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The old corn cribs were designed so the equipment can pull through and unload, then the equipment stored over winter for protection. Over the years the corn cribs evolved to outpost garages and junk collections in the fileds.
A view of the Farmer's Dwelling-Stables in Saint-Marie Among The Hurons located in Midland in Simcoe County in Central Ontario Canada
The French used wood and iron farming implements, while Huron tools were of bone,stone and wood.
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CuCa Designs:
> Riding Dirty - Female Bento Pose Set
> Hickory Barn Backdrop
Poses available at Pose Fair from Sept 07 - Sept 28. Contains all poses and mirrors. Hat included. Bull has the poses implemented, just rez, right-click & sit to pose.
In the mainstore after this date!
My music inspiration: www.youtube.com/watch?v=JnX2BoZE9w4
Thanks for following me, for you inspirations, comments, awards and favs. Makes me smile.
*hugs* Ash
...as the farmer eats his sunny side up eggs. His tractor and the harvest warms up to a rising golden sunny morning!
New AM. Lumber Beard V2 - (LeLutka) (BOM Only) @ Mainstore & Marketplace
New AM. - Scar set (BOM Only)
AM. - Eye scar
AM. - Jaw Scar @ Marketplace
KM. Sucker Punch - Left @ Mainstore
Details:
Dura-U91
Idee und technische Umsetzung: Klaus Rudolf (ein Freund)
Idea and technical implementation: Klaus Rudolf (a friend)
Bild 0 / Image 0
Obiges Foto hatte mir mein Freund geschickt, ich hatte die Änderungen für die beiden anderen Bearbeitungen vorgeschlagen. Grund: Zu viele Pfeiler, zu viele scharfe Kanten. Und die Geometrie ist mir nicht "reingelaufen".
My friend sent me the above photo, I suggested the changes for the other two edits. Reason: Too many pillars, too many sharp edges. And the geometry didn't "come" me.
And now for something completely different. I was struck by the light and shadow on these implements in a mug on the kitchen counter.
Hope you are enjoying a beautiful week. Thanks, as always, for stopping by and for all of your kind comments -- I appreciate them all.
© Melissa Post 2016
This vintage John Deere tractor sits on display at the Guy Goodwin Education Center in Carrizo Plain National Monument, San Luis Obispo County, California. Cattle were brought to the grasslands of the Carrizo Plain by the early 1850s. The next big change came in 1885 when dryland grain farmers started homesteading in the valley. Eventually vast amounts of the grassland was put to the plow. The farm work was orignally all done with horse drawn euipment but eventually tractors like this one did the heavy work. The Carrizo Plain gets only 8 to 10 inches of rainfall a year on average but the amount during any given year can be highly unpredictable. The risk of crop failure due to insufficient moisture became too great for many farmers and most of their farming efforts were abandoned. In the last few decades many of the homesteads were bought and became part of the National Monument which is administered by the BLM.
A spinning governor and its base show the static and moving reflections of the photographer. Penngrove Power and Implement Museum, Penngrove, CA, U.S.A. July 14, 2018.
BUY THIS PHOTOGRAPH HERE timothysallen.smugmug.com/Still-Life/i-ntHM9dF/A
See more of my photographs here timothysallen.smugmug.com
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Model 5610,
Disc harrows are the perfect implement for tilling soil.
Bordering the Atlantic Ocean.
Porto Covo, Setúbal, Portugal
Our Daily Challenge ~ Writing Implements
Thank you to everyone who pauses long enough to look at my photo. All comments and Faves are very much appreciated
This is a small sample of old farm implements preserved in perfect condition!
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Esta es una pequeña muestra de antiguos aperos de labranza conservados en perfecto estado!
Macro , Farben und Musik an einem grauen Montag im Dezember ? ... es wirkt ♡! Meine persönliche Umsetzung des Montagsthema " celebration " . Schönen Start in die neue Woche . Christine
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Macro , colors and music at a grey Monday in December ? ... it works ♡!
My personal implementation of the Monday theme " celebration " .
Nice start into the new week . Christine
=== CD , Light , structure , mirroring and a digitally overlay texture . ready .
Former tractors, harvester, and other farm implements.
Camera: Beacon Two-Twenty-Five, a low-end 1950s plastic camera with a 70mm doublet lens. The focus is fixed and ranges from about 5 1/2 feet to infinity. The shutter, at around 1/50 second, is best for daylight shots, but even small movements (such as the horse's ear) can result in blur. Overall, the camera is quite fun to shoot and I was very pleased at the quality of image produced by the doublet lens. The camera is called the "Two-Twenty-Five" because it produces 2.25-inch square images.
A fascinating history of the company which produced the Beacon can be found at Mike Eckman's website: mikeeckman.com/2023/07/beacon-two-twenty-five-1950/
Film: 120-size Arista 100 ISO, respooled onto a 620 reel.
Developing: Kodak HC-110, Dilution B, 6 min.
A seguito dell'implementazione del sistema di sicurezza ETCS lungo l'asse alpino del San Gottardo le Br185 che DB adoperava abitualmente su questo itinerario dovettero essere distolte dall'abituale servizio per permettere la progressiva installazione dei sistemi necessari. SBB Cargo e DB Schenker siglarono pertanto un accordo commerciale per lo "scambio" di una parte delle proprie dotazioni.
Mentre quindi una decina di Br185 vennero assegnate ai servizi "domestici" delle Ferrovie Federali elvetiche, prevalentemente assegnate al deposito di Zurich Limathal, SBB sostituì fino allo scorso cambio d'orario, le TRAXX tedesche con le proprie locomotive su tutti i convogli che dalla Germania si dirigevano in Ticino ed Italia.
Nella foto la Re4/4.11183 sta proprio trainando sul San Gottardo uno dei convogli forse più indelebilmente associati alle Br185 tedesche, il "Winnerzug" Wuppertal-Piacenza. (30/10/15)
In the last months the DBS Br185.1s used along the Gotthard route had been withdrawed due to the ETCS implementation.
While some loks were working with SBB in domestic freight activities around Zurih Limathal, some Re10/10 were employed to haul also the DBS international trains from Basel to Chiasso.
Beyond the many mixed freight from Mannheim, also the "Winnerzug" Wuppertal-Piacenza had been entrusted to the Swiss loks.
Here the Re4/4.11183 and a Re6/6 are running just before the Biaschina Loops heading the southbound train. (30/10/15)
In spite of reduced traffic in the Southern Tier, Conrail implemented a comprehensive track improvement program in 1992. Double stack train 253 is seen on October 8 negotiating bridge work at East Corning, as the morning fog begins to lift over the railroad and parallel Route 17.
Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
"Spreading a Little Sunshine" in Capitol Reef National Park.
I photographed this vintage farm implement, an old manure spreader, in a park that includes a lot of agricultural history. I grew up using a more modern version of this spreader, on our family dairy farm in eastern Oregon. Ours was pulled by a tractor, rather than a team of horses. Ours used the Power-Take-Off (PTO) from the tractor to convey the manure to the spinning tines at the end, which flung the dung out into the field; whereas, theirs was powered just by the horses and those large wheels connected to a series of gears. Either way, you didn't want to be near those spinning teeth at the back end, or you'd get "sunshine" in your face!
The hardest part of creating this photo was making sure the Photopills app was correctly calibrated on my cell phone, so that my Blue Hour camera/tripod alignment shot was correct for the Milky Way core, which wouldn't be visible for another 90 minutes.
TECHNIQUE & EXIF: Stacked and Blended • Canon 6Da + Canon 24mm f/1.4 • Blue Hour exposure: f/16, 30 sec, ISO 800 • Nautical Twilight exposure with lighting glow underneath (Lume Cube Panel Mini, with diffuser, 3800º K): f/16, 30 sec, ISO 3200 • Milky Way Sky (during Astronomical Dusk): f/2.8, 15 sec, IS0 8000 - using a stack of 15 exposure for noise reduction, processed in Starry Landscape Stacker • All 3 exposures blended together in Ps layers, with the glow blended last, using the "Lighten" mode.
My eBook, Milky Way NightScapes, gives extensive details on my style of starry night landscape photography. Four chapters cover planning, scouting, forecasting star/landscape alignment, light painting, shooting techniques and post processing. Special Flickr Promo: Use Discount Code FLIK for $5.00 off at checkout (limited time only).
This is one of my few "plan b"s for when everything just doesn't seem to work like I wanted it.
I wanted to do something totally different but my camera batteries were more than low so I had to use my old Canon. This reminds me why I put it away back then.
Now I don't have enough time to to what I wanted to. Think I'm gonna do that next week.
So many ideas and so little time to implement. Next week I'll start on Wednesday so my 52weeks will get a little better again.
Mountains are benovelent by nature. They allow us to mine precious minerals, let us take wood, store water in glaciers that supply us with water and more. The snow cover reflects heat and maintains a climate that sustains life. Stop.
They have served a notice. No more of the above ifwe, the Homosapiens don't respect them. Respect in every sense. By being aware and doing every bit for the cause of Climate Change. Even more when we are travelling through them.
We all know what is right for the mountain and the earth; now we just need to implement them.
Happy World Mountain Day, all ye mountain lovers!
Preface: I came upon a handmade diving implement left leaning against one of the dumpsters (bins). I was admiring it as it was obviously hand made and a rather ingenious yet simple device. Being one who is interested in material culture I examined the "diver's wand" as to its construction, materials and operation. I photographed it and noticed a woman watching me.
I was rather excited and showed it to her and demonstrated it workings. She proceeded to put two rather nice chairs into the back of her pickup truck.
She was friendly and curious, both about the device and me. She asked questions about me and my purpose for photographing junk. I asked if she would mind practicing a bit of diving with the wand, so that I might get some photos of its operation, but she declined. She did however offer to take photos of me, so I accepted.
We staged several photos with me holding the wand, which consisted of a hollow iron tube (a sleeve) with two stationary hooks attached to the far end. An iron rod was inserted through the sleeve. At the terminal (business) end of the rod was a single hook, while the other (operator's) end sported a bent handle with a hand made sewn and braided leather grip. These features are best seen in Frame 2. By sliding the rod back and forth through the sleeve one is able to grasp and secure items of varying sizes and at different depths or distances.
Frame 1: I proceeded to the closest dumpster, it was fairly empty, but in the bottom I noted some office supplies and a few books. I poked around a bit and got a feel for the diving device. I became rather excited when I saw "A Field Guide to the Stars and Planets" and with very little effort was able to extract the hard-cover book from the trash.
Frame 2: Ascertaining the condition of the book. Someone had taken very good care of it, I would describe the condition as good to excellent. The paper cover was slightly warn and there was a very small stain or two on the hard cover. In ink on the inside jacket cover was written a price, $8.95.
Frame 3: Same dumpster, a Hardcover edition of Margaret Mead, Blackberry Winter.
Frame 4: Pocketing the booty. A satisfying score.
Afterward: I wondered why someone would throw these books into the dumpster instead of placing them on the reuse platform just 15 feet away.
I retrieved my camera from the interim photographer and we talked a bit, sharing TS observations, and philosophies. I then walked to the homeless camp and asked the occupant if the hook belonged to him. It did not, he claimed, so I returned it to the spot I had found it. Surely it's owner would be back.
A short time later I saw another woman employing the hooking device. I asked her if that was her hook, she said no and asked me if it was mine. I said no, but I had seen it resting against the other dumpster. She said yes, that's where she had found it. I asked her if she planned to keep it and she said "yes, I like it." I said, "but it doesn't belong to you." She replied, "If I don't take it, someone else will."
So that was the end of it. I'm sure she detected my displeasure. It wasn't always that way around here. You could pass an item in the same place for a week or a month or all winter before someone came by and claimed it. Now it guess it's "finder's keepers..."
Sign of the Times: Failure of the Fourth Estate
approx 10k pieces
3' x 2' by 1'
8 colors: black, white, dark & light gray (blay), trans-clear, -red, -yellow, -orange.
Photography: Matt and Mike Doyle
BEAUTIFUL LIMITED EDITION ART PRINTS AVAILABLE on
bumbleandbramble.blogspot.com/
From reckless corporate consolidation of the media industry, the Presidential persecution of whistle blowers to the targeting of independent wartime journalists by our military, our system has completely failed us. The continuous stream of sensationalism feeds our addiction to drama, hyperstimulating the senses with fear and novelty. The war drums beat to the tune of our racing hearts – which rage with fury over manipulated messages driven by those in power.
Personally, my advise would be to shut off the TVs – which drive us away from the essence of a meaningful existence. Ignore all mainstream messages – they are rooted in profit. Focus our thoughts and hearts to kindness, forgiveness and tolerance. The Fourth Estate will burn on its own.
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One of the primary new techniques (for me) used in this build was the implementation of Lego nets (71155) for sculpting. By backing each net with smaller plates – set apart by 1 stud – and then using 1x1 round plate pips on the front side (sandwiching the net in between), I had a flexible scrim which I could then build off of. This allowed for the undulating forms in the explosion area.
A duo of Norfolk Southern C40-9Ws take UP's Houston-Brownsville, TX manifest MEWOL-15 down the West Belt Sub, passing CP Rusk in East Downtown Houston. This was likely the first time in over a year that an NS unit has led an Angleton Sub train. NS power was quite common on these manifests until early 2019 when the simultaneous implementation of PSR and PTC virtually prevented these lashups from happening.
Houston, TX 3/15/2020