of these processes are most significant in affecting the accuracy of drawings.

Motor function Motor function is an important physical component in the 'Production Phase' of the drawing process.[30] It has been suggested that motor function plays a role in drawing ability, though its effects are not significant.[29]

Perception It has been suggested that an individual's ability to perceive an object they are drawing is the most important stage in the drawing process.[29] This suggestion is supported by the discovery of a robust relationship between perception and drawing ability.[31]

This evidence acted as the basis of Betty Edwards' how-to drawing book, Drawing on the Right Side of the Brain.[32] Edwards aimed to teach her readers how to draw, based on the development of the reader's perceptual abilities.

Furthermore, the influential artist and art critic John Ruskin emphasised the importance of perception in the drawing process in his book The Elements of Drawing.[33] He stated that "For I am nearly convinced, that once we see keenly enough, there is very little difficult in drawing what we see".

Visual memory has also been shown to influence one's ability to create visually accurate drawings. Short-term memory plays an important part in drawing as one’s gaze shifts between the object they are drawing and the drawing itself.[34]

Vienna Volksoper

The Volksoper is after the Vienna State Opera, the second-largest opera house in Vienna. The program will include operettas, operas, musicals and ballet.

(Pictures you can see by clicking on the link at the end of page!)

Seen from the Volksoper Währingerstraße from

History

Founding and time as spoken theater

The Jubilee City Theatre woodcut from the Leipzig magazine of 19 January 1899

1897 Karl Lueger was appointed mayor of Vienna. The architectural thought - ie the redesign of Vienna - was the prevailing social, economic and political trend in this as ring road time known era. In the same year the emperor anniversary Municipal Theatre Association (Kaiserjubiläums-Stadttheater-Verein) was founded by committed citizens of the City of Vienna to set up with the objective of the 50th Jubilee of Emperor Franz Joseph I in 1898 a theater for the performance of German speaking pieces in Waehring.

In addition to this club significantly involved was also the Christian Social dictrict leader of Währing Anton Baumann because the building until 1905 stood in the 18th District. The theater association commissioned the architect Alexander Graf with the implementation of the building, which together with the architect Franz Freiherr von Krauss built the Emperor's Jubilee City Theatre in just 10 months.

The total costs were estimated at 650,000 guilders before construction begins. This amount was financed through shares, which were sold like hot cakes. With some delay, the construction work was started in March, 1898. The high pressure of time led to a violation of the construction costs by approximately 25%, or 160,000 guilders. This missing amount was not subsidized by public authorities, but was imposed the director Adam Müller-Guttenbrunn in the form of a lease rate increase.

Another shadow over the opening on 14 December 1898 cast the fact that the emperor himself stayed away from the opening of the house, as his wife Elizabeth had been killed three months earlier. After this bad start of the theater followed after not yet five years in 1903, the first bankruptcy .

The musical theater from 1903 until the postwar years

The Jubilee City Theatre at the time of opening, 1898

On 1 September 1903, Rainer Simon took over the directorate. He for himself had completed his apprenticeship with famous singers such as Julius Stockhausen or composers like Engelbert Humperdinck. A clear goal in mind, although he would indeed continue the popular German speaking parts in the sense of its predecessor, but put the first steps towards musical theater. During the 1904/05 season - in which for the first time appeares in the subtitle Volksoper, too - Simons introduced the first comic operas. Due to the great public appeal, Simons already ventured 1906-1908 the leap to the big opera. From 1908 the venue operated only under the name Volksoper.

After many highly successful years, finally in 1925 the Volksoper massively had to fight with the effects of inflation. After some brief closures and various rescue attempts by the working groups Volksoper was closed on 5 July in 1928 and only on 5 November 1929 reopened as New Vienna Schauspielhaus. 1938 took over the city of Vienna the now Urban Vienna Volksoper (Städtische Wiener Volksoper) later renamed Opera House of the City of Vienna. Towards the end of the Second World War the Volksoper became, for several months, the second largest cinema of the city with 1,550 seats, since after 1 September 1944 for all theaters was ruling prohbition of theater performances and there were some Viennese cinemas already destroyed by air raids.

After the Second World War, the Volksoper served as temporary quarters for the destroyed Staatsoper. After the opening of the restored State Opera building in 1955, the People's Opera became again independent musical theater with operas, operettas and musicals. In the same year, the Volksoper was integrated into the Austrian Federal Theatre.

Recent history

Under the director Karl Dönch took place in 1973 a first major reconstruction of the theater house.

1979 Robert Jungbluth has initiated in his former role as Secretary General of the Federal Theatre Association for the Volksoper a guest performance in Japan. It was the first operetta which was performed in Japan. In 1984, followed an American tour.

September 1991 to June 1996, the Staatsoper and the Volksoper were under joint command. During this time singers were hired for both houses simultaneously. The season was, however, autonomous, since both platforms serve different priorities.

The People's Opera as stage house of the Austrian theater became with the Federal Law on the reorganization of the Federal Theatre (Federal Theatre Organisation Act) in 1998 a legally independent company. 1999 took place the establishment of the "Volksoper Wien GmbH" as a 100% subsidiary of the Federal Theatre Holding GmbH.

Since 1 September 2007 is the Volksoper Vienna conducted by Kammerschauspieler Robert Meyer as director and artistic director. Rainer Schubert acts as Deputy Director. At the same time Mag. Christoph Ladstätter was appointed Chief Financial Officer. Diethmar Strasser acts as artistic director of operations, and Gerrit Prießnitz is the musical director of studies.

Robert Meyer is pursuing a consistent policy of reform. Its goal is to position the Volksoper again as "the musical theater in Vienna" to enhance the operetta and to a wider audience.

Iron Curtain

An iron curtain of the Vienna Volksoper

On the Iron Curtain, the dedication of the house of the 50th anniversary of the reign of Franz Joseph I. By the two year figures 1848, on your left, and 1898, on your right, good recognisable. This was painted by Karl Schuller and Georg Janny.

The curtain is showing in the center front Vindobona. The man in the right half of the picture is supposed to symbolize the citizens of Vienna. By removal of the blindfold this one now should be able to see the beautiful muses, too.

Before the war, the curtain was cleared away and was then lost until it reappeared in the 1990s in the attic of the Theater an der Wien.

Facts and Figures

Spectators and house

Current seating plan of the Volksoper

At three different levels to visitors a total of 1261 seating and 72 standing places, and 2 wheelchair places are available. From September to June, there is, with few exceptions, every day a performance. The most important figures in recent years:

Season Performances Visitors avg seat utilization employees

2004/2005 [2 ] 287 293 695 75.41 % unknown

2005/2006 [3 ] 276 280 520 74.77 % 524

2006/2007 [ 4] 281 289 721 78.34 % 523

2007/2008 [ 5 ] 291 325 491 85.77 % 526

The for maintenance activities responsible federal-Holding has spent in the fiscal year 2006/2007 for a facade renovation of the historic building Volksoper EUR 1.1 million.

Specifications

Lighting and views to the orchestra pit at the Volksoper

The orchestra pit is equipped with two electrically powered lifting platforms. The load capacity is 500 kg/m² (front single podium, stage-sided double-decker panel) and is height adjustable from 0 to 2.65 feet below stage level.

The existing red velvet curtain head is hydraulically liftable and raff. The gathering speed is 0.15 to 3.0 m/s, the lifting speed is up to 2 m/s.

The sound curtain of aluminum frame also operates hydraulically. The additional capacity of 300 kg with a point load of 150 kg. The lifting speed as sound curtain is up to 0.8 m/s. The lifting speed as heavy truck is up to 0.5 m/s.

The hydraulically operated Schleierzug has a load capacity of 350 kg with a point load of 150 kg.

The stage area is 480 square meters with a maximum of 500 kg / m² load . The usable platform width is 17.2 meters and the depth of the stage from the front edge to the portal sliding gate are 19 meters.

Volksoper from the belt

The stage surface is made of a rotatable and raisable core disk having a diameter of 7.20 m in the middle, and a rotatable annular disc having an outer diameter of 15 meters of the core slices. Furthermore, there are three hand-operated, stationary personal meditations.

Organizational Structure

Since 1999, the Vienna Volksoper belongs to 100 % to the Federal Theatre holding just like the Staatsoper GmbH Vienna and Burgtheater GmbH. Another subsidiary is the theater GmbH which belongs to 51.1 % to the Federal Theatre Holding. The remaining 48.9% hold the three stage companies in equal parts (each 16.3%). Together with the Vienna State Opera, the Volksoper is subordinaded the independent consortium Ballet of the Vienna State Opera and Volksoper. Directors

Adam Müller- Guttenbrunn (1898-1903)

Rainer Simons (1903-1917)

Raoul Mader (1917-1919)

Felix Weingartner (1919-1924)

August Markowsky/Fritz Stiedry (1924 )

Hugo Gruder-Guntram/​​Leo Blech (1925 )

Frischler Hermann (1925-1928)

Jacob Feldhammer/Otto Preminger (1929-1931)

Leo Kraus (1931-1933)

Karl Funny-Prean/Jean Ernest (1934-1935)

Alexander Kovalevsky (1935-1938)

Anton Baumann (1938-1941)

Jölli Oskar (1941-1944)

Juch Hermann (1946-1955)

Salmhofer Franz (1955-1963)

Albert Moser (1963-1973)

Karl Dönch (1973-1986)

Eberhard Waechter (1987-1992, 1991-1992 also the director of the Vienna State Opera)

Ioan Holender (1992-1996, also the director of the Vienna State Opera)

Klaus Bachler (1996-1999)

Dominique Mentha (1999-2003)

Rudolf Berger (2003-2007)

Robert Meyer (from 2007)

Premieres

The Kuhreigen, Musical Theatre by Wilhelm Kienzl, 23 November 1911

Love chains, opera in three acts by Eugen d'Albert, 12th November 1912

The Testament, musical comedy by William Kienzl, on 6 December 1916

The lucky hand, drama with music by Arnold Schoenberg, on 14 October 1924

This is the first love affair, operetta by Eysler, 23 December 1934

On the green meadow, operetta by Jara Benes, on 9 October 1936

Spring Parade, operetta by Robert Stolz, on 5 March 1964

Felix. Or of someone who set out to learn to shudder, and jazz opera by Klaudia Kadlec (libretto ) and Max Nagl (music) after the fairy tale by the Brothers Grimm on 23 June 2002

Honorary members

Klaus Bachler

Franz Bauer-Theussl

Rudolf Bibl

Adolf Dallapozza

Otto Fritz

Hans Grötzer

Karlheinz Haberland

Johannes Heesters (since 1984)

Michael Heltau (since 2004)

Robert Herzl (since 1998)

Ioan Holender

Renate Holm

Mirjana Irosch

Wolfgang Schultze

Dagmar Koller

Erich Kuchar

Guggi Löwinger

Sigrid Martikke

Peter Minich

Sonja Mottl Dönch

Helga Papouschek

Herbert Prikopa (since 1986)

Harald Serafin

Wicus Slabbert (since 2005)

Christiane Sorell

Helmut Süß

Paul Walter Rudolf Wasserlof

de.wikipedia.org/wiki/Volksoper_Wien

Find the Best Talent for the Job: Implementing a Competency-based Hiring Process... Presentation & Content packet done. Super excited for a full day development program. Sharing research based methods on how to Hire & Promote people to move the company & team forward... read more bit.ly/HUEUyB

Steer # 14: $14,911.88

Sponsor: Monroe County Cattlemen & Supporters including Farm Credit Services of America, Reed Excavation, Bachman Farms, Centerville Produce, Iowa Agribusiness Radio Network, Relco, Rozenboom Farm and Trucking, Central State Cattle, First Iowa State Bank, Ozinga Feed Service, Peoples State Bank, Smith Fertilizer & Grain, Quality Ag Service Inc, Adams A/B Company, Ajinomoto Heartland, Albia Animal Clinic, Appanoose Co Livestock, Beaumont Specialty Products, Chris & Tracey Matt Family, Coltrain Implement, Curt & Kaylene Peterson Family, Dan & Jill Yule Family, Falvey Lumber, Feehan's Pub, Goodlow Law, Greiner Implement Co, Hawkeye Box & Pallet, Homestead Assisted Living, Hy-Vee Albia, Indian Hills Inn, Inspire U - All Things Good, Iowa Builders, Jeff & Julie Major, John Knowles Cattle, KMA Steel, Knoxville Regional Livestock Market, Lawless Farms, Lucky's Mobile Power Washing, Mark Jacobs, Meredith Spray Foam, Mike & Tiffany Rockwell, G & P Insurance, Goff & Nash, United Country Hawkeye Farm Mgmt & Real Estate, Herbold Cattle, Hindman Show Lambs, Huber Farms, Jim & Charlie’s Affiliated Foods, Jim & Connie Keller, Joe & Barb Crall Family, Jon & Paige Bradley Family, JTF Farms - Jerry and Tonya, Kevin & Angela Wilson Family, Kevin & Wendy Dyson, Kirksville Livestock, Kness Mfg Co, Lathrop Farms, Legrand, Mark, Lisa, John Shepard, Mike & Jane Knowles Family, Monroe Care Center, Moravia Hardwoods, Patty & John Judge Family, Russell Livestock Market, Murphy Auction Service, Pioneer Seed Corn - John Crall Family, Reck Bros - Advantage Genetics Sale, Robert Stoner Family, Rouge Rodeo, Schofield Lawn Care, Scieszinksi Construction, Shelquist Sales Precision Seed Services, Steve & Lori Rockwell, TBC Insurance, Wes & Randell Aeschilman Family, Wilkin Livestock - Larry and Sharon Wilkin, Yarkosky Farms - Ed and Amanda Yarkosky Family, Zero Connect, Milton & Christine Wilson Family, Monroe County Farm Bureau, Mike's Tire, Mossy Oak Properties, Southern Iowa Oil, Steve & Karla Heffron Family, Stocker Farms, Tim & Cindy Kaldenberg Family, VandenBerg Family Greenhouse, Tracy & Renee Howell, Bryan & Amber Reed Family, Carr Show Cattle, Conway Farms - Donnie & Emma, Eric & Cheryl Chambers Family, Henderson Cattle Inc - Bob, Patty, Aaron, Andy & Adam, HMH Storage - Mike & Heather Flahive, Jim & Lori Keller Family, Joe & Kris Knowles, Jordon & Stephanie Haywood Family, Kaster Fencing, Kenny & Peggy VandenBerg, Ross & Phyllis Rekemeyer, Carolyn & Josey Ryan, Kenny & Helen Shepard Family, Garver Animal Health Center, KIIC Thunder Country, Albia State Farm - Wes Aeschliman, Ammons Farms - Paul Ammons Family, Beary Farms, Bettis Construction, Brian & Gina Crall Family, Butler's Charcoal Ridge Mobile Grooming, Cason Boer Goats, Cason Pride & Joy Simmentals, Chiropractic Health Center, Community 1st Credit Union, Conley Spray Foam, Crawford Insurance, Double D Repair, Belzer Equipment, Bogie's Steakhouse, Restoration Dental Care, Dyson Trucking

Celebrity & Title: Justine Stevenson, Seeds of Hope Foundation

Steer Name: Seeds of Hope

Steer Owner: Brianna Wolfer, Albia

Buyer: Monroe County Cattlemen’s and Supporters for $9,500; additional support from Vandenberg Greenhouse ($325); Iowa Agribusiness Radio Network ($500); and the family of Chasen Stevenson ($3,000); $1586.88 market value donated by the buyers

Second Model UN (MUN) Summer School was held in Ismayilli Azerbaijan. This MUN Summer School was organized in the framework of joint project implemented by the Ministry of Youth and Sports of the Republic of Azerbaijan and the United Nations Development Programme (UNDP) in Azerbaijan.

The main format of the Summer School was based on the simulation of the United Nations’ Committees. Nearly 200 participants from various universities, academies and schools have been involved in the simulation of the work of three United Nations Committees .

The participants discussed the issues on “Alternative Sources of Energy”, Restoration of peace and security in Boko Haram affected areas” and “Philippines vs. China: South China Sea Arbitration” at the UN General Assembly (UN GA), UN Security Council (UN SC) and International Court of Justice (ICJ), respectively.

The Summer School applicants were obliged to proceed through a numerous process of screenings and interviews. Selected outstanding participants of the Model UN will be awarded for the nominations of "The Best Delegate", "The Best Position Document" and "The Best Debater". The certificates and prizes were handed to the winners of nominees by the organizers at the end of the Summer School.

The main purpose of our joint project on “Creating new platforms to support active youth engagement in global policy debates” is to support the capacity building of young people and youth-led institutions, and the advancement of youth participation in governance. Additionally, this project also contributed to the process of institutionalization of the UN Model activity in Azerbaijan, establishment of MUN clubs at the educational institutions, and building MUN network.

Sarah Kirby, Group Head, Organization Design and Human Resource Strategy, Zurich Insurance Group, Switzerland speaking during the Session "Implementing Stakeholder Capitalism 1" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell

WASHINGTON - On Wednesday, June 6, U.S. Transportation Secretary Ray LaHood (Inside Left), U.S. Customs and Border Protection (CBP) Acting Deputy Commissioner Kevin McAleenan (Speaker), Delta Chief Executive Officer Richard Anderson (Right) and JetBlue Airways Senior Vice President for Government Affairs and Associate General Counsel Robert Land (Far Left) announced the implementation of new partnerships to combat human trafficking as part of the Department of Homeland Security’s Blue Campaign, CBP and the Department of Transportation. Photo by James Tourtellotte

Catalogue front cover

Crops grow in a high tunnel at Teter Organic Farm in Noblesville, Indiana May 13, 2022. Teter Organic Farm is operated by Noblesville First United Methodist Church and provides food for the church's food bank. They also sell produce through a community supported agriculture program, farmers markets and to local restaurants. The farm enrolled in the Natural Resources Conservation Service's Environmental Quality Incentives (EQIP) program to build three high tunnels, implement cover crops and develop a forest management plan. The farm has also enrolled acres in the Conservation Reserve Program (CRP) offered by the Farm Service Agency. (NRCS photo by Brandon O'Connor)

Participants during the Session "Implementing Stakeholder Capitalism 1" at the World Economic Forum, Annual Meeting of the Global Future Councils 2019. Copyright by World Economic Forum / Benedikt von Loebell

Staff and physicians at Nanaimo Regional General Hospital and Dufferin Place celebrated the official launch of the countdown to the implementation of IHealth, a new electronic system that will be up and running at NRGH and Dufferin Place by summer 2015.

The new IHealth electronic tool will track patient health information in a single health record across Island Health facilities, programs and services throughout a patient’s entire life. NRGH and Dufferin Place residential care facility will be the first Island Health locations to receive IHealth.

I love this bay, its a beautiful tranquil place, however after reading news reports on a court judgement 13/7/2018 forcing the fisher men to remove their boats within 28 days it saddened me, hence I made a trip today Friday 13th July 2018 to capture the views and scenery before this unpopular ruling is implemented, what a sad situation indeed, I have included the news report on the legal wrangle at the end of this description.

Cove is a 20 minute drive from my home in Aberdeen Scotland, it was a pleasure to visit today and capture the tranquility that it presented.

Scattered across the harbour are stones with various sealife characters carved into them.

Cove Bay is a suburb on the south-east edge of Aberdeen, Scotland.

Today Cove is home to over 7000 people. It is a popular residential location owing to its extremely village-like status.

It is a quiet suburb just at the edge of the City and in 2015 won the Silver award for Scotland in bloom. Nearby Altens and Tullos Industrial Estates, affording ample employment opportunities.

History

Cove Bay is situated to the east of the ancient Causey Mounth, which road was built on high ground to make passable this only available medieval route from coastal points south from Stonehaven to Aberdeen.

This ancient trackway specifically connected the River Dee crossing (where the Bridge of Dee is located) via Portlethen Moss, Muchalls Castle and Stonehaven to the south.

The route was that taken by William Keith, 7th Earl Marischal and the Marquess of Montrose, who led a Covenanter army of 9000 men in the battle of the Civil War in 1639.

Cove Bay was a village in the extreme north-east corner of Kincardine, governed from Stonehaven, until 1975, when it was added to the City of Aberdeen. Though simply referred to as Cove, in the 19th and early 20th centuries it was known as The Cove, becoming Cove Bay around 1912.

Industry

Cove has been noted for industries such as granite, which was quarried in several locations to the south of the village. Owing to its close-grained texture, Cove granite was one of the hardest in north-east Scotland and proved highly resistant to frost, making it ideal for causeway stones used in the construction of roads. It was widely exported to cities in England, including Billingsgate Market in London.

Fishing

The village itself sprung up around the fishing industry, with the boats berthed on a shingle beach, a gap in the rocks that afforded a natural harbour. During this time, it is estimated that approximately 300 people lived in the area. In the mid 19th century the fishing was at its height, which, over years, has included cod, haddock, salmon, herring and shellfish. The piers and breakwater were constructed in 1878. At the end of World War I the fishing began to decline. At present only a couple of boats pursue shellfish on a part-time basis.

Between 1894 and 1937, Cove also housed a fishmeal factory, the Aberdeen Fish Meal Factory, which was located at the edge of the cliffs. It produced quality manure which was exported to both Europe and America. It became locally known as "the stinker" because of the processing odour, which was highlighted by the Aberdeen entertainer Harry Gordon in a parody entitled A Song of Cove.

Amenities

Retail

Cove has just had a brand new Co-operative built just off of Earnshugh Circle.

To the west of Loirston Road is the Cove Shopping Centre, which overlooks Loirston Primary School. This houses a pharmacist, the Wee China Chinese takeaway/Chip shop, Ruby Tuesdays beauty salon and the Harr Rock cafe (Cove's second).

Within the new development of cove a local Sainsbury's has opened. There is also the Harr Rock Cafe (the first one), a hairdressers and a gift shop within the new development.

There are also 2 RS McColl newsagents. One located at Bervie Brow in Altens, and a second located on the corner of Loirston Road and Cove Road which also houses a Post Office.

Hospitality

The Cove Bay hotel is located on Colsea Road. There is also The Aberdeen Altens Hotel in Altens, which has 216 bedrooms, making it the largest of the three Thistle Hotels in Aberdeen.

There is also a pub, the Langdykes which now has an Indian restaurant situated inside called The Curry lounge which you can sit in or take away.

Transport

Bus services to and from Cove and the wider area of Aberdeen are available. These are run by First Aberdeen with the numbers 3 (to Mastrick) and the 18 to Dyce, via Kincorth. Stagecoach also cover cove partially, with numbers 7A & 8 (Both to the City Centre).

Healthcare

Cove Bay has its own medical centre, the Cove Bay Medical Centre. It was originally located on Catto Walk, but moved to a new facility off Earns Hugh Road. Cove Dental Care has since moved into the old surgery building.

Sport

Cove is currently home to two football teams: Cove Rangers, who currently play in the Highland Football League, they temporarily play in Harlow Park, Inverurie, as their old home Allan park was demolished to make way for housing. Cove Thistle, who hold amateur status. Sunday amateur team Cove Revolution folded in 2010.

There are also many youth teams in the area that are run by Cove Youth FC. The Cove Youth FC area SFA credited community club, organizing players from 6 years old up to 19 years old. They also have a girls section. The Cove Community Football Trust is run by Cove Rangers FC, Cove Thistle FC and Cove Youth FC.

Other Amenities

A state-of-the-art library was recently built between Loirston Primary School and the Cove Shopping Centre. There are blueprints for a local sports centre to also be built in the near future.

Education

Cove has two primary schools, Charleston Primary School and Loirston Primary School. Most secondary pupils attend the nearby Kincorth Academy, but some choose to go to Portlethen Academy.

Future Developments

Aberdeen Gateway[edit]

Construction on a new Aberdeen Gateway industrial development began in 2008. It will see new offices and industrial units built to the south of the village. Current tenants at the site include National Oilwell Varco (NOV), Driving Standards Agency and Hydrasun. A Community football pitch is also inlcluded within the development.

Cove Academy

Plans for a secondary school in Cove have now been approved and will be situated alongside Wellington Road. It is thought that once this is built pupils from Cove, Torry as well as Kincorth will attend this school.

The Legal Wrangle - Landowner V Fishermen - Judgement 13/7/18

Fishermen told to move boats from Cove Bay after legal dispute

Fishermen have been told to move their boats from an Aberdeen bay after a long-running dispute.

Several fishermen were fighting an eviction order on behalf of landowner Pralhad Kolhe at Cove Bay, where they had been fishing for many years.

In a written judgement, a sheriff has given them 28 days to move their boats and equipment from Mr Kolhe's land.

However, Sheriff Andrew Miller also ordered the removal of obstructions to vehicular access onto the pier.

The case was heard at Aberdeen Sheriff Court earlier this year.

One of the fisherman, Jim Adam, told a court he was "stunned" to receive a legal letter telling him to remove his boat.

He had been fishing from Cove Bay since 1966.

'We were hopeful'

The first day of the hearing heard the letter said the landowner, who lives in a house overlooking the harbour, was unable to make use of his land for amenity purposes and that he did not wish Mr Adam's vessel, or any other vessel, on his land.

In the ruling, Sheriff Miller also gave Mr Kolhe 28 days to remove the obstructions to vehicle access to the pier.

Mr Adam told BBC Scotland: "We are disappointed, we were hopeful.

"The good news is at least for the recreational folks they have got vehicle access."

The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.

Author: Andreas Nierhaus, Curator of Architecture/Wien Museum

Last updated January 2014

Architecture in Vienna

Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.

Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.

Culmination of medieval architecture: the Stephansdom

The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.

The baroque residence

Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.

Upgrading into metropolis: the ring road time (Ringstraßenzeit)

Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.

Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.

Laboratory of modernity: Vienna around 1900

Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made ​​the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.

With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).

Between the Wars: International Modern Age and social housing

After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.

Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.

Expulsion, war and reconstruction

After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made ​​of solid reinforced concrete which today are present as memorials in the cityscape.

The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).

The youngsters come

Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) ​​by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.

MuseumQuarter and Gasometer

Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.

The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.

New Neighborhood

In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of ​​the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.

In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).

Flying high

International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.

Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.

Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.

From left to right:

Jean Michel Arrighi, Secretary for Legal Affairs of the Organization of American States

José Miguel Insulza, OAS Secretary General

Vânia Vieira, President of Committee of Experts of the Mechanism for Follow-up on the Implementation of the Inter-American Convention Against Corruption (MESICIC)

Jorge García-Gonzalez, Director of the OAS Department of Legal Cooperation

Date: September 15, 2011

Place: Washington, DC

Credit: Juan Manuel Herrera/OAS

The blueprint image is the cover of the vision document, along with the nine team names charged with implementation the Conserving the Future vision document's 24 recommendations.

Darioush, a winery noted for its Bordeaux style estate wines, implements old world labor-intensive, micro-vineyard management and new world state of the art technology to craft fine wines from its estates located in the appellations of Napa Valley, Mt. Veeder and Oak Knoll. Under the direction of Darioush Khaledi and winemaker Steve Devitt, precision and quality are of the utmost importance at the winery.

The Property

Darioush welcomes guests to its new visitor center and winery beginning August 16, 2004. The new architectural building comes after five years in the making, and combines materials, castings, and furnishings from distant lands and exotic locations. The 22,000 square foot winery, the first in America to combine architecture, design and Persian culture, provides a unique and exhilarating experience in California’s most renowned wine destination. Reminiscent of the great noble architecture that once existed, the imagery of the Darioush building evokes Persepolis, the illustrious capital of ancient Persia.

The Khaledi's Persian heritage is the inspiration and vision for the winery, designed by architects Ardeshir and Roshan Nozari, incorporating clean, contemporary lines with historical references to Persia’s ancient capital city. One of the most important aspects of the Persian culture is hospitality, and the winery is designed to create a welcoming, enjoyable as well as a rich and intriguing environment for guests. Visitors will receive unparalleled service and a sensational experience.

“The juxtaposition of modern clean lines and historical references represent the philosophy of our office,” states Ardeshir Nozari, who incorporated many intriguing architectural elements throughout the building. Among the design features of interest are the 16 monumental 18’ freestanding columns with capital bulls, which act as stone trees at the entrance of the winery, elevating visitor expectations. Richly textured travertine-stone cladding surrounds the entire building. This yellow stone was quarried near the region of Persepolis and exported to Turkey and Italy for cutting and tumbling before it reached the Silverado Trail in Napa. Additional design features include pre-cast moldings, furniture, fireplaces, ironwork, lighting, cellars, and an amphitheatre for performances and events.

The Visitor Center boasts a state of the art facility offering a unique one-on-one experience to taste the complete line of signature wines with options for indoor and outdoor seating. Six outdoor water features with fountains and one indoor rolling wall of water comprise some of the sights and sounds of the guest experience. Lush and varied landscaping creates a sequence of continuous gardens, which lead the visitors to the winery.

VH Produce owner Vue Her is a Hmong farmer on a 10-acre field, who grows several Asian specialty crops in Singer, CA, near Fresno, on November 9, 2018. He has worked with the U.S. Department of Agriculture (USDA) Natural Resource Conservation Service (NRCS) to implement many conservation improvements, including help replacing an old tractor for a more efficient lower emission tractor and installation of seasonal high tunnels.

Growing up on a farm and learning the skills was just not possible for Vue Her who was born to farmer parents in a refugee camp in Thailand. He could not put into practice all the farming skills they used in Laos. General schooling in the refugee camps was minimal. At the age of 15, he started working a variety of odd jobs and work as a craftsman in the camp. This 'on the job' experience taught him an appreciation for hard work, and he took pride in being able to contribute to his family. There he married and started his own family.

Eager to work, he started with Foster Farms as a janitor. Then he stocked produce at an Asian grocery store. He kept working hard and saved his money. After years of factory work, he started his farm operation on leased land, in 2011, with plans to buy his own land in two years.

As a young man with a growing family, starting a farm in the United States was a big challenge and he knew he needed help. While listening to a local Asian language radio station, he heard NRCS soil conservationist Sam Vang’s NRCS radio program (in the Hmong language). Producer Vue Her said, “I am a big fan of the program and without the NRCS radio program, I don’t think I knew USDA programs.” (Note: The radio station is no longer producing the program.)

Farming, in the beginning, was hard and not efficient for Vue Her because he had to wait to use a borrowed tractor. This caused the soil to be worked out of schedule, causing the harvest to be out of the schedule for the farmer's markets where he sells his produce. To stay on schedule and meet market needs he purchased his own tractor that was supported by the USDA through the Environmental Quality Incentives Program (EQIP) program. www.nrcs.usda.gov/wps/portal/nrcs/main/national/programs/...

He quickly learned from Sam Vang that the farming practices his parents used are different from the standard practices in the US. Soil conservationist Sam Vue helped him learn about soil conservation, management skills, business knowledge, and time management. Some examples of this are the practice of rotating the crops in each plot to promote soil health and using standardized tractor attachment settings to save time and effort. For this Mr. Her says, "I'm happy to be part of NRCS programs and to know the staff. I have less stress, and I'm thankful for the farm management skills. Whenever I have a question, I call Sam."

The EQIP program also helped him purchase two seasonal high tunnels so that they can grow dozens of different varieties of Asian vegetable in the long arched plastic wrapped structures. In the tunnels, many of the vegetables are planted as seeds and are very sensitive to either frost or heat. High tunnels also helped him to maintain steady production and income year-round.

As a family business, his workforce is his seven children who pitch in after school. Each week, they push to pick, clean and box the produce just before the weekend markets. Today, wife Mai Houa Yang, son Bee Her, and daughter Chai Her harvest peanuts for sale tomorrow.

"I appreciate being able to produce traditional vegetables for other cultures, says Mr. Her. "I feel good about working hard and being accepted in the community of growers and by my customers."

When asked, what is a good day? He laughs, every day is the best day because I spend more time on the farm than at home.

USDA Photo by Lance Cheung. Growing up on a farm and learning the skills was just not possible for Vue Her who was born to farmer parents in a refugee camp in Thailand. He could not put into practice all the farming skills they used in Laos. General schooling in the refugee camps was minimal. At the age of 15, he started working a variety of odd jobs and work as a craftsman in the camp. This 'on the job' experience taught him an appreciation for hard work, and he took pride in being able to contribute to his family. There he married and started his own family.

Eager to work, he started with Foster Farms as a janitor. Then he stocked produce at an Asian grocery store. He kept working hard and saved his money. After years of factory work, he started his farm operation on leased land, in 2011, with plans to buy his own land in two years.

As a young man with a growing family, starting a farm in the United States was a big challenge and he knew he needed help. While listening to a local Asian language radio station, he heard NRCS soil conservationist Sam Vang’s NRCS radio program (in the Hmong language). Producer Vue Her said, “I am a big fan of the program and without the NRCS radio program, I don’t think I knew USDA programs.” (Note: The radio station is no longer producing the program.)

Farming, in the beginning, was hard and not efficient for Vue Her because he had to wait to use a borrowed tractor. This caused the soil to be worked out of schedule, causing the harvest to be out of the schedule for the farmer's markets where he sells his produce. To stay on schedule and meet market needs he purchased his own tractor that was supported by the USDA through the Environmental Quality Incentives Program (EQIP) program. www.nrcs.usda.gov/wps/portal/nrcs/main/national/programs/...

He quickly learned from Sam Vang that the farming practices his parents used are different from the standard practices in the US. Soil conservationist Sam Vue helped him learn about soil conservation, management skills, business knowledge, and time management. Some examples of this are the practice of rotating the crops in each plot to promote soil health and using standardized tractor attachment settings to save time and effort. For this Mr. Her says, "I'm happy to be part of NRCS programs and to know the staff. I have less stress, and I'm thankful for the farm management skills. Whenever I have a question, I call Sam."

The EQIP program also helped him purchase two seasonal high tunnels so that they can grow dozens of different varieties of Asian vegetable in the long arched plastic wrapped structures. In the tunnels, many of the vegetables are planted as seeds and are very sensitive to either frost or heat. High tunnels also helped him to maintain steady production and income year-round.

As a family business, his workforce is his seven children who pitch in after school. Each week, they push to pick, clean and box the produce just before the weekend markets. Today, wife Mai Houa Yang, son Bee Her, and daughter Chai Her harvest peanuts for sale tomorrow.

"I appreciate being able to produce traditional vegetables for other cultures, says Mr. Her. "I feel good about working hard and being accepted in the community of growers and by my customers."

When asked, what is a good day? He laughs, every day is the best day because I spend more time on the farm than at home.

USDA Photo by Lance Cheung.

Source: Sold on Ebay for $200 Jan. 2012.

A.H. Gregg was a prominent business man in Farmer Village, now called Interlaken, NY. They originally produced agriculture machinery, and later moved to Trumansburg, NY and established Gregg Iron Works. The principle article of manufacture was the Meadow King Mower, but other implements were added as the capacity of the works increased as the demand warranted. The Osborn Sulky Plow, Sharpe Horse Rake, Morse Horse Rake, King of the Lawn and Young America Lawn Mowers, and later, reaping machines and twine binders were built to quite an extent.The annual out- put for several years was in the neighborhood of 2,000 mowers, 500 reapers, 1,500 rakes, 1,500 lawn mowers, 500 sulky plows, besides hand plows and miscellaneous tools.

This rare pass is signed on front by Gregg, with information on back. There is an embossed stamp on the signature portion as well. In good condition with some wear and light soiling. Please see photo. If you collect 19th century Americana history, World's Fair / Expo, photography, etc. this is a treasure you will not see again! Add this to your image or paper / ephemera collection. Important genealogy research importance too. Combine shipping on multiple bid wins!

International Cotton Exposition (I.C.E) was a World's Fair held in Atlanta, Georgia from October 5 to December 3 of 1881. h The location was along the Western & Atlantic Railroad tracks near the present day King Plow development. It planned to show the progress made since the city's destruction during the Battle of Atlanta and new developments in cotton production.

Placed a short train ride from downtown, it was designed so that the largest building could later be used as a cotton mill. A quarter of a million people attended generating between $220,000 and $250,000 in receipts split evenly between sales and gate receipts.

Founding

The idea of holding such an exhibition in the South was first suggested by Edward Atkinson of york who in August 1880 wrote a letter to a New York journal discussing the great waste incident to the methods then in use in the gathering and handling of the cotton crop and advised the exhibition to bring all of those interested in the production of this great Southern staple for the purpose of improvement. The Atlanta Constitution republished and urged the importance of some action in regard thereto. A few weeks after the publication of this letter it was announced that Mr. Atkinson was about to make a Southern trip for the purpose of putting the suggestion in form. Mr. H. I. Kimball being impressed with the importance of the enterprise and personally acquainted with Mr. Atkinson, invited him to Atlanta to address the people on the subject. This invitation Mr. Atkinson accepted, and at the solicitation of many prominent citizens of Atlanta he delivered, on October 28, 1880, an address in the senate chamber, in which he advocated Atlanta as the proper place in which to hold a cotton exhibition, such as would result in devising improved methods in the cultivation of the cotton as well as to be a stimulus to the entire industrial development of this section.

Early that november, James W. Nagle and J. W. Ryckman came to Atlanta to ascertain what action the citizens proposed to take in the matter. At their suggestion several preliminary meetings were held. A committee consisting of Governor A.H. Colquitt, Mayor W.L. Calhoun, ex-Governor R.B. Bullock and J.W. Ryckman was appointed to prepare a plan for preliminary organization, which resulted in the formation of such an organization and the election of Senator Joseph E. Brown, president; S.M. Inman, treasurer and Ryckman, secretary.

[edit] Incorporation

In February 1881, the chamber of commerce proposed and a corporation was organized under the general law, and a charter was obtained from the court. The Atlanta incorporators were those above plus R.F. Maddox, Benjamin E. Crane, Evan P. Howell, M.C. Kiser, Robert J. Lowry, Sidney Root, Campbell Wallace, J.F. Cummings, W.P. Inman, J.C. Peck, L.P. Grant, W.A. Moore, G.J. Foreacre, Richard Peters and E.P. Chamberlin. Associated with them were citizens of several other counties in Georigia and of the states of Pennsylvania, Maryland, Virginia, North and South Carolina, Alabama, Louisiana, Missouri, Massachusetts, New York, Maine, Rhode Island and of London, England. Thus equipped the new enterprise commenced active operations.

At first it was only contemplated that the exposition should be confined to cotton and all pertaining thereto, in its culture, transportation, manufacture, etc. The capital stock of the corporation was originally fixed at $100,000 in shares of $100. As the work advanced, however, and as the country became interested in the subject, it was decided to open its doors for the admission of all products from every section, and the capital stock was therefore to $200,000. H.I Kimball was elected chairman of the 25 member executive committee whose mission was to raise the money.

It was believed if Atlanta subscribed one-third the amount required, other cities interested in the succedss of the enterprise would contribute the balance. A canvass of the city was made, and in one day the amount proportioned to Atlanta was secured. Mr. Kimball was authorized to visit Northern cities and endeavor to interest them in the undertaking. He visited New York and secured subscriptions to two hundred and fifty-three shares of stock ($25,300); Boston took sixty shares; Baltimore, forty-eight; Norfolk, VA buying twenty-five; Philadelphia, forty-three; Cincinnati, seventy-nine. The gratifying result of Mr. Kimball's work in the North and the apparent interest manifested by the whole country caused the executive committee to take immediate steps to put the whole work of organizing and conducting the enterprise in hand. Kimball was named director-general and CEO.

[edit] Construction begins

Contemporary rendering of the 1881 Exposition

Oglethorpe Park was selected as the site of the exposition. It belonged to the city and was located two and one half miles northwest from the railroad depot, and on the line of the Western & Atlantic Railroad. This park was originally laid out and improved under the direction of Mr. Kimball, in 1870 for the use of agricultural fairs, but the work of adapting the grounds and erecting the necessary buildings for the exposition was not an easy task. The work was begun under Mr. Kimball's direction and rapidly pushed to completion and made ready in ample time for the opening of the exposition.

The main building was constructed after a general model of a cotton factory, as suggested by Mr. Atkinson, the form being a Greek cross, the transept nearly half the length, the agricultural and carriage annexes extending along the southern side, and the mineral and woods department forming an annex at the extreme western end of the building. Its extreme length was seven hundred and twenty feet, the length of the transport four hundred feet, and the width of the arms ninety-six feet. The dimensions of the remaining principal buildings were as follows:

Railroad building, 200x100 fee

Railroad annexes, 40x60 and 40x100 feet

Agricultural implement building 96x288 feet

Carriage annex, 96x212 feet

Art and industry building, 520x60 feet

Judge's hall, 90x120 feet

Horticultural hall, 40x80 feet

Restaurant, 100x200 feet

There were several other buildings, as the Florida building, press pavilion, police headquarters, etc, and quite a number of individuals or collective exhibitors erected buildings for themselves.

[edit] Opening

The exposition was opened on October 5, 1881 and the occasion formed a memorable day in the history of Atlanta. The event was attended by many governors, senators and congressmen and addresses were made by Kimball, Governor Colquitt, North Carolina Senator Z.B. Vance and Indiana Senator D.W. Voorhees.

The exposition was a success in every way. The entire number of exhibits was 1,113 of which the Southern States contributed more than half; New England and Middle States, 341; Western States, 138; foreign, 7. The gross receipts were $262,513, and the total disbursements $258,475. The average daily attendance was 3,816 for the seventy-six days it was open. The largest number of admissions on any one day occurred on December 7th, Planters' Day, when there were 10,293.

The Exposition Cotton Mill was opened on the site in 1882 and remained in operation until 1969.[1]

«결사관찰».

Some women are busy decorating their block of flats with another slogan. Seen in Namsinuiju.

Essay:

Earth's Transformation and the Random Implementation of Alien Technology

The Earth, once a vibrant planet teeming with diverse ecosystems, has undergone a drastic transformation. A severe environmental catastrophe has devastated the planet, leading to the evaporation of life-giving water into the vast expanse of space. The once-blue planet is now dominated by barren deserts, stretching across continents where oceans and forests once thrived. Humanity, on the brink of extinction, has been thrust into a desperate struggle for survival.

The catalyst for this environmental apocalypse was a combination of factors: uncontrolled industrial activity, rampant deforestation, and unchecked pollution. These human activities pushed Earth's climate system past a critical threshold, triggering a cascade of irreversible changes. The polar ice caps melted at unprecedented rates, causing sea levels to rise and then rapidly fall as water vapor escaped the atmosphere. Rainforests, which acted as the planet's lungs, were decimated, and the delicate balance of ecosystems collapsed. The result was a planet unrecognizable from its former self—a desolate wasteland where life struggled to find a foothold.

In this dire scenario, hope arrived in the form of alien technology—an unexpected boon that became humanity's lifeline. The origins of this technology remain shrouded in mystery. Some speculate it was discovered accidentally during deep-space explorations, while others believe it was gifted by a benevolent extraterrestrial civilization. Regardless of its origins, this advanced technology became the cornerstone of Earth's new survival strategy.

The alien technology enabled the creation of isolated oases in the vast desert expanses. These oases, shielded by energy fields and sustained by advanced atmospheric processors, mimic the lost ecosystems of old Earth. They generate and recycle water, maintain breathable air, and support agriculture, allowing small human communities to thrive. The technology also includes sophisticated climate control mechanisms that protect these fertile areas from the harsh desert environment.

The implementation of alien technology was a stroke of luck, a fortuitous discovery in humanity's darkest hour. Scientists and engineers, initially skeptical, soon realized the potential of these alien devices. Through trial and error, they managed to integrate this technology into the remnants of human civilization. This integration was not without its challenges—there were numerous failures and setbacks, but the resilience of the human spirit prevailed.

Life in these technologically sustained oases is a stark contrast to the desolation that surrounds them. Within the protective domes, greenery flourishes, and small bodies of water reflect the sky. Communities have adapted to this new way of living, embracing a lifestyle that is a blend of ancient survival techniques and futuristic technology. Education systems focus on maintaining and understanding the alien technology, ensuring that future generations can continue to benefit from it.

The concept of 'Planet B' has taken on a new meaning. Instead of seeking a new home among the stars, humanity has been forced to redefine its existence on Earth—'Planet B' is Earth reborn, a new chapter after 'Planet A' vanished beneath the waves of environmental disaster. The Earth of today is a testament to human ingenuity and the unforeseen assistance of alien technology. It is a world where the line between science fiction and reality has blurred, and where survival hinges on the harmonious integration of alien and human advancements.

In conclusion, the transformation of Earth and the serendipitous implementation of alien technology have given rise to a new way of life. This new existence is fragile and fraught with challenges, but it is also a beacon of hope. The 'Cradle of the Desert' represents the resilience of life and the enduring quest for survival in the face of insurmountable odds.

Poem:

In deserts wide where oceans slept,

Beneath a sky where sorrow wept,

Alien whispers, silent, deep,

Brought life anew from restless sleep.

Once blue and green, now dust and bone,

Our planet’s heart, a hollow tone,

Yet through the sands, technology,

Revived the hope for you and me.

In domes of light, we plant our dreams,

Where water flows in gentle streams,

Alien hands unseen, yet kind,

Breathe life back to a world confined.

From barren waste to fertile land,

A future forged by chance and hand,

Cradle of the Desert, bright,

Guides us through this endless night.

Haikus:

Alien whispers,

Oases bloom in deserts,

Hope in arid lands.

Earth’s rebirth at hand,

Technology’s gentle touch,

Life in barren sands.

USAID stands with the Ukrainian people during wartime. All of our more than 40 development activities continue to operate, thanks to the brave and determined work of our network of implementing partners. Ambassador Brink met with a group of USAID implementing partners in Kyiv, thanking them for their continued work on the ground to support Ukraine and the Ukrainian people. USAID will continue to support Ukraine as it resists Russia’s aggression and prepares for a successful postwar recovery.

Agricultural implements on the grounds of the Tinsley Living Farm at the Museum of the Rockies in Bozeman, Montana. These include a hay baler (the grey vertical piece), a seat rig (green axle with wheels), harvester, and plows. The rig would be hitched to the baler, harvester, or plow as needed.

The house was constructed in 1889 by William and Lucy (Nave) Tinsley. William Tinsley worked for Wells Fargo and migrated to Montana in 1864. Lucy was a dressmaker who emigrated to Virginia City, Montana, the same year. Both were originally from Missouri. They met in Virginia City, married in 1867, and relocated to Willow Creek in the Gallatin Valley (about 40 miles west of Bozeman). They built a homestead log cabin (about the size of the current blacksmith shop), and lived there until 1889. Their first child was born in 1868, and by 1889 they had eight kids.

William Tinsley built the family a two-story home out of logs taken from the nearby Tobacco Root Mountains. The oldest children helped haul the logs, which took two days to get to the homestead. The structure took two years to construct. Most of the items in the house were ordered from the Sears catalog. The family occupied the house until the 1920s.

The house was purchased by the museum in 1987, and moved from its original location to the Museum of the Rockies in 1989. Refurbished with items donated by Tinsley descendants, it now serves as a living history museum. The house sits on 10 acres of land, and includes a historically accurate kitchen garden, flower garden, chicken coop, farm implements, carriage house, blacksmith shop, root cellar, outhouse, functioning well and pump, storage shed, and fields. A full cellar was excavated beneath Tinsley House as well.

Visitors are free to touch and use many of the items in Tinsley House. A staff of historical re-enactors includes four women who cook, clean, sew, and perform chores around the house as well as a blacksmith who does ironmongery and repairs.

Manila, Philippines - Philippine Army soldiers packs relief items for distribution inside the Philippine Army Headquarters in Taguig, Philippines on 8 May 2020 as part of the Bayan Bayanihan project funded by the Asian Development Bank.

Photo: Veejay Villafranca/Asian Development Bank

Read more on:

Philippines

Health

COVID-19

Implementing a Rapid Emergency Supplies Provision (RESP) Assistance to Design a Sustainable Solution for COVID-19 Impact Areas in the National Capital Region, Through a Public Private Collaboration

Read more: www.europarl.europa.eu/portal/en

This photo is free to use under Creative Commons licenses and must be credited: "© European Union 2016 - European Parliament".

(Attribution-NonCommercial-NoDerivatives CreativeCommons licenses creativecommons.org/licenses/by-nc-nd/4.0/).

For bigger HR files please contact: webcom-flickr(AT)europarl.europa.eu

How We Make Sauerkraut

We make sauerkraut the way I made it as a kid with my mother, who was from Poland.

What you need is the following:

1.Kraut crock. A plastic bucket is just wrong –it has to be a ceramic crock. Time to break out that old Red Wing you have for decoration. At least a 5 gallon crock, preferable a 10 or bigger.

2.Cabbage cutter –wooden. This is a device where you put the head of cabbage on top and slide it across cutters. A food processor just doesn’t feel right…

3.Lots of cabbage. We use about 2 cases (around 80 pounds) of cabbage per 12 gallon crock.

4.Pickling or kosher salt.

5.A measuring spoon (or anything that’s approximately 1 tablespoon)

6.A smooth, heavy river rock. No, not a plastic bag filled with water for weight. That’s just wrong, too!

7.A plate whose diameter fits the opening in the top of crock.

8.A clean sheet.

9.A cabbage “pounder” –a wooden pounder (looks like a potato masher) to settle the kraut in the crock & pack it down.

10.A big bowl that will hold about a gallon plus of shredded cabbage.

11.Canning jars, lids, and rings –plus a hot water canning pot and the usual accessories- for the future when you are canning the finished kraut. You won’t need this until a couple of weeks later when the kraut is done fermenting in the crock(s).

Make sure the crock and all the items (including river rock) have been cleaned thoroughly. Bleach the items if necessary prior to beginning.

First, clean the outer leaves off the cabbage and cut out the core. Have a box handy to catch the “waste” leaves and cores, and any other flotsam & jetsam you need to throw out. All this can be fed to the chickens, pigs, and goats as a treat when you’re done.

Position the cutter between two chairs, a person on each end. Drape a sheet underneath to catch the shredded cabbage as it comes out the bottom of the shredder. While one person is shredding, the other person collects the shredded cabbage from the sheet underneath. Approximately a gallon of the shredded cabbage is collected into a bowl, and about 1 tablespoon of pickling salt is added and the cabbage is tossed around by hand to spread the salt. The contents of the bowl is then dumped into the crock and then stomped with the wooden pounder to compact the shredded cabbage. While tossing the cabbage around by hand in the bowl, also pick out anything that looks discolored or pieces that won’t look good in the final kraut. Pitch in the “waste box”. Continue doing the shredding, mixing, and stomping until the crock is almost full. At this point, place a plate upon the shredded cabbage in the full crock, a clean river rock upon the plate to weight it down, and cover with a clean sheet so nothing gets into the crock. The crock needs to be in an undisturbed area. We have ours stashed under the kitchen table. A basement is ideal if you have one, but the naturally cooler temps in a basement will require at least 3 weeks for proper fermentation. After a day or so, strain off the excess brine with a cup (or turkey baster) as if the crock is full and the rock weighting it down, it may overflow. Keep an eye on it for 2-3 weeks to make sure everything is clean and fermenting properly. When it looks and smells like sauerkraut, it can then be canned. When canning, stuff as much of the solid kraut as you can into the jars and only use enough of the excess brine to cover it if necessary. Pack about ¼” to the top of the jar. If you want to mix pepper, onions, or any preferred spice in the kraut before canning, now is the time to do it while you are putting the kraut in the jars, or mix the kraut-to-be-canned up in a bowl with the spices prior to stuffing it in the canning jars. Place the jars into canning water and only let them go 10 minutes or to the boiling point at the most. You don’t want to over boil the kraut & make it mushy.

Uploaded with the Flock Browser

15 December 2013. El Fasher: A senior delegation from the Government of Qatar,the Deputy Prime Minister of Qatar, Ahmed bin Abdullah Al Mahmoud,meeting of the Implementation Follow–up Commission (IFC), established by the Doha Document for Peace in Darfur (DDPD), that took place at UNAMID Headquarters in El Fasher, North Darfur. . Photo by Hamid Abdulsalam , UNAMID

THE TRADEMARK OF QUALITY

JOHN DEERE

QUALITY FARM

EQUIPMENT

MADE FAMOUS BY GOOD IMPLEMENTS

Sales .. Service

PORTER COUNTY

IMPLEMENT CO.

Phone 4-3701

1008 E. Lincolnway

VALPARAISO, IND.

There's a

JOHN DEERE

TRACTOR

For Every Farm...

Crop...Purpose

Source Type: Matchcover

Publisher, Printer, Photographer: The Ohio Match Company

Collection: Steven R. Shook

Copyright 2018. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.

Kamera: Nikon FE2

Linse: Nikkor-S Auto 55mm f1.2 (1970)

Film: Kodak 5222 @ ISO 400 -1EV

Kjemi: Xtol (stock / 9 min. @ 20°C)

Wikipedia: ICJ case on Israel's occupation of the Palestinian territories

United Nations: International Court of Justice - Israel’s Continued Occupation of Palestinian Territory is Unlawful (19 July 2024) [Full delivery of the Court's Advisory Opinion]

Press release:

Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem

The Court gives its Advisory Opinion and responds to the questions posed by the General Assembly

THE HAGUE, 19 July 2024. The International Court of Justice has today given its Advisory Opinion in respect of the Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem.

It is recalled that, on 30 December 2022, the General Assembly of the United Nations adopted resolution A/RES/77/247 in which, referring to Article 65 of the Statute of the Court, it requested the International Court of Justice to give an advisory opinion on the following questions:

“(a) What are the legal consequences arising from the ongoing violation by Israel of the right of the Palestinian people to self-determination, from its prolonged occupation, settlement and annexation of the Palestinian territory occupied since 1967, including measures aimed at altering the demographic composition, character and status of the Holy City of Jerusalem, and from its adoption of related discriminatory legislation and measures?

(b) How do the policies and practices of Israel referred to . . . above affect the legal status of the occupation, and what are the legal consequences that arise for all States and the United Nations from this status?”

In its Advisory Opinion, the Court responds to the questions posed by the General Assembly by concluding that:

* the State of Israel’s continued presence in the Occupied Palestinian Territory is unlawful;

* the State of Israel is under an obligation to bring to an end its unlawful presence in the Occupied Palestinian Territory as rapidly as possible;

* the State of Israel is under an obligation to cease immediately all new settlement activities, and to evacuate all settlers from the Occupied Palestinian Territory;

* the State of Israel has the obligation to make reparation for the damage caused to all the natural or legal persons concerned in the Occupied Palestinian Territory;

* all States are under an obligation not to recognize as legal the situation arising from the unlawful presence of the State of Israel in the Occupied Palestinian Territory and not to render aid or assistance in maintaining the situation created by the continued presence of the State of Israel in the Occupied Palestinian Territory;

* international organizations, including the United Nations, are under an obligation not to recognize as legal the situation arising from the unlawful presence of the State of Israel in the Occupied Palestinian Territory; and

* the United Nations, and especially the General Assembly, which requested the opinion, and the Security Council, should consider the precise modalities and further action required to bring to an end as rapidly as possible the unlawful presence of the State of Israel in the Occupied Palestinian Territory.

Reasoning of the Court

After concluding that it has jurisdiction to render the requested opinion and that there are no compelling reasons for it to decline to give an opinion (paras. 22-50), the Court recalls the general context of the case (paras. 51-71) and addresses the scope and meaning of the two questions posed by the General Assembly (paras. 72-83).

The Court then assesses the conformity of Israel’s policies and practices in the Occupied Palestinian Territory, as identified in question (a), with its obligations under international law. In particular, the Court’s analysis examines, in turn, the questions of the prolonged occupation, Israel’s policy of settlement, the question of the annexation of the Palestinian territory occupied since 1967, and Israel’s adoption of related legislation and measures that are allegedly discriminatory (paras. 103-243).

With regard to the question of the prolonged occupation of the Occupied Palestinian Territory, which has lasted for more than 57 years (paras. 104-110), the Court observes that, by virtue of its status as an occupying Power, a State assumes a set of powers and duties with respect to the territory over which it exercises effective control. The nature and scope of these powers and duties are always premised on the same assumption: that occupation is a temporary situation to respond to military necessity, and it cannot transfer title of sovereignty to the occupying Power.

In the Court’s view, the fact that an occupation is prolonged does not in itself change its legal status under international humanitarian law. Although premised on the temporary character of the occupation, the law of occupation does not set temporal limits that would, as such, alter the legal status of the occupation. Occupation consists of the exercise by a State of effective control in foreign territory. In order to be permissible, therefore, such exercise of effective control must at all times be consistent with the rules concerning the prohibition of the threat or use of force, including the prohibition of territorial acquisition resulting from the threat or use of force, as well as with the right to self‐determination. Therefore, the fact that an occupation is prolonged may have a bearing on the justification under international law of the occupying Power’s continued presence in the occupied territory.

As regards Israel’s settlement policy (paras. 111-156), the Court reaffirms what it stated in its Advisory Opinion on the Legal Consequences of the Construction of a Wall in the Occupied Palestinian Territory of 9 July 2004, that the Israeli settlements in the West Bank and East Jerusalem, and the régime associated with them, have been established and are being maintained in violation of international law. The Court notes with grave concern reports that Israel’s settlement policy has been expanding since the Court’s 2004 Advisory Opinion.

As regards the question of the annexation of the Occupied Palestinian Territory (paras. 157-179), it is the view of the Court that to seek to acquire sovereignty over an occupied territory, as shown by the policies and practices adopted by Israel in East Jerusalem and the West Bank, is contrary to the prohibition of the use of force in international relations and its corollary principle of the non-acquisition of territory by force.

The Court then examines the question of the legal consequences arising from Israel’s adoption of related discriminatory legislation and measures (paras. 180-229). It concludes that a broad array of legislation adopted and measures taken by Israel in its capacity as an occupying Power treat Palestinians differently on grounds specified by international law. The Court notes that this differentiation of treatment cannot be justified with reference to reasonable and objective criteria nor to a legitimate public aim. Accordingly, the Court is of the view that the régime of comprehensive restrictions imposed by Israel on Palestinians in the Occupied Palestinian Territory constitutes systemic discrimination based on, inter alia, race, religion or ethnic origin, in violation of Articles 2, paragraph 1, and 26 of the International Covenant on Civil and Political Rights, Article 2, paragraph 2, of the International Covenant on Economic, Social and Cultural Rights, and Article 2 of the International Convention on the Elimination of All Forms of Racial Discrimination.

The Court then turns to the aspect of question (a) that enquires as to the effects of Israel’s policies and practices on the exercise of the Palestinian people’s right to self‐determination (paras. 230-243). In this regard, the Court is of the view that, as a consequence of Israel’s policies and practices, which span decades, the Palestinian people has been deprived of its right to self‐determination over a long period, and further prolongation of these policies and practices undermines the exercise of this right in the future. For these reasons, the Court considers that Israel’s unlawful policies and practices are in breach of Israel’s obligation to respect the right of the Palestinian people to self‐determination.

Turning to the first part of question (b), the Court examines whether and, if so, how the policies and practices of Israel have affected the legal status of the occupation in light of the relevant rules and principles of international law (paras. 244-264).

In this respect, the Court first considers that the first part of question (b) is not whether the policies and practices of Israel affect the legal status of the occupation as such. Rather, the Court is of the view that the scope of the first part of the second question concerns the manner in which Israel’s policies and practices affect the legal status of the occupation, and thereby the legality of the continued presence of Israel, as an occupying Power, in the Occupied Palestinian Territory. This legality is to be determined under the rules and principles of general international law, including those of the Charter of the United Nations.

In this context, the Court is of the view that Israel’s assertion of sovereignty and its annexation of certain parts of the territory constitute a violation of the prohibition of the acquisition of territory by force. This violation has a direct impact on the legality of Israel’s continued presence, as an occupying Power, in the Occupied Palestinian Territory. The Court considers that Israel is not entitled to sovereignty over or to exercise sovereign powers in any part of the Occupied Palestinian Territory on account of its occupation. Nor can Israel’s security concerns override the principle of the prohibition of the acquisition of territory by force.

The Court further observes that the effects of Israel’s policies and practices, and its exercise of sovereignty over certain parts of the Occupied Palestinian Territory, constitute an obstruction to the exercise by the Palestinian people of its right to self-determination. The effects of these policies and practices include Israel’s annexation of parts of the Occupied Palestinian Territory, the fragmentation of this territory, undermining its integrity, the deprivation of the Palestinian people of the enjoyment of the natural resources of the territory and its impairment of the Palestinian people’s right to pursue its economic, social and cultural development.

The Court is of the view that the above-described effects of Israel’s policies and practices, resulting, inter alia, in the prolonged deprivation of the Palestinian people of its right to self-determination, constitute a breach of this fundamental right. This breach has a direct impact on the legality of Israel’s presence, as an occupying Power, in the Occupied Palestinian Territory. The Court is of the view that occupation cannot be used in such a manner as to leave indefinitely the occupied population in a state of suspension and uncertainty, denying them their right to self- determination while integrating parts of their territory into the occupying Power’s own territory.

In light of the foregoing, the Court turns to the examination of the legality of the continued presence of Israel in the Occupied Palestinian Territory (paras. 259-264).

The Court considers that the violations by Israel of the prohibition of the acquisition of territory by force and of the Palestinian people’s right to self-determination have a direct impact on the legality of the continued presence of Israel, as an occupying Power, in the Occupied Palestinian Territory. The sustained abuse by Israel of its position as an occupying Power, through annexation and an assertion of permanent control over the Occupied Palestinian Territory and continued frustration of the right of the Palestinian people to self-determination, violates fundamental principles of international law and renders Israel’s presence in the Occupied Palestinian Territory unlawful.

This illegality relates to the entirety of the Palestinian territory occupied by Israel in 1967. This is the territorial unit across which Israel has imposed policies and practices to fragment and frustrate the ability of the Palestinian people to exercise its right to self‐determination, and over large swathes of which it has extended Israeli sovereignty in violation of international law. The entirety of the Occupied Palestinian Territory is also the territory in relation to which the Palestinian people should be able to exercise its right to self-determination, the integrity of which must be respected.

***

The Court has found that Israel’s policies and practices referred to in question (a) are in breach of international law. The maintenance of these policies and practices is an unlawful act of a continuing character entailing Israel’s international responsibility.

The Court has also found in reply to the first part of question (b) that the continued presence of Israel in the Occupied Palestinian Territory is illegal. The Court therefore addresses the legal consequences arising from Israel’s policies and practices referred to in question (a) for Israel, together with those arising from the illegality of Israel’s continued presence in the Occupied Palestinian Territory under question (b), for Israel, for other States and for the United Nations (paras. 267-281).

President Nawaf SALAM (b. 1953, Lebanon) appends a declaration to the Advisory Opinion of the Court; Vice- President Julia SEBUTINDE (b. 1954, Uganda) appends a dissenting opinion to the Advisory Opinion of the Court; Judge Peter TOMKA (b. 1956, Slovakia) appends a declaration to the Advisory Opinion of the Court; Judges Peter TOMKA (b. 1956, Slovakia), Ronny ABRAHAM (b. 1951, France) and Bogdan AURESCU (b. 1973, Romania) append a joint opinion to the Advisory Opinion of the Court; Judge Abdulqawi YUSUF (Somalia) appends a separate opinion to the Advisory Opinion of the Court; Judge Hanqin XUE (b. 1955, China) appends a declaration to the Advisory Opinion of the Court; Judges Yuji IWASAWA (b. 1954, Japan) and Georg NOLTE (b. 1959, Germany) append separate opinions to the Advisory Opinion of the Court; Judges Georg NOLTE (b. 1959, Germany) and Sarah CLEVELAND (b. 1965, USA) append a joint declaration to the Advisory Opinion of the Court; Judges Hilary CHARLESWORTH (b. 1955, Australia) and Leonardo Nemer Caldeira BRANT (b. 1966, Brazil) append declarations to the Advisory Opinion of the Court; Judges GÓMEZ ROBLEDO (Mexico) and Sarah CLEVELAND (b. 1965, USA) append separate opinions to the Advisory Opinion of the Court; Judge Dire TLADI (b. 1975, South Africa) appends a declaration to the Advisory Opinion of the Court.

___________

A full summary of the Advisory Opinion appears in the document entitled “Summary 2024/8”, to which summaries of the declarations and opinions are annexed. This summary and the full text of the Advisory Opinion are available on the case page on the Court’s website.

___________

Earlier press releases relating to this case are also available on the website.

___________

Note: The Court’s press releases are prepared by its Registry for information purposes only and do not constitute official documents.

___________

The International Court of Justice (ICJ) is the principal judicial organ of the United Nations. It was established by the United Nations Charter in June 1945 and began its activities in April 1946. The Court is composed of 15 judges elected for a nine-year term by the General Assembly and the Security Council of the United Nations. The seat of the Court is at the Peace Palace in The Hague (Netherlands). The Court has a twofold role: first, to settle, in accordance with international law, legal disputes submitted to it by States; and, second, to give advisory opinions on legal questions referred to it by duly authorized United Nations organs and agencies of the system.

___________

Information Department:

Ms Monique Legerman, First Secretary of the Court, Head of Department: +31 (0)70 302 2336 Ms Joanne Moore, Information Officer: +31 (0)70 302 2337

Email: info@icj-cij.org

About Dr.Mihir Kumar Panda, Ph.D,D.Litt,, innovator

World’s only achiever of large number of World Record for 10,000 Teaching Aids & innovations

Founder & Co-ordinator General, ‘SROSTI’ (Social Development research Organisation for Science, technology & Implementation)

Collaborator Vijnana Bana Ashram

Bahanaga, Baleshwar, Odisha, India-756042

Website : simpleinnovationproject.com

E-Mail- : mihirpandasrosti@gmail.com

Face Book link:https://www.facebook.com/mihirpandasrosti

WIKIMAPIA

wikimapia.org/#lang=en&lat=-6.174348&lon=106.8293...

Contact No. : +91 7008406650

Whatsapp: +91 9438354515

Dr.Mihir Kumar Panda, an Educational, Societal and Scientific Innovator has established an NGO 'SROSTI' at Bahanaga, Balasore,Odisha,India

Dr. panda has innovated/invented more than 10,000 (ten thousand) teaching aids and different innovations and he has more than 30,000 (Thirty thousand) ideas to make scientific and mathematical models.

His creations are very essential guide for school and college science exhibitions, innovative learning and play way method for the teachers and students, science activists, innovators, craftsmen, farmers, masons, physically challenged persons, common men, entrepreneurs and industrialists.

He is popularizing science through song, innovative demonstrations and motivational speech since 1990 in different parts of Odisha state without taking any fees.

Dr. Panda is an extreme motivational speaker in science and possess magical scientific demonstration and a crowd puller.

Innovator Mihir Kumar Panda loves nature and in his agricultural farm he does not uses the chemicals , fertilizers and pesticides. In his farm even the smallest creatures like snakes, caterpillar, white ants, worms ,vermies are in peace and are managed successfully not to do harm.

Dr. Panda is an Educationist, an environmentalist, a poet for science popularization, a good orator, a best resource person to train others in specific field of science and engineering.

The uniqueness of Simple Innovation and scientific activities and achievements ofDr. Panda can not be assessed without visiting his laboratory which is a living wonder in the realm of science.

From a small cake cutter to mechanical scissor, from a play pump to rickshaw operated food grain spreader and from a village refrigerator to a multi-purpose machine, thousands of such inventions and innovations are proof of Dr. Panda's brilliance.

From a tube well operated washing machine to weight sensitive food grain separator, from a password protected wardrobe to automatic screen, from a Dual face fan to electricity producing fan are example of few thousands of innovations and inventions of Mihir Kumar Panda.

Dr.Mihir Kumar Panda though bestowed to a popular name as Einstein of Odisha is obliviously treated as Thomas Alva Edison of India.

Dr. Panda's residential house also resembles a museum with scientific innovations of different shapes and sizes stacked in every nook and cranny which proves his scientific involvement in personal life.

Innovator Panda believes that , the best thing a child can do with a toy to break it. he also believes that by Educating child in his/her choice subject/ passion a progressive nation can be built.

The shelf made scientist Dr. Panda believes that Education is a life long process whose scope is far greater than school curriculum. The moulding of models/ innovations done by hand always better than the things heard and the facts incorporated in the books.

With no agricultural background, Dr. Panda has developed unique natural bonsai in his Vijnana Bana Ashram which also shows path for earning just by uprooting and nurturing the plants which are found to be small and thumb in nature.

Dr. Panda's Scientific Endeavour and research is no doubt praise worthy. One cannot but believe his dedicated effort in simple innovation laboratory.

Social service, innovation/ inventions, writing, free technology to students for preparation of science exhibition projects, free technology to common men for their sustainability, preparation of big natural bonsai, technology for entrepreneurs and industrialists for innovative item are few works of Mihir Kumar Panda after his Government service.

. To overcome the difficulties of science and math, explanation in classes, innovator Panda has created few thousands of educational, societal and scientific innovations which helps teachers and students of the country and abroad.

Dr. Panda believes that though inventions/innovation has reached under thousands and thousands deep in the sea and high up in the space. It has reached on moon and mars, but unfortunately the sustainable inventions/innovation has not properly gone to the tiny tots and common people.

Dr. Panda is amazing and wizard of innovations and works with a principle the real scientist is he, who sees the things simply and works high.

Dr.Mihir Kumar Panda's work can be explained in short

Sports with Science from Dawn to Dusk

Struggle some life- science in words and action

Triumphs of Science - Science at foot path

Hilarious dream in midst scarcity

A life of innovator de-avoided of Advertisement.

FELICITATIONS, AWARDS, HONOURS & RECORDS

* 200+ Felicitation and Awards from different NGOs, Schools & Colleges within the State of Odisha and National level.

* 10 Nos Gold, Silver & Bronze medal from different National & International level.

*Awarded for 10,000 innovations & 30,000 ideas by Indian Science Congress Association, Govt. of India.

* Honorary Ph.D From Nelson Mandela University, United States of America

* Honorary Ph.D From Global Peace University, United States of America& India

* Honorary D.Litt From Global Peace University, United States of America& India

* Title ‘Einstein of Odisha’ by Assam Book of Records, Assam

* Title ‘Thomas Alva Edison of India’ by Anandashree Organisation, Mumbai

* Title ‘ Einstein of Odisha & Thomas Alva Edison of India’ from Bengal Book of World record.

*World Record from OMG Book of Records

*World Record from Assam Book of Records,

* World Record from World Genius Records, Nigeria

* World Record from BengalBook of Records

* National Record from Diamond Book of Records

* World Record from Asian World Records

* World Record from Champians Book of World Records

* World Record from The British World Records

* World Record from Gems Book of World Records

* World Record from India Star World Record

* World Record from Geniuses World Records

* World Record from Royal Success International Book of Records

*World Record from Supreme World Records

* World Record from Uttarpradesh World Records

*World Record from Exclusive World Records

*World Record from international Book of Records

*World Record from Incredible Book of records

* World Record from Cholan Book of World Record

* World Record from Bravo International Book of World Record

* World Record from High Range Book of World Record

* World Record from Kalam’s World Record

* World Record from Hope international World Record

* International Honours from Nigeria

* Indian icon Award from Global Records & Research Foundation (G.R.R.F.)

* International Award from USA for the year’2019 as INNOVATOR OF THE YEAR-2019

* National level Excellence Leadership Award-2020 from Anandashree Organisation, Mumbai

* Best Practical Demonstrator & Theory instructor from Collector & District Magistrate,

Balasore.

* Best Innovator Award by Bengal Book.

* Popular Indian Award by Bengal Book.

* Great man Award by Bengal Book.

* Best Indian Award by Bengal Book.

* The Man of the Era by Bengal Book.

IMPORTANT LINK FILES TO KNOW THE WORK OF

Dr. MIHIR KUMAR PANDA

Dr.Mihir Ku panda awarded at indian science congress Association, Govt. of India for 10000 innovations & 30,000 ideas

youtu.be/MFIh2AoEy_g

Hindi Media report- Simple innovation science show for popularisation of science in free of cost by Dr.Mihir Ku Panda

youtu.be/gPbJyB8aE2s

Simple innovation science show for popularisation of science in free of cost in different parts of India By Dr.Mihirku Panda

www.youtube.com/user/mihirkumarpanda/videos?view=0&so...

Simple innovation laboratory at a Glance

youtu.be/yNIIJHdNo6M

youtu.be/oPBdJpwYINI

youtu.be/XBR-e-tFVyE

youtu.be/3JjCnF7gqKA

youtu.be/raq_ZtllYRg

MORE LINK FILES OF Dr MIHIR KUMAR PANDA

www.youtube.com/watch?v=MFIh2AoEy_g

www.youtube.com/channel/UCIksem1pJdDvK87ctJOlN1g

www.youtube.com/watch?v=AHEAPp8V5MI

www.youtube.com/watch?v=W43tAYO7wpQ

www.youtube.com/watch?v=me43aso--Xg

www.youtube.com/watch?v=6XEeZjBDnu4

www.youtube.com/watch?v=gPbJyB8aE2s

www.youtube.com/watch?v=yNIIJHdNo6M

www.youtube.com/watch?v=oPBdJpwYINI

www.youtube.com/watch?v=XBR-e-tFVyE

www.youtube.com/watch?v=3JjCnF7gqKA

www.youtube.com/watch?v=raq_ZtllYRg

cholanbookofworldrecords.com/dr-mihir-kumar-pandaph-d-lit...

www.linkedin.com/in/dr-mihir-kumar-panda-ph-d-d-litt-inno...

www.bhubaneswarbuzz.com/updates/education/inspiring-odish...

www.millenniumpost.in/features/kiit-hosts-isca-national-s...

www.youtube.com/watch?v=hFE6c-XZoh0

www.youtube.com/watch?v=WzZ0XaZpJqQ

www.dailymotion.com/video/x2no10i

www.exclusiveworldrecords.com/description.aspx?id=320

omgbooksofrecords.com/

royalsuccessinternationalbookofrecords.com/home.php

british-world-records.business.site/posts/236093666996870...

www.tes.com/lessons/QKpLNO0seGI8Zg/experiments-in-science

dadasahebphalkefilmfoundation.com/2020/02/17/excellent-le...

www.facebook.com/…/a.102622791195…/103547424435915/… yearsP0-IR6tvlSw70ddBY_ySrBDerjoHhG0izBJwIBlqfh7QH9Qdo74EnhihXw35Iz8u-VUEmY&__tn__=EHH-R

wwwchampions-book-of-world-records.business.site/?fbclid=...

www.videomuzik.biz/video/motivational-science-show-ortalk...

lb.vlip.lv/channel/ST3PYAvIAou1RcZ%2FtTEq34EKxoToRqOK.html

imglade.com/tag/grassrootsinventions

picnano.com/tags/UnstoppableINDIAN

www.viveos.net/rev/mihirs%2Btrue%2Bnature

m.facebook.com/story.php…

www.facebook.com/worldgeniusrec…/…/2631029263841682…

www.upbr.in/record-galle…/upcoming-genius-innovator/…

www.geniusesworldrecordsandaward.com/

www.upbr.in/record-galle…/upcoming-genius-innovator/…

m.facebook.com/story.php?story_fbid=699422677473920&i...

www.facebook.com/internationalbookofrecords/

www.youtube.com/channel/UCBFJGiEx1Noba0x-NCWbwSg

www.youtube.com/watch?v=nL60GRF6avk

www.facebook.com/bengal.book.16/posts/122025902616062

www.facebook.com/bengal.book.16/posts/122877319197587

www.facebook.com/bengal.book.16/posts/119840549501264

supremebookofworldrecords.blogspot.com/…/welcome-to…

www.bravoworldrecords.com/

incrediblebookofrecords.in/index.php

www.highrangeworldrecords.com/

Scenes from the Crime & Punishment Museum in Washington, DC

Gender Equality: from the Biarritz Partnership To the Beijing+25 Generation Equality Forum

This side-event, hosted by the French and Mexican Foreign Affairs Ministers, Jean-Yves Le Drian and Marcelo Ebrard, and co-sponsored by UN Women, will take stock of the gender equality outcomes of the Biarritz summit and the work of the Gender Equality Advisory Council (of which the Executive Director of UN Women is a member) and officially introduce the Generation Equality Forum in Mexico in May 2020 and in Paris in July 2020 to the international community. Convened by UN Women, co-hosted by France and Mexico, and organized in close partnership with civil society, the Generation Equality Forum in Mexico and Paris will celebrate the 25th anniversary of the adoption of the Beijing Platform for Action, with the aim of giving new impetus to the implementation of the outcomes of the Beijing Conference. Speakers at the high level event at the UNGA include Jean-Yves Le Drian and Marcelo Ebrard, the Foreign Affairs Ministers of France and Mexico; members of the G7 Gender Equality Advisory Council Phumzile Mlambo-Ngcuka, Executive Director of UN Women, Katja Iversen, President of Women Deliver, and Rula Jebreal, foreign policy analyst and journalist; as well as Dr. Denis Mukwege, world-renowned gynaecologist, human rights activist and Nobel Peace laureate; Marlène Schiappa, Minister of State for Gender Equality and the Fight against Discrimination, France; and Nadine Gasman, President of Inmujeres Mexico.

WHEN: Monday, 23 September, 6.30–8 p.m.

WHERE: Conference Room 3, United Nations HQ, New York

Photo: UN Women/Ryan Brown

About a week ago I met Mannix Flynn who was protest against the renewal of BID under the banner “WE ARE NOT DUBLIN TOWN”. As various parties are now exchanging legal letters I will not comment further on this issue. I was a bit surprised that he was not too happy with the LUAS Cross City project. Unlike Mannix I am in favour of the project mainly because I use nothing but Public Transport to get around and I am a big fan of trams and trains.

I do admit that I am really fed up with the ongoing construction work that has greatly impacted my area for many years … my photographs will give you some idea as to what it has been like.

Mannix described the trams as monstrosities [meaning awful rather than big]. Many people may not be aware that the new trams will be extended versions of what are currently being used. The new trams will consist of nine sections rather five making them more like trains and there is a certain amount of logic to this because what is currently being built is a pre-metro.

A pre-metro is a tramway or light railway which includes segments built to rapid transit standards, generally as part of a process of conversion to a metro-standards railway usually by the construction of tunnels in the central city area. The concept of the systematic use of tunnels to carry tram lines under city centres was devised in Germany during the 1960s when, instead of building expensive entire metro systems immediately, the idea of building only the city centre tunnels at first was implemented. They could be used by trams in the short term, but the intention in the long run would still be the conversion to full underground-based rapid transit systems. The idea spread to other European countries in the 1970s, especially Belgium, where such systems were named premetros.[ Also portion of Vienna's U2 subway line (Rathaus-Museumsquartier) is a converted underground tramway line built in 1966.

I am not sure if the final system will actually include tunnels but there will be two sections Brides Glen to Charlemount and Broadstone to Broombridge that already meet light rail standards [these sections use dedicated track separated from any other types of traffic]. I am not 100% sure about the section between Sandyford and Charlemont.

7 June 2017 - Signing Ceremony for Multilateral Convention to Implement Tax Treaty Related Measures to Prevent BEPS; 67 countries and jurisdictions signed at the OECD. Paris, France.

Photo:OECD

Implements an ironman as the first royal in history.