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This one’s from Bandai in 1998, Hyper Gojira series. About 4 inches tall. Made of black solid flexible plastic and applied with very minimum colouring makes this one look real mean and strong.
bila aku nak mengemas rumah la korang nak hyper. that box was ignored for the whole month. and when i decided to get rid of it, beria2 korang nak main, kan? *geleng kepala* #kisahandartudankucingnya #crazycatlady
25 Likes on Instagram
6 Comments on Instagram:
atmology: Yummy!
sheera_k: I call tht "joyah"! Time lipat kain nak baring atas kain. Time nak sapu nak gigit/dudukatas penyapu.
dino_omar: Setujuuuuu!!! Time nak clean litter box paling tensennn! Time tu lah nak buat bisnes. Pastu tenung muka kita macam nak kata 'sat naaa sat naaaa'. Hahaha.
suzannajuwita: @sheera_k kaaan? lps tu suke sgt duduk atas sampah terkumpul yg kita sapu tu!
suzannajuwita: @dino_omar tula pasaaal. rilek dia je, kita pulak kena tunggu dia setel
suzannajuwita: #thesixdwarfs
Quand ma gand-mère portait des grandes chaussettes avec ses jupes, on trouvait cela super ringard. Quand une jolie asiatique porte la même chose que ma grand mère, on trouve cela top tendance. Vous comprenez quelque chose à la mode vous ?
Petit ajout : vous vous souvenez des Vamps ? Elles étaient habillées comme ça non ?
Gisela Colon - (American, born 1966)
Hyper Ellipsoid (Azure Gold) - 2019
GISELA COLON (Canada, b. 1966) was raised in San Juan, Puerto Rico and received her BA from the University of Puerto Rico (1987) and JD from Southwestern University School of Law, Los Angeles (1990). Colon lives and works in Los Angeles, California.
Colon is an American contemporary artist who has developed a unique vocabulary of “organic minimalism,” breathing life-like qualities into reductive forms. Colon's oeuvre encompasses several distinct sculptural forms: Pods, Slabs, Monoliths, and Portals. The through-line in all of Colon's work is the concept of the "mutable object;" the sculptures are conceived as variable objects that transmute their physical qualities through fluctuating movement, varied lighting, changing environmental conditions, and the passage of time.
The Pods are created through a proprietary fabrication method of blow-molding and layering various acrylic materials, producing transformational objects that emanate light and color from within. The Slabs are 8-foot tall hybrid creations that amalgamate the use of acrylic technology with polished stainless steel, resulting in objects that hover between materiality and immateriality. The Monoliths are 12 and 15-foot tall vertical singular-form sculptures, engineered with aerospace technology, possessing no lines, corners, edges, or demarcations, conceived as pure form to denote clarity and aesthetic purity. The Portals are extremely streamlined 8-foot tall wall relief sculptures that exude disembodied light and morphing color, pulling the viewer towards the work and into a liminal / metaphysical space.
Colon began her career as a painter, exhibiting abstract works from 2005 to 2011. In 2012, Colon moved into sculpture, focusing on perceptual phenomena. Colon’s friendship with mentor DeWain Valentine, and the ideas and practices of Robert Irwin, James Turrell, Larry Bell, John McCracken, Doug Wheeler, amongst others, generated a conceptual shift in her work increasing her interest in issues of visual perception, and materiality, which led to the creation of her sculptural bodies of work. Colon's sculptural practice of generating interplay between light, perception, and lucid materiality embodies the ideals and the evolving investigations of the California Light and Space movement.
Colon also has been influenced by Minimalism, particularly the writings and work of Donald Judd, Dan Flavin, Agnes Martin, amongst others. Taking a cue from Donald Judd’s notion of “specific objects,” Colon has dubbed her own works “non-specific objects” to highlight their deliberate fluid indeterminacy.
Originally from Puerto Rico, Colon's work is also the product of cross-cultural influences. Colon identifies the early influence of Latin American artists such as Jesus Rafael Soto and Carlos Cruz-Diez on her practice. Colon's sculptural work continues a conversation with Latin American geometric modernism and the legacy of OpArt.
hilliardmuseum.org/exhibits/gisela-colon-pods
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"Mint Museum Uptown houses the internationally renowned Craft + Design collection, as well as outstanding collections of American and contemporary art.
Designed by Machado and Silvetti Associates of Boston, the five-story, 145,000-square-foot facility combines inspiring architecture with cutting-edge exhibitions to provide visitors with unparalleled educational and cultural experiences.
Located in the heart of Charlotte’s burgeoning city center, Mint Museum Uptown is an integral part of the Levine Center for the Arts, a cultural campus that includes the Bechtler Museum of Modern Art, the Harvey B. Gantt Center for African-American Arts and Culture, the Knight Theater, and the Duke Energy Center. Mint Museum Uptown also features a wide range of visitor amenities, including the 240-seat James B. Duke Auditorium, the Lewis Family Gallery, art studios, a restaurant, and a museum store.
www.mintmuseum.org/plan-your-visit/
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The Mint Museum is the largest visual arts institution in Charlotte and holds the largest public collection of Charlotte-born artist Romare Bearden's work.
The American Art collection comprises approximately 900 works created between the late 1700s and circa 1945. It includes portraiture of the Federal era, 19th century landscapes, and paintings from the group known as "The Eight" (Robert Henri, George Luks, William Glackens, John Sloan, Everett Shinn, Maurice Prendergast, Ernest Lawson, and Arthur Bowen Davies). Additional highlights in this area include works by John Singleton Copley, Gilbert Stuart, Thomas Sully, and Hudson River School painters Thomas Cole and Sanford Gifford.
The Art of the Ancient Americas collection includes roughly 2,000 objects from more than 40 cultures, spanning more than 4,500 years. The collection includes body adornments, tools, ceramic vessels, sculpture, textiles, and metal ornaments.
There are about 2,230 objects in the Mint's collection of Contemporary Art. These include the Bearden collection and other works on paper, contemporary sculpture, and photography from circa 1945 to the present.
The Mint's Decorative Arts collection, considered one of the finest in the country, centers on its holdings in ceramics. Containing more than 12,000 objects from 2000 B.C. to 1950 A.D., the collection includes a wide variety of ancient Chinese ceramics, 18th century European and English wares, American art pottery, and North Carolina pottery. The Mint has the largest and most comprehensive collection of North Carolina pottery in the nation. Its collection of North Carolina pottery comprises some 2,200 objects, dating from the 1700s.
The museum's Delhom collection, given to the Mint in 1966, contains 2,000 pieces of historic pottery and porcelain, as well as pre-Columbian pieces that are more than 4,500 years old.
Almost 10,000 items of men's, women's, and children's fashions from the early 18th century to present-day haute couture are included in the museum's collection of Historic Costume and Fashionable Dress, which approaches fashion as an art form.
en.wikipedia.org/wiki/Mint_Museum
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This is a Hyper Stereo 3D screenshot of Ulley Reservoir in Rotherham, South Yorkshire.
It was was created using 2 Toshiba S20 camcorders. I took a photo with the left hand camcorder and left the image on the viewfinder. I then moved a few feet horizontally to the right and tried to take the exact same photo with the right hand camcorder, using the left reference image to line things up as best I could. Its mainly guess work and trial and error, but with a steady hand and a bit of luck you sometimes get some good stereos.
They are best viewed in large size fullscreen, or click here to see a 3D slideshow.
www.flickr.com/photos/57605784@N06/sets/72157626553358934...
This is a Hyper Stereo 3D screenshot of Ulley Reservoir in Rotherham, South Yorkshire.
It was was created using 2 Toshiba S20 camcorders. I took a photo with the left hand camcorder and left the image on the viewfinder. I then moved a few feet horizontally to the right and tried to take the exact same photo with the right hand camcorder, using the left reference image to line things up as best I could. Its mainly guess work and trial and error, but with a steady hand and a bit of luck you sometimes get some good stereos.
They are best viewed in large size fullscreen, or click here to see a 3D slideshow.
www.flickr.com/photos/57605784@N06/sets/72157626553358934...
first attempt at a hyper real photo
nikon d300
50mm 1.8
.9 ND filter
umbrella strobe on low to the right
click to view bigger
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