View allAll Photos Tagged hyperrealism
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Lettrage, tag, pochoir, hyperréalisme... plus de 50 fresques de styles différents reproduites au trait pour faire de chaque page votre mur d'expression. Dans cet album sont rassemblées des oeuvres en provenance des quatre coins du monde, créées par des graffeurs montants ou des artistes reconnus, et sélectionnées par la rédaction du site fatcap.org, spécialiste du street art. A vos feutres, faites le mur ! Détendez-vous et retrouvez le plaisir de créer avec ces coloriages pour adultes.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
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30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Tout au long de ces quarante ans de carrière, Duane Hanson a créé des sculptures hyperréalistes grandeur nature représentant des Américains de la classe ouvrière et des membres de la société souvent ignorés. Evoquant le mouvement Pop Art de l’époque, ses sculptures transforment la banalité et l’insignifiance du quotidien en matériel iconographique. Cette exposition, initiée par The Serpentine Galleries, Londres, présente des œuvres majeures de l’artiste.
Les premières œuvres de Hanson étaient des scènes grandeur nature de soldats tués au combat, de violences policières ou encore de sans domicile fixes, confrontant le public à des réalités bouleversantes. Les nombreuses critiques reçues par son œuvre Abortion en 1965 ont encouragé Duane Hanson à formuler ses opinions sociales et politiques par le biais de sculptures. Au cours des années suivantes il réalise des sculptures évoquant la misère sociale et la violence dans l’esprit des mouvements de contestation de l’époque. A partir de la fin des années 60, son travail s’oriente vers la représentation d’individus du quotidien – incluant des aspects satiriques – avec la création d’œuvres pouvant être considérées comme représentantes de la force ouvrière dans son ensemble, d’une classe de la société ou même d’une nation entière. A commencer par Football Players en 1968, Hanson a ensuite produit une série de sculptures représentant des Américains typiques, en se concentrant sur ceux qui ne se démarquent pas, dont Housepainter (1984/1988) et Queenie II (1988). L’hyperréalisme de ces sculptures découle directement de l’approche artistique de Duane Hanson. Avec de la résine de polyester et de la fibre de verre, il moule des modèles vivants dans son studio, prêtant attention à chaque détail, depuis les poils jusqu’aux veines et hématomes. Les sculptures sont ensuite assemblées, adaptées et finalisées méticuleusement, l’artiste choisissant lui-même avec attention les vêtements et accesoires.
Duane Hanson est né en 1925 à Alexandria, Minnesota, et est mort en 1996 à Boca Raton, Floride. Des expositions personnelles de l’artiste ont été organisées au Louisiana Museum of Modern Art, Humlebæk, Denmark, 1975; Des Moines Art Center, Iowa, 1977; Corcoran Gallery of Art, Washington, DC, 1978; Whitney Museum of American Art, New York, 1979; Kunsthaus Wien, Autriche, 1992; Montreal Museum of Fine Arts, Canada, 1994 (itinérance au Modern Art Museum of Fort Worth, Texas); Daimaru Museum of Art, Tokyo, 1995 (itinérance au Genichiro-Inkuma Museum of Contemporary Art, Kagawa, et Kintetsu Museum of Art, Osaka); Saatchi Gallery, Londres, 1997; Museum of Art, Fort Lauderdale, Florida, 1998 (itinérance au Flint Institute of Arts, Michigan; Whitney Museum of American Art, New York; et Memphis Brooks Museum of Art, Memphis); et Schirn Kunsthalle, Frankfurt, 2001 (itinérance au Padiglione d'Arte Contemporanea, Milan; Kunsthal Rotterdam, National Galleries of Scotland, Edimbourg, et Kunsthaus Zürich).
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Exhibition Tjalf Sparnaay at Museum de Fundatie Zwolle NL.
Since 1987, he has been working on his imposing oeuvre, constantly seeking new images that have never been painted before. What he calls Megarealism is part of the contemporary global art movement of Hyperrealism, and Sparnaay is now considered one of the most important painters working in that style.
Fried eggs, French fries, sandwiches and ketchup bottles, Barbie dolls, marbles and autumn leaves. Artist Tjalf Sparnaay visualizes these trivial subjects and inflates them to enormous formats, an assault on the senses. His paintings hit the retina like bolts of lightning in a clear blue sky. No other painter confronts us quite so clearly with ordinary objects that we hold dear.
Tjalf Sparnaay not only documents reality but also intensifies this by blowing up everyday objects to mega-proportions. This gives him the opportunity to explore every detail very closely and to dissect it layer by layer in order to arrive at the core of the theme. ‘My paintings,’ remarks Sparnaay, ‘are intended to enable the viewer to experience reality once again, to rediscover the essence of the object that has become so common. I wish to reduce it to the DNA of the universal structure in all its beauty. I call it ‘the beauty of the everyday’. The way in which Sparnaay approaches his work refers directly to the seventeenth century. He resembles Vermeer in his lucid use of colour and eye for detail and refinement, while the lighting in his paintings recalls the play of light and shadow in the work of Rembrandt. Sparnaay elaborates on the rich seventeenth-century Dutch tradition of the still life, but does so on an individual and modern manner. He is constantly seeking new images that have never been painted. And he finds them in his own environment: ‘By using trivial and everyday objects, I enable reality to flow from my brush once more. My intention is to give these objects a soul and a renewed presence.’
Sparnaay’s work is spread out over collections worldwide and is regularly exhibited in cities such as New York and London.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Tampere - Tampere Art Museum
"HYPER" offers a concise yet ambitious look at the development of hyperrealism, demonstrating how the representation of the human figure has transformed over the decades. The exhibition is a collaborative effort with the German Institut für Kulturaustausch, featuring loans from artists, galleries, art foundations, and private collections worldwide.
En medio de la visita a la flota Cootrasana, donde estábamos eligiendo el bus que usaríamos en una de las escenas del corto, Keiichi Matsuda quedó impresionado con el diseño de las chivas.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Messing around trying to get a Jill Greenberg/Hyper Real look. Let me know what you think. Before on the left and After on the right.
Exhibition Tjalf Sparnaay at Museum de Fundatie Zwolle NL.
Since 1987, he has been working on his imposing oeuvre, constantly seeking new images that have never been painted before. What he calls Megarealism is part of the contemporary global art movement of Hyperrealism, and Sparnaay is now considered one of the most important painters working in that style.
Fried eggs, French fries, sandwiches and ketchup bottles, Barbie dolls, marbles and autumn leaves. Artist Tjalf Sparnaay visualizes these trivial subjects and inflates them to enormous formats, an assault on the senses. His paintings hit the retina like bolts of lightning in a clear blue sky. No other painter confronts us quite so clearly with ordinary objects that we hold dear.
Tjalf Sparnaay not only documents reality but also intensifies this by blowing up everyday objects to mega-proportions. This gives him the opportunity to explore every detail very closely and to dissect it layer by layer in order to arrive at the core of the theme. ‘My paintings,’ remarks Sparnaay, ‘are intended to enable the viewer to experience reality once again, to rediscover the essence of the object that has become so common. I wish to reduce it to the DNA of the universal structure in all its beauty. I call it ‘the beauty of the everyday’. The way in which Sparnaay approaches his work refers directly to the seventeenth century. He resembles Vermeer in his lucid use of colour and eye for detail and refinement, while the lighting in his paintings recalls the play of light and shadow in the work of Rembrandt. Sparnaay elaborates on the rich seventeenth-century Dutch tradition of the still life, but does so on an individual and modern manner. He is constantly seeking new images that have never been painted. And he finds them in his own environment: ‘By using trivial and everyday objects, I enable reality to flow from my brush once more. My intention is to give these objects a soul and a renewed presence.’
Sparnaay’s work is spread out over collections worldwide and is regularly exhibited in cities such as New York and London.