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600x600px icon for Adobe Illustrator.
I found myself needing these for a personal project so developed some high-resolution icons, and thought I'd share.
Lolxury!
It is needless to say, NIKKOR 14-24 is the greatest wide-angle lens of the century, it is sharper than ever before. Look at gentle yellow line on the bottom of the chart, this lens never merge any other lines.
But how about Canon? The chart tell all. Perhaps Canon cares only big white cannons. Please don't forget wide-angles which I loved. Anyway Canon win only PC-E vs TS-E. I feel the L letter is cursed. Look at 17-40/4! This cheap lens beats 16-35/2.8 II. lol They cannot make grading either.
I like 24mm. I like sharpness. I want to know which is best. GANREF have many lens data but these are different ratio and I cannot compare directory. So I picked up these data and combine them on Illustrator CS4. They are using DxO analyzer for Blur measurement. Believe it or not this is actually measured by optical device, not someone's eye.
Dear Canon, I know you are busy for make money, but please make a decent wide-angle zoom lens, and hopefuly I want to see Canon's 14-24 by any chance. The glass is always sharper on the other side but this is too much.
I used to have 16-35/2.8 II once but I sold my copy because it was too crap. Now I have only 2,8/21, 14-24/2.8, TS-E24/3.5 II. I don't have EF zoom so I should add 17-40/4 I guess, it is cheaper and lighter, at least it is better than 16-35/2.8 II except slow abit.
Bodies?
They said 5D2 has been used to measure the lens of the Canon and Sigma. D700 for Nikon, respectively.
What does BxU stand for? How can you compare different body?
DxO labs explain here.
"BxU is covariant to rescaling, changes of resolution, etc… This means that it is possible to compare BxUs from digital cameras having different numbers of pixels, different sensor-pixel sizes, different sensor sizes, ..."
So this chart will helps you when you believe DxO labs is reliable and BxU is a science. If not, just ignore this chart.
GANREF pages
- EF 17-40mm f/4L USM (@24mm) 750 USD
- EF 24-105mm f/4L IS USM (@24mm) 1,149.95 USD
- EF 16-35mm f/2.8L II USM (@24mm) 1,499 USD
- EF 24-70mm f/2.8L USM (@24mm) 1,359 USD
- EF 24mm f/2.8 339.95 USD
- EF 24mm f/1.4L II USM 1,699 USD
- TS-E 24mm f/3.5L II 2,199 USD
- Ai AF-S Zoom-Nikkor ED 17-35mm F2.8D (@22mm, not 24mm) 1,764.95 USD
- AF-S NIKKOR 14-24mm f/2.8G ED (@24mm) 1,829.95 USD
- AF-S NIKKOR 24-70mm F2.8G ED (@24mm) 1,779 USD
- Ai AF Nikkor 24mm F2.8D 359.95 USD
- PC-E NIKKOR 24mm f/3.5D ED 1,989.95 USD
- 12-24mm F4.5-5.6 EX DG ASPHERICAL / HSM (@24mm) 859 USD
How to see Ganref's chart:
Green line: center
Red line: average center
Orange line: average peripheral
Blue line: average whole surface
I am using Blue one.
If you have any requests, please comment here.
Esta imagen pertenece a www.odisea2008.com
Referencia post:
I bough some time ago a cupcake kitty from one of my friends in deviant and i decided to make a bear...its my first work in illustrator.
Please dont use my photo and my works wihout permission. Just respect my work. Thanks.
PD: I have to learn a lot...
I've been learning some Illustrator lately , so this is some recent practice , thats my cam . . not realy creative , but I'm always up for learning more tools for creation . .
Fuzzy little characters inspired by various European countries. Batch no. 1 (Denmark, Romania, Switzerland, Germany, Spain & England)
Fred Taraba - Masters of American Illustration - 41 Illustrators & How They Worked
The Illustrated Press
Published 2011; 1st edition
Book Design: Daniel Zimmer
Featured Artists:
Constantin Alajalov
McClelland Barclay
Walter Baumhofer
Harry Beckhoff
Rudolph Belarski
Wladyslaw T. Benda
Walter Biggs
Franklin Booth
Austin Briggs
Arthur William Brown
Margaret Brundage
Charles Livingston Bull
Gilbert Bundy
Pruett Carter
Matt Clark
Walter Appleton Clark
Will Crawford
F.O.C. Darley
Joe DeMers
Albert Dorne
Robert Fawcett
James Montgomery Flagg
John Gannam
Edwin Georgi
Earl Oliver Hurst
John LaGatta
Andrew Loomis
Orson Lowell
Neysa McMein
Wallace Morgan
Rose O’Neill
Herbert Paus
Edward Penfield
Coles Phillips
Garrett Price
Norman Price
Mead Schaeffer
Alice Barber Stephens
Saul Tepper
Jon Whitcomb
Coby Whitmore
Illustrator from Library of Congress
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/board/458510
Esta imagen pertenece a www.odisea2008.com
Referencia post:
I'm trying to get some Spirograph-type patterns out of Adobe Illustrator. These sort of simulate the look, but they're not really it. The thing about Spirograph was that the lines were open-ended. One stroke could go on for miles. These designs in Illlustrator are just short strokes rotated and repeated. The other thing about Spirograph was that it used to include different shaped hubs for you to wheel around. In Illustrator, I basically can rotate. In a circle. That's it. I really can't think of a way to get a more dynamic hub shape, much less a PATH - Spirograph used to allow you to follow a path and gave you tools to put together your own paths. No clue what I'm talking about? Do an eBay search for Spirograph and look at those older kits.
That's what I want Illustrator to do - after all it is a COMPUTER and an ILLUSTRATION program. If you'd asked me back in the 70's what I thought "computers" and "illustration programs" would be able to do in 30 years, I would have guessed that they'd be able to not only automate the Spirograph drawing process, but that they'd take it to a whole new level of ROCK.
Where's my flying car?
In this detailed tutorial you will learn how to create a seamless pattern composed of simple folk-flavored flowers. In the first part we will create an individual flower. In the second we will focus on constructing a pattern and define a seamless Illustrator pattern swatch.
pehaa.com/2010/02/illustrator-tutorial-create-a-seamless-...