View allAll Photos Tagged hyperrealism
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Born in Sierra Leone, but having lived most of her life in Melbourne, artist Patricia Piccinini is holding her largest solo exhibition in Brisbane's QAGOMA. No stranger to successful showings; she represented Australia at the 2003 Venice Biennale and drew 1.4 million viewers to a Brazilian exhibition.
Piccinini draws on the natural world, science, medicine and technology for her transgenic, hyper-realistic creations. Her Brisbane collection, entitled 'Curious Affection' focuses on family, motherhood and nurturing. Her subjects evoke a broad range of reactions and emotions - sometimes shocking and confronting , but just as often endearing.
In ‘Doubting Thomas’ (2008), a skeptical child with pale and luminous skin is about to put his hand inside the mouth of a genetically modified mole like creature that has reared its hairy snout to reveal a luscious, fluid-filled mouth replete with suckers and teeth.
Both figures are constructed from silicon, fibreglass, human hair and clothing.
Oil on canvas; 40 x 29.9 cm.
Claudio Bravo (November 8, 1936 – June 4, 2011) was a Chilean hyperrealist painter. He was greatly influenced by Renaissance and Baroque artists, as well as Surrealist painters such as Salvador Dalí. He lived and worked in Tangier, Morocco, beginning in 1972. Bravo also lived in Chile, New York and Spain. He was known mainly for his paintings of still lifes, portraits and packages, but he had also done drawings, lithographs, engraving and figural bronze sculptures. Bravo painted many prominent figures in society, including dictator Franco of Spain, President Ferdinand Marcos and First Lady Imelda Marcos of the Philippines and Malcolm Forbes.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Latest personal series, shot a while back. Exploring a vehicle in segments and finding interesting shapes. Finding a balance between hyperreal and classy.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
This is the start of a project that questions traditional street photography, and tries to better understand what makes the street such a special and unique experience. It's influenced by the works of Andreas Gursky, Jeff Wall and to some extent Gregory Crewdson (or at least I like to think that it is!).
If you like it, or if you don't please let me know, all feedback is welcome.
V2
Thought i might have some fun with the new craze of tron art mixed with my favorite thing in the world street fighter :D
hope you guys like
REF: original street fighter artwork so all credit goes to the capcom that took the made the image of bison
Berlin
SHE IS NOT A REAL PERSON!!!
I was dreaming this woman the last night...She was shocking me!!! And not only she >>> ►PLAY
...please take a look there is more inside!
«Non riproduco la vita, faccio una dichiarazione sui valori umani. La mia opera si occupa di persone che conducono un'esistenza di calma disperazione. Mostro il vuoto, la fatica, l'invecchiamento, la frustrazione. Queste persone non sanno reggere la competitività. Sono degli esclusi, degli esseri psicologicamente handicappati»
by Duane Hanson 1925 - 1996
Copyright © Francesca Alviani All rights reserved
Passages insolites, Ville de Québec
« Mark Jenkins est un artiste de rue qui intervient dans l’espace public avec l’incursion de personnages sculpturaux hyperréalistes en lieux insoupçonnés. Le contexte urbain est une scène de théâtre pour ses figures réfléchies in situ. Celles-ci adoptent des postures hors-normes et engagent des interactions inattendues, voire absurdes, avec l’environnement bâti.
Une série de personnages surgissent dans les ruelles et les recoins du quartier Petit-Champlain pour s’adonner à des activités ludiques : l’un se balance dans le vide, l’autre se prête à une pêche loufoque. Moulées en grandeur nature et pourvues de vêtements pour atteindre une ressemblance humaine déroutante, les sculptures trompent les passants qui ont momentanément l’impression qu’il pourrait s’agir de véritables personnes en situations compromettantes. En suscitant de vives réactions, les installations de Jenkins nous invitent à réfléchir à la réglementation des comportements jugés admissibles dans l’espace public ainsi qu’aux frontières brouillées entre le factice et le réel.
« Mon travail questionne la réalité et convertie l’espace ordinaire en espace artistique dynamique et surréel où les passants deviennent acteurs de l’œuvre. » – Mark Jenkins »
"One last option for those who wish to reserve the concept of truth for verbal and mathematical representations is to use the term ‘accuracy’ to express the relationship between visual representations and states of affairs, and ‘truth’ for the kind of relationship holding between statements and states of affairs. But this terminological distinction implies that there are two different sorts of correspondence relationships between representations and reality."
Perini, Laura. “The Truth in Pictures”, p. 283.
30th November 2013 - 30th March 2014
Birmingham Museum and Art Gallery is the only UK venue to display this first and largest European retrospective. It showcases the key photorealist artists from the 1960s to the present day.
Poster print at 18in x 24in. The layout is meticulously layered with highly detailed textures, reflections, 3D effects and is an example of our Photoshop skills.
This design is sold by Professional Photo Collages | ProCollage® [www.procollage.com]. They customize it in any imaginable way you'd like! Order yours today!
Prompt: text in beautiful crystal style lettering " Valentine's Day ", Northern lights in colors of reds, pinks, and whites around translucent red hearts with gold and silver translucent ribbons and pearls, ultra HD 64k, hyperrealism, bokeh northern light background in reds, pinks, and whites.
The digital fine art was created using Bing AI Image Creator inspired by Patricia Katz
Image Creator by Bing Prompt Share link: www.facebook.com/groups/573249842286911
In semiotics and postmodernism, hyperreality is an inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced postmodern societies. Hyperreality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins.[1] It allows the commingling of physical reality with virtual reality (VR) and human intelligence with artificial intelligence (AI).[2] Individuals may find themselves, for different reasons, more in tune, or involved with, the hyperreal world and less with the physical real world. Some famous proponents of hyperreality/hyperrealism include Jean Baudrillard, Albert Borgmann, Daniel J. Boorstin, Neil Postman, and Umberto Eco.