View allAll Photos Tagged hyperlapse
Well, how’s that for timing? Microsoft just demoed a video showcasing the progress of their buttery smooth stabilization technology at SIGGRAPH, and yesterday morning Instagram surprises with the announcement of Hyperlapse, a standalone app that simplifies the creation and sharing of ti...
www.inthomedecor.com/home-design-ideas/get-hyper-instagra...
My daily commute home. 38 miles compressed to 3 minutes or so. The traffic was *extremely* light this day; it's usually much more congested.
There were faint signs of a pink sunrise as I popped the drone up. By the time I had it in position to start the hyperlapse, the sky was already glowing pink.
This is a 25-minute capture that started 15 minutes before the sun came over the horizon. I landed with my low-battery alarm screaming at me.
80 Likes on Instagram
1 Comments on Instagram:
1000heads: #millenium #milleniumbridge #bridge #thethames #thames #thamesriver #river #theshard #building #boats #people #crowd #hyperlapse #timelapse #london #uk
#Hyperlapse of the #lego #tree at #Westfield #city. #pittstmall #sydney #legotree #legochristmastree #legochristmas #xmas #christmas #sephora
27 Likes on Instagram
5 Comments on Instagram:
102megan: Disappointing - I expected more people stopping to take a photo of it!!
captnrosco: @102megan well it was taken today, and all the mall was closed today :(
ansendavid: Every man and dog in Sydney already photographed it over the weekend!
captnrosco: @baltoria true that.
102megan: @captnrosco @baltoria Ah yes, fair calls!
From Willemsbrug to Erasmusbrug Rotterdam.
Taken a photo roughly every 10 meters and when i got closer around 7 meters in between.
This is the first time i had a go at something like this so it's a bit rough, thought to share it anyway.
the music was taken from incompetech.com.
Hyperlapse video of part of a driving tour we took through the Tuscan countryside in a 1968 Fiat 500, Ella. This was an amazing tour driving a vintage car that ended with a wine tasting.
The song that's playing was playing in the car.
This is a short time lapse taken during the Road Circuit training for the UCI Worlds Championship bike races held in Richmond, VA during September 2015. This was created using Microsoft's Hyperlapse App for Android. It does a pretty good job creating this. youtu.be/oQD6XQKe-2A
This very-short art film uses travelling time-lapse in a novel way to obtain an "impossible" view of the landscape across Western Canada (Ontario to BC). On one level it's an expressionist portrait using motion as a medium to bring out regional differences in a new way. On a second level it conveys the ambivalence of human domination of the land contrasted with our ephemeral buzzing around it. On a third level it's the union of observer and observed, the landscape inseparable from our view of it. The artist's body becomes the land's motion, so that in the off-road section the flowing, hopping, and vibration of the landscape is simply due to the height of my body, or a couple of my strides. It's an intimate relativity as you realize that you have become an integral part of the landscape in the act of creating a perception of it.
"It's strange what the distant-vision focal point centering on the mountain does to our perception of the mountains, which become surreal. The film changes the point of reference for the sound as we go along—from human to earthbeats—also surreal. To make a simple sound structure using heartbeats, which used at first level might seem corny, works so well in this context. Simple. Elegant. Even funny. I laughed out loud when I saw it. Short and sweet. " -- Marcy Page, Animation Producer, National Film Board of Canada.
TECHNIQUE: Camera and environment are animated together as "point-of-view animation" or "landscape pixilation" of still photographs. The film was made by shooting still images with a 35mm Pentax with a telephoto lens, taking one frame every four seconds. Around 500 photos were scanned and then painstakingly brought back into motion in Adobe After Effects. However, rather than merely making still pictures move, a new technique was adopted. Each shot is given an anchor point, so there's a spot on the landscape that is always in the same place. The framing is moving around afterwards to follow that part of the land, not of the screen. The background is fixed, and the foreground is going crazy, but it's watchable because you have a reference point.
THEMES: (a) An attempt to abstract, or express, fundamental differences of the regions across Western Canada by the use of movement as the method of portrayal. (b) Bart Testa, in "Spirit in the Landscape," evaluates earlier Canadian avant-garde landscape films in terms of the Canadian landscape-painting tradition and its accompanying "garrison mentality" — a refuge from the vast, threatening landscape. It seems a good time for this experimental animation of the landscape because we may be at a pivotal point in the garrison mentality, where it is now the landscape that is threatened by the garrison. Vision Point visually poses the question (in a humorous way): which dominates, the land or us?
Credits: Animation, photography, and sound by Stephen Arthur. Copyright © 1999 Stephen Arthur